Elsie Marley, Honey Part 11

Elsie, who admired Mr. Graham immensely, was seized with sudden diffidence. He was a connoisseur in all matters of art. Suppose he should say right before Miss Pritchard, that she was only a silly tomboy, or whatever such a gentleman would say to express that idea?

She glanced irresolutely at Miss Pritchard.

"Go ahead, dear," said Miss Pritchard cheerfully, and turning to her friend: "My little cousin thought I was scolding her, Mr. Graham. The truth is, I'm the one who should be scolded. I chose the work I cared for at about Elsie's age and went in for it; and yet when she chooses hers, which happens to be the stage, I act the hen-with-the-duckling."

"Oh, Cousin Julia, you're the only one that has ever let me even speak of it!" cried Elsie. Tears suddenly filled her eyes, and smiling through them, she stepped back and began the song. And this time she put in all the _frills_, as she expressed it. She danced and acted and sang, and, as always, she was quite irresistible. The artist was charmed.

"It's good enough for the vaudeville stage just as it is," he declared.

"There's only one fault."

"Oh, what is that?" the girl cried eagerly, with the artist's desire for criticism, even though destructive.

"Your voice is too good--altogether too good. You could do it as well and perhaps better with a voice far inferior to yours in range, sweetness, and tone."

The girl gazed at him reproachfully. She had always had that to contend with. People had always tried to "buy her off," as she expressed it, by proposing that she become a singer instead of an actress. Now, as always, she rebelled at the idea, and again her vision of a public singer came to her--a very stout blonde lady in a very low-cut gown with a very small waist (the picture had not adapted itself to more modern fas.h.i.+ons), placing a fat, squat hand on her capacious bosom, and uttering meaningless syllables that rose to shrieks. Anything but that, she said to herself!

Mr. Graham had fallen into a reverie. His hand shaded his brow. He frowned as he endeavored to recollect something.

"Just where did you get hold of that song?" he inquired.

"My mother used to sing it," replied Elsie, and Miss Pritchard wondered. So far as she had known, none of the Pritchards had sung, and it was difficult to fancy Elsie's mother warbling a ditty of that sort. The birth of her child must have altered Augusta greatly.

"It's an old nursery rhyme, I believe," the artist went on, still half in his perplexity. "Isn't it singular about the name--or perhaps you were named for it?"

"I was named _after_ it," responded Elsie demurely.

He smiled, but he was only half attending. He was reaching for something in the depths of his mind which he did not find, and presently he sauntered on with bent head. Miss Pritchard took up the _Spectator_, and Elsie produced the "First Violin," and presently was lost in that.

CHAPTER XVI

The next day as the artist met Elsie on the beach on her way to the bath-house, his face lighted up.

"Oh, Miss Marley, it all came back to me, after twenty years," he exclaimed. "Something about you has haunted my memory ever since I first saw you last week, and the song yesterday made it more definite and more perplexing. I woke in the night and it all came back. I heard that very same song on the train going South as a young man--comparatively young, though you wouldn't call it so. Do you want to sit down a moment and let me tell you?

"I haven't even thought of it for a dozen years," he said when they had found a convenient bench. "As I said, we were bound southward, and it was toward night. The seat in front of me was occupied by an exceedingly pretty young lady and a gentleman who must have been her brother or her husband--girls married younger in those days--for their name, which escapes me, was the same. Farther ahead, on the opposite side of the car, was a woman with an infant in her arms and a boy baby of under two years at her side. As it grew late, the older baby grew tired and cross. He wanted his mother, was jealous of the tiny one, and finally he just howled. The young lady before me said a word to her companion and went directly over.

"That kid, Miss Marley, was dirty and sticky beyond words, and she was the daintiest, freshest, sweetest girl imaginable. But she smiled and held out her arms and he just tumbled into them. She hugged the little beggar close, never minding her pretty gown, and brought him back to her seat. She seemed to know just what to do--took off his shoes, loosened the neck of his dress and all that, then cuddled him down and sang to him until he went to sleep and after. Her voice was as sweet as yours, and she sang the very same thing, 'And Do You Ken Elsie Marley'--I think she sang it twice or thrice."

Perhaps it was Elsie's fondness for children; perhaps it was because he told the story so well; in any event, the girl was touched. And as usual, to cover her feeling, she tried to smile, her dimples rather at variance with the tears in her eyes.

He gazed at her curiously. "Wait, Miss Marley, that isn't all," he exclaimed. "As I recalled the young lady, I saw her face only dimly.

Now do you know it suddenly comes to me that she had the largest, deepest dimples I had ever seen, one in either cheek. And I remember vowing then and there, in my youthful enthusiasm, that if ever I attempted to paint Madonna she should have just such dimples; they struck me as somehow significant, perhaps symbolic."

Elsie's heart was beating wildly.

"I wonder--could that have been your mother, Miss Marley?"

The girl could not speak for the tumult within her.

"It seems as if their name began with M, though it couldn't have been Marley, else I should have noticed on account of the song," he went on kindly, realizing her emotion. "May I ask what was your mother's maiden name, Miss Marley?"

Quite upset, Elsie started to tell the truth; said Mi--and stopped short.

"Middleton!" he exclaimed triumphantly.

"Pritchard," she said as quickly as she could get it out.

"_Pritchard?_" he repeated as if he must have heard wrong.

"Augusta Pritchard," the girl reiterated, her heart like a stone.

The artist was puzzled. But realizing that the loss of her mother might have been so recent as to be still a painful subject, he tactfully spoke of other things, cloaking his disappointment at not being able to work out his problem to final solution. He feared lest he might somehow have blundered upon some sad family secret. Even with twenty years between them, he couldn't believe that his senses had so deceived him, couldn't but feel that that young girl had been connected with this girl of the big dimples. And he couldn't but believe that the girl knew it. Only there was something that prevented her acknowledging it. It might be tragedy; perhaps it was disgrace?

Though, somehow, he couldn't think it. Poor little thing! He let her go on her way to her bath.

But Elsie returned to the hotel and went straight to her room. She knew she would be undisturbed there, for Miss Pritchard had gone driving with old friends while she was to have had her swim. The girl flung herself upon her bed and, burying her face in her pillow, shed the bitterest tears of her life.

She had denied her mother--that darling, adorable mother who had taken the sticky baby to her heart, and sung "Elsie Marley" to him, just as she had later sung it to her own little girl. She had cast off her mother and taken on--_Augusta Pritchard_! What a name to exchange for Elizabeth Middleton! For even though the former were the mother of the lovely Elsie Marley who had gone to Enderby, she couldn't be compared with her beautiful mother. And, of course, her denial was far worse in that she was dead.

How proud, how happy, how humble, she should have been to say: "Why, of course, that was my mother! I knew it without the dimples!" What a wretch she must be! To have had such a mother as to have so impressed a chance stranger that he should wish to paint the Madonna in her likeness, and should have remembered her twenty years, and to have repudiated her utterly!

She felt that she could not bear it, could not endure such a weight on her heart. But what could she do? Say to Mr. Graham that it _was_ her mother and her name _was_ Middleton? Then she would have to tell Cousin Julia everything, and she would send her away, send her off to poke and fret in Enderby, and serve tea in a conventional parsonage drawing-room. And she would never be an actress, and the true Elsie Marley would be dragged on to New York.

It would be hard on Elsie-Honey, for already she seemed just to love that poky parsonage, and was apparently quite as attached to Uncle John as she herself was to Cousin Julia. And even Cousin Julia--already Elsie couldn't but realize that Cousin Julia had given her her whole heart; she wouldn't have liked the other girl so well in the first place, and now any such overturn would--it would just break her heart!

No, that couldn't be. After all, she couldn't have done otherwise.

She _had_ to say what she did on account of the game. Being cast for a part, she had to play it, even though it might be disagreeable at times. And it _wasn't_ worse because her mother was dead; being in heaven, her mother would understand and condone. How did that hymn go?

She sat erect and sang, very sweetly, the stanza that applied:

"There is no place where earth's sorrows Are so felt as up in heaven, There is no place where earth's failings Have such kindly judgment given."

That comforted her strangely. "Uncle John couldn't have administered first aid himself more successfully," she said to herself humorously as she dried her eyes.

She bathed her face and, standing before the mirror, addressed the charming reflection in the pink frock. She mustn't expect plain sailing all the time she warned her. She must expect to be _up against it_ frequently. She must keep her cla.s.s motto in mind and not expect everything to be dead easy. It was hard not to be able to claim one's beautiful mother; but she was playing a part; she was on the stage in costume, and the part-she-was-playing's mother's name wasn't Middleton nor Moss and was Augusta Pritchard. She must keep her motto in mind and say continually to herself: "Act well your part, there all the honor lies."

That very evening at dinner some one asked her where she got her dimples--whether they were inherited?

"Or, perhaps, Miss Marley's a freak like the white peac.o.c.k at the gardens?" broke in a callow youth whom Elsie disliked.

"From my mother," she said quickly, and Miss Pritchard, sensitive to the least sound of hurt in Elsie's voice, introduced another subject.

Nevertheless, she wondered. She hadn't seen Augusta Pritchard since the latter was a girl of nineteen, but she couldn't recollect that she had any dimples or shadows of dimples. She couldn't even imagine the combination of dimples with her white, cold, rather expressionless face, nor reconcile them with the true Pritchard temperament. It seemed inconceivable that Elsie could have inherited them except through the Marleys; and yet, of course, Elsie remembered her mother who had died only three years ago.

She had to consider that the girl didn't like that fresh Jerrold boy and had been nettled by his remark. Possibly in her indignation she had said what first came into her mind, though it didn't seem like her.

Miss Pritchard sighed, for she had wors.h.i.+pped at the shrine of truth all her life, and strive as she would, she couldn't but feel a deviation from Elsie's wonted frankness here.