The American Part 30

"I am not dreadful. I am speaking of her favorably."

"Pray what will you say when you want to be severe?"

"I shall keep my severity for some one else--for the marquis. There's a man I can't swallow, mix the drink as I will."

"And what has HE done?"

"I can't quite make out; it is something dreadfully bad, something mean and underhand, and not redeemed by audacity, as his mother's misdemeanors may have been. If he has never committed murder, he has at least turned his back and looked the other way while some one else was committing it."

In spite of this invidious hypothesis, which must be taken for nothing more than an example of the capricious play of "American humor," Newman did his best to maintain an easy and friendly style of communication with M. de Bellegarde. So long as he was in personal contact with people he disliked extremely to have anything to forgive them, and he was capable of a good deal of unsuspected imaginative effort (for the sake of his own personal comfort) to a.s.sume for the time that they were good fellows. He did his best to treat the marquis as one; he believed honestly, moreover, that he could not, in reason, be such a confounded fool as he seemed. Newman's familiarity was never importunate; his sense of human equality was not an aggressive taste or an aesthetic theory, but something as natural and organic as a physical appet.i.te which had never been put on a scanty allowance and consequently was innocent of ungraceful eagerness. His tranquil unsuspectingness of the relativity of his own place in the social scale was probably irritating to M.

de Bellegarde, who saw himself reflected in the mind of his potential brother-in-law in a crude and colorless form, unpleasantly dissimilar to the impressive image projected upon his own intellectual mirror. He never forgot himself for an instant, and replied to what he must have considered Newman's "advances" with mechanical politeness. Newman, who was constantly forgetting himself, and indulging in an unlimited amount of irresponsible inquiry and conjecture, now and then found himself confronted by the conscious, ironical smile of his host. What the deuce M. de Bellegarde was smiling at he was at a loss to divine. M.

de Bellegarde's smile may be supposed to have been, for himself, a compromise between a great many emotions. So long as he smiled he was polite, and it was proper he should be polite. A smile, moreover, committed him to nothing more than politeness, and left the degree of politeness agreeably vague. A smile, too, was neither dissent--which was too serious--nor agreement, which might have brought on terrible complications. And then a smile covered his own personal dignity, which in this critical situation he was resolved to keep immaculate; it was quite enough that the glory of his house should pa.s.s into eclipse.

Between him and Newman, his whole manner seemed to declare there could be no interchange of opinion; he was holding his breath so as not to inhale the odor of democracy. Newman was far from being versed in European politics, but he liked to have a general idea of what was going on about him, and he accordingly asked M. de Bellegarde several times what he thought of public affairs. M. de Bellegarde answered with suave concision that he thought as ill of them as possible, that they were going from bad to worse, and that the age was rotten to its core. This gave Newman, for the moment, an almost kindly feeling for the marquis; he pitied a man for whom the world was so cheerless a place, and the next time he saw M. de Bellegarde he attempted to call his attention to some of the brilliant features of the time. The marquis presently replied that he had but a single political conviction, which was enough for him: he believed in the divine right of Henry of Bourbon, Fifth of his name, to the throne of France. Newman stared, and after this he ceased to talk politics with M. de Bellegarde. He was not horrified nor scandalized, he was not even amused; he felt as he should have felt if he had discovered in M. de Bellegarde a taste for certain oddities of diet; an appet.i.te, for instance, for fishbones or nutsh.e.l.ls. Under these circ.u.mstances, of course, he would never have broached dietary questions with him.

One afternoon, on his calling on Madame de Cintre, Newman was requested by the servant to wait a few moments, as his hostess was not at liberty.

He walked about the room a while, taking up her books, smelling her flowers, and looking at her prints and photographs (which he thought prodigiously pretty), and at last he heard the opening of a door to which his back was turned. On the threshold stood an old woman whom he remembered to have met several times in entering and leaving the house.

She was tall and straight and dressed in black, and she wore a cap which, if Newman had been initiated into such mysteries, would have been a sufficient a.s.surance that she was not a Frenchwoman; a cap of pure British composition. She had a pale, decent, depressed-looking face, and a clear, dull, English eye. She looked at Newman a moment, both intently and timidly, and then she dropped a short, straight English curtsey.

"Madame de Cintre begs you will kindly wait," she said. "She has just come in; she will soon have finished dressing."

"Oh, I will wait as long as she wants," said Newman. "Pray tell her not to hurry."

"Thank you, sir," said the woman, softly; and then, instead of retiring with her message, she advanced into the room. She looked about her for a moment, and presently went to a table and began to arrange certain books and knick-knacks. Newman was struck with the high respectability of her appearance; he was afraid to address her as a servant. She busied herself for some moments with putting the table in order and pulling the curtains straight, while Newman walked slowly to and fro. He perceived at last from her reflection in the mirror, as he was pa.s.sing that her hands were idle and that she was looking at him intently. She evidently wished to say something, and Newman, perceiving it, helped her to begin.

"You are English?" he asked.

"Yes, sir, please," she answered, quickly and softly; "I was born in Wilts.h.i.+re."

"And what do you think of Paris?"

"Oh, I don't think of Paris, sir," she said in the same tone. "It is so long since I have been here."

"Ah, you have been here very long?"

"It is more than forty years, sir. I came over with Lady Emmeline."

"You mean with old Madame de Bellegarde?"

"Yes, sir. I came with her when she was married. I was my lady's own woman."

"And you have been with her ever since?"

"I have been in the house ever since. My lady has taken a younger person. You see I am very old. I do nothing regular now. But I keep about."

"You look very strong and well," said Newman, observing the erectness of her figure, and a certain venerable rosiness in her cheek.

"Thank G.o.d I am not ill, sir; I hope I know my duty too well to go panting and coughing about the house. But I am an old woman, sir, and it is as an old woman that I venture to speak to you."

"Oh, speak out," said Newman, curiously. "You needn't be afraid of me."

"Yes, sir. I think you are kind. I have seen you before."

"On the stairs, you mean?"

"Yes, sir. When you have been coming to see the countess. I have taken the liberty of noticing that you come often."

"Oh yes; I come very often," said Newman, laughing. "You need not have been wide-awake to notice that."

"I have noticed it with pleasure, sir," said the ancient tire-woman, gravely. And she stood looking at Newman with a strange expression of face. The old instinct of deference and humility was there; the habit of decent self-effacement and knowledge of her "own place." But there mingled with it a certain mild audacity, born of the occasion and of a sense, probably, of Newman's unprecedented approachableness, and, beyond this, a vague indifference to the old proprieties; as if my lady's own woman had at last begun to reflect that, since my lady had taken another person, she had a slight reversionary property in herself.

"You take a great interest in the family?" said Newman.

"A deep interest, sir. Especially in the countess."

"I am glad of that," said Newman. And in a moment he added, smiling, "So do I!"

"So I suppose, sir. We can't help noticing these things and having our ideas; can we, sir?"

"You mean as a servant?" said Newman.

"Ah, there it is, sir. I am afraid that when I let my thoughts meddle with such matters I am no longer a servant. But I am so devoted to the countess; if she were my own child I couldn't love her more. That is how I come to be so bold, sir. They say you want to marry her."

Newman eyed his interlocutress and satisfied himself that she was not a gossip, but a zealot; she looked anxious, appealing, discreet. "It is quite true," he said. "I want to marry Madame de Cintre."

"And to take her away to America?"

"I will take her wherever she wants to go."

"The farther away the better, sir!" exclaimed the old woman, with sudden intensity. But she checked herself, and, taking up a paper-weight in mosaic, began to polish it with her black ap.r.o.n. "I don't mean anything against the house or the family, sir. But I think a great change would do the poor countess good. It is very sad here."

"Yes, it's not very lively," said Newman. "But Madame de Cintre is gay herself."

"She is everything that is good. You will not be vexed to hear that she has been gayer for a couple of months past than she had been in many a day before."

Newman was delighted to gather this testimony to the prosperity of his suit, but he repressed all violent marks of elation. "Has Madame de Cintre been in bad spirits before this?" he asked.

"Poor lady, she had good reason. M. de Cintre was no husband for a sweet young lady like that. And then, as I say, it has been a sad house. It is better, in my humble opinion, that she were out of it. So, if you will excuse me for saying so, I hope she will marry you."

"I hope she will!" said Newman.

"But you must not lose courage, sir, if she doesn't make up her mind at once. That is what I wanted to beg of you, sir. Don't give it up, sir.

You will not take it ill if I say it's a great risk for any lady at any time; all the more when she has got rid of one bad bargain. But if she can marry a good, kind, respectable gentleman, I think she had better make up her mind to it. They speak very well of you, sir, in the house, and, if you will allow me to say so, I like your face. You have a very different appearance from the late count, he wasn't five feet high. And they say your fortune is beyond everything. There's no harm in that. So I beseech you to be patient, sir, and bide your time. If I don't say this to you, sir, perhaps no one will. Of course it is not for me to make any promises. I can answer for nothing. But I think your chance is not so bad, sir. I am nothing but a weary old woman in my quiet corner, but one woman understands another, and I think I make out the countess.

I received her in my arms when she came into the world and her first wedding day was the saddest of my life. She owes it to me to show me another and a brighter one. If you will hold firm, sir--and you look as if you would--I think we may see it."

"I am much obliged to you for your encouragement," said Newman, heartily. "One can't have too much. I mean to hold firm. And if Madame de Cintre marries me you must come and live with her."

The old woman looked at him strangely, with her soft, lifeless eyes. "It may seem a heartless thing to say, sir, when one has been forty years in a house, but I may tell you that I should like to leave this place."