The Angel of the Gila Part 10

She left the babe screaming vociferously, and returned to dance. Four other infants promptly entered into the vocal contest, while their respective parents danced in the adjoining room, oblivious of everything save the pleasure of the hour. Then it was that the New England girl became a self-appointed nurse, patting and soothing first one, then another babe; but it was useless. They had been brought to the party under protest; and offended humanity would not be mollified.

The teacher stepped out into the living room, which was in festive array. Its picturesqueness appealed to her. A large fire crackled on the hearth, and threw its transforming glow over the dingy adobe walls, decorated for the occasion with branches of fragrant silver spruce. Blocks of pine tree-trunks, perhaps two feet in height, stood in the corners of the room. Each of these blocks contained a dozen or more candle sockets, serving the purpose of a candelabrum. Each of the sockets bore a lighted candle, which added to the weirdness of the scene.

The room was a unique background for the men and women gathered there.

At least twenty of the mountaineers had already a.s.sembled. They had come at late twilight, and would stay till dawn, for their journey lay over rough mountain roads and through dangerous pa.s.ses.

The guests gathered rapidly, laughing and talking as they came.

It was a motley crowd,--cowboys, in corduroy, high boots, spurs, slouch hats, and knives at belt, brawny specimens of human kind; cowla.s.ses, who for the time, had discarded their masculine attire of short skirts, blouse, belt and gun, for feminine finery; Scotchmen in Highland costume; Mexicans in picturesque dress; English folk, clad in modest apparel; and Irishmen and Americans resplendent in colors galore.

For a moment, Esther stood studying the novel scene. Mr. Clayton, observing her, presented her to the individuals already a.s.sembled. The last introduction was to a shambling, awkward young miner. After shaking the hand of the teacher, which he did with a vigor quite commensurate to his elephantine strength, he blurted out, "Will yez dance a polky wid me?"

She asked to be excused, saying she did not dance.

"Oh, but I can learn yez," he said eagerly. "Yez put one fut so, and the other _so_," ill.u.s.trating the step with bovine grace as he spoke.

His efforts were unavailing, so he found a partner among the cowla.s.ses.

Again Esther was alone. She seated herself near one of the improvised pine candelabra, and continued to study the people before her. Here she found primitive life indeed, life close to the soil. How to get at these people, how to learn their natures, how to understand their needs, how to help them,--all these questions pressed upon her. Of this she was sure:--she must come in touch with them to help them.

Men and women older and more experienced than she might well have knit their brows over the problem.

She was roused to a consciousness of present need by a piercing cry from one of the infants in the adjoining room. The helpless cry of a child could never appeal in vain to such a woman as Esther Bright. She returned to the bedroom, lifted the wailing bundle in her arms, seated herself in a rocker, and proceeded to quiet it. Kenneth Hastings stood watching her, while an occasional smile flitted across his face. As John Clayton joined him, the former said in a low tone:

"Do you see Miss Bright's new occupation, John?"

"Yes, by George! What will that girl do next? Who but Miss Bright would bother about other people's crying infants? But it's just like her! She is true woman to the heart. I wish there were more like her."

"So do I, John. I wish I were more like her myself in unselfish interest in people."

"She has done you great good already, Kenneth."

"Yes, I know."

Then a shadow darkened Kenneth's face. He moved toward the outer door that stood open, and looked out into the night.

At last Esther's task was accomplished, the babe was asleep, and she returned to the scene of the dancing. Kenneth sought her and asked her to dance the next waltz with him. She a.s.sured him, also, that she did not dance.

"Let me teach you," he urged. But she shook her head.

"You do not approve of dancing?" he asked, lifting his brows.

"I did not say I do not approve of dancing; I said I do not dance. By the way," she said, changing the subject of the conversation, "my lessons in riding are to begin to-morrow, are they not?"

"To-morrow, if I may have the pleasure. Do you think riding wicked, too?"

This he said with a sly twinkle in his eye.

"Wicked, too?" she echoed. "What's the 'too' mean?"

"Dancing, of course."

"But I didn't say I thought dancing wicked. I said I do not dance."

"Oh, well, you think it wicked, or you would dance."

She looked amused.

"What would you say if I should tell you I learned to dance years ago?"

"That you are strait-laced obstinacy personified. Why not dance? It could do you no harm."

"It is not expedient, that is all. Let me tell you I really did learn.

I am not an accomplished dancer, though. I was taught to dance in a school I attended. But I have never danced in social life."

"Why not put aside your scruples for once," he urged, "and dance the next waltz with me? You don't know what pleasure it would give me."

But she still refused. He saw that to pursue the matter further would be useless. The conversation was interrupted by the entrance of cowboys and cowla.s.ses, who, as they filed past, were presented to her by Kenneth Hastings.

"How are ye?" asked one husky fellow, gripping Esther's hand like a vise.

"Happy ter know yer acquaintance," said another.

The girls snickered and looked foolish, keeping time to the music with the tapping of their feet.

"You like to dance, I see," said Esther to one girl.

"You bet I do!"

The girl's jaws kept time to the music as she vigorously chewed gum.

"Come, Jim," said another loud-voiced cowla.s.s, "that's our set."

And away they went, hand in hand, edging their way through the crowded rooms. Soon they were in the midst of the boisterous dancers.

Kenneth joined the human fringe around the dance room. He stood watching as though what he saw amused him.

"Swing y'r pardners," shouted the fiddler, above the din of voices.

Down came the bow across the strings, that responded in shrill, piercing notes. Around flew the dancers, their cheeks growing redder and redder. The clatter of the cowboys' spurs, and the tapping of the fiddler's foot kept time to the music.

While watching the dancers, Kenneth discovered Jessie Roth, a young Scotch girl, in from the range. As soon as he could do so, he presented her to Esther Bright. Jessie responded to the introduction awkwardly and shyly; but as she looked into Esther's face, she seemed to gain confidence. It was such a kindly, such a sympathetic face.

Jessie was a girl Esther had long been wis.h.i.+ng to meet, and to interest in better things. She was at heart good, and if wisely directed would undoubtedly exercise a wholesome influence over other girls. As the teacher expressed her interest in her, and what they might do together, Jessie's face beamed.

"Mr. Hastings telt me aboot y'r Bible school, an' how ye want.i.t me tae come. Did ye?"

"Indeed I did."

"Dae ye want mony mair tae come?"