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Composition-Rhetoric Part 12

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_B._ Write six sentences which might be developed into paragraphs by giving specific instances.

+Theme XXI.+--_Write a paragraph by furnis.h.i.+ng specific instances for one of the following topic statements:_--

1. Nine tenths of all that goes wrong in this world is because some one does not mind his business.

2. It requires a man of courage and perseverance to become a pioneer.

3. Even the wisest teacher does not always punish the boy who is most at fault.

4. It is impossible to teach a dog many amusing tricks.

5. Even so stupid a creature as a chicken may sometimes exhibit much intelligence.

6. Carelessness often leads into difficulty.

7. Our school clock must see many interesting things.

8. Our first impressions are not always our best ones.

9. I am a very busy lead pencil, for my duties are numerous.

10. d.i.c.kens's characters are taken from the lower cla.s.ses of people.

11. Some portions of the book I am reading are very interesting.

(Do your specific instances really ill.u.s.trate the topic statement? Have you said what you intended to say?

Can you omit any words or sentences? Have you used _and_ or _got_ unnecessarily?).

+45. Development by Giving Details.+--Many general statements lead to a desire to know the details, and the writer may make his idea clearer by giving them. The statement, "The wedding ceremony was impressive," at once arouses a desire to know the details. If a friend should say, "I enjoyed my trip to the city," we wish him to relate that which pleased him. These details a.s.sist us in understanding the topic statement, and increase our interest in it. Notice in the paragraphs below how much is added to our understanding of the topic statement by the sentences that give the details:--

1. I left my garden for a week, just at the close of a dry spell. A season of rain immediately set in, and when I returned the transformation was wonderful. In one week every vegetable had fairly jumped forward. The tomatoes, which I left slender plants, eaten of bugs and debating whether they would go backward or forward, had become stout and l.u.s.ty, with thick stems and dark leaves, and some of them had blossomed. The corn waved like that which grows so rank out of the French-English mixture at Waterloo.

The squashes--I will not speak of the squashes. The most remarkable growth was the asparagus. There was not a spear above ground when I went away; and now it had sprung up, and gone to seed, and there were stalks higher than my head.

--Warner: _My Summer in a Garden_.

2. The wedding ceremony was solemn and beautiful, in the church on the estate. At the door of the palace stood the mother of the bride, to greet her return from the ceremony with the blessing, "May you always have bread and salt," as she served her from a loaf of black bread, with a salt cellar in the center, as is the Russian custom for prince and peasant.

Just at this dramatic moment a courier dashed up with a telegram from the Czar and Czarina, and their gifts for the bride,--a magnificent tiara and necklace of diamonds. The other presents were already displayed in a magnificent room; but we saw their splendor through the gla.s.s of locked cases,--a precaution surprising to an Englishwoman. The large swan of forcemeat was the only reminder of boyar customs at the rather Parisian feast. Wine was served between the courses, with a toast; while guests in turn left their seats to express their sentiments to bride and groom, who stood to receive them.

--Mary Louise Dunbar: _The Household of a Russian Prince_ ("Atlantic Monthly ").

+Theme XXII.+--_Write a paragraph by giving details for one of the following topic statements:_--

1. There were many interesting things on the farm where I spent my summer vacation.

2. The sounds heard in the forest at night are somewhat alarming to one who is not used to the language of the woods.

3. I am always much amused when the Sewing Circle meets at my mother's house.

4. Good roads are of advantage to farmers in many ways.

5. A baseball game furnishes abundant opportunity to exercise good judgment.

6. I remember well the first time that I visited a large city.

7. I shall never forget my first attempt at milking a cow.

8. The haunted house is a square, old-fas.h.i.+oned one of the colonial type.

9. A mouse suddenly entering the cla.s.s room caused much disturbance.

10. A freshman's trials are numerous.

(Do the details bear upon the main idea? If the paragraph is long and rambling, condense by omitting the least important parts. By changing the order of the sentences, can you improve the paragraph?)

+46. Details Related in Time-Order.+--The experiences of daily life follow each other in time, and when we read of a series of events we at once think of them as having occurred in a certain time-order. To a.s.sist in establis.h.i.+ng the correct time-order, the writer should generally state the details of his story in the order in which they occurred. The method of showing time relations for simultaneous events has been discussed in Section 11.

If the narrative is of considerable length, it may be divided into paragraphs, each dealing with some particular stage of its progress. The time relations among the sentences within the paragraph and among the paragraphs themselves should be such that the reader may readily follow the thread of the story to its main point. Narrative paragraphs often do not have topic sentences.

In the following selection from _Black Beauty_ notice how the time relations give unity of thought both to the paragraphs and to the whole selection:--

He hung my rein on one of the iron spikes, and was soon hidden among the trees. Lizzie was standing quietly by the side of the road, a few paces off, with her back to me. My young mistress was sitting easily, with a loose rein, humming a little song. I listened to my rider's footsteps until he reached the house, and heard him knock at the door.

There was a meadow on the opposite side of the road, the gate of which stood open. As I looked, some cart horses and several young colts came trotting out in a very disorderly manner, while a boy behind was cracking a great whip. The colts were wild and frolicsome. One of them bolted across the road and blundered up against Lizzie. Whether it was the stupid colt or the loud cracking of the whip, or both together, I cannot say, but she gave a violent kick and dashed off into a headlong gallop. It was so sudden that Lady Anne was nearly unseated, but she soon recovered herself.

I gave a long, shrill neigh for help. Again and again I neighed, pawing the ground impatiently, and tossing my head to get the rein loose. I had not long to wait. Blantyre came running to the gate. He looked anxiously about, and just caught sight of the flying figure now far away on the road. In an instant he sprang to the saddle. I needed no whip, no spur, for I was as eager as my rider. He saw it; and giving me a free rein, and leaning a little forward, we dashed after them.

For about a mile and a half the road ran straight, then bent to the right; after this it divided into two roads. Long before we came to the bend my mistress was out of sight. Which way had she turned? A woman was standing at her garden gate, shading her eyes with her hand, and looking eagerly up the road. Scarcely drawing rein, Lord Blantyre shouted, "Which way?" "To the right!" cried the woman, pointing with her hand, and away we went up the right-hand road. For a moment we caught sight of Lady Anne; another bend, and she was hidden again. Several times we caught glimpses of the flying rider, only to lose her again. We scarcely seemed to gain ground upon her at all.

An old road mender was standing near a heap of stones, his shovel dropped and his hands raised. As we came near he made a sign to speak. Lord Blantyre drew the rein a little. "To the common, to the common, sir! She has turned off there."

I knew this common very well. It was, for the most part, very uneven ground, covered with heather and dark-green bushes, with here and there a scrubby thorn tree. There were also open s.p.a.ces of fine, short gra.s.s, with ant-hills and mole turns everywhere--the worst place I ever knew for a headlong gallop.

We had just turned on to the common, when we caught sight again of the green habit flying on before us. My mistress's hat was gone, and her long brown hair was streaming behind her. Her head and body were thrown back, as if she were pulling with all her remaining strength, and as if that strength were nearly exhausted. It was clear that the roughness of the ground had very much lessened Lizzie's speed, and there seemed a chance that we might overtake her.

While we were on the highroad, Lord Blantyre had given me my head; but now, with a light hand and a practiced eye, he guided me over the ground in such a masterly manner that my pace was scarcely slackened, and we gained on them every moment.

About halfway across the common a wide dike had recently been cut and the earth from the cutting cast up roughly on the other side. Surely this would stop them! But no; scarcely pausing, Lizzie took the leap, stumbled among the rough clods, and fell.

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Composition-Rhetoric Part 12 summary

You're reading Composition-Rhetoric. This manga has been translated by Updating. Author(s): Stratton D. Brooks and Marietta Hubbard. Already has 641 views.

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