The Parts Men Play Part 12

The rapid succession of sentences came to an end, and the colour which had mounted to her cheeks slowly subsided.

VI.

'I feel,' he said, 'that I can only vaguely understand what you mean.

But is it not possible that you are looking at it too much from the standpoint of an individualist?'

'Women are all individualists,' she broke in; 'or they are until society breaks their spirit. This lumping of people into generations and tuning your son's brain to the same pitch as his medieval ancestors' doesn't interest women--that's man's performance. The great thing about a woman is her own life, isn't it? And the great event in a woman's life is when she has a child--because it's _hers_. This cla.s.s and family stuff comes from men, because their names are perpetuated, not ours. There is no sn.o.bbery equal to men's; it is more noticeable with women, because it isn't instinctive with them, and they have to talk to show it.'

'Then,' said Selwyn, 'in addition to an Irish Rebellion, we may look for one from English women?'

'Yes. I don't know when, but it will come.'

He produced a cigarette-case. 'Would you care for a cigarette now?' he asked.

'No, thanks. But you smoke.'

'Poor England!' he said in pretended seriousness, tapping the table with the end of the cigarette, 'with two revolutions on her hands, and neither party knowing what it wants.'

'We may not know what we want,' she said, 'but, as an Irishman said the other day, "we won't be satisfied till we get it." If the rebellion of our women doesn't come, I prophesy that in a couple of thousand years, when the supermen inhabit the earth, they will find a sort of land mermaid with an expressionless face, perpetually going through the motion of dealing cards or drinking tea. Then some old fogy will spend ten years in research, and p.r.o.nounce her an excellent example of the extinct race "_Femina Anglica_."'

'As one of the tyrants who wishes you well,' said Selwyn, after a laugh in which she joined, 'may I be permitted to know what women want--or think they want?'

'Mr. Selwyn, revolutions never come from people who think. That is why they are so terrible. The unhappiness of so many Englishwomen comes from the life which does not demand or permit the use of half the powers they possess. Nor does it satisfy half their longings. Such a condition produces either stagnation or revolution. Our ultimatum is--give us a life which demands all our resources and permits women unlimited opportunity for self-development.

'And if the men cannot do this?'

'The women will have to take charge.'

'And when does the ultimatum expire?'

She shrugged her shoulders.

'When will the next great earthquake be?'

VII.

The noise of the party in the _cabinet particulier_ had been growing apace with the reinforcement of champagne-bottles. The strident laughter of the women dominated the lower level of men's voices, and there was a constant clinking of gla.s.ses, punctuated by the occasional drawing of a cork, which always whipped the gaiety to a feverish pitch.

Monsieur Beauchamp rubbed his hands rather anxiously. He would have preferred a little more intrigue and not quite so much noise. But, then, was it not a testimony to his wine?--and certainly there would be an excellent bill.

One of the men in the party called on some one for a song. There was a hammering on the table, a promise of a kiss in a girl's voice that trailed off into a tipsy giggle, the sound of shuffling chairs and accompanying hilarity as the singer was apparently hoisted on to the table. There came a crash of breaking gla.s.s as his foot collided with some dinner-things.

Monsieur Beauchamp winced, but consoled himself with the reflection that he could charge what he wished for the damage. The voices were hushed at the order of the singer, who was trying to enunciate the t.i.tle of his song.

'I shall s.h.i.+ng,' he said, with considerable difficulty, '"Moon, Moon, Boo--(hic)--Booful Moon," composhed by myself at the early age of sheven months. It ish very pash--pashesh--it ish very shad, so, if ye have tearsh, pre--(hic)--pare to shed 'em now.'

There was loud applause, which the singer interrupted by commencing to sing in a ba.s.s voice that broke into falsetto with such frequency that it was difficult to tell which voice was the natural one. He started off the verse very stoutly, but was growing rather maudlin, when, reaching the chorus, he seemed to take on a new lease of vitality and bellowed quite l.u.s.tily:

'Moon, Moon, boo-oo-oo-ooful Moon, s.h.i.+ning reshplendantly, radiant an' tenderly; Moon, Moon, boo-oo--(hic)--booful Moon-- Tell her I shy for her, tell her I die for her, Booful, BOO-OO-ooful Moon.

'Now then, fellow Athenians, chorush, chorus.h.!.+' With an indescribable medley of discordant howling the party broke into a series of 'Moon, Moon, boo-oo-ooful Moon,' which came to an abrupt ending as the singer fell back, apparently unconscious, in the arms of his friends. There was a murmuring of voices, and a waiter was sent for some water to revive the young man.

Considerably disgusted at the ending to the incident, Selwyn, who had turned to look towards the _cabinet particulier_, once more sought his companion's eyes.

Her face was white; there was not a vestige of colour in the cheeks.

'Miss Durwent,' he gasped, 'you are not well.'

'I am quite well,' she answered quickly, but her voice was weak and quivering. 'I--I thought I recognised the singer's voice. That was all.'

The curtain of the _cabinet particulier_ was drawn aside, and two youths in evening-dress emerged, supporting between them the dishevelled singer, who was miserably drunk, and whose hat almost completely obscured his right eye. They were followed by three girls with untidy hair, whose flushed, rouged faces had been made grotesque by clumsy dabs of powder.

The singer's hat fell off, and Monsieur Beauchamp, who was hovering about with the bill, had just stooped to recover it, when Selwyn heard, a suppressed cry of pain from Elise Durwent. Thrusting her chair away from her, she made for the emerging party, and halted them at the top of the stairway.

'd.i.c.k!' she said breathlessly. 'd.i.c.k!'

The drunken youth raised his heavy eyelids and looked with bewildered eyes at his sister. One of the girls tried to laugh, but there was something in the insane lightness of his eyes and the agony of hers that stifled the ribaldry in its birth. His face was as pale as hers, a pallor that was accentuated by dark hair, matted impotently over his forehead. But there was a careless, debonair charm about the fellow that made him stand out apart from the other revellers.

'h.e.l.lo, sis!' he muttered, trying to pull himself together. 'My li'l sister Elise--friends of mine here--forget their names, but jolly good fellosh--and ladies too; nice li'l ladies'----

'Bravo, Durwent!' cried one of his friends, emitting a dismal howl of encouragement.

'd.i.c.k! Boy-blue!' The breathy intensity of her voice seemed to rouse some latent manhood in her brother. He stiffened his shoulders and threw off his two supporting friends--a manoeuvre which enabled Monsieur Beauchamp to present his trifling bill to the more sober of the two. 'Why aren't you at Cambridge?'

'Advice of conshul,' he muttered. 'Refushe to answer.' He shook his head solemnly from side to side.

With a swift gesture she turned to the American. 'This is my brother,'

she said, 'and I know where his rooms are in town. If you will bring my cloak, I'll get him to my car and take him home.'

Selwyn nodded his understanding. He hardly knew what words he could speak that might not hurt her.

'Listen, d.i.c.k dear,' she said, stepping very close to him and taking his hand in hers. 'Please don't say anything. Just come with me, and I'll take you to your rooms.'

Through the befuddled wits of the young fellow came the sound of the voice that had dominated his childhood. He smelt the freshness of the long gra.s.s in the Roselawn meadows; with his disordered imagination he heard again the clattering of horses' hoofs on the country-road, and he saw his sister with her copper-tinted hair flung to the breeze. With a look of mixed wonder and pain in the yellowish blue of his eyes, he allowed her to take his arm, and together they went slowly downstairs and through the throng of diners craning their necks to see, while the party he had left emitted snorts and howls of contempt.

Selwyn reached the door in time to help the drunken youth into the car, and then placed the cloak about Elise's shoulders. She put out her hand.

'Good-night,' she said.

'But you will permit me to come?' he said. 'I could be of a.s.sistance.'

'No--no,' she said tensely, 'please--I want to be alone with him. Have no fear, Mr. Selwyn. Poor old d.i.c.k would do anything for me.'

He held her hand in his. 'Miss Durwent,' he said, 'I cannot express what I mean. But if this makes any difference at all, it is only that I admire you infinitely more for'----

'No--please--please say nothing more,' she cried with a sound of pain in her voice.