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The Idol of Paris Part 10

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"Oh! of course I am sorry to offend you, but I can't take off the piece."

The last word was not out of his mouth when the Count grabbed both of them by the napes of their necks and knocked their heads together till the blood spurted from their surprised faces. Their cries were heard even by the audience. Reporters came running to witness this unbilled spectacle. The stage hands tried to free the Manager, but desisted when one received a terrible smash from the Count's fist, and another a kick that sent him through s.p.a.ce. When the two men were reduced to rags, Albert held them upright and addressed them:

"I am going into the hall to see the show. I advise you to withdraw the scene we spoke of and to which I object."

Then he quietly re-arranged his clothes and went into the auditorium where the audience were very noisy and laughing at the news the journalists had reported. Count Albert was one of the best known figures about Brussels, where his father had played a very important part in the foreign affairs of the country, and enjoyed, for more than twenty years, the confidence of King Leopold. When he died his wife was still a young and very beautiful woman, and his great fortune had made the only heir of the family already famous. The Count was astonished at the clamorous ovation that received him. He would have liked to impose silence on the people, but he was a poor orator, and very timid; he kept silence and wont to his seat. He was popular from that day, and greatly respected.

At the Monnaie, as soon as the rehearsal was over, the Queen sent for Esperance and Mounet-Sully. The Queen a.s.sured the tragedian of the admiration that she had long felt for him, for Mounet-Sully played almost every year in Brussels; but all her kindly enthusiasm was directed towards Esperance.

"What a perfectly delicious voice!" she said. "How old are you?"

"Seventeen, Madame."

The Queen undid a bracelet from her arm.

"Accept this modest souvenir of your first appearance in our city, Mademoiselle."

The young girl trembled with emotion. After she had kissed the royal hand, she tried to clasp upon her wrist the jewel she had just received. The Countess Styvens, who had just approached, helped her gently.

"My mother admired you very much," said the Count, joining them.

Esperance raised her eyes and looked at the mother of the young man.

She was dressed in mauve; her temples, prematurely grey, accentuated the delicacy of her complexion. Her whole person breathed constant goodness, sacrifice without regret. The young artist loved at sight this woman she was beholding for the first time, and at the same time she had a presentiment that this charming and elegant lady would not remain a stranger to her during her life.

The Queen desired Count Styvens to accompany the young girl, who was forced to take his arm to her dressing-room. She walked quickly, in a hurry to rid herself of her strange cavalier, who pretended to be oblivious of her nervous haste. Esperance requested him to convey to the Countess, his mother, her grat.i.tude for her kindness. Albert Styvens bowed without speaking, and left her in a glow of delight.

At the hotel there was no topic except the rehearsal and the reception the Queen had given Esperance. The G.o.dfather examined the bracelet set with sapphires and diamonds. He put on his gla.s.ses, counted the stones, shook his head and grunted, "It is a superb bracelet, do you realize that, child?"

"I realize that it is superb because it is a testimony of good will offered by this kind Sovereign. That is what makes it so valuable to me."

"What a haughty child!"

And Adhemar began to laugh, the laugh with which realism strives to destroy dreams. Mlle. Frahender gently removed the bracelet from the hands of the objectionable old meddler.

"You must rest and avoid excitement, dear, dear child," she said, leading Esperance to her room, after bowing to Adhemar. Maurice and Jean, who had witnessed the G.o.dfather's want of tact, reasoned with him.

"In my opinion, M. Meydieux, you annoy my cousin too much, and for no reason. You forget that she has created for herself a position beyond her years, and you treat her like a child not out of the school-room."

"Well, isn't it all for her good?" screamed out Adhemar in a fury.

"The rest of you burn incense before her; she will be destroyed by pride and that will be your fault!"

"No such thing," returned Maurice with equal energy. "She is adorable in her simplicity and has remained as really childlike, as trusting and light-hearted as anyone in the world. You cast a gloom on her spirits, you try to curb her spontaneity, you want her bourgeoisie like yourself, but you will never succeed, I give you my word for it, and that is a blessing."

"Oh!" retorted Adhemar, stung to the quick, "What do you mean by that, you fine painter fellow? You are glad enough to have these bourgeoisie that you scorn pay for your pictures!"

"If I make pictures and anybody buys them, that is proof enough that they are idiots. But my hatred of the bourgeoisie only extends to the category to which you belong; those who, ever since they were born, have found their food ready under their noses; those who, never using their ten fingers, never using their brains, live only to increase inherited incomes; hearts locked by greed, narrow minds unwilling to hear the just claims of the humble, of those who work and suffer for them; enemies of progress, enemies of their country."

"Oh! oh! oh!" screamed Meydieux.

"Yes, refusing to perform the sole function the State expects of them."

"And that is?"

"To become a husband, a father, a parent."

"You are insolent! It is not worth my while to reply to you. You may tell my G.o.ddaughter...."

The door opened, and Esperance, who had been kept awake by the noise of their voices, appeared to know what was the matter!

"Ah! there you are. I will say good-bye! Your cavaliers annoy me."

He threw a furious glance towards Jean, who had not spoken a word. It is a fact that the majority of people cherish more rancour against the witness of an insult than against the insulter himself.

"I will not be present at your triumph--as they call it. I am going to your father and shall tell him everything."

"My father, G.o.dfather, knows that I always tell the truth; he will await my return to judge my actions and those of my dear comrades."

Adhemar pulled on his hat and stormed out of the room, swelling with wounded dignity.

Esperance blew a kiss to the two young men.

"Now I am going to sleep until dinner time. I have just three-quarters of an hour. Do not forget, my loyal attendants, that we dine at six-thirty," she added with a sweeping courtesy, and disappeared, light of heart at the departure of her G.o.dfather.

CHAPTER X

The performance was an unparalleled triumph for the players and little "_Dona Sol_" received the most flattering part of the success.

The King, knowing that the Queen had already favoured this delightful child, would not be outdone in generosity, and sent to the dressing-room of the new star a very beautiful ring, set with a magnificent pearl and two diamonds. Esperance, who had never had any jewellery except a gold chain that her mother's aunt had left her and the little ring her father had given her for her first communion, found herself, in one day, possessor of two ornaments which the most fastidious worldling would not have disdained. She put the ring immediately on her first finger, since it was a little loose for the ring finger, and looked at herself in the gla.s.s, arranging a lock of hair with the ringed hand, raising an eyebrow and laughing delightedly to see the effect produced by the ring.

Count Albert watched her from the neighbouring room where he was waiting.

His face was of a livid pallor. His heart beat so fast that he felt weak, and was forced to sit down. He was out of his senses. All the frenzy of youth, repressed so long, mounted in a wave to his brain.

Marguerite, coming to dress her mistress, announced that the gentlemen were waiting. She quickly threw on a cloak, saying, "I am ready."

Mounet-Sully and Count Albert entered together. The Count offered his arm to the old Mademoiselle, and Esperance, free of the contact that disturbed her, joyfully accepted the tragedian's a.s.sistance.

The supper was charming, and proved to the young girl that the feasts of artists and men of the world do not end in the orgies described by the odious G.o.dfather. The young girl was at the right of the Prince with Mounet-Sully opposite, at the right of the Princess. None of the guests could help noticing the Count's agitation. The Military Aide, representing King Leopold, Baron von Berger, was an old friend of the Styvens's family. He was uneasy, and when he saw the young Count preparing to take the ladies home, "No, no, my boy," he said to him in a low tone, "You are not yourself--you are distraught. I am afraid that you have been hard hit."

"You are not mistaken," replied the young man, "I burn like a devil, and at the same time I am as happy as a G.o.d."

"Well, now I am going to escort these ladies, and to-morrow I will have a talk with you."

Esperance slept badly and woke late. The old Mademoiselle was sitting beside her, spectacles across her nose, reading the papers. Her kind face was beaming. She was cutting out and putting aside certain articles, then she pinned them in order, all ready to send to M. and Madame Darbois.

The young girl was touched, and raising herself in bed, flung her arms about the old lady.

"What a dear you are, and how I love you!"

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The Idol of Paris Part 10 summary

You're reading The Idol of Paris. This manga has been translated by Updating. Author(s): Sarah Bernhardt. Already has 658 views.

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