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[Footnote 88: "All that," says she, "lives in my heart and soul, as if these things had taken place a few weeks ago, instead of so many years"
(1864).]
CHAPTER XV.
GENEROSITY A HEROISM.
PARDON, MAGNANIMITY.
It remains for us to examine Lord Byron's generosity under another form.
I mean that which, after having pa.s.sed by different degrees of moral beauty, may reach the highest summit of virtue, and become the greatest triumph of moral strength, because it overcomes the most just resentments, forgives, returns good for evil, and const.i.tutes the very heroism of Christian charity.
Did Lord Byron's generosity really attain such a high degree? To convince ourselves of it, we must again examine his life.
Clemency and forgiveness showed themselves in Lord Byron at all periods of his life. In childhood, in youth, though so pa.s.sionate, and so sensitive at school and at college, so soon as the first explosion was over, he was ever ready to make peace.
In the poems composed during his boyhood and early youth, he was always the first to forgive. He even forgave his wicked guardian (Lord Carlisle). Although this latter only evinced indifference, or worse, with regard to his ward, Lord Byron dedicated his first poems to him.
The n.o.ble earl having further aggravated his faults by behaving in an unjustifiable manner, Lord Byron was of course greatly irritated, since he hurled some satirical lines at him. But soon after, at the intercession of friends, and especially at that of his sister, he showed himself disposed to forget the faults of his bad guardian with all the clemency inherent to his generous nature. He writes to Rogers, 27th June, 1814:--"Are there any chances or possibility of ending this, and making our peace with Carlisle? I am disposed to do all that is reasonable (or unreasonable) to arrive at it. I would even have done so sooner; but the 'Courier' newspaper, and a thousand disagreeable interpretations, have prevented me."
Afterward, he further sealed this generous pardon by those fine verses in the third canto of "Childe Harold," where he laments the death of Major Howard, Lord Carlisle's son, killed at Waterloo.[89]
He forgave Miss Chaworth; and in this case also there was great generosity. The history of this boyish love is well known. Even if the name of love should be refused to the feeling entertained by a child of fifteen for a girl of eighteen, who only looked upon him, it is said, as a boy, and liked him as a brother, not only on account of the difference of age, but also because she was already attached to the young man whom she afterward married, still it can not be denied that these first awakenings of the heart, though full of illusion, cause great suffering.
For if Lord Byron was a child in years, he was already a young man in intellect, soul, imagination, and sensibility. That Miss Chaworth should raise emotion in his heart is very comprehensible, for every girl has good chances of appearing an angel to youths, whose preference invariably falls on women older than themselves. Besides, Miss Chaworth was placed in quite exceptional circ.u.mstances with regard to Lord Byron, such as were well calculated to act powerfully on the imagination of a boy, and render the dispelling of his poetic dream a most painful reality.
Miss Chaworth was heiress of the n.o.ble family whose name she bore, and her uncle had been killed in a duel by the last Lord Byron, grand-uncle of the poet. She resided with her family at Annesley, a seat two miles distant from Newstead Abbey. Their two properties touched each other; but the slight barrier separating them was marked with blood. The two children then, despite their near vicinity, only saw each other by chance, or by secretly getting over the boundary of their respective grounds. The chief obstacle to the reconciliation of the two families was the young girl's father. But when Lord Byron reached his fourteenth year, and, according to custom, came from Harrow to pa.s.s his holidays at Newstead, Mr. Chaworth was dead, and the mother of the young heiress received him at Annesley with open arms, for she did not partake her husband's feelings, but, on the contrary, looked forward with pleasure to the possibility of a union with her daughter, despite the difference of age between them. The development of their mutual sympathy was equally encouraged by the professors, governesses, and all surrounding the young lady, for they liked young Byron extremely.
From that time he had his room at Annesley, and was looked upon as one of the family. As to the young lady, she made him the companion of her amus.e.m.e.nts. In the gardens, parks, on horseback, in all excursions, he was constantly by her side. For him she played, and sang to the piano.
What was her love for him? Were there not moments in which she did not look upon him only as a brother, or a child? Did she ever contemplate the possibility of becoming his wife?
Moore does not think so.
"Neither is it, indeed, probable," says he, "had even her affections been disengaged, that Lord Byron would, at this time, have been selected as the object of them. A seniority of two years gives to a girl, 'on the eve of womanhood,' an advance into life with which the boy keeps no proportionate pace. Miss Chaworth looked upon Byron as a mere schoolboy.
His manners, too, were not yet formed, and his great beauty was still in its promise and not developed."
Galt is still more explicit in the same sense. Was.h.i.+ngton Irving appears to think the contrary:--
"Was this love returned?" says he. "Byron sometimes speaks as if it had been; at other times he says, on the contrary, that she never gave him reason to believe so. It is, however, probable, that at the commencement her heart experienced at least fluctuations of feeling: she was at a dangerous age. Though a child in years, Lord Byron was already a man in intelligence, a poet in imagination, and possessed of great beauty."
This opinion is the most probable. We may add that every thing must have contributed to keep up his illusion. Miss Chaworth gave him her portrait, her hair, and a ring. Mrs. Chaworth, the governess, all the family of the young heiress liked him so much, that after his death, when Was.h.i.+ngton Irving visited Annesley, he found proofs of this affection in the welcome given to, and the emotion caused even by the presence of a dog that had belonged to Lord Byron. This beautiful waking dream lasted, however, only the s.p.a.ce of a dream in sleep.
At the expiration of his six weeks' holidays, young Byron returned to Harrow.
While he was cheris.h.i.+ng the sacred flame with his purest energies of soul, what did she? She had forgotten him! The impression made on her heart by the schoolboy's love could not withstand the test of absence.
She gave her heart to another.
"I thought myself a man," says he; "I was in earnest, she was fickle."
It was natural, however. She had arrived at the age when girls become women, and leave their childish loves behind them.
While young Byron was pursuing his studies, Miss Chaworth mixed in society. She met with a young man, named Musters, remarkable for his handsome person, and whose property lay contiguous to her own.
She had perceived him one day from her terrace, galloping toward the park followed by his hounds, the horn sounding in front, and he leading a fox hunt; she had been struck with his manly beauty and graceful carriage. From that day his image seated itself in her remembrance, and probably in her heart. It was under these favorable auspices that he made her acquaintance in society. Soon he gained her love. And when young Byron at the next vacation saw her again, she was already the willing betrothed of another.
That was still, however, a secret locked up in her heart. Her parents would not have wished this union. She had not then declared her intentions, and Lord Byron could not of course guess them. He was still welcomed at Annesley, and treated as heretofore. The young lady herself, instead of repelling him, continued to accept his attentions. This lasted until one day when Musters was bathing with Byron in a river that ran through the park he perceived a ring which he recognized as having belonged to Miss Chaworth. This discovery, and the scenes it gave rise to, obliged the lady to declare her preference.
The grief this broken illusion caused Lord Byron is shown by some of his early verses, and by the "Dream," written at Geneva, while musing how different his fate might have been if he had married Miss Chaworth, instead of Miss Milbank. It might be objected that sorrows, the proof of which rests on poetry, are not very authentic, and that it is not quite certain they really did pa.s.s through his heart. One might consider with Galt that this childish sentiment was less a real feeling of love than the phantom of an enthusiastic attachment, quite intellectual in its nature, like others that possessed such power over Lord Byron, since Miss Chaworth was not the sole object of his attention, but divided it with study and pa.s.sionate friends.h.i.+ps. One might say, with Moore, that the poetic description given by Lord Byron of this childish love, ought to serve especially to show how genius and sentiment may raise the realities of life, and give an immense l.u.s.tre to the most ordinary events and objects. In short, one might think that Lord Byron perceived all the poetic advantages accruing from the remembrance of a youthful pa.s.sion, at once innocent, pure, and unhappy; how it would furnish him with a magic tint to enrich his palette with an inexhaustible fund of sweet, graceful, and pathetic fancies, with delicate, lofty, and n.o.ble sentiments, and therefore that he resolved to shut it up in his heart, so as to preserve its freshness amid the withering atmosphere of the world; and in order to draw thence those exquisite images that so often shed ineffable grace and tenderness over his poems. It may, then, be said that, by maintaining alive in his mind scenes pa.s.sed at Annesley, which recall the chaste, unhappy loves of Romeo and Juliet, and Lucy, he thereby satisfied an intellectual want of the poet that was quite independent of his heart as a man.
But, nevertheless, all those who can feel the heart's beatings through the veil of poetic language will understand that Lord Byron's verses on Mary Chaworth owe their origin to real grief.
Could it be otherwise? The experience resulting from reflection and comparison, which made him afterward say, that the perfections of the girl were the creation of his imagination at fifteen, because he found her in reality quite other than angelic;[90] that she was fickle, and had deceived him. This experience, I say, was wanting to the child.
Thus, then, Miss Chaworth was for him at that period the beau ideal of all his young fancy could paint as best and most charming.
At the same time, this love, notwithstanding the difference of age, was not, on his side, the giddy result of too much ardor. It was composed of a thousand circ.u.mstances and feelings,--of practical, wise, and generous thoughts. A far-off prospect of happiness heightened all the n.o.ble instincts of the boy, and all the ideas of order that belonged to his fine moral nature.
To reunite two n.o.ble families,--to efface the stain of blood and hatred through love,--to revive again the ancient splendor of his ancestral halls,--all these thoughts mingled with the idea of his union with Miss Chaworth, and made his heart beat with hope. If there were excess in such hope,--if there were illusion,--the fault lies with the relatives of the young lady and herself, rather than with him. Generosity was on his side alone, because he alone had a right to feel rancor.
"She jilted me," says he in prose, and in verse we read,--
"She knew she was by him beloved,--she knew, For quickly comes such knowledge, that his heart Was darken'd with her shadow, and she saw That he was wretched."
If, then, it was natural for a girl to prefer a young man of more suitable age, handsome and fas.h.i.+onable, to a boy whose features were yet undeveloped, and whom she treated as a child and a brother; was it quite as natural to flatter him,--load him with caresses,--with those gifts likely to foster illusion and hope,--pledges considered as love tokens?
Was it natural that in order to justify certain coquetries to her affianced, she should make use of insulting expressions with regard to young Byron? But, on the other hand, would it not have been very natural for him, having heard them, to feel a little rancor against her?
Surely she was guilty if she had spoken in jest, and more guilty still if she were in earnest.
And yet what was his conduct? In his poem called the "Dream," where he sings this romance of his boyhood, he tells us how he quitted Annesley, after having learned that Miss Chaworth was engaged to Mr. Musters:--
"He rose, and with a cold and gentle grasp He took her hand; a moment o'er his face A tablet of unutterable thoughts Was traced, and then it faded, as it came; He dropped the hand he held, and with slow steps Retired, but not as bidding her adieu, For they did part with mutual smiles; he pa.s.s'd From out the ma.s.sy gate of that old hall, And mounting on his steed he went his way; And ne'er repa.s.s'd that h.o.a.ry threshold more."
Then he jumped upon his horse, intending to gallop over the distance separating Annesley from Newstead. But when he arrived at the last hill overlooking Annesley, he stopped his horse, and cast a glance of mingled sorrow and tenderness at what he left behind,--the groves, the old house, the lovely one inhabiting there. But then the thought that she could never be his dispelled his reverie, and putting spurs to his horse he set off anew, as if rapid motion could drown reflection. However, instead of the reflections he could not succeed in drowning, _he cast away all rancor_.
When he alludes to her in his early poems it is always with tenderness and respect.[91] He contents himself with calling her once, _deceitful girl_, and another time, _a false fair face_.
After an interval of some years, when the boy had become a fine young man, before setting out for the East, he accepted the proffered hospitality of Annesley.
He never ceased to welcome Musters at Newstead, and, lest he should disturb the peace of Mrs. Musters, he had even concealed his agitation on kissing his rival's child. Heretofore she had only seen the boy or youth, now she beheld the young man whose genius and personal attractions lent to each other light and charm.
It was about this time that the bright star of Annesley began to pale.
On her brow, formerly so gay, a veil of sadness was overspread. It seemed as if the gardens had lost their charm for her; as if the spreading foliage of Annesley had become dark for her. What caused this change? On seeing again the companion of her childhood, did she contrast her now solitary walks with those of earlier days in his beautiful park, where beside her was the youth who would fain have kissed the ground on which she trod? The sound of that hunting horn, which anon made her thrill with joy, when it announced the approach of her handsome betrothed, and awakened all the illusions of love,--had it now become to her more discordant and painful by its contrast with the harmonious voice and sweet smile of him whom she had just seen again so changed to his advantage?
It was during his travels in the East that Lord Byron heard of this mysterious melancholy. Given the circ.u.mstances, such a report would not have displeased, even if it had not pleased, vulgar, rancorous souls.
But it produced quite a contrary effect on him. The feeling of his own worth, doubtless, must and ought to have brought certain ideas to his mind; but they saddened his generous nature, and he experienced a desire to drive them away by saying, "Has she not the husband of her choice, and lovely children to caress her?"
"What could her grief be?--she had all she loved.
What could her grief be?--she had loved him not, * * * * * * *
Nor could he be a part of that which prey'd Upon her mind--a spectre of the past."