The Complete Home Part 12

The last article being hung on the line, each implement used in the process of was.h.i.+ng must be cleaned, dried, and put in its place, the laundry floor scrubbed, and everything made spick and span; then comes the sprinkling and rolling of the piles of snowy, sweet-smelling linen, all full of fresh air and suns.h.i.+ne, to make a little rest time after the vigorous exercise which precedes it. It must be done with care as much depends upon it. Table linen, unless taken from the line while still moist, should be sprinkled very damp, folded evenly, rolled and wrapped in a white cloth, and placed in the clothes basket, which has been previously lined with an old sheet. Bed linen and towels require very little dampening; they, too, to be rolled and placed with the table linen. Sprinkle body linen well, particularly the lace and embroidery tr.i.m.m.i.n.gs, roll tight, wrap, and add to the growing pile in the basket. The kitchen towels which have just come from the line may be utilized for wrapping purposes. Handkerchiefs receive the same treatment as napkins in sprinkling, folding, and ironing. Although everything irons more easily after being rolled for some time, thus evenly distributing the dampness, an exception must be made of colored clothing, which must not be sprinkled more than half an hour before it is ironed. When the sprinkling is all done, cover the basket with a damp cloth, then with a dry one, and leave till ironing time. If a coal range is in use, see that the fire is burning steadily, replenis.h.i.+ng from time to time, first on one side, then on the other, brush off the top of the stove, wipe the irons, and put on to heat. If they heat slowly, invert a large dish pan over them.

CARE OF IRONS

When not in use, irons can be protected from dampness and resulting rust by covering with mutton fat or paraffine, rubbed on while slightly warm. It is easily removed when the irons are wanted for use. Rust spots can be removed by applying olive oil, leaving for a few days, and then rubbing over with unslaked lime. Scrub with soap and water, rinse, dry, rub with beeswax, and wipe off with a clean cloth. The soap and water treatment, followed by a vigorous rubbing on brick-dust, should be given frequently, irrespective of rust. Irons must neither be allowed to become red-hot nor to stand on the range between usings, or roughness will result. When not in use, stand on end on a shelf.

Rubbing first with beeswax and then with a clean cloth will prevent the irons from sticking to the starched things.

HOW TO IRON

Before beginning to iron have everything in readiness--beeswax, a heavy paper on which to test the iron, a dish of water, and a soft cloth or a small sponge for dampening surfaces which have become too dry to iron well, or which have been poorly ironed and need doing over. Stand the ironing table in the best light which can be found, with the ironing stand at the right and the clothes at the left, and work as rapidly as consistent with good results. There is no royal road to ironing, but with perseverance and care the home laundress can become quite expert, even though she cannot hope to compete with the work turned out by those who do nothing but iron six days in the week. Give the iron a good, steady pressure, lifting from the board as little as possible, and then--iron! Take the bed linen first, giving a little extra press to the hems of the sheets. Many housewives have a theory that unironed sheets are the more hygienic; that ironing destroys the life and freshness imparted by the sun and air. Such being the case, the sheets can be evenly and carefully folded and put through the wringer, which will give them a certain smoothness. Towels may be treated in the same way, while flannels, knit wear, and stockings may, if one chooses, be folded and put away unironed. Table linen must be smoothed over on the wrong side till partially dry, and then ironed rapidly, with good hot irons and strong pressure on the right side, lengthwise and parallel with the selvage, until dry. This brings out the pattern and imparts a satiny gloss to the fabric, leaving it dainty, soft, and immaculate.

Iron all embroideries on the wrong side. Tr.i.m.m.i.n.gs and ruffles must be ironed before doing the body of the garment, going well up into the gathers with a light, pointed iron, carefully avoiding pressing in wrinkles or unexpected pleats. Iron frills, either plain or with a narrow edge, on the right side to give the necessary gloss. Bands, hems, and all double parts must be ironed on both sides. Iron colored clothes--lawns, dimities, percales, chambrays, etc.--on the wrong side, with an iron not too hot, otherwise the color is apt to be injured.

The home laundress is usually not quite equal to the task of ironing s.h.i.+rts, which would far better go to the laundry; but when done at home from choice or necessity, plenty of patience and muscle must be applied. Iron the body of the s.h.i.+rt first, then draw the bosom tightly over a board and attack it with the regular irons, wipe over quickly with a damp cloth and press hard with the polis.h.i.+ng iron. The ironing of very stiffly starched articles may be facilitated by covering with cheesecloth and pressing until partially dry; then remove the cloth and iron dry. As each piece is ironed, hang on bars or line until thoroughly dried and aired. A certain amount of moisture remains; even after the ironing, and must be entirely removed before the final sorting and folding and putting away.

And so the wash-day drama comes to an end. We survey with pride and complaisance the piles of clean linen, s.h.i.+ning with spotless elegance, and as we read therein a whole sermon on the "Gospel of Cleanliness,"

we conclude that it is decidedly worth while, and rejoice that fifty-two times a year this is a "was.h.i.+ng-day world."

CHAPTER VIII

TABLE FURNIs.h.i.+NGS

The mistress no doubt has a housewifely taste for receipts, and may, perhaps, find the following formula of service to her in her home-making:

DINING-ROOM CHEER

One set of fine, spotless table linen sprinkled--not too thickly--with pretty gla.s.s, china, and silver, and well lightened with brightness tempered to the right consistency not to dazzle. To this add a few sunny faces, some good conversation spiced with gayety--the unpalatable, distasteful portions having been previously eliminated.

Then quietly and by degrees add food which has been carefully and daintily prepared and arranged. Over all scatter little flecks of kindliness and courtesy till an inward glow is produced, and keep at this point from half an hour to an hour, or longer.

This receipt may be depended upon to give satisfaction under any and all conditions, and is compounded of ingredients which exemplary home makers have always at hand. If conscientiously followed failure is impossible. "Its use is a good habit."

STOCKING THE CHINA CUPBOARD

Of its component parts the more substantial ones are perhaps the most easily acquired; not in hit-or-miss, anything-to-get-it-done fas.h.i.+on, but with a view to carrying out some definite idea of table adornment, which is quite the most charming part of the home building. Dishes are more or less mixed up with poesy, which is full of "flowing bowls,"

"enchanted cups," "dishes for the G.o.ds," "flagons of ale," and other appetizing suggestions; and it would be rather a good thing to keep the poetry in mind during the fitting out, that there may be nothing aggressively cheap nor loudly a.s.sertive, but each piece harmoniously congenial to its fellows. There need be no hurry--that is one of the delights o' it--and the shopping may mean only "looking," for the good buyer believes that many dishes are to be examined but few chosen--a meat set here, a salad set there, a piece of cut gla.s.s somewhere else--here a little and there a little, with time to get acquainted with and enjoy each added treasure as it comes. It is a rare experience, this stocking the china cupboard; one likely to be prolonged through one's entire housekeeping experience, thanks be!

THE GROUNDWORK

There is so much exquisitely patterned and inexpensive china, gla.s.s, and porcelain turned out these days that one cannot wander very far afield in buying unless she gets lost among the intricacies of castors--pickle and otherwise--ironstone china, colored and imitation cut gla.s.s, and b.u.t.ter dishes with domelike covers. Probably the persons who invented these have gone to join hands with the perpetrator of the red tablecloth. May their works soon follow them! Complete sets of dishes are giving way to the character and diversity imparted to the table by odd pieces and sets for different courses. However, a pretty, inexpensive set of porcelain or china--something which will bear acquaintance, and of some easily replaced standard pattern--is a good beginning, for one rarely starts out with a full equipment of fine china, and even so, there should be something stronger to bear the heaviest brunt of wear. All complete sets contain one hundred and seven pieces, and include one dozen each of dinner, breakfast, tea, soup, and b.u.t.ter plates, and cups and saucers of medium size, three platters of various sizes, vegetable dishes, covered and coverless, and a gravy boat. Tureen, sugar bowl, and cream pitcher, and after-dinner coffees are not included, but may be ordered extra.

The choice in everyday sets lies between plain white--preferably the French china, known as Haviland, which can be bought for $35--and the blue-and-white English porcelain of different makes--Copeland, Trenton, etc., a desirable set of which costs $15 and higher. All-white is entirely blameless from the standpoint of good taste, and has a dainty fineness in the Haviland of which one rarely tires, while it never clashes with anything else on the table. It is so infinitely preferable to cheap, gaudy decorations, so sincerely and honestly what it seems to be, that it has a certain self-respecting quality which one cannot help but admire. Blue-and-white has an attraction which has never died since it had its birth in the original Delft, which is copied so extensively now in j.a.pan and China. And though the porcelain is but an imitation, it is a clever one, and one which leaves little to be desired in decorative value and general effect. The design may strike one at first as being a little heavy, but it improves on acquaintance, and it has been very aptly said that the fact of its having survived enthusiasm should vouch for its worth. Porcelain has a good glaze which does not readily crack or break. Advancing in the scale of cost and fineness, we come to that most beautiful of all chinas--the gold-and-white--which can be had at from $50 a set up to as high as $1,500. The gilding is in coin gold, the effect of richness tempered with chast.i.ty being carried through all grades in varying intensity. It "expresses itself beyond expression," and is an honor to any table.

COURSE SETS

When it comes to the purchase of course sets, different tastes can find instant gratification in numberless colorings and designs.

Overdecoration and large floral devices must be avoided, but any delicately expressed pattern is good, and here again the gold-and-white seems to fulfill all demands. Soup, salad, tea, b.u.t.ter, and other plates can be had in china from 30 cents apiece up. Articles of this kind, in a standard pattern, may be bought one or two at a time, and added to as ability permits until the set is completed. Any unusual design runs through two years, after which it can be obtained only from the factory. A dozen of each is a good number to aim at, for there will be many occasions which will call out one's whole dish brigade and keep it actively engaged. The old joke about having to wash dishes between courses, and sending the ice cream afloat on a warm plate, really loses its amusing aspect when it becomes an actual experience.

Unless the mistress prefers to serve her soup at the table, a tureen is not a necessity, but if used, it must match the soup plates. It is a somewhat fluctuating fas.h.i.+on, out at present. Soup plates are not the great flaring affairs of yore. They either follow the old shape, much reduced, or are in the nature of a large sauce dish. The meat set of platters, plates, and vegetable dishes comes into play at all meals, tea plates can be put to a variety of uses--in fact, many dishes supplement one another at a saving of expense and numbers. If one has a handsome gla.s.s bowl sufficiently large, a special salad bowl is not an essential, but a china bowl demands plates to match. Hand-painted china, in sets or odd pieces, is pretty--sometimes--if artistically designed and perfectly executed, but a little goes a long way. Don't be the innocent victim of some well-meaning relative with the china-painting bee. Gently but firmly refuse to sacrifice the beauty of your table to family ties; they ought to be able to stand the strain, but your table cannot.

ODD PIECES

j.a.panese and Chinese ware is steadily gaining in favor--another instance in which imitation is permissible, for the "real thing" is undoubtedly costly. The quaint conceits in creams and sugars, chocolate pots, bonbon dishes, and plates, with their storks and chrysanthemums, their almond-eyed damsels and mandarins, are always interesting. The fad of odd cups and saucers is fast developing into a fixed fas.h.i.+on, and a good one, which is a particular boon to the giver of gifts on Christmas and other anniversaries when "presents endear absents." Pretty styles in all sizes of different French, German, and English makes can be found at 50 cents and up, with special reductions at sale times. Larger plates, to accommodate both the slice of bread and the b.u.t.ter ball, have taken the place of the tiny b.u.t.ter plate, and should properly match the meat set. A touch of gold with any china decoration gives it a certain character and richness. The chop platter--among the nice-to-haves and bought as an odd piece--belongs in the lightning change category, for it may serve us our chops and peas during the first course, our molded jelly salad during the second, and our brick of ice cream or other dessert during the third. The range in price is from $1 up to $5 and $6 for the choicest designs. Then there are berry sets of a bowl and six saucers, both being turned to account for different uses, and costing in Haviland as low as $1.75. And there must be some small bowls or large sauce dishes for breakfast use, if our housewife is cereally inclined, and a china tile or two on little legs to go under the coffee and tea pots. The china pudding dish, with its tray and its heat-proof baking pan, is a pretty and convenient accessory, saving the bother of veiling the crackled complexion of the ordinary baking dish with a napkin, These cannot be had for less than $3.50 and are made in silver also, minus the tray and plus a cover.

The teapot, true symbol of hospitality, has come down from the high estate to which it was formerly created, and is a fat, squatty affair now. Dainty sets of teapot, cream, and sugar matching--a n.o.bby little outfit--are to be had for $2, in gold-and-white, $3, etc. There are after-dinner coffee sets, too. Needless to say there must not be even the slightest acquaintance between fine china or porcelain and the hot oven if you value their glaze.

[Ill.u.s.tration: Wedgwood pottery, and silver of antique design.]

SILVER AND PLATE

Of the purchase of silver there is little to say. Unless her friends have been very generous in their gifts of solid ware, the mistress usually acquires it a little at a time, contenting herself with the plated for general use. Here the souvenir fork or spoon frequently steps into the breach, but in default of any other, good s.h.i.+ning plated ware presents just as good an appearance as the solid and serves every purpose until the plate begins to show wear, when it should be renewed without delay. The plainer the pattern the better. Medium-sized knives and forks of the best Rogers triple plate sell for $7 a dozen, teas for 10 cents less, fruit knives for $3. Teaspoons in the dainty Seville pattern, with only a beaded tr.i.m.m.i.n.g around the handle, are $4 a dozen, dessert spoons $3.25 a half dozen, and tablespoons $3.75. A gravy ladle costs $1.25. The infinite variety of odd forks and spoons for various uses is best acquired with the other solid silver. Plated ware ought never to serve acids nor top salt shakers, since both acid, and salt when damp, corrode the plating. Solid salt and pepper shakers can be had as low as $1 a pair, cut gla.s.s with solid tops for $1 and $1.50. If individual salt dishes are used, they must be accompanied by tiny solid salt spoons at 35 cents apiece and up. Very nice though not altogether necessary accompaniments of the bread-and-b.u.t.ter plates are the individual b.u.t.ter knives at $10 a dozen.

If steel-bladed knives are preferred to silver, the medium size, with composition handles of celluloid and rubber, are $4.50 a dozen, with accompanying forks with silver-plated tines at $7.50. The carving knife, broad, long, and strong, with its fork, good steel both, can be had for $2.75, with a game knife, its blade short and pointed and its handle long, with its fork, $2.50.

GLa.s.s

Cut gla.s.s is another of the can-do-withouts, except, perhaps, the carafe, now used instead of the old-fas.h.i.+oned water pitcher, at $3, $3.50, etc.; cruets for vinegar and oil, simply cut and in good style, for as low as $1.50 each; and the finger bowls, one for each person.

The last, of thin crystal and perfectly plain save for a sunburst of cutting underneath, are $3 a dozen, with others more elaborate, and costly in proportion. Tumblers, thin, dainty, and delightful, cut a little at the bottom, are $1.50 a dozen, and far pleasanter to drink from than their elaborately cut and artistic brethren. Occasionally a pretty little olive dish can be picked up for as low as $1.50 or $2, but rather perfect and inoffensive plainness than imitation cut, cheap, crude, and clumsy. The American cut gla.s.s is considered the choicest.

Side by side with it, and preferred by many as being less ostentatious, is the beautiful Bohemian gla.s.s, with its exquisite traceries in gold and delicate colors. Only in this gla.s.s is color permissible, and then princ.i.p.ally in receptacles for flowers. There is reason to believe that it was from a Bohemian gla.s.s plate the King of Hearts stole the tarts on a certain memorable occasion, and if so, one can readily understand why the temptation was so irresistible to him.

[Ill.u.s.tration: A collection of eighteenth-century cut gla.s.s.]

ARRANGEMENT

To put all our pretty things on the table in such a way that the result shall be a picture of daintiness, grace, and symmetry is seemingly a simple matter, but the trick of good taste and a mathematical eye are both involved in it. The manner of setting and serving the table varies somewhat with each meal, but a few suggestions apply to all alike. The center of the table must be exactly under the chandelier, and covered with the pretty centerpiece with its dish of ferns, a vase of posies, or a potted plant in a white crinkled tissue-paper pinafore.

Nothing else has the decorative value of the table posy, however simple, which seems to breathe out some of its outdoor life and freshness, and should never be omitted. Twenty inches must be allowed for each cover, or place, to give elbow room, and all that belongs to it should be accurately and evenly placed. At the right go the knives--sharp edges in--and spoons, with open bowls up, in the order in which they are to be used, beginning at the right. At the points of the knives stands the water gla.s.s. At the left are arranged the forks, tines up, also in the order of use, beginning at the left, with the b.u.t.ter plate, on which rests the b.u.t.ter knife, a little above the forks. The napkin--which should be folded four times in ironing and never tortured into fantastic shapes, restaurant fas.h.i.+on--lies either at the left of the forks or on the plate at the center of the cover.

If many spoons are to be used, the soup spoon alone rests beside the knife, with the others above the plate. Individual salt cellars go above the plates, shakers at the sides or corners of the table, within easy reach, and one carafe is usually allowed for every three or four people. Carving cloths are laid before the plates are put on, with the carving knife at the right, the fork at the left. Water is poured, b.u.t.ter pa.s.sed, and bread arranged on the table just before the meal is served. Extra dishes and the plates for use during the different courses stand in readiness on a little side table, silver and gla.s.s alone being appropriate to the sideboard.

DUTIES OF THE WAITRESS