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"And what do you take, for the gold you give them?"
Little enough, for my needs are few, and I am old; too old to follow my sisters into the West. I taste their pleasure and their joy. I feed, a little, feed on what they do not need and do not value. A taste of heart, a lick and a nibble of their fine consciences, a sliver of soul. And in return a fragment of me leaves this cave with them and gazes out at the world through their eyes, sees what they see until their lives are done and I take back what is mine.
"Will you show yourself to me?"
I could see, in the darkness, better than any man born of man and woman could see. I saw something move in the shadows, and then the shadows congealed and s.h.i.+fted, revealing formless things at the edge of my perception, where it meets imagination. Troubled, I said the thing it is proper to say at times such as this: "Appear before me in a form that neither harms nor is offensive to me."
Is that what you wish?
The drip of distant water. "Yes," I said.
From out of the shadows it came, and it stared down at me with empty sockets, smiled at me with wind-weathered ivory teeth. It was all bone, save its hair, and its hair was red and gold, and wrapped about the branch of a thorn-bush.
"That offends my eyes."
I took it from your mind, said a whisper that surrounded the skeleton. Its jawbone did not move. said a whisper that surrounded the skeleton. Its jawbone did not move. I chose something you loved. This was your daughter, Flora, as she was the last time you saw her. I chose something you loved. This was your daughter, Flora, as she was the last time you saw her.
I closed my eyes, but the figure remained.
It said, The reaver waits for you at the mouth of the cave. He waits for you to come out, weaponless and weighed down with gold. He will kill you, and take the gold from your dead hands. The reaver waits for you at the mouth of the cave. He waits for you to come out, weaponless and weighed down with gold. He will kill you, and take the gold from your dead hands.
"But I'll not be coming out with gold, will I?" I thought of Calum MacInnes, the wolf-gray in his hair, the gray of his eyes, the line of his dirk. He was bigger than I am, but all men are bigger than I am. Perhaps I was stronger, and faster, but he was also fast, and he was strong.
He killed my daughter, I thought, then wondered if the thought was mine or if it had crept out the shadows and into my head. Aloud, I said, "Is there another way out of this cave?" I thought, then wondered if the thought was mine or if it had crept out the shadows and into my head. Aloud, I said, "Is there another way out of this cave?"
You leave the way you entered, through the mouth of my home.
I stood there and did not move, but in my mind I was like an animal in a trap, questing and darting from idea to idea, finding no purchase and no solace and no solution.
I said, "I am weaponless. He told me that I could not enter this place with a weapon. That it was not the custom."
It is the custom now, to bring no weapon into my place. It was not always the custom. Follow me, said the skeleton of my daughter. said the skeleton of my daughter.
I followed her, for I could see her, even when it was so dark that I could see nothing else.
In the shadows it said, It is beneath your hand. It is beneath your hand.
I crouched and felt it. The haft felt like bone-perhaps an antler. I touched the blade cautiously in the darkness, discovered that I was holding something that felt more like an awl than a knife. It was thin, sharp at the tip. It would be better than nothing.
"Is there a price?"
There is always a price.
"Then I will pay it. And I ask one other thing. You say that you can see the world through his eyes."
There were no eyes in that hollow skull, but it nodded.
"Then tell me when he sleeps."
It said nothing. It melded into the darkness, and I felt alone in that place.
Time pa.s.sed. I followed the sound of the dripping water, found a rock pool, and drank. I soaked the last of the oats and I ate them, chewing them until they dissolved in my mouth. I slept and woke and slept again, and dreamed of my wife, Morag, waiting for me as the seasons changed, waiting for me just as we had waited for our daughter, waiting for me forever.
Something, a finger I thought, touched my hand: it was not bony and hard. It was soft, and humanlike, but too cold. He sleeps. He sleeps.
I left the cave in the blue light, before dawn. He slept across the cave-mouth, catlike, I knew, such that the slightest touch would have woken him. I held my weapon in front of me, a bone handle and a needlelike blade of blackened silver, and I reached out and took what I was after, without waking him.
Then I stepped closer, and his hand grasped for my ankle and his eyes opened.
"Where is the gold?" asked Calum MacInnes.
"I have none." The wind blew cold on the mountainside. I had danced back, out of his reach, when he had grabbed at me. He stayed on the ground, pushed himself up onto one elbow.
Then he said, "Where is my dirk?"
"I took it," I told him. "While you slept."
He looked at me, sleepily. "And why ever would you do that? If I was going to kill you I would have done it on the way here. I could have killed you a dozen times."
"But I did not have gold, then, did I?"
He said nothing.
I said, "If you think you could have got me to bring the gold from the cave, and that not bringing it out would have saved your miserable soul, then you are a fool."
He no longer looked sleepy. "A fool, am I?"
He was ready to fight. It is good to make people who are ready to fight angry.
I said, "Not a fool. No. For I have met fools and idiots, and they are happy in their idiocy, even with straw in their hair. You are too wise for foolishness. You seek only misery and you bring misery with you and you call down misery on all you touch."
He rose then, holding a rock in his hand like an axe, and he came at me. I am small, and he could not strike me as he would have struck a man of his own size. He leaned over to strike. It was a mistake.
I held the bone haft tightly, and stabbed upward, striking fast with the point of the awl, like a snake. I knew the place I was aiming for, and I knew what it would do.
He dropped his rock, clutched at his right shoulder. "My arm," he said. "I cannot feel my arm."
He swore then, fouling the air with curses and threats. The dawn light on the mountaintop made everything so beautiful and blue. In that light, even the blood that had begun to soak his garments was purple. He took a step back, so he was between me and the cave. I felt exposed, the rising sun at my back.
"Why do you not have gold?" he asked me. His arm hung limply at his side.
"There was no gold there for such as I," I said.
He threw himself forward, then, ran at me and kicked at me. My awl blade went flying from my hand. I threw my arms around his leg, and I held on to him as together we tumbled off the mountainside.
His head was above me, and I saw triumph in it, and then I saw sky, and then the valley floor was above me and I was rising to meet it and then it was below me and I was falling to my death.
A jar and a b.u.mp, and now we were turning over and over on the side of the mountain, the world a dizzying whirligig of rock and pain and sky, and I knew I was a dead man, but still I clung to the leg of Calum MacInnes.
I saw a golden eagle in flight, but below me or above me I could no longer say. It was there, in the dawn sky, in the shattered fragments of time and perception, there in the pain. I was not afraid: there was no time and no s.p.a.ce to be afraid in, no s.p.a.ce in my mind and no s.p.a.ce in my heart. I was falling through the sky, holding tightly to the leg of a man who was trying to kill me; we were cras.h.i.+ng into rocks, sc.r.a.ping and bruising and then...
...we stopped. Stopped with force enough that I felt myself jarred, and was almost thrown off Calum MacInnes and to my death beneath. The side of the mountain had crumbled, there, long ago, sheared off, leaving a sheet of blank rock, as smooth and as featureless as gla.s.s. But that was below us. Where we were, there was a ledge, and on the ledge there was a miracle: stunted and twisted, high above the treeline, where no trees have any right to grow, was a twisted hawthorn tree, not much larger than a bush, although it was old. Its roots grew into the side of the mountain, and it was this hawthorn that had caught us in its gray arms.
I let go of the leg, clambered off Calum MacInnes's body, and onto the side of the mountain. I stood on the narrow ledge and looked down at the sheer drop. There was no way down from here. No way down at all.
I looked up. It might be possible, I thought, climbing slowly, with fortune on my side, to make it up that mountain. If it did not rain. If the wind was not too hungry. And what choice did I have? The only alternative was death.
A voice: "So. Will you leave me here to die, dwarf?"
I said nothing. I had nothing to say.
His eyes were open. He said, "I cannot move my right arm, since you stabbed it. I think I broke a leg in the fall. I cannot climb with you."
I said, "I may succeed, or I may fail."
"You'll make it. I've seen you climb. After you rescued me, crossing that waterfall. You went up those rocks like a squirrel going up a tree."
I did not have his confidence in my climbing abilities.
He said, "Swear to me by all you hold holy. Swear by your King, who waits over the sea as he has since we drove his subjects from this land. Swear by the things you creatures hold dear-swear by shadows and eagle feathers and by silence. Swear that you will come back for me."
"You know what I am?" I said.
"I know nothing," he said. "Only that I want to live."
I thought. "I swear by these things," I told him. "By shadows and by eagle feathers and by silence. I swear by green hills and standing stones. I will come back."
"I would have killed you," said the man in the hawthorn bush, and he said it with humor, as if it was the biggest joke that ever one man had told another. "I had planned to kill you, and take the gold back as my own."
"I know."
His hair framed his face like a wolf-gray halo. There was red blood on his cheek where he had sc.r.a.ped it in the fall. "You could come back with ropes," he said. "My rope is still up there, by the cave mouth. But you'd need more than that."
"Yes," I said. "I will come back with ropes." I looked up at the rock above us, examined it as best I could. Sometimes good eyes mean the difference between life and death, if you are a climber. I saw where I would need to be as I went, the shape of my journey up the face of the mountain. I thought I could see the ledge outside the cave, from which we had fallen as we fought. I would head for there. Yes.
I blew on my hands, to dry the sweat before I began to climb."I will come back for you," I said. "With ropes. I have sworn."
"When?" he asked, and he closed his eyes.
"In a year," I told him. "I will come here in a year."
I began to climb. The man's cries followed me as I stepped and crawled and squeezed and hauled myself up the side of that mountain, mingling with the cries of the great raptors; and they followed me back from the Misty Isle, with nothing to show for my pains and my time, and I will hear him screaming, at the edge of my mind, as I fall asleep or in the moments before I wake, until I die.
It did not rain, and the wind gusted and plucked at me, but did not throw me down. I climbed, and I climbed in safety.
When I reached the ledge, the cave entrance seemed like a darker shadow in the noonday sun. I turned from it, turned my back on the mountain, and from the shadows that were already gathering in the cracks and the crevices and deep inside my skull, and I began my slow journey away from the Misty Isle. There were a hundred roads and a thousand paths that would take me back to my home in the lowlands, where my wife would be waiting.
SEVEN s.e.xY COWBOY ROBOTS.
SANDRA MCDONALD.
Sandra McDonald is a graduate of Ithaca College, and earned a Master of Fine Arts degree in creative writing from the University of Southern Maine. She spent eight years as an officer in the United States Navy, during which time she lived in Guam, Newfoundland, England, and the United States, and has worked as a Hollywood a.s.sistant, a software instructor, and an English composition teacher. Her short story "The Ghost Girls of Rumney Mill" was shortlisted for the James Tiptree, Jr. Award in 2003. Her first novel, The Outback Stars The Outback Stars, was published in 2007, and was followed by two sequels: The Stars Down Under The Stars Down Under and and The Stars Blue Yonder The Stars Blue Yonder. Her most recent book is collection Diana Comet and Other Improbable Stories Diana Comet and Other Improbable Stories. Originally from Revere, Ma.s.sachusetts, she currently lives in Jacksonville, Florida.
I..
When I was a much younger woman, as part of the divorce settlement from my then-millionaire inventor husband, I asked for our house in Connecticut, a modest amount of alimony, and six s.e.xy cowboy robots. Sentient s.e.x toys, if you will.
The robots were my revenge for all the time and money Herbert had lavished on tawdry mistresses across the world. His company, New Human More Human, specialized in mechanical soldiers for the U.S. Department of Defense with a lucrative side business in sensual satisfaction. The factory delivered my boys in a big white truck. They jumped off the back ramp wearing s.h.i.+t-eating grins and oozing Wild West charisma. No other firm in the world could produce as fine a product. My husband was the Preston Tucker of his time: a brilliant innovator and visionary done in by vicious boardroom skullduggery.
If you believe that one strong man can succeed in the face of t.i.tanic conspiracy and unrelenting backstabbing, you probably believed global icing would be solved. Then the snow reached five feet high against your living room windows and your belief in science was shattered, as was mine.
In any case, Herbert fulfilled his divorce obligations. But he also incorporated his revenge. He had my guys created as s.e.xy cowboy robots with steel blades permanently attached to their feet. By design they were most happy when twirling, spinning, and jumping on ice. The frozen lake behind the house sufficed during the winter but back when summer was still a threat, I had to build an indoor rink to avoid months of pouting. There's nothing more sad than a depressed s.e.xy cowboy.
Let me back up. One of the best dates Herbert and I ever went on, pre-nuptials, was a charity benefit at the Hartford Ice Arena. A group of skaters in tight jeans, flannel s.h.i.+rts and cowboy hats took the ice halfway through the show. They gyrated and spun around to an Elvis remix in a way that made the crowd-especially the female half-go wild. I myself heaped so much praise that Herbert turned red with jealousy. He was never very sanguine about compet.i.tion. He was even worse at winter sports, and in fact met his mortal end ten years after our divorce by skiing off the side of a kiddie slope in Colorado.
Let me jump forward: this is not the story of a woman gifted with mechanical companions.h.i.+p who eventually realizes true love only comes in the shape of a flesh-and-blood man. Screw that. Since the day that white truck arrived, every one of my emotional, intellectual, and s.e.xual needs has been satisfied by my cowboys (except for Buck) in their splendidly unique ways. Never again have I taken a human lover. I'm only writing this now because I'm a hundred years old and dying, hoping to find a companion for the one s.e.xy cowboy robot who needs it the most.
First I'll tell you what happened to the other five, so that you understand the great responsibilities and s.e.xual joys of owning a mechanical cowboy.
II..
Naturally all my boys were great at mending fences, roping horses, and tending the vegetable garden, but from day one Doc distinguished himself as our go-to robot for any mechanical or electrical problems. Not just with his brothers-that time Yuri cracked his knee on a sideboard, or when Neill's arm was stolen by government agents-but in the mansion and across the grounds, too. Over the years he fixed the garbage disposal, the furnace, the sonic Jacuzzi, the vacuum bots, and the cranky house computer. Whenever my aircar had problems he was the first to slide under the fantail, and once we built the indoor rink he singlehandedly redesigned the chillers to double their output at half the energy cost.
On the ice he specialized in triple lutzes and a signature move that included hooking his white cowboy hat on his jutting pelvis. In between rehearsals and shows, he built his own workshop in an old shed and would spend many happy hours tinkering. At night in my bed his hands were warm and his breath sweet like maple syrup. He insisted on calling me Katherine instead of Kay. From him I learned the importance of wearing protection from the knees down; steel blades are h.e.l.l on s.h.i.+ns and satin sheets.
From Doc I also learned the importance of foreplay. Not that I was unacquainted with its benefits, but the first lovers I ever had were awkward teenage boys, and then a string of adult men mostly interested in themselves, and then there was Herbert, who believed lovemaking should take the same amount of time it takes to eat a boiled egg. I wondered if his speediness was specific to me, but his worldwide mistresses reported the same brisk efficiency. Doc, on the other hand, thought foreplay should take as long as a seven-course meal at a five-star restaurant. His long, supple fingers were more than sufficient but he also brought ma.s.sage oil, soft feathers, and small appliances to the task. He was an inventor and tinkerer, remember, and thought the human body was a fine engine to tune.
I knew he loved me but wasn't in love with me, as the saying goes. He loved circuits and designs, and making machines work better, and landing quad jumps in front of adoring crowds. Of us all, he was the most patient with Buck's unpredictable temper tantrums. His theory was that Buck's brain had been everso-slightly damaged in the manufacturing stage. Doc was also good at keeping secrets. I didn't realize he was smitten with a secret love until the security staff caught her sneaking out his workshop window one cold winter morning. Dr. Skylar Anderson was the chief designer at New Human More Human, and my ex-husband's latest wife.
"Skylar," I said disapprovingly, arms folded over my chiffon bathrobe.
She straightened the lapels of her lab coat. A red bra strap poked out from under her blouse. "Kay."
"Does Herbert know?"
She sniffed. "He's been too busy whoring his way through the secretarial pool. I've already filed for divorce."
This made her the enemy of my enemy, and thus an ally, so we had tea and pancakes and discussed lawyers. Later, at lunch, I asked Doc, "You and Skylar. You don't think it's very Oedipal?"