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Jimmy found the candle and lighted it. He surveyed Smokey lying in the corner, his eyes and head seeming a misfit for his frail body. The candle illumined the comic supplements and art sections on the sloping roof walls and the sofa with its flour-sack bedding turned down as for a guest. Lastly Jimmy's eyes encountered several dark red spots on the floor.
"Swell, ain't it, Chimmy?" said Smokey. "Why don't you-all say something?"
For answer Jimmy blew out the candle somewhat hastily, and Fred at the foot of the ladder heard some one sobbing in the mansion above.
The Scoutmaster turned to fumble with some papers on his desk. The Commissioner sat silent, his eyes wide and a bit s.h.i.+ny. He said nothing for at least half a minute, then, clearing his throat:
"And what then?"
"Oh, the rest is simple enough," said the Scoutmaster. "One of our Scouts got wind of it and told his patrol leader and they investigated.
Then they got the other Scouts of the patrol together, went into the woods and cut some fuel, got a basket of grub and provisions from their mothers and a delegation of two called on Dr. Trudeau--you've heard of him--died just the other day--the Grenfell of the hills--and the doctor sent a nurse and then moved Jimmy and Smokey to a hospital, and----"
The Scoutmaster broke off, chuckling.
"Funny thing," he said, "when the great doctor climbed the ladder to where the two boys were lying sick, Jimmy, remembering the doctor who wouldn't attend the monkey, got suspicious and he said to Dr. Trudeau: 'There's just wan thing you got to un'stand right away, Doc. Smokey may be a li'l n.i.g.g.e.r, but _he ain't no monk_! D'yuh get me?'
"They both got well, and they got work, too. Then one evening they came down to look over this Scout business that had helped them for not so much as a 'thank you' and--well, Jimmy's a good little Scout. As for Smokey, he's the Troop Mascot, but--he still thinks Jimmy is G.o.d's little brother; and I don't know that I blame him."
"Fine!" said the Commissioner, and a few seconds later he repeated with even more emphasis, "FINE!"
FOOTNOTE:
[N] Reprinted from "The Boy Scouts' Year Book." Copyright, 1918, by D.
Appleton and Company.
[Ill.u.s.tration]
XVI.--The Lion's Smile[O]
_By Thomas W. Hanshew_
_Cleek, the Master Detective of Scotland Yard, or "the Man of Forty Faces," as he was sometimes called, solved the riddles that proved too much for his friend, Mr. Maverick Narkom, Superintendent of Police. I am confident boys will enjoy meeting "Cleek" and will, with keen delight, follow him as he unravels the threads of the great mystery of the "lion's smile."_--THE EDITOR.
IT was on the very stroke of five when Cleek, answering an urgent message from headquarters, strolled into the bar parlor of "The Fiddle and Horseshoe," which, as you may possibly know, stands near to the Green in a somewhat picturesque by-path between Shepherd's Bush and Acton, and found Narkom in the very act of hanging up his hat and withdrawing his gloves preparatory to ordering tea.
"My dear Cleek, what a model of punctuality you are," said the superintendent, as he came forward and shook hands with him. "You would put Father Time himself to the blush with your abnormal promptness. Do make yourself comfortable for a moment or two while I go and order tea.
I've only just arrived. Shan't be long, old chap."
"Pray don't hurry yourself upon my account, Mr. Narkom," replied Cleek, as he tossed his hat and gloves upon a convenient table and strolled leisurely to the window and looked out on the quaint, old-fas.h.i.+oned arbor-bordered bowling green, all steeped in suns.h.i.+ne and zoned with the froth of pear and apple blooms, thick-piled above the time-stained brick of the enclosing wall. "These quaint old inns, which the march of what we are pleased to call 'progress' is steadily crowding off the face of the land, are always deeply interesting to me; I love them. What a day!
What a picture! What a sky! As blue as what Dollops calls the 'Merry Geranium Sea.' I'd give a Jew's eye for a handful of those apple blossoms, they are divine!"
Narkom hastened from the room without replying. The strain of poetry underlying the character of this strange, inscrutable man, his amazing love of Nature, his moments of almost womanish weakness and sentiment, astonished and mystified him. It was as if a hawk had acquired the utterly useless trick of fluting like a nightingale, and being himself wholly without imagination, he could not comprehend it in the smallest degree.
When he returned a few minutes later, however, the idealist seemed to have simmered down into the materialist, the extraordinary to have become merged in the ordinary, for he found his famous ally no longer studying the beauties of Nature, but giving his whole attention to the sordid commonplaces of man. He was standing before a glaringly printed bill, one of many that were tacked upon the walls, which set forth in amazing pictures and double-leaded type the wonders that were to be seen daily and nightly at Olympia, where, for a month past, "Van Zant's Royal Belgian Circus and World-famed Menagerie" had been holding forth to "Crowded and delighted audiences." Much was made of two "star turns"
upon this lurid bill: "Mademoiselle Marie de Zanoni, the beautiful and peerless bare-back equestrienne, the most daring lady rider in the universe," for the one; and, for the other, "Chevalier Adrian di Roma, king of the animal world, with his great aggregation of savage and ferocious wild beasts, including the famous man-eating African lion, Nero, the largest and most ferocious animal of its species in captivity." And under this latter announcement there was a picture of a young and handsome man, literally smothered with medals, lying at full length, with his arms crossed and his head in the wide-open jaws of a snarling, wild-eyed lion.
"My dear chap, you really do make me believe that there actually is such a thing as instinct," said Narkom, as he came in. "Fancy your selecting that particular bill out of all the others in the room! What an abnormal individual you are!"
"Why? Has it anything to do with the case you have in hand?"
"Anything to do with it? My dear fellow, it _is_ 'the case.' I can't imagine what drew your attention to it."
"Can't you?" said Cleek, with a half smile. Then he stretched forth his hand and touched the word "Nero" with the tip of his forefinger. "That did. Things awaken a man's memory occasionally, Mr. Narkom, and---- Tell me, isn't that the beast there was such a stir about in the newspapers a fortnight or so ago, the lion that crushed the head of a man in full view of the audience?"
"Yes," replied Narkom, with a slight shudder. "Awful thing, wasn't it?
Gave me the creeps to read about it. The chap who was killed, poor beggar, was a mere boy, not twenty, son of the Chevalier di Roma himself. There was a great stir about it. Talk of the authorities forbidding the performance, and all that sort of thing. They never did, however, for on investigation---- Ah, the tea at last, thank fortune.
Come, sit down, my dear fellow, and we'll talk whilst we refresh ourselves. Landlady, see that we are not disturbed, will you, and that n.o.body is admitted but the parties I mentioned?"
"Clients?" queried Cleek, as the door closed and they were alone together.
"Yes. One, Mlle. Zelie, the 'chevalier's' only daughter, a slack-wire artist; the other, Signor Scarmelli, a trapeze performer, who is the lady's fiance."
"Ah, then our friend the chevalier is not so young as the picture on the bill would have us believe he is."
"No, he is not. As a matter of fact, he is considerably past forty, and is, or rather, was, up to six months ago, a widower, with three children, two sons and a daughter."
"I suppose," said Cleek, helping himself to a b.u.t.tered scone, "I am to infer from what you say that at the period mentioned, six months ago, the intrepid gentleman showed his courage yet more forcibly by taking a second wife? Young or old?"
"Young," said Narkom in reply. "Very young, not yet four-and-twenty, in fact, and very, very beautiful. That is she who is 'featured' on the bill as the star of the equestrian part of the program: 'Mlle. Marie de Zanoni.' So far as I have been able to gather, the affair was a love match. The lady, it appears, had no end of suitors, both in and out of the profession; it has even been hinted that she could, had she been so minded, have married an impressionable young Austrian n.o.bleman of independent means who was madly in love with her; but she appears to have considered it preferable to become 'an old man's darling,' so to speak, and to have selected the middle-aged chevalier rather than some one whose age is nearer her own."
"Nothing new in that, Mr. Narkom. Young women before Mlle. Marie de Zanoni's day have been known to love elderly men sincerely: young Mrs.
Bawdrey, in the case of The Nine-fingered Skeleton,' is an example of that. Still, such marriages are not common, I admit, so when they occur one naturally looks to see if there may not be 'other considerations' at the bottom of the attachment. Is the chevalier well-to-do? Has he expectations of any kind?"
"To the contrary; he has nothing, but the salary he earns, which is by no means so large as the public imagines; and as he comes of a long line of circus performers, all of whom died early and poor, 'expectations,'
as you put it, do not enter into the affair at all. Apparently the lady did marry him for love of him, as she professes and as he imagines; although, if what I hear is true, it would appear that she has lately outgrown that love. It seems that a Romeo more suitable to her age has recently joined the show in the person of a rider called Signor Antonio Martinelli; that he has fallen desperately in love with her, and that----"
He bit off his words short and rose to his feet. The door had opened suddenly to admit a young man and a young woman, who entered in a state of nervous excitement. "Ah, my dear Mr. Scarmelli, you and Miss Zelie are most welcome," continued the superintendent.
"My friend and I were this moment talking about you."
Cleek glanced across the room, and, as was customary with him, made up his mind instantly. The girl, despite her a.s.sociation with the arena, was a modest, unaffected little thing of about eighteen; the man was a straight-looking, clear-eyed, boyish-faced young fellow of about eight-and-twenty, well, but by no means flas.h.i.+ly, dressed, and carrying himself with the air of one who respects himself and demands the respect of others. He was evidently an Englishman, despite his Italian _nom de theatre_, and Cleek decided out of hand that he liked him.
"We can shelve 'George Headland' in this instance, Mr. Narkom," he said, as the superintendent led forward the pair for the purpose of introducing them, and suffered himself to be presented in the name of Cleek.
The effect of this was electrical; would, in fact, had he been a vain man have been sufficient to gratify him to the fullest, for the girl, with a little "Oh!" of amazement, drew back and stood looking at him with a sort of awe that rounded her eyes and parted her lips, while the man leaned heavily upon the back of a convenient chair and looked and acted as one utterly overcome.
"Cleek!" he repeated, after a moment's despairful silence. "You, sir, are that great man? This is a misfortune indeed."
"A misfortune, my friend? Why a 'misfortune,' pray? Do you think the riddle you have brought is beyond my powers?"
"Oh, no; not that--never that!" he made reply. "If there is any one man in the world who could get at the bottom of it, could solve the mystery of the lion's change, the lion's smile, you are that man, sir, you. That is the misfortune: that you could do it, and yet I cannot expect it, cannot avail myself of this great opportunity. Look! I am doing it all on my own initiative, sir, for the sake of Zelie and that dear, lovable old chap, her father. I have saved fifty-eight pounds, Mr. Cleek. I had hoped that that might tempt a clever detective to take up the case; but what is such a sum to such a man as you?"
"If that is all that stands in the way, don't let it worry you, my good fellow," said Cleek, with a smile. "Put your fifty-eight pounds in your pocket against your wedding-day and good luck to you. I'll take the case for nothing. Now then, what is it? What the d.i.c.kens did you mean just now when you spoke about 'the lion's change' and 'the lion's smile'?
What lion--Nero? Here, sit down and tell me all about it."