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"Not biography," Skeet insisted. "Just his cooked-up resume."
"Their tragic death in Chile?..."
"Another lie." In Skeet's bloodshot eyes was a fierce light that might have been vengeance. For a moment, the kid appeared not sad at all, not drawn and gaunt and ruined, but full of a wild and barely contained glee.
Dusty said, "He had such a tremendous disagreement with Colonel Farner that he wanted to change his name?"
"I guess he liked The Catcher in the Rye." The Catcher in the Rye."
Dusty was amazed. "Maybe he liked it, but did he understand it?" Which was a dumb question. Skeet's father was as shallow as a petri dish, culturing one short-lived enthusiasm after another, most of them as destructive as salmonella. "Who would want to be be Holden Caulfield?" Holden Caulfield?"
"Sam Farner, my good old dad. And I'll bet it hasn't hurt the b.a.s.t.a.r.d's career at the university. In his line of work, that name makes him memorable."
A horn sounded behind them. The traffic signal had changed from red to green.
Resuming the drive to New Life, Dusty said, "Where did you learn all this?"
"To begin with-on the Internet." Skeet sat up straighter, and with his bony hands, he smoothed his damp hair back from his face. "First, I checked out the faculty emeritus at Rutgers, on their website. Everyone who'd ever taught there. Same at Princeton. No one with his parents' names had been professors at either place. His invented invented parents, I mean." parents, I mean."
With an unmistakable note of pride in his voice, Skeet recounted the tortuous route he'd followed in his search for the simple truth about his father. The investigation had required concerted effort and considerable creative thought, not to mention sober logic.
Dusty marveled that this fragile kid, ravaged by life as well as by his own addictions and compulsions, had been able to focus sharply enough and long enough to get the job done.
"My old man's old man, Colonel Farner-he's long dead," Skeet said. "But Luanne, his mother, she's alive. She's seventy-eight, lives out in Cascade, Colorado."
"Your grandmother," Dusty said.
"Didn't know she existed till three weeks ago. Talked to her on the phone twice. She seems real sweet, Dusty. Broke her heart when her only kid cut them out of his life."
"Why did he?"
"Political convictions. Don't ask me what that means."
"He changes convictions with his designer socks," Dusty said. "It must have been something else."
"Not according to Luanne."
Pride of accomplishment, which had given Skeet the strength to sit up straighter and lift his chin off his chest, was no longer sufficient to sustain him. Gradually he slid down and retreated turtlelike into the steam, the wet smell, and the soggy folds of his loose rain-soaked clothes.
"You can't afford all this again," Skeet said as Dusty drove into the New Life Clinic parking lot.
"Don't worry about it. I have two major jobs lined up. Besides, Martie's designing all kinds of hideous deaths for Orcs and a.s.sorted monsters, and there's serious bucks in that."
"I don't know if I can go through the program again."
"You can. You jumped off a roof this morning. h.e.l.l, getting through rehab should be a piece of cake."
The private clinic was in a building styled like the corporate headquarters for a prosperous chain of Mexican fast-food restaurants: a two-story hacienda with arched loggias on the first floor, covered balconies on the second, too precisely prettified with royal-purple bougainvillea, which had been meticulously handwoven around columns and across archways. Perfection had been sought so aggressively that the result was a Disneyesque artificiality, as if everything from the gra.s.s to the roof were stamped out of plastic. Here, even the dirty rain had a tinsel glimmer.
Dusty parked at the curb near the entrance, in the zone reserved for patient admissions. He switched off the wipers, but didn't kill the engine. "Have you told him what you've learned?"
"You mean good old Dad?" Skeet closed his eyes, shook his head. "No. It's enough I know it myself."
In truth, Skeet was afraid of Professor Caulfield, nee Farner, no less now than when he'd been a boy-and perhaps with good reason.
"Cascade, Colorado," Skeet said, p.r.o.nouncing it as if it were a magical place, home to wizards and gryphons and unicorns.
"You want to go there, see your grandma?"
"Too far. Too hard," Skeet said. "I can't drive anymore."
Because of numerous moving violations, he had lost his driver's license. He rode to work each day with Fig Newton.
"Listen," Dusty said, "you get through the program, and I'll take you out there to Cascade to meet your grandma."
Skeet opened his eyes. "Oh, man, that's risky."
"Hey, I'm not that bad a driver."
"I mean, people let you down. Except you and Martie. And Dominique. She never let me down."
Dominique was their half sister, born to their mother's first husband. She'd been a Down's baby and had died in infancy. Neither of them had ever known her, though sometimes Skeet visited her grave. The one who escaped, The one who escaped, he called her. he called her.
"People always let you down," he said, "and it's not smart to expect too much."
"You said she sounded sweet on the phone. And evidently your dad despises her, which is a good sign. d.a.m.n good. Besides, if she turns out to be the grandmother from h.e.l.l, I'll be there with you, and I'll break her legs."
Skeet smiled. He stared wistfully through the rainwashed winds.h.i.+eld, not at the immediate landscape but perhaps at an ideal portrait of Cascade, Colorado, which he'd already painted in his mind. "She said she loved me. Hasn't met me, but said it anyway."
"You're her grandson," Dusty said, switching off the engine.
Skeet's eyes appeared to be not just swollen and bloodshot but sore, sore, as if he'd seen too many painful things. But in the ice-pale, sunken wreckage of his gaunt face, his smile was warm. "You're not just a half brother. You're a brother and a half." as if he'd seen too many painful things. But in the ice-pale, sunken wreckage of his gaunt face, his smile was warm. "You're not just a half brother. You're a brother and a half."
Dusty cupped a hand against the back of Skeet's head and pulled him close, until their foreheads touched. They sat for a while, brow to brow, neither of them saying anything.
Then they got out of the van, into the cold rain.
9.
Dr. Mark Ahriman's waiting room featured two pairs of Ruhlman-style lacquered lacewood chairs with black leather seats. The floor was black granite, as were the two end tables, each of which held fanned copies of Architectural Digest Architectural Digest and and Vanity Fair. Vanity Fair. The color of the walls matched the honey tone of the lacewood. The color of the walls matched the honey tone of the lacewood.
Two Art Deco paintings, nighttime cityscapes reminiscent of some early work by Georgia O'Keeffe, were the only art.
The high-style decor was also surprisingly serene. As always, Susan was visibly relieved the moment she crossed the threshold from the fourteenth-floor corridor. For the first time since leaving her apartment, she didn't need to lean on Martie. Her posture improved. She raised her head, pushed back the raincoat hood, and took long breaths, as if she'd broken through the surface of a cold, deep pond.
Curiously, Martie, too, felt a measure of relief. Her floating anxiety, which didn't seem to be anch.o.r.ed to any particular source, abated somewhat as she closed the waiting-room door behind them.
The doctor's secretary, Jennifer, could be seen through the receptionist's window. Sitting at a desk, talking on the phone, she waved.
An inner door opened soundlessly. As if telepathically informed of his patient's arrival, Dr. Ahriman entered from the equally well-furnished chamber in which he conducted therapy sessions. Impeccably dressed in a dark gray Vestimenta suit, as stylish as his offices, he moved with the easy grace characteristic of professional athletes.
He was forty-something, tall, well-tanned, with salt-and-pepper hair, as handsome as the photographs on the dust jackets of his best-selling books about psychology. Though his hazel eyes were unusually direct, his stare wasn't invasive or challenging, not clinical-but warm and rea.s.suring. Dr. Ahriman looked nothing like Martie's father; however, he shared Smilin' Bob's affability, genuine interest in people, and relaxed self-confidence. To her, he had a fatherly air.
Rather than reinforce Susan's agoraphobia by solicitously asking how she had handled the trip from her apartment, he spoke eloquently about the beauty of the storm, as though the soggy morning were as luminous as a painting by Renoir. As he described the pleasures of a walk in the rain, the chill and the damp sounded as soul-soothing as a sunny day at the beach.
By the time Susan stripped out of her raincoat and handed it to Martie, she was smiling. All the anxiety was gone from her face, if not entirely from her eyes. As she left the waiting room for Dr. Ahriman's inner office, she no longer moved like an old woman, but like a young girl, apparently unintimidated by the expansive view of the coastline that awaited her from his fourteenth-floor windows.
As always, Martie was impressed by the instant soothing effect that the doctor had on Susan, and she almost decided against sharing her concern with him. But then, before he followed Susan into the office, Martie asked if she might have a word with him.
To Susan, he said, "I'll be right with you," and then shut his office door.
Moving to the center of the waiting room with Ahriman, keeping her voice low, Martie said, "I'm worried about her, Doctor."
His smile was as comforting as hot tea, sugared short-bread, and a fireside armchair. "She's doing well, Mrs. Rhodes. I couldn't be more pleased."
"Isn't there medication you could give her? I was reading that anxiety medication-"
"In her case, anxiety medication would be a very grave mistake. Drugs aren't always the answer, Mrs. Rhodes. Believe me, if they would help her, I'd write the prescription in a minute."
"But she's been like this for sixteen months."
He c.o.c.ked his head and regarded her almost as if he suspected that she was teasing him. "Have you really seen no change in her, especially over the last few months?"
"Oh, yes. Plenty. And it seems to me...Well, I'm no doctor, no therapist, but lately Susan seems to be worse. A lot worse."
"You're right. She's getting worse, but that's not a bad sign."
Baffled, Martie said, "It's not?"
Sensing the depth of Martie's distress, perhaps intuitively aware that her anxiety arose not entirely from her concern about her friend, Dr. Ahriman guided her to a chair. He settled into the seat beside her.
"Agoraphobia," he explained, "is almost always a sudden-onset condition, rarely gradual. The intensity of the fear is as severe during the first panic attack as during the hundredth. So when there's a change in the intensity, it often indicates the patient is on the edge of a breakthrough."
"Even if the fear gets worse?"
"Especially when it gets worse." Ahriman hesitated. "I'm sure you realize I can't violate Susan's privacy by discussing the details of her specific case. But in general the agoraphobic often uses his or her fear as a refuge from the world, as a way to escape engagement with other people or to avoid dealing with particularly traumatic personal experiences. There's a perverse comfort in the isolation-"
"But Susan hates being so fearful, trapped in that apartment."
He nodded. "Her despair is deep and genuine. However, her need for isolation is even greater than her anguish over the limitations imposed by her phobia."
Martie had had noticed that sometimes Susan seemed to cling to her apartment because she was happy there more than because she was too frightened of the world beyond. noticed that sometimes Susan seemed to cling to her apartment because she was happy there more than because she was too frightened of the world beyond.
"If the patient begins to understand why why she's embracing her loneliness," Ahriman continued, "if at last she starts to identify the she's embracing her loneliness," Ahriman continued, "if at last she starts to identify the real real trauma she's trying not to face, then sometimes, in denial, she will cling to the agoraphobia more fiercely. An intensification of symptoms usually means she's making a last-ditch defense against the truth. When that defense fails, she'll finally face the thing she trauma she's trying not to face, then sometimes, in denial, she will cling to the agoraphobia more fiercely. An intensification of symptoms usually means she's making a last-ditch defense against the truth. When that defense fails, she'll finally face the thing she really really fears-not open s.p.a.ces, but something more personal and immediate." fears-not open s.p.a.ces, but something more personal and immediate."
The doctor's explanation made sense to Martie, yet she couldn't easily accept the idea that an ever steeper decline would inevitably lead to a cure. Last year, her father's battle with cancer progressed along a relentless downward spiral, and at the bottom there had been no joyful breakthrough, only death. Of course a psychological illness could not be compared to a physical disease. Nevertheless...
"Did I set your mind at rest, Mrs. Rhodes?" A twinkle of humor enlivened his eyes. "Or do you think I'm full of psychobabble?"
His charm won her over. The impressive array of diplomas in his office, his reputation as the finest specialist in phobic therapy in California and perhaps in the nation, and his keen mind were no more important to building patient trust than was his bedside manner.
Martie smiled and shook her head. "No. The only babble is coming from me. I guess...I feel like I've failed her somehow."
"No, no, no." He placed a hand rea.s.suringly on her shoulder. "Mrs. Rhodes, I can't stress strongly enough how important you are to Susan's recovery. Your commitment to her means more than anything I can do. You must always feel comfortable about expressing your worries to me. Your concern for her is the rock on which she stands."
Martie's voice thickened. "We've been friends since we were kids, most of our lives. I love her so much. I couldn't love her more if she were my sister."
"That's what I mean. Love can accomplish more than therapy, Mrs. Rhodes. Not every patient has someone like you. Susan is so very lucky in that regard."
Martie's vision blurred. "She seems so lost," she said softly.
His hand tightened slightly on her shoulder. "She's finding her way. Believe me, she is."
She did believe him. Indeed, he had comforted her so much that she almost mentioned her own peculiar rushes of anxiety this morning: her shadow, the mirror, the mezzaluna, the point and the serrated edge of the car key....
In the inner office, Susan was waiting for her session. This time was hers, not Martie's.
"Is there something else?" Dr. Ahriman asked.
"No. I'm all right now," she said, getting to her feet. "Thank you. Thank you so much, Doctor."
"Have faith, Mrs. Rhodes."
"I do."
Smiling, he gave her a thumbs-up sign, went into his office, and closed the door.
Martie followed a narrow hallway between the doctor's private office and a large file room, to a second waiting area. This was smaller than-but similar to-the first.
Here, a back door led into Dr. Ahriman's office, and another door opened onto the fourteenth-floor corridor. This double-waiting-room arrangement ensured that arriving patients and their companions, if any, wouldn't encounter departing patients, thus guaranteeing everyone's privacy.
Martie hung Susan's raincoat and her own on a pair of wall hooks beside the exit door.
She had brought a paperback book, a thriller, to pa.s.s the time, but she couldn't focus on the story. None of the creepy things happening in the novel was as disquieting as the real events of this morning.
Soon Jennifer, the doctor's secretary, brought a mug of coffee-black, without sugar, as Martie liked it-and a chocolate biscotto. "I didn't ask if you'd rather have a soft drink. I just a.s.sumed, on a day like this, coffee was the thing."
"Perfect. Thank you, Jenny."
When Martie first accompanied Susan here, she had been surprised by this simple courtesy; although having no previous experience with psychiatrists' offices, she was sure that such thoughtful treatment was not common to the profession, and she was still charmed by it.
The coffee was rich but not bitter. The biscotto was excellent; she would have to ask Jennifer where to buy them.