Triumph of the Egg, and Other Stories Part 13

Rosalind jumped up from under the tree and climbed up the railroad embankment. She thanked the G.o.ds she had been lifted out of the life of the town of Willow Springs and that chance had set her down to live in a city. "Chicago is far from beautiful. People say it is just a big noisy dirty village and perhaps that's what it is, but there is something alive there," she thought. In Chicago, or at least during the last two or three years of her life there, Rosalind felt she had learned a little something of life. She had read books for one thing, such books as did not come to Willow Springs, books that Willow Springs knew nothing about, she had gone to hear the Symphony Orchestra, she had begun to understand something of the possibility of line and color, had heard intelligent, understanding men speak of these things. In Chicago, in the midst of the twisting squirming millions of men and women there were voices. One occasionally saw men or at least heard of the existence of men who, like the beautiful old man who had walked away down the marble stairs in the vision of her girlhood nights, had kept some precious thing alive in themselves.

And there was something else--it was the most important thing of all.

For the last two years of her life in Chicago she had spent hours, days in the presence of a man to whom she could talk. The talks had awakened her. She felt they had made her a woman, had matured her.

"I know what these people here in Willow Springs are like and what I would have been like had I stayed here," she thought. She felt relieved and almost happy. She had come home at a crisis of her own life hoping to be able to talk a little with her mother, or if talk proved impossible hoping to get some sense of sisterhood by being in her presence. She had thought there was something buried away, deep within every woman, that at a certain call would run out to other women. Now she felt that the hope, the dream, the desire she had cherished was altogether futile. Sitting in the great flat bowl in the midst of the corn lands two miles from her home town where no breath of air stirred and seeing the beetles at their work of preparing to propagate a new generation of beetles, while she thought of the town and its people, had settled something for her. Her visit to Willow Springs had come to something after all.

Rosalind's figure had still much of the spring and swing of youth in it. Her legs were strong and her shoulders broad. She went swinging along the railroad track toward town, going westward. The sun had begun to fall rapidly down the sky. Away over the tops of the corn in one of the great fields she could see in the distance to where a man was driving a motor along a dusty road. The wheels of the car kicked up dust through which the sunlight played. The floating cloud of dust became a shower of gold that settled down over the fields. "When a woman most wants what is best and truest in another woman, even in her own mother, she isn't likely to find it," she thought grimly. "There are certain things every woman has to find out for herself, there is a road she must travel alone. It may only lead to some more ugly and terrible place, but if she doesn't want death to overtake her and live within her while her body is still alive she must set out on that road."

Rosalind walked for a mile along the railroad track and then stopped. A freight train had gone eastward as she sat under the tree by the creek bed and now, there beside the tracks, in the gra.s.s was the body of a man. It lay still, the face buried in the deep burned gra.s.s. At once she concluded the man had been struck and killed by the train. The body had been thrown thus aside. All her thoughts went away and she turned and started to tiptoe away, stepping carefully along the railroad ties, making no noise. Then she stopped again. The man in the gra.s.s might not be dead, only hurt, terribly hurt. It would not do to leave him there.

She imagined him mutilated but still struggling for life and herself trying to help him. She crept back along the ties. The man's legs were not twisted and beside him lay his hat. It was as though he had put it there before lying down to sleep, but a man did not sleep with his face buried in the gra.s.s in such a hot uncomfortable place. She drew nearer.

"O, you Mister," she called, "O, you--are you hurt?"

The man in the gra.s.s sat up and looked at her. He laughed. It was Melville Stoner, the man of whom she had just been thinking and in thinking of whom she had come to certain settled conclusions regarding the futility of her visit to Willow Springs. He got to his feet and picked up his hat. "Well, h.e.l.lo, Miss Rosalind Wescott," he said heartily. He climbed a small embankment and stood beside her. "I knew you were at home on a visit but what are you doing out here?" he asked and then added, "What luck this is! Now I shall have the privilege of walking home with you. You can hardly refuse to let me walk with you after shouting at me like that."

They walked together along the tracks he with his hat in his hand.

Rosalind thought he looked like a gigantic bird, an aged wise old bird, "perhaps a vulture" she thought. For a time he was silent and then he began to talk, explaining his lying with his face buried in the gra.s.s.

There was a twinkle in his eyes and Rosalind wondered if he was laughing at her as she had seen him laugh at the widow who owned the hens.

He did not come directly to the point and Rosalind thought it strange that they should walk and talk together. At once his words interested her. He was so much older than herself and no doubt wiser. How vain she had been to think herself so much more knowing than all the people of Willow Springs. Here was this man and he was talking and his talk did not sound like anything she had ever expected to hear from the lips of a native of her home town. "I want to explain myself but we'll wait a little. For years I've been wanting to get at you, to talk with you, and this is my chance. You've been away now five or six years and have grown into womanhood.

"You understand it's nothing specially personal, my wanting to get at you and understand you a little," he added quickly. "I'm that way about everyone. Perhaps that's the reason I live alone, why I've never married or had personal friends. I'm too eager. It isn't comfortable to others to have me about."

Rosalind was caught up by this new view point of the man. She wondered.

In the distance along the tracks the houses of the town came into sight. Melville Stoner tried to walk on one of the iron rails but after a few steps lost his balance and fell off. His long arms whirled about.

A strange intensity of mood and feeling had come over Rosalind. In one moment Melville Stoner was like an old man and then he was like a boy.

Being with him made her mind, that had been racing all afternoon, race faster than ever.

When he began to talk again he seemed to have forgotten the explanation he had intended making. "We've lived side by side but we've hardly spoken to each other," he said. "When I was a young man and you were a girl I used to sit in the house thinking of you. We've really been friends. What I mean is we've had the same thoughts."

He began to speak of life in the city where she had been living, condemning it. "It's dull and stupid here but in the city you have your own kind of stupidity too," he declared. "I'm glad I do not live there."

In Chicago when she had first gone there to live a thing had sometimes happened that had startled Rosalind. She knew no one but her brother and his wife and was sometimes very lonely. When she could no longer bear the eternal sameness of the talk in her brother's house she went out to a concert or to the theatre. Once or twice when she had no money to buy a theatre ticket she grew bold and walked alone in the streets, going rapidly along without looking to the right or left. As she sat in the theatre or walked in the street an odd thing sometimes happened.

Someone spoke her name, a call came to her. The thing happened at a concert and she looked quickly about. All the faces in sight had that peculiar, half bored, half expectant expression one grows accustomed to seeing on the faces of people listening to music. In the entire theatre no one seemed aware of her. On the street or in the park the call had come when she was utterly alone. It seemed to come out of the air, from behind a tree in the park.

And now as she walked on the railroad tracks with Melville Stoner the call seemed to come from him. He walked along apparently absorbed with his own thoughts, the thoughts he was trying to find words to express.

His legs were long and he walked with a queer loping gait. The idea of some great bird, perhaps a sea-bird stranded far inland, stayed in Rosalind's mind but the call did not come from the bird part of him.

There was something else, another personality hidden away. Rosalind fancied the call came this time from a young boy, from such another clear-eyed boy as she had once seen in her waking dreams at night in her father's house, from one of the boys who walked on the marble stairway, walked down and away. A thought came that startled her. "The boy is hidden away in the body of this strange bird-like man," she told herself. The thought awoke fancies within her. It explained much in the lives of men and women. An expression, a phrase, remembered from her childhood when she had gone to Sunday School in Willow Springs, came back to her mind. "And G.o.d spoke to me out of a burning bush." She almost said the words aloud.

Melville Stoner loped along, walking on the railroad ties and talking.

He seemed to have forgotten the incident of his lying with his nose buried in the gra.s.s and was explaining his life lived alone in the house in town. Rosalind tried to put her own thoughts aside and to listen to his words but did not succeed very well. "I came home here hoping to get a little closer to life, to get, for a few days, out of the company of a man so I could think about him. I fancied I could get what I wanted by being near mother, but that hasn't worked. It would be strange if I got what I am looking for by this chance meeting with another man," she thought. Her mind went on recording thoughts. She heard the spoken words of the man beside her but her own mind went on, also making words. Something within herself felt suddenly relaxed and free. Ever since she had got off the train at Willow Springs three days before there had been a great tenseness. Now it was all gone. She looked at Melville Stoner who occasionally looked at her. There was something in his eyes, a kind of laughter--a mocking kind of laughter.

His eyes were grey, of a cold greyness, like the eyes of a bird.

"It has come into my mind--I have been thinking--well you see you have not married in the six years since you went to live in the city. It would be strange and a little amusing if you are like myself, if you cannot marry or come close to any other person," he was saying.

Again he spoke of the life he led in his house. "I sometimes sit in my house all day, even when the weather is fine outside," he said. "You have no doubt seen me sitting there. Sometimes I forget to eat. I read books all day, striving to forget myself and then night comes and I cannot sleep.

"If I could write or paint or make music, if I cared at all about expressing what goes on in my mind it would be different. However, I would not write as others do. I would have but little to say about what people do. What do they do? In what way does it matter? Well you see they build cities such as you live in and towns like Willow Springs, they have built this railroad track on which we are walking, they marry and raise children, commit murders, steal, do kindly acts. What does it matter? You see we are walking here in the hot sun. In five minutes more we will be in town and you will go to your house and I to mine.

You will eat supper with your father and mother. Then your father will go up town and you and your mother will sit together on the front porch. There will be little said. Your mother will speak of her intention to can fruit. Then your father will come home and you will all go to bed. Your father will pump a pail of water at the pump by the kitchen door. He will carry it indoors and put it on a box by the kitchen sink. A little of the water will be spilled. It will make a soft little slap on the kitchen floor--"

"Ha!"

Melville Stoner turned and looked sharply at Rosalind who had grown a little pale. Her mind raced madly, like an engine out of control. There was a kind of power in Melville Stoner that frightened her. By the recital of a few commonplace facts he had suddenly invaded her secret places. It was almost as though he had come into the bedroom in her father's house where she lay thinking. He had in fact got into her bed.

He laughed again, an unmirthful laugh. "I'll tell you what, we know little enough here in America, either in the towns or in the cities,"

he said rapidly. "We are all on the rush. We are all for action. I sit still and think. If I wanted to write I'd do something. I'd tell what everyone thought. It would startle people, frighten them a little, eh?

I would tell you what you have been thinking this afternoon while you walked here on this railroad track with me. I would tell you what your mother has been thinking at the same time and what she would like to say to you."

Rosalind's face had grown chalky white and her hands trembled. They got off the railroad tracks and into the streets of Willow Springs. A change came over Melville Stoner. Of a sudden he seemed just a man of forty, a little embarra.s.sed by the presence of the younger woman, a little hesitant. "I'm going to the hotel now and I must leave you here," he said. His feet made a shuffling sound on the sidewalk. "I intended to tell you why you found me lying out there with my face buried in the gra.s.s," he said. A new quality had come into his voice.

It was the voice of the boy who had called to Rosalind out of the body of the man as they walked and talked on the tracks. "Sometimes I can't stand my life here," he said almost fiercely and waved his long arms about. "I'm alone too much. I grow to hate myself. I have to run out of town."

The man did not look at Rosalind but at the ground. His big feet continued shuffling nervously about. "Once in the winter time I thought I was going insane," he said. "I happened to remember an orchard, five miles from town where I had walked one day in the late fall when the pears were ripe. A notion came into my head. It was bitter cold but I walked the five miles and went into the orchard. The ground was frozen and covered with snow but I brushed the snow aside. I pushed my face into the gra.s.s. In the fall when I had walked there the ground was covered with ripe pears. A fragrance arose from them. They were covered with bees that crawled over them, drunk, filled with a kind of ecstacy.

I had remembered the fragrance. That's why I went there and put my face into the frozen gra.s.s. The bees were in an ecstasy of life and I had missed life. I have always missed life. It always goes away from me. I always imagined people walking away. In the spring this year I walked on the railroad track out to the bridge over Willow Creek. Violets grew in the gra.s.s. At that time I hardly noticed them but today I remembered. The violets were like the people who walk away from me. A mad desire to run after them had taken possession of me. I felt like a bird flying through s.p.a.ce. A conviction that something had escaped me and that I must pursue it had taken possession of me."

Melville Stoner stopped talking. His face also had grown white and his hands also trembled. Rosalind had an almost irresistible desire to put out her hand and touch his hand. She wanted to shout, crying--"I am here. I am not dead. I am alive." Instead she stood in silence, staring at him, as the widow who owned the high flying hens had stared.

Melville Stoner struggled to recover from the ecstasy into which he had been thrown by his own words. He bowed and smiled. "I hope you are in the habit of walking on railroad tracks," he said. "I shall in the future know what to do with my time. When you come to town I shall camp on the railroad tracks. No doubt, like the violets, you have left your fragrance out there." Rosalind looked at him. He was laughing at her as he had laughed when he talked to the widow standing at his gate. She did not mind. When he had left her she went slowly through the streets.

The phrase that had come into her mind as they walked on the tracks came back and she said it over and over. "And G.o.d spoke to me out of a burning bush." She kept repeating the phrase until she got back into the Wescott house.

Rosalind sat on the front porch of the house where her girlhood had been spent. Her father had not come home for the evening meal. He was a dealer in coal and lumber and owned a number of unpainted sheds facing a railroad siding west of town. There was a tiny office with a stove and a desk in a corner by a window. The desk was piled high with unanswered letters and with circulars from mining and lumber companies.

Over them had settled a thick layer of coal dust. All day he sat in his office looking like an animal in a cage, but unlike a caged animal he was apparently not discontented and did not grow restless. He was the one coal and lumber dealer in Willow Springs. When people wanted one of these commodities they had to come to him. There was no other place to go. He was content. In the morning as soon as he got to his office he read the Des Moines paper and then if no one came to disturb him he sat all day, by the stove in winter and by an open window through the long hot summer days, apparently unaffected by the marching change of seasons pictured in the fields, without thought, without hope, without regret that life was becoming an old worn out thing for him.

In the Wescott house Rosalind's mother had already begun the canning of which she had several times spoken. She was making gooseberry jam.

Rosalind could hear the pots boiling in the kitchen. Her mother walked heavily. With the coming of age she was beginning to grow fat.

The daughter was weary from much thinking. It had been a day of many emotions. She took off her hat and laid it on the porch beside her.

Melville Stoner's house next door had windows that were like eyes staring at her, accusing her. "Well now, you see, you have gone too fast," the house declared. It sneered at her. "You thought you knew about people. After all you knew nothing." Rosalind held her head in her hands. It was true she had misunderstood. The man who lived in the house was no doubt like other people in Willow Springs. He was not, as she had smartly supposed, a dull citizen of a dreary town, one who knew nothing of life. Had he not said words that had startled her, torn her out of herself?

Rosalind had an experience not uncommon to tired nervous people. Her mind, weary of thinking, did not stop thinking but went on faster than ever. A new plane of thought was reached. Her mind was like a flying machine that leaves the ground and leaps into the air.

It took hold upon an idea expressed or implied in something Melville Stoner had said. "In every human being there are two voices, each striving to make itself heard."

A new world of thought had opened itself before her. After all human beings might be understood. It might be possible to understand her mother and her mother's life, her father, the man she loved, herself.

There was the voice that said words. Words came forth from lips. They conformed, fell into a certain mold. For the most part the words had no life of their own. They had come down out of old times and many of them were no doubt once strong living words, coming out of the depth of people, out of the bellies of people. The words had escaped out of a shut-in place. They had once expressed living truth. Then they had gone on being said, over and over, by the lips of many people, endlessly, wearily.

She thought of men and women she had seen together, that she had heard talking together as they sat in the street cars or in apartments or walked in a Chicago park. Her brother, the traveling salesman, and his wife had talked half wearily through the long evenings she had spent with them in their apartment. It was with them as with the other people. A thing happened. The lips said certain words but the eyes of the people said other words. Sometimes the lips expressed affection while hatred shone out of the eyes. Sometimes it was the other way about. What a confusion!

It was clear there was something hidden away within people that could not get itself expressed except accidentally. One was startled or alarmed and then the words that fell from the lips became pregnant words, words that lived.

The vision that had sometimes visited her in her girlhood as she lay in bed at night came back. Again she saw the people on the marble stairway, going down and away, into infinity. Her own mind began to make words that struggled to get themselves expressed through her lips.

She hungered for someone to whom to say the words and half arose to go to her mother, to where her mother was making gooseberry jam in the kitchen, and then sat down again. "They were going down into the hall of the hidden voices," she whispered to herself. The words excited and intoxicated her as had the words from the lips of Melville Stoner. She thought of herself as having quite suddenly grown amazingly, spiritually, even physically. She felt relaxed, young, wonderfully strong. She imagined herself as walking, as had the young girl she had seen in the vision, with swinging arms and shoulders, going down a marble stairway--down into the hidden places in people, into the hall of the little voices. "I shall understand after this, what shall I not understand?" she asked herself.

Doubt came and she trembled a little. As she walked with him on the railroad track Melville Stoner had gone down within herself. Her body was a house, through the door of which he had walked. He had known about the night noises in her father's house--her father at the well by the kitchen door, the slap of the spilled water on the floor. Even when she was a young girl and had thought herself alone in the bed in the darkness in the room upstairs in the house before which she now sat, she had not been alone. The strange bird-like man who lived in the house next door had been with her, in her room, in her bed. Years later he had remembered the terrible little noises of the house and had known how they had terrified her.

There was something terrible in his knowledge too. He had spoken, given forth his knowledge, but as he did so there was laughter in his eyes, perhaps a sneer.

In the Wescott house the sounds of housekeeping went on. A man who had been at work in a distant field, who had already begun his fall plowing, was unhitching his horses from the plow. He was far away, beyond the street's end, in a field that swelled a little out of the plain. Rosalind stared. The man was. .h.i.tching the horses to a wagon. She saw him as through the large end of a telescope. He would drive the horses away to a distant farmhouse and put them into a barn. Then he would go into a house where there was a woman at work. Perhaps the woman like her mother would be making gooseberry jam. He would grunt as her father did when at evening he came home from the little hot office by the railroad siding. "h.e.l.lo," he would say, flatly, indifferently, stupidly. Life was like that.

Rosalind became weary of thinking. The man in the distant field had got into his wagon and was driving away. In a moment there would be nothing left of him but a thin cloud of dust that floated in the air. In the house the gooseberry jam had boiled long enough. Her mother was preparing to put it into gla.s.s jars. The operation produced a new little side current of sounds. She thought again of Melville Stoner.