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The Title Market Part 2

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"Whose reason was that?"

"Scorpa's own!" He danced a few steps in his excess of delight.

His wife arose and put her hand on his arm. "To please me, do not send the picture. I can sell the jewels and have false stones put in their places. We need not have any one know. But I don't want to remain in the duke's debt!"

"The picture is already in his possession."

"In his possession? But how?"

"He drove over here just now, followed me in his motor-car, and took it back with him."

The princess was evidently frightened. "What are his reasons?" she said to herself, yet audibly.

Her husband looked at her, his head a little on one side, then he said banteringly: "My dear, you Americans are too a.n.a.lytical. You always look for a motive. Life is not of motive over here. Have you not learned that in all these years? We act from impulse, as the mood takes us--we have not the hidden thought that you are always looking for."

"You speak for yourself, Sandro _mio_, but all are not like you.

However, since the picture is gone--and since you have made that arrangement--let it be. I may do Scorpa injustice; he has always professed friends.h.i.+p for you--as indeed who has not?" She looked at him with the softened glance that one sees in a mother's face.

Sansevero seated himself at the desk and took up the photograph of Nina.

"When will she arrive?" he asked buoyantly; then with sudden inspiration, "Write to Giovanni and ask him to hurry home. If Nina should fancy him, what a prize!"

The princess frowned. "On account of her money, you mean?"

"Ah, but one must think of that! We have no children; all this goes to Giovanni--with Nina's immense fortune it would be very well. We could all live as it used to be; there are the apartments on the second floor in Rome, and the west wing here. I can think of nothing more fitting or delightful. Has she grown pretty?"

"I don't know that you would call her pretty," mused the princess.

"Besides _you_, my dearest, a beauty might seem plain!" His wife tried to look indifferent, but she was pleased, nevertheless.

"Tell me, Sandro, you flatterer, but tell me honestly, am I still pretty? No, really? Will Nina think me the same, or will her thought be 'How my Aunt has gone off'?"

Melodramatically he seized her wrists and drew her to the window; placing her in the full light of the sun, he peered with mock tragedy into her face. "Let me see. Your hair--no, not a gray one! The gold of your hair at least I have not squandered--yet."

"Don't, dear." She would have moved away, but he held her.

"Your face is thinner, but that only shows better its beautiful bones.

Ah, now your smile is just as delicious--but don't wrinkle your forehead like that; it is full of lines. So--that is better. You make the eyes sad sometimes; eyes should be the windows that let light into the soul; they should be glad and admit only suns.h.i.+ne." Then with one of his lightning transitions of mood, he added, not without a ring of emotion, "_Mia povera bella_."

But Eleanor reached up and took his face between her hands. "As for you," she said, "you are always just a boy. Sometimes it is impossible to believe you are older than I--I think I should have been your mother."

CHAPTER III

NINA

A ponderous, glossy, red Limousine turned in under the wrought bronze portico of one of the palatial houses of upper Fifth Avenue. As the car stopped, the face of a woman of about forty appeared at its window. Her expression was one of fretful annoyance, as though the footman who had sprung off the box and hurried up the steps to ring the front doorbell had, in his haste, stumbled purposely. The look she gave him, as he held the door open for her to alight, rebuked plainly his awkward stupidity.

Yet, in spite of Mrs. Randolph's petulant expression, it was evident that she had distinct claims to prettiness, though of the carefully prolonged variety. The art of the ma.s.seuse was visible in that curious swollen smoothness of the skin which gives an effect of spilled candle-wax--its lack of wrinkles never to be mistaken for the freshness of youth. Much also might be said of the skill with which the "original color" of her hair had been preserved. She was very well "done," indeed; every detail proclaimed expenditure of time--other people's--and money--her own. She trotted, rather than walked, as though bored beyond the measure of endurance and yet in a hurry. Following her was a slim, fair-haired young girl, who, leaving the footman to gather up a number of parcels, turned to the chauffeur. Even in giving an order, there was a winning grace in her lack of self-consciousness, and her voice was fresh in its timbre, enthusiastic in its inflection.

"Henri," she said, "you had better be here at three. The steamer sails at four, and an hour will not give me any too much time. Have William come for Celeste and the steamer things at two. The Panhard will be best, as there is plenty of room in the tonneau." Then she ran lightly up the steps and into the house.

The first impression of a visitor upon entering the hall might have been of emptiness. In contrast to the over-elaborateness characteristic of all too many American homes and hotels, obtruding their highly colored, gold-laden ornament, the Randolph house rather inclined toward an austerity of decoration. But after the first general impression, more careful observation revealed the extreme luxury of appointments and details. The one flaw--if one might call it such--was that every article in the entire house was spotlessly, perfectly brand-new. The Persian rugs, pinkish red in coloring and made expressly to tone in with the gray white marble of the hall, were direct from the looms. The banister, of beautiful simplicity, was as newly wrought as the stainless velvet with which the hand-rail was covered. From the hall opened faultlessly executed rooms, each correctly adhering to the "period" that had been selected. The library was possibly more furnished than the rest of the house; but even here the touch of a magician's wand might have produced the bookcases of Circa.s.sian walnut ready filled with evenly matched, leather bound, finely tooled volumes. It would have been a relief to see a few shabby, old-calf folios, a few more common and every-day, in cloth or buckram!

On the mind of a carping critic the universal newness might have forced the question, "Where did the family live before they came here? Did all their acc.u.mulation of personal belongings burn with an old homestead? Or did they start fresh with their new house, coming from nowhere?" One could imagine their having superintended the moving-in of crates and boxes innumerable, but the idea of vans piled with heterogeneous personal effects that had acc.u.mulated through years---- Impossible!

As Mrs. Randolph and her daughter entered, a servant opened the doors leading into the dining-room, and Mrs. Randolph turned at once in that direction.

"You don't want to go upstairs before luncheon, do you, Nina?"

"Yes, for a moment, Mamma. I want to speak to Celeste about the things for my steamer trunk." Her mother suggested sending a servant, but Nina had already gone. She entered an elevator that in contrast to the severity of the hall looked like a gilt bird cage with mirrors set between the bars, pushed a b.u.t.ton, and mounted two flights.

On emerging, she went into her own bedroom, which, from the Aubusson carpet to the Dresden and ormolu appliques, might have arrived in a bonbon box direct from the avenue de l'Opera in Paris. At the present moment two steamer trunks stood gaping in the middle of the floor, tissue paper was scattered about on various chairs, the dressing-table was bare of silver, and a traveling bag displayed a row of gold bottle and brush tops. Nina threw her packages on a couch already littered with empty boxes, wrapping-paper, new books and various other articles.

"Have the other trunks gone, Celeste?"

"Yes, Mademoiselle."

"Any messages for me?"

"Mr. Derby telephoned that he would be here soon after lunch. Miss Lee also telephoned. And Mr. Travers."

Nina listened, half absently, except possibly for a flickering interest at the mention of Mr. Derby. She went into an adjoining room that had a deep plunge bath of white marble, and a white bear rug on the floor. A sliding panel in the wall disclosed a safe, from which she gathered together several velvet boxes, and carried them to her maid.

"Are these all that Mademoiselle will take?"

"Yes, that is enough--I don't know, though, the emerald pendant looks well on gray dresses." She got another velvet box and threw it on the floor. "I ordered the Panhard to be here for you at two o'clock. They can put the trunks in the tonneau. My stateroom is 'B,' yours is 107."

Quickly as she had entered, she was gone again, into the elevator and down to join her mother.

"Really, Nina," Mrs. Randolph said as soon as her daughter was seated, "I can't see what you want to go to Rome for. I am sure it's more comfortable here. I hate visiting, myself." As she spoke she set straight a piece of silver that to her critical eye seemed an eighth of an inch out of line.

"But, Mamma, you know how keen I have always been to see Aunt Eleanor's home. Being with her can hardly seem visiting; and Uncle Sandro----"

"What your aunt ever saw in Sandro Sansevero," interrupted her mother, "I'm sure I can't imagine. He's always bobbing and bowing and gesticulating, and he talks broken English. He makes me nervous! I'd infinitely rather be without a t.i.tle than have it at that price."

"You have always told me that theirs was a love match, that Aunt Eleanor did not marry him for his t.i.tle."

"That is just the senseless part of it!" Mrs. Randolph retorted with a fine disregard for consistency. "If she had married him for his name--which, after all, is a good one, although princes are as common in Italy as 'misters' are here--that would have been one thing. But she was actually in love with him! She is yet, so far as I can see!"

Nina burst out laughing, and, as though catching the infection, Mrs.

Randolph laughed too. They were interrupted by the butler's announcing "Mr. Derby!"

John Derby was a young man of twenty-five, broad shouldered and well over six feet. His features were a little too rugged to be strictly handsome, but his spare frame was as muscular as that of a young gladiator. So much at least our colleges do for the sons we send to them. John Derby had made both the 'Varsity eight and the eleven; he had been a young G.o.d at the end of June when, captain of the victorious boat, his cla.s.smates had borne him on their shoulders to their club-house. That night there had been toasting and speeches and what not--he was a very "big man" of a very big university; and perhaps nothing that life might ever give him in the future could overshadow this experience.

All hail to the victor--and glorious be his remembrances. Exit our Greek G.o.d at the end of June, to be replaced by a young American citizen about the first of July--one small atom who thinks to make the same sized mark on the great plain of life that he made on the college campus. All the same, there were good clean ideals back of John Derby's blue eyes, and fresh, healthy young blood surged through his veins. What is the world for, if not for such as he to conquer?

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The Title Market Part 2 summary

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