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Our Old Home: A Series of English Sketches Part 7

Our Old Home: A Series of English Sketches - BestLightNovel.com

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At three o'clock or thereabouts (or sooner or later,--for I took little heed of time, and only wished that these delightful wanderings might last forever) we reached Folly Bridge, at Oxford. Here we took possession of a s.p.a.cious barge, with a house in it, and a comfortable dining-room or drawing-room within the house, and a level roof, on which we could sit at ease, or dance if so inclined. These barges are common at Oxford,--some very splendid ones being owned by the students of the different colleges, or by clubs. They are drawn by horses, like ca.n.a.l-boats; and a horse being attached to our own barge, he trotted off at a reasonable pace, and we slipped through the water behind him, with a gentle and pleasant motion, which, save for the constant vicissitude of cultivated scenery, was like no motion at all. It was life without the trouble of living; nothing was ever more quietly agreeable. In this happy state of mind and body we gazed at Christ Church meadows, as we pa.s.sed, and at the receding spires and towers of Oxford, and on a good deal of pleasant variety along the banks: young men rowing or fis.h.i.+ng; troops of naked boys bathing, as if this were Arcadia, in the simplicity of the Golden Age; country-houses, cottages, water-side inns, all with something fresh about them, as not being sprinkled with the dust of the highway. We were a large party now; for a number of additional guests had joined us at Folly Bridge, and we comprised poets, novelists, scholars, sculptors, painters, architects, men and women of renown, dear friends, genial, outspoken, open-hearted Englishmen,--all voyaging onward together, like the wise ones of Gotham in a bowl. I remember not a single annoyance, except, indeed, that a swarm of wasps came aboard of us and alighted on the head of one of our young gentlemen, attracted by the scent of the pomatum which he had been rubbing into his hair. He was the only victim, and his small trouble the one little flaw in our day's felicity, to put us in mind that we were mortal.

Meanwhile a table had been laid in the interior of our barge, and spread with cold ham, cold fowl, cold pigeon-pie, cold beef, and other substantial cheer, such as the English love, and Yankees too,--besides tarts, and cakes, and pears, and plums,--not forgetting, of course, a goodly provision of port, sherry, and champagne, and bitter ale, which is like mother's milk to an Englishman, and soon grows equally acceptable to his American cousin. By the time these matters had been properly attended to, we had arrived at that part of the Thames which pa.s.ses by Nuneham Courtney, a fine estate belonging to the Harcourts, and the present residence of the family. Here we landed, and, climbing a steep slope from the river-side, paused a moment or two to look at an architectural object, called the Carfax, the purport of which I do not well understand. Thence we proceeded onward, through the loveliest park and woodland scenery I ever saw, and under as beautiful a declining suns.h.i.+ne as heaven ever shed over earth, to the stately mansion-house.

As we here cross a private threshold, it is not allowable to pursue my feeble narrative of this delightful day with the same freedom as heretofore; so, perhaps, I may as well bring it to a close. I may mention, however, that I saw the library, a fine, large apartment, hung round with portraits of eminent literary men, princ.i.p.ally of the last century, most of whom were familiar guests of the Harcourts. The house itself is about eighty years old, and is built in the cla.s.sic style, as if the family had been anxious to diverge as far as possible from the Gothic picturesqueness of their old abode at Stanton Harcourt. The grounds were laid out in part by Capability Brown, and seemed to me even more beautiful than those of Blenheim. Mason the poet, a friend of the house, gave the design of a portion of the garden. Of the whole place I will not be n.i.g.g.ardly of my rude Transatlantic praise, but be bold to say that it appeared to me as perfect as anything earthly can he,--utterly and entirely finished, as if the years and generations had done all that the hearts and minds of the successive owners could contrive for a spot they dearly loved. Such homes as Nuneham Courtney are among the splendid results of long hereditary possession; and we Republicans, whose households melt away like new-fallen snow in a spring morning, must content ourselves with our many counterbalancing advantages, for this one, so apparently desirable to the far-projecting selfishness of our nature, we are certain never to attain.

It must not be supposed, nevertheless, that Nuneham Courtney is one of the great show-places of England. It is merely a fair specimen of the better cla.s.s of country-seats, and has a hundred rivals, and many superiors, in the features of beauty, and expansive, manifold, redundant comfort, which most impressed me. A moderate man might be content with such a home,--that is all.

And now I take leave of Oxford without even an attempt to describe it,-- there being no literary faculty, attainable or conceivable by me, which can avail to put it adequately, or even tolerably, upon paper. It must remain its own sole expression; and those whose sad fortune it may be never to behold it have no better resource than to dream about gray, weather-stained, ivy-grown edifices, wrought with quaint Gothic ornament, and standing around gra.s.sy quadrangles, where cloistered walks have echoed to the quiet footsteps of twenty generations,--lawns and gardens of luxurious repose, shadowed with canopies of foliage, and lit up with sunny glimpses through archways of great boughs,--spires, towers, and turrets, each with its history and legend,--dimly magnificent chapels, with painted windows of rare beauty and brilliantly diversified hues, creating an atmosphere of richest gloom,--vast college-halls, high-windowed, oaken-panelled, and hung round with portraits of the men, in every age, whom the University has nurtured to be ill.u.s.trious,--long vistas of alcoved libraries, where the wisdom and learned folly of all time is shelved,--kitchens (we throw in this feature by way of ballast, and because it would not be English Oxford without its beef and beer), with huge fireplaces, capable of roasting a hundred joints at once,--and cavernous cellars, where rows of piled-up hogsheads seethe and fume with that mighty malt-liquor which is the true milk of Alma Mater; make all these things vivid in your dream, and you will never know nor believe how inadequate is the result to represent even the merest outside of Oxford.

We feel a genuine reluctance to conclude this article without making our grateful acknowledgments, by name, to a gentleman whose overflowing kindness was the main condition of all our sight-seeings and enjoyments.

Delightful as will always be our recollection of Oxford and its neighborhood, we partly suspect that it owes much of its happy coloring to the genial medium through which the objects were presented to us,--to the kindly magic of a hospitality unsurpa.s.sed, within our experience, in the quality of making the guest contented with his host, with himself, and everything about him. He has inseparably mingled his image with our remembrance of the Spires of Oxford.

SOME OF THE HAUNTS OF BURNS.

We left Carlisle at a little past eleven, and within the half-hour were at Gretna Green. Thence we rushed onward into Scotland through a flat and dreary tract of country, consisting mainly of desert and bog, where probably the moss-troopers were accustomed to take refuge after their raids into England. Anon, however, the hills hove themselves up to view, occasionally attaining a height which might almost be called mountainous.

In about two hours we reached Dumfries, and alighted at the station there.

Chill as the Scottish summer is reputed to be, we found it an awfully hot day, not a whit less so than the day before; but we st.u.r.dily adventured through the burning suns.h.i.+ne up into the town, inquiring our way to the residence of Burns. The street leading from the station is called Shakespeare Street; and at its farther extremity we read "Burns Street"

on a corner-house, the avenue thus designated having been formerly known as "Mill-Hole Brae." It is a vile lane, paved with small, hard stones from side to side, and bordered by cottages or mean houses of whitewashed stone, joining one to another along the whole length of the street. With not a tree, of course, or a blade of gra.s.s between the paving-stones, the narrow lane was as hot as Topbet, and reeked with a genuine Scotch odor, being infested with unwashed children, and altogether in a state of chronic filth; although some women seemed to be hopelessly scrubbing the thresholds of their wretched dwellings. I never saw an outskirt of a town less fit for a poet's residence, or in which it would be more miserable for any man of cleanly predilections to spend his days.

We asked for Burns's dwelling; and a woman pointed across the street to a two-story house, built of stone, and whitewashed, like its neighbors, but perhaps of a little more respectable aspect than most of them, though I hesitate in saying so. It was not a separate structure, but under the same continuous roof with the next. There was an inscription on the door, hearing no reference to Burns, but indicating that the house was now occupied by a ragged or industrial school. On knocking, we were instantly admitted by a servant-girl, who smiled intelligently when we told our errand, and showed us into a low and very plain parlor, not more than twelve or fifteen feet square. A young woman, who seemed to be a teacher in the school, soon appeared, and told us that this had been Burns's usual sitting-room, and that he had written many of his songs here.

She then led us up a narrow staircase into a little bedchamber over the parlor. Connecting with it, there is a very small room, or windowed closet, which Burns used as a study; and the bedchamber itself was the one where he slept in his later lifetime, and in which he died at last.

Altogether, it is an exceedingly unsuitable place for a pastoral and rural poet to live or die in,--even more unsatisfactory than Shakespeare's house, which has a certain homely picturesqueness that contrasts favorably with the suburban sordidness of the abode before us.

The narrow lane, the paving-stones, and the contiguity of wretched hovels are depressing to remember; and the steam of them (such is our human weakness) might almost make the poet's memory less fragrant.

As already observed, it was an intolerably hot day. After leaving the house, we found our way into the princ.i.p.al street of the town, which, it may be fair to say, is of very different aspect from the wretched outskirt above described. Entering a hotel (in which, as a Dumfries guide-book a.s.sured us, Prince Charles Edward had once spent a night), we rested and refreshed ourselves, and then set forth in quest of the mausoleum of Burns.

Coming to St. Michael's Church, we saw a man digging a grave, and, scrambling out of the hole, he let us into the churchyard, which was crowded full of monuments. Their general shape and construction are peculiar to Scotland, being a perpendicular tablet of marble or other stone, within a framework of the same material, somewhat resembling the frame of a looking-gla.s.s; and, all over the churchyard, those sepulchral memorials rise to the height of ten, fifteen, or twenty feet, forming quite an imposing collection of monuments, but inscribed with names of small general significance. It was easy, indeed, to ascertain the rank of those who slept below; for in Scotland it is the custom to put the occupation of the buried personage (as "Skinner," "Shoemaker," "Flesher") on his tombstone. As another peculiarity, wives are buried under their maiden names, instead of those of their husbands; thus giving a disagreeable impression that the married pair have bidden each other an eternal farewell on the edge of the grave.

There was a foot-path through this crowded churchyard, sufficiently well worn to guide us to the grave of Burns; but a woman followed behind us, who, it appeared, kept the key of the mausoleum, and was privileged to show it to strangers. The monument is a sort of Grecian temple, with pilasters and a dome, covering a s.p.a.ce of about twenty feet square. It was formerly open to all the inclemencies of the Scotch atmosphere, but is now protected and shut in by large squares of rough gla.s.s, each pane being of the size of one whole side of the structure. The woman unlocked the door, and admitted us into the interior. Inlaid into the floor of the mausoleum is the gravestone of Burns,--the very same that was laid over his grave by Jean Armour, before this monument was built. Displayed against the surrounding wall is a marble statue of Burns at the plough, with the Genius of Caledonia summoning the ploughman to turn poet.

Methought it was not a very successful piece of work; for the plough was better sculptured than the man, and the man, though heavy and cloddish, was more effective than the G.o.ddess. Our guide informed us that an old man of ninety, who knew Burns, certifies this statue to be very like the original.

The bones of the poet, and of Jean Armour, and of some of their children, lie in the vault over which we stood. Our guide (who was intelligent, in her own plain way, and very agreeable to talk withal) said that the vault was opened about three weeks ago, on occasion of the burial of the eldest son of Burns. The poet's bones were disturbed, and the dry skull, once so br.i.m.m.i.n.g over with powerful thought and bright and tender fantasies, was taken away, and kept for several days by a Dumfries doctor. It has since been deposited in a new leaden coffin, and restored to the vault.

We learned that there is a surviving daughter of Burns's eldest son, and daughters likewise of the two younger sons,--and, besides these, an illegitimate posterity by the eldest son, who appears to have been of disreputable life in his younger days. He inherited his father's failings, with some faint shadow, I have also understood, of the great qualities which have made the world tender of his father's vices and weaknesses.

We listened readily enough to this paltry gossip, but found that it robbed the poet's memory of some of the reverence that was its due.

Indeed, this talk over his grave had very much the same tendency and effect as the home-scene of his life, which we had been visiting just previously. Beholding his poor, mean dwelling and its surroundings, and picturing his outward life and earthly manifestations from these, one does not so much wonder that the people of that day should have failed to recognize all that was admirable and immortal in a disreputable, drunken, shabbily clothed, and shabbily housed man, consorting with a.s.sociates of damaged character, and, as his only ostensible occupation, gauging the whiskey, which he too often tasted. Siding with Burns, as we needs must, in his plea against the world, let us try to do the world a little justice too. It is far easier to know and honor a poet when his fame has taken shape in the spotlessness of marble than when the actual man comes staggering before you, besmeared with the sordid stains of his daily life. For my part, I chiefly wonder that his recognition dawned so brightly while he was still living. There must have been something very grand in his immediate presence, some strangely impressive characteristic in his natural behavior, to have caused him to seem like a demiG.o.d so soon.

As we went back through the churchyard, we saw a spot where nearly four hundred inhabitants of Dumfries were buried during the cholera year; and also some curious old monuments, with raised letters, the inscriptions on which were not sufficiently legible to induce us to puzzle them out; but, I believe, they mark the resting-places of old Covenanters, some of whom were killed by Claverhouse and his fellow-ruffians.

St. Michael's Church is of red freestone, and was built about a hundred years ago, on an old Catholic foundation. Our guide admitted us into it, and showed us, in the porch, a very pretty little marble figure of a child asleep, with a drapery over the lower part, from beneath which appeared its two baby feet. It was truly a sweet little statue; and the woman told us that it represented a child of the sculptor, and that the baby (here still in its marble infancy) had died more than twenty-six years ago. "Many ladies," she said, "especially such as had ever lost a child, had shed tears over it." It was very pleasant to think of the sculptor bestowing the best of his genius and art to re-create his tender child in stone, and to make the representation as soft and sweet as the original; but the conclusion of the story has something that jars with our awakened sensibilities. A gentleman from London had seen the statue, and was so much delighted with it that he bought it of the father-artist, after it had lain above a quarter of a century in the church-porch. So this was not the real, tender image that came out of the father's heart; he had sold that truest one for a hundred guineas, and sculptured this mere copy to replace it. The first figure was entirely naked in its earthly and spiritual innocence. The copy, as I have said above, has a drapery over the lower limbs. But, after all, if we come to the truth of the matter, the sleeping baby may be as fully reposited in the drawing-room of a connoisseur as in a cold and dreary church-porch.

We went into the church, and found it very plain and naked, without altar-decorations, and having its floor quite covered with unsightly wooden pews. The woman led us to a pew cornering on one of the side-aisles, and, telling us that it used to be Burns's family-pew, showed us his seat, which is in the corner by the aisle. It is so situated, that a st.u.r.dy pillar hid him from the pulpit, and from the minister's eye; "for Robin was no great friends with the ministers," said she. This touch--his seat behind the pillar, and Burns himself nodding in sermon-time, or keenly observant of profane things--brought him before us to the life. In the corner-seat of the next pew, right before Burns, and not more than two feet off, sat the young lady on whom the poet saw that unmentionable parasite which he has immortalized in song. We were ungenerous enough to ask the lady's name, but the good woman could not tell it. This was the last thing which we saw in Dumfries worthy of record; and it ought to be noted that our guide refused some money which my companion offered her, because I had already paid her what she deemed sufficient.

At the railway-station we spent more than a weary hour, waiting for the train, which at last came up, and took us to Mauchline. We got into an omnibus, the only conveyance to be had, and drove about a mile to the village, where we established ourselves at the Loudoun Hotel, one of the veriest country inns which we have found in Great Britain. The town of Mauchline, a place more redolent of Burns than almost any other, consists of a street or two of contiguous cottages, mostly whitewashed, and with thatched roofs. It has nothing sylvan or rural in the immediate village, and is as ugly a place as mortal man could contrive to make, or to render uglier through a succession of untidy generations. The fas.h.i.+on of paving the village street, and patching one shabby house on the gable-end of another, quite shuts out all verdure and pleasantness; but, I presume, we are not likely to see a more genuine old Scotch village, such as they used to be in Burns's time, and long before, than this of Mauchline. The church stands about midway up the street, and is built of red freestone, very simple in its architecture, with a square tower and pinnacles. In this sacred edifice, and its churchyard, was the scene of one of Burns's most characteristic productions, "The Holy Fair."

Almost directly opposite its gate, across the village street, stands Posie Nansie's inn, where the "Jolly Beggars" congregated. The latter is a two-story, red-stone, thatched house, looking old, but by no means venerable, like a drunken patriarch. It has small, old-fas.h.i.+oned windows, and may well have stood for centuries,--though, seventy or eighty years ago, when Burns was conversant with it, I should fancy it might have been something better than a beggars' alehouse. The whole town of Mauchline looks rusty and time-worn,--even the newer houses, of which there are several, being shadowed and darkened by the general aspect of the place. When we arrived, all the wretched little dwellings seemed to have belched forth their inhabitants into the warm summer evening; everybody was chatting with everybody, on the most familiar terms; the bare-legged children gambolled or quarrelled uproariously, and came freely, moreover, and looked into the window of our parlor. When we ventured out, we were followed by the gaze of the old town: people standing in their doorways, old women popping their heads from the chamber-windows, and stalwart men idle on Sat.u.r.day at e'en, after their week's hard labor--cl.u.s.tering at the street-corners, merely to stare at our unpretending selves. Except in some remote little town of Italy (where, besides, the inhabitants had the intelligible stimulus of beggary), I have never been honored with nearly such an amount of public notice.

The next forenoon my companion put me to shame by attending church, after vainly exhorting me to do the like; and, it being Sacrament Sunday, and my poor friend being wedged into the farther end of a closely filled pew, he was forced to stay through the preaching of four several sermons, and came back perfectly exhausted and desperate. He was somewhat consoled, however, on finding that he had witnessed a spectacle of Scotch manners identical with that of Burns's "Holy Fair," on the very spot where the poet located that immortal description. By way of further conformance to the customs of the country, we ordered a sheep's head and the broth, and did penance accordingly; and at five o'clock we took a fly, and set out for Burns's farm of Moss Giel.

Moss Giel is not more than a mile from Mauchline, and the road extends over a high ridge of land, with a view of far hills and green slopes on either side. Just before we reached the farm, the driver stopped to point out a hawthorn, growing by the wayside, which he said was Burns's "Lousie Thorn"; and I devoutly plucked a branch, although I have really forgotten where or how this ill.u.s.trious shrub has been celebrated. We then turned into a rude gateway, and almost immediately came to the farm-house of Moss Giel, standing some fifty yards removed from the high-road, behind a tall hedge of hawthorn, and considerably overshadowed by trees. The house is a whitewashed stone cottage, like thousands of others in England and Scotland, with a thatched roof, on which gra.s.s and weeds have intruded a picturesque, though alien growth. There is a door and one window in front, besides another little window that peeps out among the thatch. Close by the cottage, and extending back at right angles from it, so as to enclose the farm-yard, are two other buildings of the same size, shape, and general appearance as the house: any one of the three looks just as fit for a human habitation as the two others, and all three look still more suitable for donkey-stables and pigsties. As we drove into the farm-yard, bounded on three sides by these three hovels, a large dog began to bark at us; and some women and children made their appearance, but seemed to demur about admitting us, because the master and mistress were very religious people, and had not yet come back from the Sacrament at Mauchline.

However, it would not do to be turned back from the very threshold of Robert Burns; and as the women seemed to be merely straggling visitors, and n.o.body, at all events, had a right to send us away, we went into the back door, and, turning to the right, entered a kitchen. It showed a deplorable lack of housewifely neatness, and in it there were three or four children, one of whom, a girl eight or nine years old, held a baby in her arms. She proved to be the daughter of the people of the house, and gave us what leave she could to look about us. Thence we stepped across the narrow mid-pa.s.sage of the cottage into the only other apartment below stairs, a sitting-room, where we found a young man eating broad and cheese. He informed us that he did not live there, and had only called in to refresh himself on his way home from church. This room, like the kitchen, was a noticeably poor one, and, besides being all that the cottage had to show for a parlor, it was a sleeping-apartment, having two beds, which might be curtained off, on occasion. The young man allowed us liberty (so far as in him lay) to go up stairs. Up we crept, accordingly; and a few steps brought us to the top of the staircase, over the kitchen, where we found the wretchedest little sleeping-chamber in the world, with a sloping roof under the thatch, and two beds spread upon the bare floor. This, most probably, was Burns's chamber; or, perhaps, it may have been that of his mother's servant-maid; and, in either case, this rude floor, at one time or another, must have creaked beneath the poet's midnight tread. On the opposite side of the pa.s.sage was the door of another attic-chamber, opening which, I saw a considerable number of cheeses on the floor.

The whole house was pervaded with a frowzy smell, and also a dunghill odor; and it is not easy to understand how the atmosphere of such a dwelling can be any more agreeable or salubrious morally than it appeared to be physically. No virgin, surely, could keep a holy awe about her while stowed higgledy-piggledy with coa.r.s.e-natured rustics into this narrowness and filth. Such a habitation is calculated to make beasts of men and women; and it indicates a degree of barbarism which I did not imagine to exist in Scotland, that a tiller of broad fields, like the farmer of Mauchline, should have his abode in a pigsty. It is sad to think of anybody--not to say a poet, but any human being--sleeping, eating, thinking, praying, and spending all his home-life in this miserable hovel; but, methinks, I never in the least knew how to estimate the miracle of Burns's genius, nor his heroic merit for being no worse man, until I thus learned the squalid hindrances amid which he developed himself. s.p.a.ce, a free atmosphere, and cleanliness have a vast deal to do with the possibilities of human virtue.

The biographers talk of the farm of Moss Giel as being damp and unwholesome; but, I do not see why, outside of the cottage-walls, it should possess so evil a reputation. It occupies a high, broad ridge, enjoying, surely, whatever benefit can come of a breezy site, and sloping far downward before any marshy soil is reached. The high hedge, and the trees that stand beside the cottage, give it a pleasant aspect enough to one who does not know the grimy secrets of the interior; and the summer afternoon was now so bright that I shall remember the scene with a great deal of suns.h.i.+ne over it.

Leaving the cottage, we drove through a field, which the driver told us was that in which Burns turned up the mouse's nest. It is the enclosure nearest to the cottage, and seems now to be a pasture, and a rather remarkably unfertile one. A little farther on, the ground was whitened with an immense number of daisies,--daisies, daisies everywhere; and in answer to my inquiry, the driver said that this was the field where Burns ran his ploughshare over the daisy. If so, the soil seems to have been consecrated to daisies by the song which he bestowed on that first immortal one. I alighted, and plucked a whole handful of these "wee, modest, crimson-tipped flowers," which will be precious to many friends in our own country as coming from Burns's farm, and being of the same race and lineage as that daisy which he turned into an amaranthine flower while seeming to destroy it.

From Moss Giel we drove through a variety of pleasant scenes, some of which were familiar to us by their connection with Burns. We skirted, too, along a portion of the estate of Auchinleck, which still belongs to the Boswell family,--the present possessor being Sir James Boswell [Sir James Boswell is now dead], a grandson of Johnson's friend, and son of the Sir Alexander who was killed in a duel. Our driver spoke of Sir James as a kind, free-hearted man, but addicted to horse-races and similar pastimes, and a little too familiar with the wine-cup; so that poor Bozzy's booziness would appear to have become hereditary in his ancient line. There is no male heir to the estate of Auchinleck. The portion of the lands which we saw is covered with wood and much undermined with rabbit-warrens; nor, though the territory extends over a large number of acres, is the income very considerable.

By and by we came to the spot where Burns saw Miss Alexander, the La.s.s of Ballochmyle. It was on a bridge, which (or, more probably, a bridge that has succeeded to the old one, and is made of iron) crosses from bank to bank, high in air, over a deep gorge of the road; so that the young lady may have appeared to Burns like a creature between earth and sky, and compounded chiefly of celestial elements. But, in honest truth, the great charm of a woman, in Burns's eyes, was always her womanhood, and not the angelic mixture which other poets find in her.

Our driver pointed out the course taken by the La.s.s of Ballochmyle, through the shrubbery, to a rock on the banks of the Lugar, where it seems to be the tradition that Burns accosted her. The song implies no such interview. Lovers, of whatever condition, high or low, could desire no lovelier scene in which to breathe their vows: the river flowing over its pebbly bed, sometimes gleaming into the suns.h.i.+ne, sometimes hidden deep in verdure, and here and there eddying at the foot of high and precipitous cliffs. This beautiful estate of Ballochmyle is still held by the family of Alexanders, to whom Burns's song has given renown on cheaper terms than any other set of people ever attained it. How slight the tenure seems! A young lady happened to walk out, one summer afternoon, and crossed the path of a neighboring farmer, who celebrated the little incident in four or five warm, rude, at least, not refined, though rather ambitious,--and somewhat ploughman-like verses. Burns has written hundreds of better things; but henceforth, for centuries, that maiden has free admittance into the dream-land of Beautiful Women, and she and all her race are famous. I should like to know the present head of the family, and ascertain what value, if any, the members of it put upon the celebrity thus won.

We pa.s.sed through Catrine, known hereabouts as "the clean village of Scotland." Certainly, as regards the point indicated, it has greatly the advantage of Mauchline, whither we now returned without seeing anything else worth writing about.

There was a rain-storm during the night, and, in the morning, the rusty, old, sloping street of Mauchline was glistening with wet, while frequent showers came spattering down. The intense heat of many days past was exchanged for a chilly atmosphere, much more suitable to a stranger's idea of what Scotch temperature ought to be. We found, after breakfast, that the first train northward had already gone by, and that we must wait till nearly two o'clock for the next. I merely ventured out once, during the forenoon, and took a brief walk through the village, in which I have left little to describe. Its chief business appears to be the manufacture of snuff-boxes. There are perhaps five or six shops, or more, including those licensed to sell only tea and tobacco; the best of them have the characteristics of village stores in the United States, dealing in a small way with an extensive variety of articles. I peeped into the open gateway of the churchyard, and saw that the ground was absolutely stuffed with dead people, and the surface crowded with gravestones, both perpendicular and horizontal. All Burns's old Mauchline acquaintance are doubtless there, and the Armours among them, except Bonny Jean, who sleeps by her poet's side. The family of Armour is now extinct in Mauchline.

Arriving at the railway-station, we found a tall, elderly, comely gentleman walking to and fro and waiting for the train. He proved to be a Mr. Alexander,--it may fairly be presumed the Alexander of Ballochmyle, a blood relation of the lovely la.s.s. Wonderful efficacy of a poet's verse, that could shed a glory from Long Ago on this old gentleman's white hair! These Alexanders, by the by, are not an old family on the Ballochmyle estate; the father of the la.s.s having made a fortune in trade, and established himself as the first landed proprietor of his name in these parts. The original family was named Whitefoord.

Our ride to Ayr presented nothing very remarkable; and, indeed, a cloudy and rainy day takes the varnish off the scenery and causes a woful diminution in the beauty and impressiveness of everything we see. Much of our way lay along a flat, sandy level, in a southerly direction. We reached Ayr in the midst of hopeless rain, and drove to the King's Arms Hotel. In the intervals of showers I took peeps at the town, which appeared to have many modern or modern-fronted edifices; although there are likewise tall, gray, gabled, and quaint-looking houses in the by-streets, here and there, betokening an ancient place. The town lies on both sides of the Ayr, which is here broad and stately, and bordered with dwellings that look from their windows directly down into the pa.s.sing tide.

I crossed the river by a modern and handsome stone bridge, and recrossed it, at no great distance, by a venerable structure of four gray arches, which must have bestridden the stream ever since the early days of Scottish history. These are the "Two Briggs of Ayr," whose midnight conversation was overheard by Burns, while other auditors were aware only of the rush and rumble of the wintry stream among the arches. The ancient bridge is steep and narrow, and paved like a street, and defended by a parapet of red freestone, except at the two ends, where some mean old shops allow scanty room for the pathway to creep between. Nothing else impressed me hereabouts, unless I mention, that, during the rain, the women and girls went about the streets of Ayr barefooted to save their shoes.

The next morning wore a lowering aspect, as if it felt itself destined to be one of many consecutive days of storm. After a good Scotch breakfast, however, of fresh herrings and eggs, we took a fly, and started at a little past ten for the banks of the Doon. On our way, at about two miles from Ayr, we drew up at a roadside cottage, on which was an inscription to the effect that Robert Burns was born within its walls.

It is now a public-house; and, of course, we alighted and entered its little sitting-room, which, as we at present see it, is a neat apartment, with the modern improvement of a ceiling. The walls are much overscribbled with names of visitors, and the wooden door of a cupboard in the wainscot, as well as all the other wood-work of the room, is cut and carved with initial letters. So, likewise, are two tables, which, having received a coat of varnish over the inscriptions, form really curious and interesting articles of furniture. I have seldom (though I do not, personally adopt this mode of ill.u.s.trating my b.u.mble name) felt inclined to ridicule the natural impulse of most people thus to record themselves at the shrines of poets and heroes.

On a panel, let into the wall in a corner of the room, is a portrait of Burns, copied from the original picture by Nasmyth. The floor of this apartment is of boards, which are probably a recent subst.i.tute for the ordinary flag-stones of a peasant's cottage. There is but one other room pertaining to the genuine birthplace of Robert Burns: it is the kitchen, into which we now went. It has a floor of flag-stones, even ruder than those of Shakespeare's house,--though, perhaps, not so strangely cracked and broken as the latter, over which the hoof of Satan himself might seem to have been trampling. A new window has been opened through the wall, towards the road; but on the opposite side is the little original window, of only four small panes, through which came the first daylight that shone upon the Scottish poet. At the side of the room, opposite the fireplace, is a recess, containing a bed, which can be hidden by curtains. In that humble nook, of all places in the world, Providence was pleased to deposit the germ of the richest, human life which mankind then had within its circ.u.mference.

These two rooms, as I have said, make up the whole sum and substance of Burns's birthplace: for there were no chambers, nor even attics; and the thatched roof formed the only ceiling of kitchen and sitting-room, the height of which was that of the whole house. The cottage, however, is attached to another edifice of the same size and description, as these little habitations often are; and, moreover, a splendid addition has been made to it, since the poet's renown began to draw visitors to the wayside alehouse. The old woman of the house led us through an entry, and showed a vaulted hall, of no vast dimensions, to be sure, but marvellously large and splendid as compared with what might be antic.i.p.ated from the outward aspect of the cottage. It contained a bust of Burns, and was hung round with pictures and engravings, princ.i.p.ally ill.u.s.trative of his life and poems. In this part of the house, too, there is a parlor, fragrant with tobacco-smoke; and, no doubt, many a noggin of whiskey is here quaffed to the memory of the bard, who professed to draw so much inspiration from that potent liquor.

We bought some engravings of Kirk Alloway, the Bridge of Doon, and the monument, and gave the old woman a fee besides, and took our leave. A very short drive farther brought us within sight of the monument, and to the hotel, situated close by the entrance of the ornamental grounds within which the former is enclosed. We rang the bell at the gate of the enclosure, but were forced to wait a considerable time; because the old man, the regular superintendent of the spot, had gone to a.s.sist at the laying of the corner-stone of a new kirk. He appeared anon, and admitted us, but immediately hurried away to be present at the concluding ceremonies, leaving us locked up with Burns.

The enclosure around the monument is beautifully laid out as an ornamental garden, and abundantly provided with rare flowers and shrubbery, all tended with loving care. The monument stands on an elevated site, and consists of a ma.s.sive bas.e.m.e.nt-story, three-sided, above which rises a light and elegant Grecian temple,--a mere dome, supported on Corinthian pillars, and open to all the winds. The edifice is beautiful in itself; though I know not what peculiar appropriateness it may have, as the memorial of a Scottish rural poet.

The door of the bas.e.m.e.nt-story stood open; and, entering, we saw a bust of Burns in a niche, looking keener, more refined, but not so warm and whole-souled as his pictures usually do. I think the likeness cannot be good. In the centre of the room stood a gla.s.s case, in which were reposited the two volumes of the little Pocket Bible that Burns gave to Highland Mary, when they pledged their troth to one another. It is poorly printed, on coa.r.s.e paper. A verse of Scripture, referring to the solemnity and awfulness of vows, is written within the cover of each volume, in the poet's own hand; and fastened to one of the covers is a lock of Highland Mary's golden hair. This Bible had been carried to America--by one of her relatives, but was sent back to be fitly treasured here.

There is a staircase within the monument, by which we ascended to the top, and had a view of both Briggs of Doon; the scene of Tam O'Shanter's misadventure being close at hand. Descending, we wandered through the enclosed garden, and came to a little building in a corner, on entering which, we found the two statues of Tam and Sutor Wat,--ponderous stone-work enough, yet permeated in a remarkable degree with living warmth and jovial hilarity. From this part of the garden, too, we again beheld the old Brigg of Doon, over which Tam galloped in such imminent and awful peril. It is a beautiful object in the landscape, with one high, graceful arch, ivy-grown, and shadowed all over and around with foliage.

When we had waited a good while, the old gardener came, telling us that he had heard an excellent prayer at laying the corner-stone of the new kirk. He now gave us some roses and sweetbrier, and let us out from his pleasant garden. We immediately hastened to Kirk Alloway, which is within two or three minutes' walk of the monument. A few steps ascend from the roadside, through a gate, into the old graveyard, in the midst of which stands the kirk. The edifice is wholly roofless, but the side-walls and gable-ends are quite entire, though portions of them are evidently modern restorations. Never was there a plainer little church, or one with smaller architectural pretension; no New England meeting-house has more simplicity in its very self, though poetry and fun have clambered and cl.u.s.tered so wildly over Kirk Alloway that it is difficult to see it as it actually exists. By the by, I do not understand why Satan and an a.s.sembly of witches should hold their revels within a consecrated precinct; but the weird scene has so established itself in the world's imaginative faith that it must be accepted as an authentic incident, in spite of rule and reason to the contrary.

Possibly, some carnal minister, some priest of pious aspect and hidden infidelity, had dispelled the consecration of the holy edifice by his pretence of prayer, and thus made it the resort of unhappy ghosts and sorcerers and devils.

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Our Old Home: A Series of English Sketches Part 7 summary

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