The Prairie Mother Part 27

We still have the furs, as I've already said, and I've been looking them over. They're so plentiful in this country that I've rather lost my respect for them. Back in the old days I used to invade those mirrored and carpeted _salons_ where a trained and deferential saleswoman would slip sleazy and satin-lined moleskin coats over my arms and adjust baby-bear and otter and ermine and Hudson-seal next to my skin. It always gave me a very luxurious and Empressy sort of feeling to see myself arrayed, if only experimentally, in silver-fox and plucked beaver and fisher, to feel the soft pelts and observe how well one's skin looked above seal-brown or s.h.a.ggy bear.

But I never knew what it cost. I never even considered where they came from, or what they grew on, and it was to me merely a vague and unconfirmed legend that they were all torn from the carca.s.ses of far-away animals. Prairie life has brought me a little closer to that legend, and now that I know what I do, it makes a difference.

For with the coming of the cold weather, last winter, Francois and Whinstane Sandy took to trapping, to fill in the farm-work hiatus.

They made it a campaign, and prepared for it carefully, concocting stretching-rings and cutting-boards and fas.h.i.+oning rabbit-snares and overhauling wicked-looking iron traps, which were quite ugly enough even before they became stained and clotted and rusted with blood.

They had a very successful season, but even at the first it struck me as odd to see two men, not outwardly debased, so soberly intent on their game of killing. And in the end I got sick of the big blood-rusted traps and the stretching-rings and the blood-smeared cutting-boards and the smell of pelts being cured. For every pelt, I began to see, meant pain and death. In one trap Francois found only the foot of a young red fox: it had gnawed its leg off to gain freedom from those vicious iron jaws that had bitten so suddenly into its flesh and bone and sinew. He also told me of finding a young bear which had broken the anchor-chain of a twelve-pound trap and dragged it over one hundred miles. All the fight, naturally, was gone out of the little creature. It was whimpering like a woman when Francois came up with it--poor little tortured broken-hearted thing! And some empty-headed heiress goes mincing into the Metropolitan, on a Caruso night, very proud and peac.o.c.ky over her new ermine coat, without ever dreaming it's a patchwork of animal sufferings that is keeping her fat body warm, and that she's trying to make herself beautiful in a hundred tragedies of the wild.

If women only thought of these things! But we women have a very convenient hand-made imagination all our own, and what upsets us as perfect ladies we graciously avoid. Yet if the petticoated Vandal in that ermine coat were compelled to behold from her box-chair in the Metropolitan, not a musty old love-affair set to music, but the spectacle of how each little animal whose skin she has appropriated had been made to suffer, the hours and sometimes days of torture it had endured, and how, if still alive when the trapper made the rounds of his sets, it had been carefully strangled to death by that frugal harvester, to the end that the pelt might not be bloodied and reckoned only as a "second"--if the weasel-decked lady, I repeat, had to witness all this with her own beaded eyes, our wilderness would not be growing into quite such a lonely wilderness.

Or some day, let's put it, as one of these beaver-clad ladies tripped through the Ramble in Central Park, supposing a steel-toothed trap suddenly and quite unexpectedly snapped shut on her silk-stockinged ankle and she writhed and moaned there in public, over the week-end.

Then possibly her cries of suffering might make her sisters see a little more light. But the beaver, they tell me, is trapped under the ice, always in running water. A mud-ball is placed a little above the waiting trap, to leave the water opaque, and when the angry iron jaws have snapped shut on their victim, that victim drowns, a prisoner.

Francois used to contend shruggingly that it was an easy death. It may be easy compared with some of the other deaths imposed on his furry captives. But it's not my idea of bliss, drowning under a foot or two of ice with a steel trap mangling your ankle for full measure!

"We live forward, but we understand backward." I don't know who first said it. But the older I grow the more I realize how true it is.

_Sunday the Umptieth_

I've written to Peter, reminding him of his promise, and asking about the Pasadena bungalow.

It seems the one way out. I'm tired of living like an Alpine ibex, all day long above the snow-line. I'm tired of this blind alley of inaction. I'm tired of decisions deferred and threats evaded. I want to get away to think things over, to step back and regain a perspective on the over-smudged canvas of life.

To remain at Alabama Ranch during the winter can mean only a winter of discontent and drifting--and drifting closer and closer to uncharted rocky ledges. There's no ease for the mouth where one tooth aches, as the Chinese say.

d.i.n.ky-Dunk, I think, has an inkling of how I feel. He is very thoughtful and kind in small things, and sometimes looks at me with the eyes of a boy's dog which has been forbidden to follow the village gang a-field. And it's not that I dislike him, or that he grates on me, or that I'm not thankful enough for the thousand and one little kind things he does. But it's rubbing on the wrong side of the gla.s.s.

It can't bring back the past. My husband of to-day is not the d.i.n.ky-Dunk I once knew and loved and laughed with. To go back to dogs, it reminds me of c.h.i.n.kie's St. Bernard, "Father Tom," whom c.h.i.n.kie petted and trained and loved almost to adoration. And when poor old Father Tom was killed c.h.i.n.kie in his madness insisted that a taxidermist should stuff and mount that dead dog, which stood, thereafter, not a quick and living companion but a rather gruesome monument of a vanished friends.h.i.+p. It was, of course, the shape and color of the thing he had once loved; but you can't feed a hungry heart by staring at a pair of gla.s.s eyes and a wired tail without any wag in it.

_Sat.u.r.day the Ninth_

Struthers and I have been busy making clothes, during the absence of d.i.n.ky-Dunk, who has been off duck-shooting for the last three days. He complained of being a bit tuckered out and having stood the gaff too long and needing a change. The outing will do him good. The children miss him, of course, but he's promised to bring d.i.n.kie home an Indian bow-and-arrow. I can see death and destruction hanging over the gla.s.sware of this household.... The weather has been stormy, and yesterday Whinnie and Struthers put up the stove in the bunk-house.

They were a long time about it, but I was reluctant to stop the flutterings of Cupid's wings.

_Tuesday the Twelfth_

I had a brief message from Peter stating the Pasadena house is entirely at my disposal.... d.i.n.ky-Dunk came back with a real pot-hunter's harvest of wild ducks, which we'll pick and dress and freeze for winter use. I'm taking the breast-feathers for my pillows and Whinstane Sandy is taking what's left for a sleeping-bag--from which I am led to infer that he's still reconciled to a winter of solitude. Struthers, I know, could tell him of a warmer bag than that, lined with downier feathers from the pinions of Eros. But, as I've said before, Fate, being blind, weaves badly.

_Friday the Fifteenth_

I've just told d.i.n.ky-Dunk of my decision to take the kiddies to California for the winter months. He rather surprised me by agreeing with everything I suggested. He feels, I think, as I do, that there's danger in going aimlessly on and on as we have been doing. And it's really a commonplace for the prairie rancher--when he can afford it--to slip down to California for the winter. They go by the thousand, by the train-load.

_Friday the Sixth_

It's three long weeks since I've had time for either ink or retrospect.

But at last I'm settled, though I feel as though I'd died and ascended into Heaven, or at least changed my world, as the c.h.i.n.ks say, so different is Pasadena to the prairie and Alabama Ranch. For as I sit here on the _loggia_ of Peter's house I'm bathed in a soft breeze that is heavy with a fragrance of flowers, the air is the air of our balmiest midsummer, and in a pepper-tree not thirty feet away a mocking-bird is singing for all it's worth. It seems a poignantly beautiful world. And everything suggests peace. But it was not an easy peace to attain.

In the first place, the trip down was rather a nightmare. It brought home to me the fact that I had three young barbarians to break and subjugate, three untrained young outlaws who went wild with their first plunge into train-travel and united in defiance of Struthers and her foolishly impressive English uniform which always makes me think of Regent Park. I have a suspicion that d.i.n.ky-Dunk all the while knew of the time I'd have, but sagely held his peace.

I had intended, when I left home, to take the boat at Victoria and go down to San Pedro, for I was hungry for salt water and the feel of a rolling deck under my feet again. But the antics of my three little outlaws persuaded me, before we pulled into Calgary, that it would be as well to make the trip south as short a one as possible. d.i.n.kie disgraced me in the dining-car by insisting on "drinking" his mashed potatoes, and made daily and not always ineffectual efforts to appropriate all the fruit on the table, and on the last day, when I'd sagaciously handed him over to the tender mercies of Struthers, I overheard this dialogue:

"I want shooder in my soup!"

"But little boys don't eat sugar in their soup."

"I want shooder in my soup!"

"But, darling, mommie doesn't eat sugar in her soup!"

"Shooder! d.i.n.kie wants shooder, shooder in his soup!"

"Daddy never eats shooder in his soup, Sweetness."

"I want shooder!"

"But really nice little boys don't ask for sugar in their soup,"

argued the patient-eyed Struthers.

"_Shooder!_" insisted the implacable tyrant. And he got it.

There was an exceptional number of babies and small children on board and my unfraternal little prairie-waifs did not see why every rattle and doll and automatic toy of their little fellow travelers and sister tourists shouldn't promptly become their own private property. And traveling with twins not yet a year old is scarcely conducive to rest.

And yet, for all the worry and tumult, I found a new peace creeping into my soul. It was the first sight of the Rockies, I think, which brought the change. I'd grown tired of living on a billiard-table, without quite knowing it, tired of the trimly circ.u.mscribed monotony of material life, of the isolating flat contention against hunger and want. But the mountains took me out of myself. They were Peter's windmill, raised to the Nth power. They loomed above me, seeming to say: "We are timeless. You, puny one, can live but a day." They stood there as they had stood from the moment G.o.d first whispered: "Let there be light"--and there was light. But no, I'm wrong there, as Peter would very promptly have told me, for it was only in the Cambrian Period that the cornerstone of the Rockies was laid. The geologic clock ticked out its centuries until the swamps of the Coal Period were full of Peter's Oldest Inhabitants in the form of Dinosaurs and then came the Cretaceous Period and the Great Architect looked down and bade the Rockies arise, and tooled them into beauty with His blue-green glaciers and His singing rivers, and touched the lordliest peaks with wine-glow and filled the azure valleys with music and peace. And we threaded along those valley-sides on our little ribbons of steel, skirted the shouting rivers and plunged into tiny twisted tubes of darkness, emerging again into the light and once more hearing the timeless giants, with their snow-white heads against the sunset, repeat their whisper: "We live and are eternal. Ye, who fret about our feet, dream for a day, and are forgotten!"

But we seemed to be stepping out into a new world, by the time we got to Pasadena. It was a summery and flowery and holiday world, and it impressed me as being solely and scrupulously organized for pleasure.

Yet all minor surprises were submerged in the biggest surprise of Peter's bungalow, which is really more like a _chateau_, and strikes me as being singularly like Peter himself, not amazingly impressive to look at, perhaps, but hiding from the world a startingly rich and luxurious interior. The house itself, half hidden in shrubbery, is of weather-stained stucco, and looks at first sight a little gloomy, with the _patina_ of time upon it. But it is a restful change from the spick-and-spanness of the near-by millionaire colony, so eloquent of the paint-brush and the lawn-valet's shears, so smug and new and strident in its paraded opulence. Peter's gardens, in fact, are a rather careless riot of color and line, a sort of achieved genteel roughness, like certain phases of his house, as though the wave of refinement driven too high had broken and tumbled over on itself.

The house, which is the shape of an "E" without the middle stroke, has a green-sodded _patio_ between the two wings, with a small fountain and a stained marble basin at the center. There are shade-trees and date-palms and shrubs and Romanesque-looking stone seats about narrow walks, for this is the only really formalized portion of the entire property. This leads off into a grove and garden, a confusion of flowers and trees where I've already been able to spot out a number of orange trees, some of them well fruited, several lemon and fig trees, a row of banana trees, or plants, whichever they should be called, besides pepper and palm and acacia and a long-legged double-file of eucalyptus at the rear. And in between is a pergola and a mixture of mimosa and wistaria and tamarisk and poppies and trellised roses and one woody old geranium with a stalk like a crab-apple trunk and growth enough to cover half a dozen prairie hay-stacks.

But, as I've already implied, it was the inside of the house that astonished me. It is much bigger than it looks and is crowded with the most gorgeous old things in copper and bra.s.s and leather and mahogany that I ever saw under one roof. It has three open fireplaces, a huge one of stone in the huge living-room, and rough-beamed ceilings of redwood, and Spanish tiled floors, and chairs upholstered with cowhide with the ranch-brand still showing in the tanned leather, and tables of Mexican mahogany set in redwood frames, and several convenient little electric heaters which can be carried from room to room as they are needed.