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"It matters not," said the minister. "There where good people walk, are G.o.d's ways."
WILLIAM BLACK
A Daughter of Heth
William Black, born in Glasgow, Scotland, Nov. 13, 1841, was educated with a view to being a landscape painter, a training that clearly influenced his literary life. He became a painter of scenery in words. At the age of twenty-three he went to London, after some experience in Glasgow journalism, and joined the staff of the "Morning Star," and, later, the "Daily News," of which journal he became a.s.sistant-editor. His first novel appeared in 1868, but it was not until the publication of "A Daughter of Heth," in 1871, that Black secured the attention of the reading public. "The Strange Adventures of a Phaeton" followed, and in 1873 "A Princess of Thule" attained great popularity. Retiring from journalism the next year he devoted himself entirely to fiction. A score of novels followed, the last in 1898, just before his death on December 10 of that year. No novelist has lavished more tender care on the portrayal of his heroines, or worked up more delicately a scenic background for plaintive sentiment.
_I.--In Strange Surroundings_
"Noo, Wattie," said the Whaup, "ye maun say a sweer before ye get up.
I'm no jokin', and unless ye be quick ye'll be in the water."
Wattie Ca.s.silis, the "best boy" of the Airlie Manse, paragon of scholars, and exemplar to his four brothers, was depending from a small bridge over the burn, his head downward and a short distance from the water, his feet being held close to the parapet by the muscular arms of his eldest brother, Tammas Ca.s.silis, commonly known as the Whaup.
"Wattie," repeated the Whaup, "say a sweer, or into the burn ye'll gang as sure as daith!" and he dipped Wattie a few inches, so that the ripples touched his head. Wattie set up a fearful howl.
"Now, will ye say it?"
"_Deevil!_" cried Wattie. "Let me up; I hae said a sweer!"
The other brothers raised a demoniac shout of triumph over his apostacy.
"Ye maun say a worse sweer, Wattie. Deevil is no bad enough."
"I'll droon first!" whimpered Wattie, "and then ye'll get your paiks, I'm thinking."
Down went Wattie's head into the burn again, and this time he was raised with his mouth sputtering out the contents it had received.
"I'll say what ye like! _D--n;_ is that bad enough?"
With another unholy shout of derision Wattie was raised and set on the bridge.
"Noo," said the Whaup, standing over him, "let me tell you this, my man.
The next time ye gang to my faither, and tell a story about any one o'
us, or the next time you say a word against the French la.s.sie, as ye ca'
her, do ye ken what I'll do? I'll take ye back to my faither by the lug, and I'll tell him ye were sweerin' like a trooper down by the burn, and every one o' us will testify against you, and then, I'm thinking, it will be your turn to consider paiks."
Catherine Ca.s.silis, "the French la.s.sie," had arrived at the Manse a few weeks before, and she had sore need of a champion.
Andrew Bogue, the ancient henchman of the Rev. Gavin Ca.s.silis, minister of Airlie, who met her at the station, disapproved of her from the first as a foreign jade dressed so that all the men turned and looked at her as if she had been a snare of Satan. Then, had not young Lord Earlshope, after introducing himself, taken a seat in the trap and talked with her in her own language as if he had known her for years?
"They jabbered away in their foreign lingo," said Andrew that evening to his wife Leezibeth, the housekeeper "and I'm thinking it was siccan a language was talked in Sodom and Gomorrah. And he was a' smiles, and she was a' smiles, and they seemed to think nae shame o' themselves goin'
through a decent countryside!"
The Whaup himself had said, on the night of Coquette's arrival, "Oh, she's an actress, and I hate actresses!" But before many days had pa.s.sed, he completely changed that hasty view. The big, st.u.r.dy, long-legged lad succ.u.mbed to the charms of his parentless cousin--the daughter of the minister's brother, who had settled in France and taken to himself a French wife--and he became her defender against those inhabitants of the Manse and the parish--from his brother Wattie to the pragmatic schoolmaster--whose prejudices she unintentionally outraged.
Even the minister was grieved when Coquette, as her father had called her, made a casual remark about the "last time she had gone to the ma.s.s."
"I am deeply pained," said the minister gravely. "I knew not that my brother had been a pervert from the communion of our church."
"Papa was not a Catholic," said Coquette. "Mamma and I were. But it matters nothing. I will go to your church--it is the same to me. I only try to be kind to the people around me--that is all."
"She has got the best part of all religions if she does her best for the people about her," said the Whaup.
"Thomas," remonstrated the minister severely, "you are not competent to judge of these things."
Coquette's second error was to play the piano on a Sabbath morning. She was stopped in this hideous offence by the housekeeper, Leezibeth.
"Is the Manse to be turned topsalteery, and made a byword a' because o'
a foreign hussy?" asked Leezibeth.
"Look here," said the Whaup, trying to comfort his weeping cousin, "you can depend on me. When you get into trouble, send for me, and if any man or woman in Airlie says a word to you, by jingo I'll punch their head!"
The discovery of a crucifix over the head of the maiden's bed filled full the cup of Leezibeth's wrath and indignation.
"I thought the Cross was a symbol of all religions," said Coquette humbly. "If it annoys you, I will take it down. My mother gave it to me--I cannot put it away altogether."
"You shall not part with it," said the Whaup. "Let me see the man or woman who will touch that crucifix, though it had on it the woman o'
Babylon herself!"
But the Whaup himself was troubled by the acquaintance of Coquette with Lord Earlshope, which, from a casual meeting, developed with startling rapidity.
His lords.h.i.+p's reputation in the parish was far from good. He never attended the kirk; was seen walking about with his dogs and smoking on the Sabbath; and even, it was said, read novels on that holy day. His appearance in church on the first Sunday after Coquette's arrival in Airlie was not difficult to explain, and it was followed by interchanges of visits between the Manse and Earlshope House.
Soon the young lord and Coquette began to meet when she was taking her early walk, a form of "carrying on" which outraged the sentiments of the parish, and caused the Whaup to announce his intention of "giving her up" and going to sea.
The alienation of the Whaup made Coquette very miserable, and when her uncle discovered her walking alone with Lord Earlshope, she tearfully requested to be allowed to go back to France.
"I am suspected," she sobbed, in her foreign English; "I do hear they talk of me as dangerous. Is it wrong for me to speak to Lord Earlshope when I do see him kind to me? Since I left France I did meet no one so courteous as he has been. He does not think me wicked because I have a crucifix my mother gave me, and he does not suspect me."
Her second conquest--for the Whaup, on seeing her dejection, had relented and returned to his allegiance--was Leezibeth, and it was by music she was won. Coquette was playing and singing "The Flowers o' the Forest," when Leezibeth crept in, and said shamefacedly:
"Will ye sing that again, miss? Maybe ye'll no ken that me and Andrew had a boy--a bit laddie that dee'd when he was but seven years auld--and he used to sing the 'Flowers o' the Forest' afore a' the ither songs, and ye sing it that fine it makes a body amaist like to greet."
And from that day Leezibeth was the slave of Coquette; but, for the most part, the thoughts of her neighbours were no kinder to the gay and spontaneous "daughter of Heth" from the sunny South than were the grey and dreary skies of Scotland.
_II.--The Lovers of Coquette_