The Golden Silence Part 1

The Golden Silence.

by C. N. Williamson and A. M. Williamson.

I

Stephen Knight was very angry, though he meant to be kind and patient with Margot. Perhaps, after all, she had not given the interview to the newspaper reporter. It might be what she herself would call a "fake."

But as for her coming to stop at a big, fas.h.i.+onable hotel like the Carlton, in the circ.u.mstances she could hardly have done anything in worse taste.

He hated to think that she was capable of taking so false a step. He hated to think that it was exactly like her to take it. He hated to be obliged to call on her in the hotel; and he hated himself for hating it.

Knight was of the world that is inclined to regard servants as automata; but he was absurdly self-conscious as he saw his card on a silver tray, in the hand of an expressionless, liveried youth who probably had the famous interview in his pocket. If not there, it was only because the paper would not fit in. The footman had certainly read the interview, and followed the "Northmorland Case" with pa.s.sionate interest, for months, from the time it began with melodrama, and turned violently to tragedy, up to the present moment when (as the journalists neatly crammed the news into a nutsh.e.l.l) "it bade fair to end with marriage-bells."

Many servants and small tradespeople in London had taken shares, Stephen had heard, as a speculative investment, in the scheme originated to provide capital for the "other side," which was to return a hundred per cent. in case of success. Probably the expressionless youth was inwardly reviling the Northmorland family because he had lost his money and would be obliged to carry silver trays all the rest of his life, instead of starting a green grocery business. Stephen hoped that his own face was as expressionless, as he waited to receive the unwelcome message that Miss Lorenzi was at home.

It came very quickly, and in a worse form than Stephen had expected.

Miss Lorenzi was in the Palm Court, and would Mr. Knight please come to her there?

Of course he had to obey; but it was harder than ever to remain expressionless.

There were a good many people in the Palm Court, and they all looked at Stephen Knight as he threaded his intricate way among chairs and little tables and palms, toward a corner where a young woman in black c.r.a.pe sat on a pink sofa. Her hat was very large, and a palm with enormous fan-leaves drooped above it like a sympathetic weeping willow on a mourning brooch. But under the hat was a splendidly beautiful dark face.

"Looks as if he were on his way to be shot," a man who knew all about the great case said to a woman who had lunched with him.

"Looks more as if he were on his way to shoot," she laughed, as one does laugh at other people's troubles, which are apt to be ridiculous. "He's simply glaring."

"Poor beggar!" Her companion found pleasure in pitying Lord Northmorland's brother, whom he had never succeeded in getting to know.

"Which is he, fool or hero?"

"Both. A fool to have proposed to the girl. A hero to stick to her, now he has proposed. He must be awfully sick about the interview. I do think it's excuse enough to throw her over."

"I don't know. It's the sort of business a man can't very well chuck, once he's let himself in for it. Every one blames him now for having anything to do with Miss Lorenzi. They'd blame him a lot more for throwing her over."

"Women wouldn't."

"No. Because he happens to be young and good-looking. But all his popularity won't make the women who like him receive his wife. She isn't a woman's woman."

"I should think not, indeed! We're too clever to be taken in by that sort, all eyes and melodrama. They say Lord Northmorland warned his brother against her, and prophesied she'd get hold of him, if he didn't let her alone. The d.u.c.h.ess of Amidon told Lady Peggy Lynch--whom I know a little--that immediately after Lorenzi committed suicide, this Margot girl wrote to Stephen Knight and implored him to help her. I can quite believe she would. Fancy the daughter of the unsuccessful claimant to his brother's t.i.tle writing begging letters to a young man like Stephen Knight! It appeals to one's sense of humour."

"What a pity Knight didn't see it in that light--what?"

"Yet he has a sense of humour, I believe. It's supposed to be one of his charms. But the sense of humour often fails where one's own affairs are concerned. You know he's celebrated for his quaint ideas about life.

They say he has socialistic views, or something rather like them. His brother and he are as different from one another as light is from darkness. Stephen gives away a lot of money, and Lady Peggy says that n.o.body ever asks him for anything in vain. He can't stand seeing people unhappy, if he can do anything to help. Probably, after he'd been kind to the Lorenzi girl, against his brother's advice, and gone to see her a few times, she grovelled at his feet and told him she was all alone in the world, and would die if he didn't love her. He's just young enough and romantic enough to be caught in that way!"

"He's no boy. He must be nearly thirty."

"All nice, normal men are boys until after thirty. Lady Peggy's new name for this poor child is the Martyr Knight."

"St. Stephen the Second is the last thing I heard. Stephen the First was a martyr too, wasn't he? Stoned to death or something."

"I believe so," hastily returned the lady, who was not learned in martyrology. "He will be stoned, too, if he tries to force Miss Lorenzi on his family, or even on his friends. He'll find that he'll have to take her abroad."

"That might be a good working plan. Foreigners wouldn't shudder at her accent. And she's certainly one of the most gorgeously beautiful creatures I ever saw."

"Yes, that's just the right expression. Gorgeous. And--a _creature_."

They both laughed, and fell to talking again of the interview.

Stephen Knight's ears were burning. He could not hear any of the things people were saying; but he had a lively imagination, and, always sensitive, he had grown morbidly so since the beginning of the Northmorland-Lorenzi case, when all the failings and eccentricities of the family had been reviewed before the public eye, like a succession of cinematograph pictures. It did not occur to Stephen that he was an object of pity, but he felt that through his own folly and that of another, he had become a kind of scarecrow, a figure of fun: and because until now the world had laughed with instead of at him, he would rather have faced a shower of bullets than a ripple of ridicule.

"How do you do?" he inquired stiffly, and shook Miss Lorenzi's hand as she gave it without rising from the pink sofa. She gazed up at him with immense, yellowish brown eyes, then fluttered her long black lashes in a way she had, which was thrilling--the first time you saw it. But Stephen had seen it often.

"I am glad you've come, my White Knight!" she said in her contralto voice, which would have been charming but for a crude accent. "I was so afraid you were cross."

"I'm not cross, only extremely ang--vexed if you really did talk to that journalist fellow," Stephen answered, trying not to speak sharply, and keeping his tone low. "Only, for Heaven's sake, Margot, don't call me--what you did call me--anywhere, but especially here, where we might as well be on the stage of a theatre."

"n.o.body can hear us," she defended herself. "You ought to like that dear little name I made up because you came to my rescue, and saved me from following my father--came into my life as if you'd been a modern St.

George. Calling you my 'White Knight' shows you how I feel--how I appreciate you and everything. If you just _would_ realize that, you couldn't scold me."

"I'm not scolding you," he said desperately. "But couldn't you have stopped in your sitting-room--I suppose you have one--and let me see you there? It's loathsome making a show of ourselves----"

"I _haven't_ a private sitting-room. It would have been too extravagant," returned Miss Lorenzi. "Please sit down--by me."

Stephen sat down, biting his lip. He must not begin to lecture her, or even to ask why she had exchanged her quiet lodgings for the Carlton Hotel, because if he once began, he knew that he would be carried on to unsafe depths. Besides, he was foolish enough to hate hurting a woman's feelings, even when she most deserved to have them hurt.

"Very well. It can't be helped now. Let us talk," said Stephen. "The first thing is, what to do with this newspaper chap, if you didn't give him the interview----"

"Oh, I did give it--in a way," she admitted, looking rather frightened, and very beautiful. "You mustn't do anything to him. But--of course it was only because I thought it would be better to tell him the truth.

Surely it was?"

"Surely it wasn't. You oughtn't to have received him."

"Then do you mind so dreadfully having people know you've asked me to marry you, and that I've said 'yes'?"

Margot Lorenzi's expression of pathetic reproach was as effective as her eyelash play, when seen for the first time, as Stephen knew to his sorrow. But he had seen the one as often as the other.

"You must know I didn't mean anything of the sort. Oh, Margot, if you don't understand, I'm afraid you're hopeless."

"If you speak like that to me, I shall simply end everything as my father did," murmured the young woman, in a stifled, breaking voice. But her eyes were blazing.

It almost burst from Stephen to order her not to threaten him again, to tell her that he was sick of melodrama, sick to the soul; but he kept silence. She was a pa.s.sionate woman, and perhaps in a moment of madness she might carry out her threat. He had done a great deal to save her life--or, as he thought, to save it. After going so far he must not fail now in forbearance. And worse than having to live with beautiful, dramatic Margot, would it be to live without her if she killed herself because of him.

"Forgive me. I didn't mean to hurt you," he said when he could control his voice.

She smiled. "No, of course you didn't. It was stupid of me to fly out. I ought to know that you're always good. But I _don't_ see what harm the interview could do you, or me, or any one. It lets all the world know how gloriously you've made up to me for the loss of the case, and the loss of my father; and how you came into my life just in time to save me from killing myself, because I was utterly alone, defeated, without money or hope."

She spoke with the curiously thrilling emphasis she knew how to give her words sometimes, and Stephen could not help thinking she did credit to her training. She had been preparing for the stage in Canada, the country of the Lorenzis' adoption, before her father brought her to England, whither he came with a flourish of trumpets to contest Lord Northmorland's rights to the t.i.tle.