The Title Market Part 13

"She is the same one with whom Don Giovanni danced opposite in the quadrille! Heavens! but she is a disagreeable person!"

"She has reason for looking disagreeable," announced the Contessa Zoya with a meaning laugh; but more she would not say.

Giovanni leaned over Nina's chair. "Do you find the Romans attractive?

How does our opera compare with that of New York?"

"The house seems made of cardboard," Nina answered. "I never thought our opera houses especially wonderful----"

"No?" Giovanni rallied her. "Is it possible that you have anything in America that is not the most wonderful in the world! I am sure you will say your opera house is bigger! And richer! and more comfortable! Yes?

Of course it is!" He laughed. "My apple is bigger than your apple. My doll is bigger than your doll! What children you are, you Americans!"

"If we are children," retorted Nina, piqued by his laughter, "we must be granted the advantages of youth!"

With a sudden gravity, but none the less mockingly, Giovanni besought her for enlightenment.

"We gain in enthusiasm, energy, and honesty," she announced sententiously. "A country and a people never attain perfection of finish until they have begun to grow decadent. I'd rather have my doll and my big apple than sit, like an old cynic, in the corner, watching the children play!"

She was immensely pleased with this speech,--mentally she quite preened herself. Giovanni looked amused, but the Contessa Potensi caught his glance from across the house, and his smile faded as he bowed. Nina, who had good eyes, saw a complete change in her face as she returned his salutation.

"Do you like that woman?"

"She is one of the beauties of Rome," he said evasively.

"No, but do you like her?" Nina could not herself have told why she was so insistent.

"She is an old friend of mine," he said lightly; then changed the subject. "Do you follow the hounds, Miss Randolph?"

"At home, yes." But she came back to the former topic. "Does she ride very well, the Contessa Potensi?"

"Wonderfully." This time he answered her easily. "But I am sure you ride well, too. Any one who dances as you do, must also be a horsewoman."

There was something in Giovanni's manner that excited suspicion, but she did not know of what. She half wondered if there had been a love affair between him and the Contessa. Maybe he had wanted to marry her and she had accepted Potensi instead. She wondered if Giovanni still cared; and for a while her sympathy was quite aroused.

The curtain went up and every one stopped talking. At the beginning of the _entr'acte_ Giovanni left the box, and Count Tornik took his chair.

He was a strange man, but Nina was beginning to like him.

Notwithstanding his brusque indifference, he had a charm that he could exert when he chose. Giovanni's speeches were no more flattering than Tornik's lapses from boredom.

As a matter of fact, in spite of his a.s.sumed bad manners, the social instinct was so strong in him that, just as a vulgar person shows his origin in every unguarded moment or unexpected situation, Tornik's good breeding was constantly revealed. And in appearance, he was an attractive contrast to the Italians, tall, broad-shouldered, very blond, and high cheekboned; he might have been taken for an Englishman.

Presently her Majesty, the Dowager Queen, appeared in the royal box, and every one in the audience arose.

"Shall we see both queens to-night at the ball?" Nina asked the Princess Sansevero.

"No; only Queen Elena. The Queen Mother has never been present at a ball since King Umberto's tragic death."

"I wish this evening were over," said Nina, with a half-frightened sigh.

The Contessa Olisco, who had caught the remark and the sigh, asked sympathetically, "But why?"

"I was nervous enough over going alone to the presentation the other afternoon, but to go to a ball is much worse."

"But you won't be alone. We shall be there! You may have your endurance put to the test, though. Are you very strong?"

Nina laughed. "You mean, have I the strength to stand indefinitely without dropping to the floor?"

"Ah! you know, then, how it is. Still--if it is hard for us, think what it must be for their Majesties. To-night, for instance, the King does not once sit down!"

Nina opened her eyes wide. "I thought the King and Queen sat on their throne. But then--I had an idea the presentation would be like that, too--and that I should have to courtesy all across a room, and back out again."

The Contessa Zoya seemed to be occupied with a reminiscence that amused her. "If you have a special audience, you do, or if you go to take tea.

We had a private audience yesterday with Queen Margherita and--I had on a long train--and clinging. Of course, entering the room is not hard--I made my three reverences very nicely, very gracefully, I thought,--one at the door, one half-way across the room, and one directly before the Queen, as I kissed her hand. But when the audience was over, the distance between where her Majesty sat and the door of exit--my dear, it seemed leagues! One must back all the way and make three deep courtesies! The first was simple, the second, half-way across the room, was difficult. I was already standing on nearly a meter of train, and when I got to the door--well, I just walked all the way up the back of my dress, lost my balance and _fell out_!"

Nina laughed at the picture, but was glad the presentation had not been like that.

"When you go to take tea with the Queen it is difficult, too," Zoya, having begun to explain, went on with all the details that came to mind.

"Since two years Queen Elena has given 'tea parties' of about thirty or forty people. Her Majesty talks to every one separately, or in very small groups, while tea and cake and chocolate and iced drinks are served by the ladies in waiting--there are never any servants present.

It is of course charming, and the Queen puts every one at ease, but there is always a feeling that you may do something dreadful--such as drop a spoon or have your mouth full just at the moment when her Majesty addresses a remark to you. At the Queen Mother's Court things are more formal--more ceremonious. I always feel timid before I go. And yet no sovereign could be more gracious, and her memory is extraordinary. She forgets nothing. Yesterday she asked me how the baby was. She knew his age, even his name and all about him. She asked me if he had recovered from the bronchitis he was subject to. Think of it!"

Nina looked long at the royal box, and could well believe the contessa's account. Her Majesty was talking to the Marchesa Valdeste.

Of all the older ladies to whom she had been presented, Nina liked the marchesa best. Her face had the sweet expression that can come only from genuine kindness and innate dignity. At a short distance from the royal box Don Cesare Carpazzi was talking to a young girl. Don Cesare's expression was for the moment transfigured; instead of arrogance, it suggested rather humility; both he and the young girl seemed deeply engrossed.

Tornik told Nina that she was Donna Cecilia Potensi, the little sister-in-law of the contessa in the box opposite. He also added that Carpazzi was supposed to be in love with her, and she with him, but they had not a lira to marry on. There were no poorer families in Italy than the Carpazzis and the Potensis.

Certainly there was nothing in the appearance of the young girl to indicate wealth, but her plain white dress with a bunch of flowers at her belt, and her hair as simply arranged as possible, only increased her Madonna-like beauty.

Nina was enchanted with her, and instinctively compared her appearance with that of the sister-in-law, glittering with diamonds. "The Contessa Potensi was a rich girl in her own right, I suppose," Nina remarked aloud.

With a suspicion of awkwardness Tornik glanced at Giovanni, who had returned to the box. The latter began to screw up his mustache as he replied in Tornik's stead. "The Contessa Potensi inherited some very good jewels from her mother's family, I am told."

"Her mother was an Austrian, a cousin of mine," Tornik drawled. "I never heard of that branch of the family's having anything but stubble lands and debts. However, it is evident she has got the jewels! I felicitate her on her valuable possessions. _Elle a de la chance!_" He shrugged his shoulders. Tornik's detached and impersonal manner gave no effect of insult, and Giovanni, beyond looking annoyed, made no further remark.

But the Princess Sansevero interposed:

"Maria Potensi has a pa.s.sion for jewels, as a child might have for toys, and she accepts them in the same way. She tells every one about it quite frankly; in that lies the proof of her innocence."

But the Contessa Zoya showed neither sympathy nor credulity, and there was no misinterpreting her meaning as she said:

"It is true, Princess, you know the Potensi well, and I only slightly--but if my husband offered a diamond ornament----"

"He would never give her another! Is that it?" put in Tornik.

"No--nor any one!" The intensity of her tone alarmed Nina, who was beginning to feel confused by the succession of violent impressions.

Scorpa, Giovanni, Carpazzi, Zoya Olisco, all struck such strident notes that their vibrations jangled.

Another act and _entr'acte_ pa.s.sed. Nina saw Giovanni enter the box of the Contessa Potensi. In contrast to her greeting across the house, she seemed now scarcely to speak to him. He talked to her companion, the Princess Malio, who bobbed her head and prattled at a great rate; but as he left the box Nina saw him lean toward the Contessa Potensi as though saying something in an undertone. She answered rapidly, behind her fan.

Giovanni inclined his head and left.

This small incident made a greater impression on Nina than its importance warranted. And the Contessa Potensi occupied her thoughts far more than the various men who had come into the box, and who seemed little more than so many varieties of faces and s.h.i.+rt-fronts. She noticed that many of the older men wore Father Abraham beards and clothes several sizes too big. On account of the Court Ball those who had orders wore them, frequently so carelessly pinned to their coats that the decorations seemed likely to fall off. The Marchese Valdeste--a really imposing man--had two huge ones dangling from the flapping lapel of his coat, and a sash with a bow on the hip that would put any man's dignity to a supreme test.