The Enigma of Arrival Part 13

I grew to recognize the rhythm of his day, how he paced himself through his solitary physical labor. From time to time, for fixed periods, fifteen minutes in the morning and afternoon, an hour in the middle of the day, he withdrew from his sc.r.a.pers and rollers and brushes and paint tins and sat in his car, holding the racing page of his paper over the steering wheel, drinking milky tea from his flask in the morning and afternoon breaks, eating sandwiches in the midday break, not being in a hurry then to open his sandwich tin, first giving himself another fifteen minutes or so with the racing page of his paper, and then, having unfolded the greaseproof wrapping of his neat parcel, eating slowly, steadily, without haste, but also without relish.

His car at first he parked on the lane just outside my cottage back door. When, using more gestures than words, I showed him what he had done, he without speaking moved nearer the manor courtyard to a spot where he was hidden from the manor and from me.

His car was like his castle. Out of it, he was at work, in somebody else's place; in it, he was at home. He looked serene, self-sufficient. In the top pocket of his overall (over a very thick, hand-knitted blue pullover) he had an empty, open, flip-top cigarette packet. This was his ashtray; the gesture with which he flicked ash into this packet was practiced. It was clearly an old habit or procedure, part of his tidiness as a decorator. The tidiness, the concentration required for painting, the way sometimes his face went close to his painting hand, the silence in which he worked for ninety minutes or so at a time, his solitude-this gave him a disturbing presence, made him seem more than his job and his appearance, the pinkness of his skin and the whiteness of his overall. And I found, when I began to talk to him, that he had a curious voice: it was soft, evenly pitched, childlike, pa.s.sive.

He took his cigarette-packet ashtray seriously. I said I liked the idea. He didn't dismiss it or make a joke about it. He spoke very seriously about it. He told me when the idea had come to him and how it had come; people always remarked on it, he said.

And as we talked at various times over the days-he was ready to talk: his solitude was like something imposed on him, something he didn't mind setting aside-I found that he took everything about himself seriously, that he regarded himself with a kind of awe. There was something else: he seemed to be looking at himself from a distance, all his habits, his rituals. He was awed by what he saw: he didn't understand what he saw.

Even this sitting at intervals in his car-that was puzzling to him, because that was when he also took his pills. He took his pills and studied the racing page, because his dream was to be a full-time gambler, a serious gambler. Not betting like a pensioner on outsiders, but betting on favorites all the time: it was the only way to make a living out of gambling. He needed his pills; he took two sorts four times a day. He could do nothing without his pills; he went nowhere without his pills. The pills kept him going. And it was through Mr. Phillips, long ago, that he had discovered the pills. That was the connection with Mrs. Phillips, though, as he said, he didn't know Margaret so well.

Before the pills he used to burst out crying in public, for no reason; he used to just begin to cry. He didn't know why. He was well off, better off than many people he knew. He had a house, a wife, a car. At first people at work didn't know he was crying; they thought he was just allergic to gloss paint or the new synthetic varnishes. But one day the tears got the better of him, and he had to go to the hospital.

He found himself in a ward where the beds had no sheets, only mattresses and blankets. There was very little s.p.a.ce between the beds. The nurse was a man. Even through his tears he recognized the oddity of that. The man who was the nurse, Stan, Mr. Phillips, gave him some pills; and he fell asleep. He had never slept so soundly; he woke up feeling so well he was grateful to Stan ever after. That was how he had got hooked on the pills.

And Stan helped him more. "He was so good to me. He said to me one day, 'Look, if you don't pull yourself together, I'm going to have you registered as disabled. You might think there's going to be more benefit for you from the social security because of that, but I'm telling you: there's nothing nothing in it for you. There's no extra benefit. Ask the almoner.' And he was right. There was nothing in it for me. So I pulled myself together. So sad about Stan. I used to think that if I really had a big win on the horses I would go to Stan and give it all to him. All. Just like that." He made a lifting gesture, as though, as in a cartoon, money came in coin in sacks. "I thought I would go and say, 'Stan, this is the biggest thing I've done. I want you to take it, because you've been so good to me.' " in it for you. There's no extra benefit. Ask the almoner.' And he was right. There was nothing in it for me. So I pulled myself together. So sad about Stan. I used to think that if I really had a big win on the horses I would go to Stan and give it all to him. All. Just like that." He made a lifting gesture, as though, as in a cartoon, money came in coin in sacks. "I thought I would go and say, 'Stan, this is the biggest thing I've done. I want you to take it, because you've been so good to me.' "

His eyes began to water. But they remained expressionless, steady. His face didn't change color; his voice never lost its childlike quality.

"I've lost everything now. House, furniture, wife. But that was when the crying left me. When I left my wife. When I left her I left all my troubles behind. I found her with the man on the Wednesday. I hit her. By Friday they had me out of the house."

This was the story he told over many days, saving up this detail for last. And even in this detail much had been left out. Much, for instance, would have gone on before that Wednesday discovery. But that was the way he saw the event; that was what had worked on him.

Sitting in his car, flicking ash into the cigarette packet in the top pocket of his overall, he gave a dry sob, like a little convulsion.

He said, "It's not for her. It's for Stan."

THE WEATHER was cool, end-of-summer, early autumn. Good weather for external painting, the decorator said: the paint had a better consistency, the charged brush moved more easily. It was one of the few bright pieces of knowledge-knowledge external to himself-that he possessed. But the air that was good for the decorator's brush was also full of end-of-summer dust and exhalations of various kinds. was cool, end-of-summer, early autumn. Good weather for external painting, the decorator said: the paint had a better consistency, the charged brush moved more easily. It was one of the few bright pieces of knowledge-knowledge external to himself-that he possessed. But the air that was good for the decorator's brush was also full of end-of-summer dust and exhalations of various kinds.

On my walk one afternoon, just beyond what had been Jack's garden, between the old-metal and timber and barbed-wire farmyard debris below the beeches on one side of the way, and the deep, rubbish-burning chalk pit on the other side (the branches of the now tall silver birches singed a month or so before by a fire that had been fed too richly), I began to choke.

I walked round the old farmyard, continuing in the droveway, breathing through my mouth as deeply as I could, to clear the constriction.

To the right was the wide low slope, where in the old days the black and white cattle, especially when seen against the sky, brought to mind the condensed-milk labels we had known as children in Trinidad; and brought to mind especially a coloring compet.i.tion for schoolchildren that the distributors of the condensed milk had organized one year. The drawing or outline to be colored was an enlarged version of the label itself. What pleasure, to get as many sheets with the outline as one wanted! What landscapes came to the mind of a child to whom cattle like those in the picture and smooth gra.s.sy hillsides like those in the picture (clearly without snakes) were not known!

Always on a sunny day on this walk, and especially if at the top of the slope some of the cattle stood against the sky, there was a corner of my fantasy in which I felt that some minute, remote yearning-as remote as a flitting, all-but-forgotten cinema memory from early childhood-had been satisfied, and I was in the original of that condensed-milk label drawing.

To the left, across the wide, long-gra.s.sed droveway, was a stretch of pasture now behind barbed wire. All down the pasture on the other side was a plantation of pines, now tall. Dark and thick that pine wood had seemed until one day the stubbled field behind had been set ablaze; and the thin screen of the dark pine trunks had been seen against the fire, roaring like a jungle waterfall I had once heard, giving me the idea that all matter was one, and that all disturbances, whether of fire or water or air, were the same. Just as the firing ranges beyond Stonehenge suggested by their boom that air could be punctured, and just as the military aircraft, more destructive of sky and air each year, had grown to sound like giant railway trains circling about in the sky on resonant iron rails: a magnification of the railway sound which, when I heard it coming from behind the high brick wall at the end of the Earl's Court garden in 1950, heard it very early in the morning and late at night, had seemed to me to hold the drama and the promise of the bigger metropolitan life I had traveled to find.

Between the cattle slope and the pine screen the constriction in my chest vanished, as suddenly as it had come. I walked on to where the fenced pasture and the pine screen ended; to where, in a dip between slopes, the great rolls of hay had been stacked years before and never used and never taken away. Too black those rolls now, too mossy green in places, too close to pure rot, for them to be thought of as giant Swiss-roll cakes; too black for them to be thought of as larger newsprint rolls for the newspaper presses. Litter, debris, that black gra.s.s now, but part of the view, like the long shallow valley behind, open, never tilled, strewn with chalk and flint and looking like a valley in a higher, wilder place, strewn with dirty lumps of old snow. Beyond that, on the droveway, the land sloped up to the lark hills, the barrows and tumuli with their tufts of coa.r.s.e gra.s.s and their stunted, windswept trees.

I knew the walk by heart, like a piece of music. I didn't go all the way to the top of the down. It wasn't necessary. I knew what I would see from there, in that light. I turned back; all the views of the walk unrolled again.

Later that evening, in my cottage, the choking fit returned. I felt my bronchial tubes contract and tighten. I waited for the fit to pa.s.s. But it didn't; everything tightened, seized up. Within a few hours I was seriously ill, but oddly light-headed. And it was in this light-headed mood-but seeing everything with great clarity, noticing with surprise and pleasure the unusualness of the view of the valley through the dark windows of the ambulance-that I was taken to the Infirmary in the town.

I had seen the building for years and had known it was the Infirmary, the hospital, but had never thought about it, in spite of the comings and goings on the asphalt forecourt. I had seen it only as a building. I had seen remnants of the eighteenth-century brick (having learned to see age in red or reddish brick, which in 1950 I had found very ordinary, the material of little houses). I had seen the elegant Georgian letters of the legend-stating the voluntary nature of the Infirmary and giving the date, 1767-carved right along a band of stone near the top of the flat facade.

The Infirmary was on the road to the railway station. It was past the bridge: here the rivers of the chalk valleys all around met and ran together, the water always clear, giving an extraordinary brilliance to scattered pieces of litter, the water seeming (like gla.s.s paperweights or like photographs) to have the power to isolate ordinary or well-known objects and force their details on the eye.

Ten years before, illness had heightened, had given a special quality to, my discovery of spring in the manor garden. The illness of that time-brought on by mental fatigue and travel-had been, to me, though it had lasted for many weeks, like the pa.s.sing tropical fevers of my childhood, fevers a.s.sociated with the rainy season, fevers which I thought ran their course too soon and which I longed for again. These fevers of childhood had been welcome because, with their great relaxing internal warmth, they pleasingly distorted the sense of touch and the sense of hearing, made the world remote, then very close, played tricks with time, seeming to awaken me at many different times to the same event; and with this drama and novelty (and the special foods and "broths") fevers always gave a feeling of home and protection.

With something like that kind of fever (and all that it implied, for the first time in England, of protection and ease) I had seen the peony below my window (in my half-waking delirium the tight red bud had grown tall on its stalk and tapped on my window in the wind); and the single blue iris among the nettles; and the th.o.r.n.y, scented moss roses; and the rotting bridges over the black creeks to the glory of the river, "fres.h.i.+ng out."

It was with real illness now, a more than pa.s.sing incapacity, a fatigue that seemed to have gone beyond the body to the core and motor of my being, a fatigue that made it necessary for me to judge very carefully first how many minutes I could be up and about for, and then how many hundred yards I could walk without burning up my strength and falling ill again, it was with true illness that when I came back from the Infirmary I began, after some time, to take short turns in the sodden, ruined manor garden. Indifferent to winter for many years after I had come to England, never feeling the need for an overcoat or gloves or even a pullover, I now had a sensation of internal coldness such as I had never had before; I felt chilled in my lungs.

Gra.s.s and weeds were tall and wet, black at the roots with different kinds of vegetable rot. Autumn had once had an enchantment of its own, with the trees and bushes "burning down" in their different ways, with different tints, with the wild mushrooms imitating the color and the shape of the dead leaves they grew among; with last year's dead aspen leaves like lace or tropical fan coral, the soft matter rotted away between the ribs or veins or supporting structure of each leaf, which yet preserved its curl and resilience. I had slowly learned the names of shrubs and trees. That knowledge, helping me visually to disentangle one plant from another in a ma.s.s of vegetation, quickly becoming more than a knowledge of names, had added to my appreciation. It was like learning a language, after living among its sounds. Now, with the growth of weeds and the advance of marsh plants, and the disappearance of the rose bed, to be in the garden was like being in the midst of undifferentiated bush. The sections of the fallen aspen trunks that had been too big to saw up or remove had disappeared below bush.

The colors of the autumn in the garden were now brown and black. I had learned to see the brown of dead leaves and stalks as a color in its own right; I had collected gra.s.ses and reeds and taken pleasure in the slow change of their color from green to biscuit brown. I had even taken pleasure in the browned tints of flowers that had dried in vases without losing their petals; I had been unwilling to throw away such flowers. On autumn or winter mornings I had gone out to see brown leaves and stalks outlined with white frost. Now the hand of man had been withdrawn from the garden; everything had grown unchecked during the summer; and I felt only the cold and saw the tall gra.s.s and the wet and saw black and brown. On these short walks in the ruined manor garden, going a little farther each time, past the aspens, then past the great evergreen tree, then approaching the big white-framed greenhouse, after all this time as solid and whole-looking as it had ever been, on these walks brown became again for me what it had been in Trinidad: not a true color, the color of dead vegetation, not a thing one found beauty in, trash.

And it was against this brown that one day, going past the greenhouse to where on my earliest walks towards the river I had found a gate (which still worked when I first came upon it) and bridges over the black, leaf-filled creeks, it was against this black and brown that I saw a new post-and-rail timber fence, the new wood blond and red, like the color of the hair of the unshaved fat man the German had said was his brother, like the color of the nylon sack the unshaved fat man was carrying, to take away the rotten logs or whatever it was he had intended to pillage.

I hadn't heard about this fence or the sale of land it implied. The ground all about was wild; even if I had the energy it would have been hard to go beyond the first creek. But I could see that the line of the new fence ran diagonally across the line of the old path and bridges that led from the garden to the river. A surveyor's line, drawn on a land map; not a line that made allowances for the way the land had been used.

I had trained myself to the idea of change, to avoid grief; not to see decay. It had been necessary, because the setting of this second life had begun to change almost as soon as I had awakened to its benignity. The moss roses had been cut down; the open droveway had been bisected by a barbed-wire fence; fields had been enclosed. Jack's garden had been destroyed in stages and finally concreted over. The wide gate at the end of the lawn outside my cottage had been closed after Pitton left, and cut branches had blocked the way there. And then barbed wire-of all chilling things-had been wound around what had been built as a children's play house in the orchard.

I had lived with the idea of change, had seen it as a constant, had seen a world in flux, had seen human life as a series of cycles that sometimes ran together. But philosophy failed me now. Land is not land alone, something that simply is itself. Land partakes of what we breathe into it, is touched by our moods and memories. And this end of a cycle, in my life, and in the life of the manor, mixed up with the feeling of age which my illness was forcing on me, caused me grief.

I liked the neighbor. I had nothing against him-he had unwittingly shown me where I was to move. He was reverential about what he wished to acquire; the valley and the land were his in a special way as well. His mother had lived as a girl in a farmhouse (now partly in ruin) beside the river. No lack of reverence there; and I had always known that there was no means of preserving a landscape which-in its particular purity for me-existed for me after that first spring only in my heart. From that first spring I had known that such a moment was going to come. But now that it had come, it was shocking. And as at a death, everything here that had been a source of pleasure and surprise, everything that had welcomed me and healed me, became a cause for pain.

THE MANOR help came, lived for a while in the two redecorated rooms, each woman in her own way and with her own hallowed things; and then went away. But someone at last seemed to suit; and Mrs. Phillips felt secure enough to start taking up the threads of her private life again. help came, lived for a while in the two redecorated rooms, each woman in her own way and with her own hallowed things; and then went away. But someone at last seemed to suit; and Mrs. Phillips felt secure enough to start taking up the threads of her private life again.

The private life, the one she had shared with Mr. Phillips, had been full of public pleasures-pubs, clubs, hotel bars, modest country-town restaurants with dance floors or cabarets-pleasures which, more than house or the sense of place or job or vocation, had given stability and rhythm to the Phillipses' year. This rhythm, overriding her grief, now claimed her; and in the early spring, at what had been one of her and Mr. Phillips's two holiday times, she went off for a fortnight with old friends.

In her absence, her a.s.sistant came out of the manor shadows, showed herself, and explored the grounds without constraint. A thin woman of about fifty, as pleased with the solitude and s.p.a.ciousness of the manor grounds as that other woman or girl had been all those years before, the one who had tied the tails of her s.h.i.+rt above her bare midriff. A different kind of dress on this older woman: she wore an expensive tweed skirt. She had invested much in this skirt. She was like Pitton, I thought: living up to the place and, though a servant, slightly in compet.i.tion with it. How she changed the place for me! I felt myself, after all these years, under inspection again.

When Mrs. Phillips came back, the strange lady withdrew, became timorous, nervous, as though unwilling for her relations.h.i.+p with Mrs. Phillips to be seen too clearly by me.

The holiday had done Mrs. Phillips much good. Her forehead was smoother; the skin below her eyes was less dark, less gathered up; and her voice was lighter. This lightness of voice was especially noticeable on the telephone. She sounded quite mischievous when, two weeks after she had come back from her holiday, she telephoned to say she had a gift for me and wanted to bring it over.

She was in her sporty quilted anorak. She held a walking stick lightly in both her hands, holding the stick horizontally; and when she held it in one hand it was with the gesture of someone not used to a walking stick, not knowing how to hold it or walk with it.

She said, "I went to see Stan's father on Sunday. He wants you to have his stick."

It was the p.r.o.nged stick, the staff in the p.r.o.ng of which he rested his thumb as he walked in the grounds of the manor. He was the first person I had seen using this kind of stick. I was myself a user of sticks on my walks. From my father-who had made them for pleasure in Trinidad, from certain forest trees-I had inherited a feeling for walking sticks; and in my early days as a traveler I had always tried to bring back a stick from the country I was traveling in.

His p.r.o.nged staff was the first thing old Mr. Phillips and I had talked about. He knew that when he walked with it in the manor grounds he had my attention. And now it was his gift. Examining it as a new object, a gift, I found it was shorter than I had remembered. I had remembered it as tall as the old man's shoulder, it was in fact the height of the stick fighter's staff, as high as the lower rib of the user. The bark of the p.r.o.ng and of the wood an inch or so below the p.r.o.ng had been peeled. And just below that piece of stylishness was another: a bra.s.s-colored metal band. I hadn't noticed that before, in the staff the old man used; and the staff that Mrs. Phillips had brought was so s.h.i.+ny with new varnish that I thought the old man might have bought a new one for me. But the inch-long black cap at the bottom of the staff, a cap in rubber or some composite material, was worn, front and back. It was the old man's staff; he had prettied it up because he intended it to be a gift.

I said to Mrs. Phillips, "I will keep it as long as I live."

Just a few years before, this would have seemed to me a big thing to say. Now the words, as soon as they were spoken, made me feel that the protection I offered the old man's gift was hardly protection at all; that just as certain memories of down and river, chalk and moss, were to die with the old man, be untransmittable, so, even if I could bequeath the stick to some considerate inheritor, I could not pa.s.s on its a.s.sociations. Without those a.s.sociations, the stick, like the blond-and-dark disc of the ivy-choked cherry tree which I had had smoothed down and varnished, a souvenir and a record of the later life of the manor garden, would become no more than an object.

Mrs. Phillips said, "Funny old man."

Strange words; strange distance between herself and the old man. The distance showed in her face as well: the smoother skin, the new clarity of the eyes, the lack of fatigue. And there was, in the tone of her speech, a reviving irony and love of life.

She said, "I think I should tell you before you hear it from somebody else. You know how gossip flies about the valley. I've given my notice."

So the gift of the stick acquired another a.s.sociation. Mrs. Phillips's bringing it over-that almost mischievous voice on the telephone, that distancing of herself from old Mr. Phillips, who had until recently walked with such privilege in the manor grounds-that gift was like the winding down of her manor life. How easily she seemed to do it! As soon as I had got to know the Phillipses, had stopped seeing them as exemplars of their job, I had admired them for their adventurousness, their getting by with so little, their readiness to move on. Yet now Mrs. Phillips's news added a touch of desolation to the beauty of the gift she had brought.

She said, "I don't have to tell you. It hasn't been much of a life here since Stan died. Stan could have managed. I can't do it by myself. He's very difficult." This was a reference to my landlord. "And it isn't going to get better. That's what makes it hard. It isn't the kind of thing where you feel that what you do is going to make things better."

She began to move towards the door. She paused; she looked through the high gla.s.s panes of the kitchen door at the broken aspens, growing vigorously again from their stumps.

She said, and her tone was intimate, half questioning, half looking for rea.s.surance-I might have been a relation: "I met someone on holiday. He joined our group for dinner one day. So many matchmakers among one's friends. You wouldn't believe. Anyway. I thought I'd let you know before the gossip reaches you. Stan and I agreed on that. Whoever remained should marry again."

It was strange. She had never been so easy with me, so without strain, the strain first of all of her strangeness in the manor, her uncertainty with me, then the strain of her illness, then the strain of her solitude. And perhaps, as I thought now, the strain of her life with Mr. Phillips, the man of great strength. And I, as if in response to her new personality, had never felt so close to her.

THE NEWS, as Mrs. Phillips said, spread fast about the valley. It got to Bray. His first thoughts were for my landlord, the master of the manor. He said, and it was as though he was speaking of himself as well, "Old age is a brutal thing. I suppose they'll just sell up. In the end there'll be nothing left."

I said, "It's lasted all his life. Not many people can say that. That's happiness."

He stayed with his own thoughts. "When you are young you can fight back. When you're old they can do anything they want with you."

His slit eyes narrowed; a tear ran down his soft, middle-aged cheek. In spite of his talk, the dignity of the house had always mattered to him. He had always taken an interest in its affairs. The dignity of the house had given value to his independence; it was what he measured his own dignity against. The deepest part of him, the part with the hidden memories, the memories that would die with him, was his servant's character.

Squinting at the road, the tears running down his cheeks, Bray said, "She's left. She became very ill and had to go back to the home."

It was the first time he had mentioned the woman he had seen at Salisbury railway station at midnight, the solitary woman in the big tweed coat in the bright lights of the nearly empty station.

THE CEREMONY OF FAREWELL.

IN MY late thirties the dream of disappointment and exhaustion had been the dream of the exploding head: the dream of a noise in my head so loud and long that I felt with the brain that survived that the brain could not survive; that this was death. Now, in my early fifties, after my illness, after I had left the manor cottage and put an end to that section of my life, I began to be awakened by thoughts of death, the end of things; and sometimes not even by thoughts so specific, not even by fear rational or fantastic, but by a great melancholy. This melancholy penetrated my mind while I slept; and then, when I awakened in response to its prompting, I was so poisoned by it, made so much not a doer (as men must be, every day of their lives), that it took the best part of the day to shake it off. And that wasted or dark day added to the gloom preparing for the night. late thirties the dream of disappointment and exhaustion had been the dream of the exploding head: the dream of a noise in my head so loud and long that I felt with the brain that survived that the brain could not survive; that this was death. Now, in my early fifties, after my illness, after I had left the manor cottage and put an end to that section of my life, I began to be awakened by thoughts of death, the end of things; and sometimes not even by thoughts so specific, not even by fear rational or fantastic, but by a great melancholy. This melancholy penetrated my mind while I slept; and then, when I awakened in response to its prompting, I was so poisoned by it, made so much not a doer (as men must be, every day of their lives), that it took the best part of the day to shake it off. And that wasted or dark day added to the gloom preparing for the night.

I had thought for years about a book like The Enigma of Arrival The Enigma of Arrival. The Mediterranean fantasy that had come to me a day or so after I had arrived in the valley-the story of the traveler, the strange city, the spent life-had been modified over the years. The fantasy and the ancient-world setting had been dropped. The story had become more personal: my journey, the writer's journey, the writer defined by his writing discoveries, his ways of seeing, rather than by his personal adventures, writer and man separating at the beginning of the journey and coming together again in a second life just before the end.

My theme, the narrative to carry it, my characters-for some years I felt they were sitting on my shoulder, waiting to declare themselves and to possess me. But it was only out of this new awareness of death that I began at last to write. Death was the motif; it had perhaps been the motif all along. Death and the way of handling it-that was the motif of the story of Jack.

It was a journalistic a.s.signment that got me started. In August 1984 I had gone to the Republican Convention in Dallas for the New York Review of Books New York Review of Books. I had found nothing to write about. The occasion was overstaged, scripted in advance, and in itself empty; and I was oppressed by the idea of thousands of busy journalists simply finding new words for stories that had in effect been already written for them. It was only back in Wilts.h.i.+re, away from the oppressiveness and handouts of the convention center, that I began to be able to acknowledge what I had responded to: not the formal, staged occasion, but the things around the occasion. And suddenly, where there had been nothing to write about, there was a great deal: the experience of a week, all new, which, without the writing, would have vanished and been lost to me. With the discovery of that experience came the language and the tone appropriate to the experience.

It was out of that excitement, finding experience where I thought there had been nothing, and out of that reawakened delight in language, that I began immediately afterwards to write my book. I let my hand move. I wrote the first pages of many different books; stopped, started again. Then from apparently far away the memory of Jack, peripheral to my life, came to me; and with it the conviction that to write of Jack was the best way to get started, to summon up the material of The Enigma of Arrival The Enigma of Arrival, to set the scene and themes, to indicate the time-spread of the book I was intending to write. For some weeks I made many starts, allowing my hand to run; starting at different points.

There were interruptions. A bad molar. It was extracted-quite suddenly, it seemed. An extraction wasn't at all what I had been expecting when I went to the dentist, who usually saved things; and there came to me a sense of decay, uneffaceable, as I felt, through the anesthetic, the dentist's strong fingers pus.h.i.+ng at the painless tooth; a sense of death. Two days later, with a salty rawness in my mouth, there was a prize-giving lunch for an old writer friend in London-this occasion mixed up with looking for a new flat in London, and the special gloom of looking at old flats, other lives, other views. Then Mrs. Gandhi was shot dead by her bodyguard in Delhi. Immediately after that there was a visit to Germany for my publisher in that country: the shock of East Berlin, still in parts destroyed after forty years, seedlings grown into trees high on the wrecked masonry of some buildings, a vision of a world undoing itself: new to me: I should have gone long before to look. On the morning of my last day in Germany, in West Berlin, I went to the Egyptian Museum. I returned to Wilts.h.i.+re to the news that my younger sister, Sati, had had a brain hemorrhage in Trinidad that day: just at the time I was leaving the museum. She was in a coma; she was not to recover. For more than thirty years, since the death of my father in 1953, I had lived without grief. I took the news coldly, therefore; then I had hiccups; then I became concerned.

When I had left Trinidad in 1950, when the little Pan American Airways System plane had taken me away, Sati was seven weeks short of her sixteenth birthday. When I next saw her and heard her voice she was nearly twenty-two, and married. Trinidad had since become almost an imaginary place for me; but she had lived all her life there, apart from short holidays abroad. She had lived through my father's illness in 1952 and death in 1953; the political changes, the racial politics from 1956, the dangers of the street, the near-revolution and anarchy of 1970. She had also lived through the oil boom; she had known ease for many years; she could think of her life as a success.

Three days after her death, at the time she was being cremated in Trinidad, I spread her photographs in front of me on the low coffee table in the sitting room of my new house in Wilts.h.i.+re. I had been intending for years to sort out these family photographs, put them in alb.u.ms. There had always seemed to be time. In these photographs, while she had lived, I had not noticed her age. Now I saw that many of the photographs-her little honeymoon snapshots especially-were of a young girl with slender arms. That girl was now someone whose life had been lived; death had, painfully, touched these snapshots with youth. I looked at the pictures I had laid out and thought about Sati harder than I had ever thought about her. After thirty-five or forty minutes-the cremation going on in Trinidad, as I thought-I felt purged. I had had no rules to follow; but I felt I had done the right thing. I had concentrated on that person, that life, that unique character; I had honored the person who had lived.

Two days later I went to Trinidad. The family had wanted me to be with them. My brother had gone on the day of our sister's cremation. He had arrived six hours after the cremation; he had asked then to be taken to the cremation site. My elder sister drove him. It was night; the pyre after six hours was still glowing. My brother walked up alone to the glow, and my sister, from the car, watched him looking at the glowing pyre.

Two weeks before, my brother had been in Delhi for Mrs. Gandhi's cremation. In London, then, he had written a major article; now, that writing barely finished, he had come to Trinidad. Modern airplanes had made these big journeys possible; had exposed him to these deaths. In 1950, when I left Trinidad, airplane travel was still unusual. To go abroad could be to fracture one's life: it was six years before I saw or heard members of my family again; I lost six years of their lives. There was no question, in 1953, when my father died, of my returning home. My brother it was, then aged eight, who performed and witnessed the terrible final rites of cremation. The event marked him. That death and cremation were his private wound. And now there was this cremation of his sister: still a pyre and a glow after his airplane flight from London. Soon an airplane took him back to London. And airplanes took other members of the family to other places.

I stayed on in Trinidad for the religious ceremony that took place some days later and was complementary to the cremation. Sati had not been religious; like my father, she had had no feeling for ritual. But at her death her family wished to have all the Hindu rites performed for her, to leave nothing undone.

The pundit, a big man, was late for this ceremony. He had been late for the cremation as well, I had heard. He said something now about being busy and hara.s.sed, about misreading his watch; and settled down to his duties. The materials he needed were ready for him. A shallow earth altar had been laid out on a board on the terrazzo of Sati's veranda. To me the ritual in this setting-the suburban house and garden, the suburban street-was new and strange. My memories were old; I a.s.sociated this kind of ritual with more country scenes.

The pundit in his silk tunic sat cross-legged on one side of the altar. Sati's younger son sat facing him on the other side. Sati's son was in jeans and jumper-and this informality of dress was also new to me. The earth rites the pundit began to perform on the veranda appeared to mimic Sati's cremation; but these rites suggested fertility and growth rather than the returning of the body by way of fire to the earth, the elements. Sacrifice and feeding-that was the theme. Always, in Aryan scriptures, this emphasis on sacrifice!

There was a complicated physical side to the ceremony, as with so many Hindu ceremonies: knowing where on the altar to put the sacrificial flowers, knowing how to sing the verses and when, knowing how and when and where to pour various substances: the whole mechanical side of priesthood. The pundit led Sati's son through the complications, telling him what offerings to make to the sacred fire, to say swa-ha swa-ha when the offerings were placed with a downward gesture of the fingers, to say when the offerings were placed with a downward gesture of the fingers, to say shruddha shruddha when the fingers were flicked back from the open palm to scatter the offering onto the fire. when the fingers were flicked back from the open palm to scatter the offering onto the fire.

Then the pundit began to do a little more. He became aware of the people on the veranda who were his audience and he began, while instructing Sati's son, partly to address us in a general religious way. He told Sati's son it was necessary for him to cool his l.u.s.ts; he began to use texts and words that might have served on many other solemn occasions. Something else was new to me: the pundit was being "ec.u.menical" in a way he wouldn't have been when I was a child, equating Hinduism-speculative, many-sided, with animist roots-with the revealed faiths of Christianity and Mohammedanism. Indeed the pundit said at one stage-talking indirectly to us as though we were a Trinidad public a.s.sembly and many of us were of other faiths-that the Gita was like the Koran and the Bible. It was the pundit's way of saying that we too had a Book; it was his way, in a changed Trinidad, of defending our faith and ways.

In spite of his jeans, Sati's son was serious. He was humble in the presence of the pundit, not a formally educated man, for whom-on another day, in another setting-he might have had little time. He seemed to be looking to the pundit for consolation, a support greater than the support of ritual. He was listening to everything the pundit said. The pundit, continuing to add moral and religious teaching to the complicated ritual he was performing with earth and flowers and flour and clarified b.u.t.ter and milk, said that our past lives dictated the present. Sati's son asked in what way Sati's past had dictated the cruelty of her death. The pundit didn't answer. But Sati's son, if he had been more of a Hindu, if he had more of a Hindu cast of mind, would have understood the idea of karma, and wouldn't have asked the question. He would have yielded to the mystery of the ritual and accepted the pundit's words as part of the ritual.

The pundit went on with the physical side of his business. That was what people looked to a pundit for; that was what they wished to see carried out as correctly as possible-this pressing together of b.a.l.l.s of rice and then of b.a.l.l.s of earth, this arranging of flowers and pouring of milk on heaps of this and that, this constant feeding of the sacred fire.

Afterwards the pundit had lunch. In the old days he would have eaten sitting cross-legged on blankets or flour sacks or sugar sacks spread on the top with cotton. He would have been carefully fed and constantly waited on. Now-sumptuously served, but all at once-he ate sitting at a table in the veranda. He ate by himself. He ate great quant.i.ties of food, using his hands as he had used them earlier with the earth and the rice and the sacrificial offerings of the earth altar.

Sati's husband and her son sat with the pundit while he ate. They asked him, while he ate, and as though being a pundit he knew, what were the chances of an afterlife for Sati. It was not strictly a Hindu question; and it sounded strange, after the rite we had witnessed.

Sati's husband said, "I would like to see her again." His voice sounded whole; but there were tears in his eyes.

The pundit didn't give a straight reply. The Hindu idea of reincarnation, the idea of men being released from the cycle of rebirth after a series of good lives-if that was in the pundit's mind, it would have been too hard to pa.s.s on to people who were so grief-stricken.

Sati's son asked, "Will she come back?"

Sati's husband asked, "Will we be together again?"

The pundit said, "But you wouldn't know it is her."

It was the pundit's interpretation of the idea of reincarnation. And it was no comfort at all. It reduced Sati's husband to despair.

I asked to see the Gita the pundit had been using during the ceremony. It was from a South Indian press. After each verse there was an English translation. The pundit, in between his ritual doings and his chanting of a few well-known Sanskrit verses, had made use of the English translations from this Gita.

The pundit said he gave away Gitas. Then, using an ec.u.menical word (as I thought), he said he "shared" Gitas. People gave him Gitas; he gave people Gitas. One devout man bought Gitas a dozen at a time and pa.s.sed them on to him; he pa.s.sed them on to others.

And then, his pundit's duties done, his lunch over, the pundit became social, expansive, as, from my childhood, I had known pundits to be when they had done their duties.

He began to tell a story. I couldn't understand the story. An important man in the community had asked him one day: "What do you think is the best Hindu scripture?" He, the pundit, had replied, "The Gita." The man had then said to somebody else present, "He says the Gita is the best Hindu scripture." There should have been more to the story. But there was no more. Either that was the end of the story so far as the pundit was concerned-a mentioning of famous local people, a bearing of witness in the presence of famous people. Or he had found that the story was leading him into areas he didn't want to go to; or he had forgotten the point of the story. Or in fact the point was as he had made it: that he thought the Gita was the most important Hindu scripture. (Though, at the very end, just before he left, he said that his pundit's duties left him little time to read the Gita.) And to add to the intellectual randomness of the occasion, the pundit began without prompting to speak, and with pa.s.sion, about the internal Hindu controversy between the conservatives, on whose side the pundit was, and the reformists, who the pundit thought were hypocrites. I had thought that this issue had died in Trinidad fifty years before and was part almost of our pastoral past, when the life of our community was more self-contained. I could not imagine it surviving racial politics and the stresses of independence. But the pundit spoke of it as something that still mattered.

The pundit was a relation, a first cousin. And the great irony-or appropriateness-of the situation was like this. I had discovered through the adventure of writing-curiosity and knowledge feeding off one another, committing one not only to travel but also to different explorations of the past-I had discovered that my father had been intended by his grandmother and mother to be a pundit. My father hadn't become a pundit. He had instead become a journalist; and his literary ambitions had seeded the literary ambitions of his two sons. But it was because of his family's wish to make him a pundit that my father, in circ.u.mstances of desperate poverty before the first war, had been given an education; while my father's brother had been sent to the fields as a child to work for eight cents a day. The two branches of the family had ever after divided. My father's brother had made himself into a small cane farmer; at the end of his life he was far better off than my journalist father had been at the end of his. My father had died in 1953, impoverished after a long illness; my father's brother had contributed to the cremation expenses. But there had been little contact between our families. Physically, even, we were different. We (except for my brother) were small people; my father's brother's sons were six-footers. And now, after the ups and downs of fortune, a pundit had arisen in the family; and this pundit, the heavy six-footer who had performed the rites on my sister's veranda, came from my father's brother's family. This pundit had served my father's family, attended at the first death among my father's children. Some of the pundit's demeanor would have been explained by the family relations.h.i.+p, his wish to a.s.sert himself among us.

The other, internal irony was that my father, though devoted to Hindu speculative thought, had disliked ritual and had always, even in the 1920s, belonged to the reformist group the pundit didn't care for and dismissed now as hypocrites. My sister Sati had no liking for ritual either. But at her death there was in her family a wish to give sanct.i.ty to the occasion, a wish for old rites, for things that were felt specifically to represent us and our past. So the pundit had been called in; and on the terrazzo floor of my sister's veranda symbolical ceremonies had been played out on an earth altar, laid with a miniature pyre of fragrant pitch pine and flowers and sugar which, when soaked with clarified b.u.t.ter and set alight, made a sweet caramel smell.

We were immemorially people of the countryside, far from the courts of princes, living according to rituals we didn't always understand and yet were unwilling to dishonor because that would cut us off from the past, the sacred earth, the G.o.ds. Those earth rites went back far. They would always have been partly mysterious. But we couldn't surrender to them now. We had become self-aware. Forty years before, we would not have been so self-aware. We would have accepted; we would have felt ourselves to, be more whole, more in tune with the land and the spirit of the earth.

It would have been easier to accept, too, because forty years before, it would have been all so much poorer, so much closer to the Indian past: houses, roads, vehicles, clothes. Now money had touched us all-like a branch of a tree or a twig dipped in gold, according to some designer's extravagant whim, and made to keep the shape of the twig or the leaf. Generations of a new kind of education had separated us from our past; and travel; and history. And the money that had come to our island, from oil and natural gas.

That money, that unexpected bounty, had ravaged and remade the landscape where we had had our beginnings in the New World. When I was a child the hills of the Northern Range which I looked at when I traveled up to Port of Spain on the ten-mile-an-hour train were bare-primary forest still in parts. Now halfway up those hills there were the huts and shacks of illegal immigrants from the other islands. Small islands surrounded by sea: plantation barrac.o.o.ns, slavery and Africa quarantined and festering together for two centuries: immigrants from those islands had altered our landscape, our population, our mood.

Where there had been swamp at the foot of the Northern Range, with mud huts with earthen walls that showed the damp halfway up, there was now a landscape of Holland: acres upon acres of vegetable plots, the ridges and furrows and irrigation ca.n.a.ls straight. Sugarcane as a crop had ceased to be important. None of the Indian villages were like villages I had known. No narrow roads; no dark, overhanging trees; no huts; no earth yards with hibiscus hedges; no ceremonial lighting of lamps, no play of shadows on the wall; no cooking of food in half-walled verandas, no leaping firelight; no flowers along gutters or ditches where frogs croaked the night away. But highways and clover-shaped exits and direction boards: a wooded land laid bare, its secrets opened up.

We had made ourselves anew. The world we found ourselves in-the suburban houses, with gardens, where my sister's farewell ceremony had taken place-was one we had partly made ourselves, and had longed for, when we had longed for money and the end of distress; we couldn't go back. There was no s.h.i.+p of antique shape now to take us back. We had come out of the nightmare; and there was nowhere else to go.

The pundit gave his last instructions. One bra.s.s plate with consecrated food was to be placed somewhere; another plate of food was to be cast into the river that had borne away her ashes: a final offering. Then, a big man dressed in cream-colored silk, the silk showing the heaviness above his waist, the pundit got in his car and drove away. (Such memories I had of Sunday visits, holiday excursions, with my father to his family house-my father's brother's house-forty years and more before: flat sugarcane fields all around, gra.s.s tracks between the fields, scattered huts and houses on stilts and tall pillars, dimly lit at night, animals in some yards, bonfires of gra.s.s to keep away mosquitoes, grocery shops with pitched corrugated-iron roofs, and silence.) A visitor, an old man, a distant relation of my sister's husband, began-perhaps because of the ceremonies that had taken place-to talk of our past, and of the difference between us, originally from the Gangetic plain, immigrants to the New World since 1845, and the other Indians in other parts of the island, especially in the villages to the northwest of Port of Spain.