The American Part 51

"That's the way I feel to you, but for politeness sake I don't say it," said Newman. "It's singular I should want so much to be your brother-in-law, but I can't give it up. Let me try once more." And he paused a moment. "You have a secret--you have a skeleton in the closet."

M. de Bellegarde continued to look at him hard, but Newman could not see whether his eyes betrayed anything; the look of his eyes was always so strange. Newman paused again, and then went on. "You and your mother have committed a crime." At this M. de Bellegarde's eyes certainly did change; they seemed to flicker, like blown candles. Newman could see that he was profoundly startled; but there was something admirable in his self-control.

"Continue," said M. de Bellegarde.

Newman lifted a finger and made it waver a little in the air. "Need I continue? You are trembling."

"Pray where did you obtain this interesting information?" M. de Bellegarde asked, very softly.

"I shall be strictly accurate," said Newman. "I won't pretend to know more than I do. At present that is all I know. You have done something that you must hide, something that would d.a.m.n you if it were known, something that would disgrace the name you are so proud of. I don't know what it is, but I can find out. Persist in your present course and I WILL find out. Change it, let your sister go in peace, and I will leave you alone. It's a bargain?"

The marquis almost succeeded in looking untroubled; the breaking up of the ice in his handsome countenance was an operation that was necessarily gradual. But Newman's mildly-syllabled argumentation seemed to press, and press, and presently he averted his eyes. He stood some moments, reflecting.

"My brother told you this," he said, looking up.

Newman hesitated a moment. "Yes, your brother told me."

The marquis smiled, handsomely. "Didn't I say that he was out of his mind?"

"He was out of his mind if I don't find out. He was very much in it if I do."

M. de Bellegarde gave a shrug. "Eh, sir, find out or not, as you please."

"I don't frighten you?" demanded Newman.

"That's for you to judge."

"No, it's for you to judge, at your leisure. Think it over, feel yourself all round. I will give you an hour or two. I can't give you more, for how do we know how fast they may be making Madame de Cintre a nun? Talk it over with your mother; let her judge whether she is frightened. I don't believe she is as easily frightened, in general, as you; but you will see. I will go and wait in the village, at the inn, and I beg you to let me know as soon as possible. Say by three o'clock.

A simple YES or NO on paper will do. Only, you know, in case of a yes I shall expect you, this time, to stick to your bargain." And with this Newman opened the door and let himself out. The marquis did not move, and Newman, retiring, gave him another look. "At the inn, in the village," he repeated. Then he turned away altogether and pa.s.sed out of the house.

He was extremely excited by what he had been doing, for it was inevitable that there should be a certain emotion in calling up the spectre of dishonor before a family a thousand years old. But he went back to the inn and contrived to wait there, deliberately, for the next two hours. He thought it more than probable that Urbain de Bellegarde would give no sign; for an answer to his challenge, in either sense, would be a confession of guilt. What he most expected was silence--in other words defiance. But he prayed that, as he imagined it, his shot might bring them down. It did bring, by three o'clock, a note, delivered by a footman; a note addressed in Urbain de Bellegarde's handsome English hand. It ran as follows:--

"I cannot deny myself the satisfaction of letting you know that I return to Paris, to-morrow, with my mother, in order that we may see my sister and confirm her in the resolution which is the most effectual reply to your audacious pertinacity.

"HENRI-URBAIN DE BELLEGARDE."

Newman put the letter into his pocket, and continued his walk up and down the inn-parlor. He had spent most of his time, for the past week, in walking up and down. He continued to measure the length of the little salle of the Armes de Prance until the day began to wane, when he went out to keep his rendezvous with Mrs. Bread. The path which led up the hill to the ruin was easy to find, and Newman in a short time had followed it to the top. He pa.s.sed beneath the rugged arch of the castle wall, and looked about him in the early dusk for an old woman in black.

The castle yard was empty, but the door of the church was open. Newman went into the little nave and of course found a deeper dusk than without. A couple of tapers, however, twinkled on the altar and just enabled him to perceive a figure seated by one of the pillars. Closer inspection helped him to recognize Mrs. Bread, in spite of the fact that she was dressed with unwonted splendor. She wore a large black silk bonnet, with imposing bows of c.r.a.pe, and an old black satin dress disposed itself in vaguely l.u.s.trous folds about her person. She had judged it proper to the occasion to appear in her stateliest apparel.

She had been sitting with her eyes fixed upon the ground, but when Newman pa.s.sed before her she looked up at him, and then she rose.

"Are you a Catholic, Mrs. Bread?" he asked.

"No, sir; I'm a good Church-of-England woman, very Low," she answered.

"But I thought I should be safer in here than outside. I was never out in the evening before, sir."

"We shall be safer," said Newman, "where no one can hear us." And he led the way back into the castle court and then followed a path beside the church, which he was sure must lead into another part of the ruin. He was not deceived. It wandered along the crest of the hill and terminated before a fragment of wall pierced by a rough aperture which had once been a door. Through this aperture Newman pa.s.sed and found himself in a nook peculiarly favorable to quiet conversation, as probably many an earnest couple, otherwise a.s.sorted than our friends, had a.s.sured themselves. The hill sloped abruptly away, and on the remnant of its crest were scattered two or three fragments of stone. Beneath, over the plain, lay the gathered twilight, through which, in the near distance, gleamed two or three lights from the chateau. Mrs. Bread rustled slowly after her guide, and Newman, satisfying himself that one of the fallen stones was steady, proposed to her to sit upon it. She cautiously complied, and he placed himself upon another, near her.

CHAPTER XXII

"I am very much obliged to you for coming," Newman said. "I hope it won't get you into trouble."

"I don't think I shall be missed. My lady, in these days, is not fond of having me about her." This was said with a certain fluttered eagerness which increased Newman's sense of having inspired the old woman with confidence.

"From the first, you know," he answered, "you took an interest in my prospects. You were on my side. That gratified me, I a.s.sure you. And now that you know what they have done to me, I am sure you are with me all the more."

"They have not done well--I must say it," said Mrs. Bread. "But you mustn't blame the poor countess; they pressed her hard."

"I would give a million of dollars to know what they did to her!" cried Newman.

Mrs. Bread sat with a dull, oblique gaze fixed upon the lights of the chateau. "They worked on her feelings; they knew that was the way.

She is a delicate creature. They made her feel wicked. She is only too good."

"Ah, they made her feel wicked," said Newman, slowly; and then he repeated it. "They made her feel wicked,--they made her feel wicked."

The words seemed to him for the moment a vivid description of infernal ingenuity.

"It was because she was so good that she gave up--poor sweet lady!"

added Mrs. Bread.

"But she was better to them than to me," said Newman.

"She was afraid," said Mrs. Bread, very confidently; "she has always been afraid, or at least for a long time. That was the real trouble, sir. She was like a fair peach, I may say, with just one little speck.

She had one little sad spot. You pushed her into the suns.h.i.+ne, sir, and it almost disappeared. Then they pulled her back into the shade and in a moment it began to spread. Before we knew it she was gone. She was a delicate creature."

This singular attestation of Madame de Cintre's delicacy, for all its singularity, set Newman's wound aching afresh. "I see," he presently said; "she knew something bad about her mother."

"No, sir, she knew nothing," said Mrs. Bread, holding her head very stiff and keeping her eyes fixed upon the glimmering windows of the chateau.

"She guessed something, then, or suspected it."

"She was afraid to know," said Mrs. Bread.

"But YOU know, at any rate," said Newman.

She slowly turned her vague eyes upon Newman, squeezing her hands together in her lap. "You are not quite faithful, sir. I thought it was to tell me about Mr. Valentin you asked me to come here."

"Oh, the more we talk of Mr. Valentin the better," said Newman. "That's exactly what I want. I was with him, as I told you, in his last hour.

He was in a great deal of pain, but he was quite himself. You know what that means; he was bright and lively and clever."

"Oh, he would always be clever, sir," said Mrs. Bread. "And did he know of your trouble?"

"Yes, he guessed it of himself."

"And what did he say to it?"

"He said it was a disgrace to his name--but it was not the first."