Eliza Part 5

"Yes," said Eliza. "That's the piano-tuner. He came at the same time as the walnut-man, and bought those walnuts. And he put them in his hat.

_His_ hat, mind you, not _your_ hat. Your hat's hanging up in the usual place. You might have seen it if you'd looked. Only you're----"

"Eliza," I said, "you need say no more. If that is so, the servant-girl is much less to blame than I had supposed. I have to go out now, but perhaps you'd drop into the drawing-room and explain to the tuner that there's been some slight misunderstanding with his hat. And, I say, a gla.s.s of beer and two s.h.i.+llings is as much as you need offer."

MY FORTUNE

The girl had just removed the supper things. We have supper rather early, because I like a long evening. "Now, Eliza," I said, "you take your work,--your sewing, or whatever it may be,--and I will take my work. Yes, I've brought it with me, and it's to be paid as overtime. I daresay it mayn't seem much to you,--a lot of trouble, and only a few s.h.i.+llings to show for it, when all's said and done,--but that is the way fortunes are made, by sticking at it, by plugging into it, if I may use the term."

"The table's clear, if you want to start," said Eliza.

"Very well," I replied, and fetched my black bag from the pa.s.sage to get the accounts on which I was working. I always hang the bag on the peg in the pa.s.sage, just under my hat. Then it is there in the morning when and where it is wanted. Method in little things has always been rather a motto of mine.

"It has sometimes struck me, Eliza," I said, as I came back into the dining-room, with the bag in my hand, "that you do not read so much as I should like to see you read."

"Well, you asked me to take my work, and these socks are for you, and I never know what you do want."

"I did not mean that I wanted you to read at this moment. But there is one book--I cannot say exactly what the t.i.tle is, and the name of the author has slipped my memory, which I should like to see in your hands occasionally, because it deals with the making of fortunes. It practically shows you how to do it."

"Did the man who wrote it make one?" asked Eliza.

"That--not knowing the name of the man--I cannot say for certain."

"Well, I should want to know that first. And aren't you going to start?"

"I can hardly start until I have unlocked my bag, and I cannot unlock my bag until I have the keys, and I cannot have the keys until I have fetched them from the bedroom. Try to be a little more reasonable."

I could not find the keys in the bedroom. Then Eliza went up, and she could not find them, either. By a sort of oversight they were in my pocket all the time. I laughingly remarked that I knew I should find them first. Eliza seemed rather pettish, the joke being against herself.

"The reason why I mentioned that book," I said, as I unlocked the bag, "is because it points out that there are two ways of making a fortune.

One is, if I may say so, my own way,--by method in little things, economy of time, doing all the work that one can get to do, and----"

"You won't get much done to-night, if you don't start soon," said Eliza.

"I do not like to be interrupted in the middle of a sentence. The other way by which you may make a fortune--well, it's not making a fortune.

It's that the fortune makes you, if you understand me."

"I don't," said Eliza.

"I mean that the fortune may come of itself by luck. Luck is a very curious thing. We cannot understand it. It's of no use to talk about it, because it is quite impossible to understand it."

"Then don't let's talk about it, especially when you've got something else to do."

"Temper, temper, Eliza! You must guard against that. I was not going to talk about luck. I was going to give you an instance of luck, which happened to come within my own personal experience. It is the case of a man of the name of Chumpleigh, in our office, and would probably interest and amuse you. I do not know if I have ever mentioned Chumpleigh to you."

"Yes, you've told me all about him several times."

I might have mentioned Chumpleigh to Eliza, but I am sure that I have never told her all about him. However, I was not going to sulk, and so I told her the story again. The story would not have been so long if she hadn't interrupted me so frequently.

When I had finished, she said that it was time to go to bed, and I had wasted the evening.

I owned that possibly I had been chatting rather longer than I had intended, but I would still get those accounts done, and sit up to do them.

"And that means extra gas," she said. "That's the way money gets wasted."

"There are many men in my place," I said, "who would refuse to sit down to work as late as this. I don't. Why? On principle. Because it's through the cultivation of the sort of thing that I cultivate one arrives at fortune. Think what fortune would mean to us. Big house, large garden, servants, carriages. I should come in from a day with the hounds, and perhaps say I felt rather done up, and would like a gla.s.s of champagne. No question of expense--not a word about it--money no object. You'd just get the bottle out of the sideboard, and I should have my gla.s.s, and they'd finish it in the kitchen, and----"

"_Are_ you going to begin, or are you not?" asked Eliza.

"This minute," I replied, opening the black bag. I examined the contents carefully.

"Well," I said, "this is a very strange occurrence indeed--most unaccountable! I don't remember ever to have done anything of the kind before, but I seem to have forgotten to bring that work from the city.

Dear me! I shall be forgetting my head next."

Eliza's reply that this would be no great loss did not seem to me to be either funny, or polite, or even true. "You strangely forget yourself,"

I replied, and turned the gas out sharply.

SHAKESPEARE

I led up to it, saying to Eliza, not at all in a complaining way, "Does it not seem to you a pity to let these long winter evenings run to waste?"

"Yes, dear," she replied; "I think you ought to do something."

"And you, too. Is it not so, darling?"

"There's generally some sewing, or the accounts."

"Yes; but these things do not exercise the mind."

"Accounts do."

"Not in the way I mean." I had now reached my point. "How would it be if I were to read aloud to you? I don't think you have ever heard me read aloud. You are fond of the theatre, and we cannot often afford to go. This would make up for it. There are many men who would tell you that they would sooner have a play read aloud to them than see it acted in the finest theatre in the world."

"Would they? Well--perhaps--if I were only sewing it wouldn't interrupt me much."

I said, "That is not very graciously put, Eliza. There is a certain art in reading aloud. Some have it, and some have not. I do not know if I have ever told you, but when I was a boy of twelve I won a prize for recitation, though several older boys were competing against me."

She said that I had told her before several times.

I continued: "And I suppose that I have developed since then. A man in our office once told me that he thought I should have done well on the stage. I don't know whether I ever mentioned it."