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"And why should it be wasted in Fiftieth Street?"
"The very qualities that are admired here would be a drawback to her there," replied Mrs. Churchill. "A shy girl who cannot laugh and talk with everybody, who has never been out alone a step in her life, where would she be in New York?--I ask you that. While here, as you see, before she is eighteen--"
"Isn't the poor child eighteen yet? Why in the world do you want to marry her to any one for five years more at least?"
Mrs. Churchill threw up her pretty hands. "How little you have learned about some things, Philip, in spite of your winters on the Nile and your Scotch shooting-box! I suppose it is because you have had no daughters to consider."
"Daughters?--I should think not!" was Dallas's mental exclamation.
f.a.n.n.y, then, with all her sense, was going to make that same old mistake of supposing that a bachelor of thirty-seven and a mother of thirty-seven were of the same age.
"Why, it's infinitely better in every way that a nice girl like Eva should be married as soon as possible after her school-books are closed, Philip," Mrs. Churchill went on; "for then, don't you see, she can enter society--which is always so dangerous--safely; well protected, and yet quite at liberty as well. I mean, of course, in case she has a good husband. That is the mother's business, the mother's responsibility, and I think a mother who does not give her heart to it, her whole soul and energy, and choose _well_--I think such a mother an infamous woman. In this case I am sure I have chosen well; I am sure Eva will be happy with Pierre de Verneuil. They have the same ideas; they have congenial tastes, both being fond of music and art. And Pierre is a very lovable fellow; you will think so yourself when you see him."
"And you say she likes him?"
"Very much. I should not have gone on with it, of course, if there had been any dislike. They are not formally betrothed as yet; that is to come soon; but the old Count (Pierre's father) has been to see me, and everything is virtually arranged--a delightful man, the old Count. They are to make handsome settlements; not only are they rich, but they are not in the least narrow--as even the best Italians are, I am sorry to say. The Verneuils are cosmopolitans; they have been everywhere; their estate is near Brussels, but they spend most of their time in Paris.
They will never tie Eva down in any small way. In addition, both father and son are extremely nice to _me_."
"Ah!" said Dallas, approvingly.
"Yes; they have the French ideas about mothers; you know that in France the mother is and remains the most important person in the family." As she said this, Mrs. Churchill unconsciously lifted herself and threw back her shoulders. Ordinarily the line from the knot of her hair behind to her waist was long and somewhat convex, while correspondingly the distance between her chin and her belt in front was surprisingly short: she was a plump woman, and she had fallen into the habit of leaning upon a certain beguiling steel board, which leads a happy existence in wrappings of white kid and perfumed lace.
"Not only will they never wish to separate me from Eva," she went on, still abnormally erect, "but such a thought would never enter their minds; they think it an honor and a pleasure to have me with them; the old Count a.s.sured me of it in those very words."
"And now we have the secret of the Belgian success," said Dallas.
"Yes. But I have not been selfish; I have tried to consider everything; I have investigated carefully. If you will stay half an hour longer you can see Pierre for yourself; and then I know that you will agree with me."
In less than half an hour the Belgian appeared--a slender, handsome young man of twenty-two, with an ease of manner and grace in movement which no American of that age ever had. With all his grace, however, and his air of being a man of the world, there was such a charming expression of kindliness and purity in his still boyish eyes that any mother, with her young daughter's happiness at heart, might have been pardoned for coveting him as a son-in-law. This Dallas immediately comprehended. "You have chosen well," he said to f.a.n.n.y, when they were left for a moment alone; "the boy's a jewel."
Before the arrival of Pierre, Eva Churchill, followed by her governess, had come out to join her mother on the terrace; Eva's daily lessons were at an end, save that the music went on; Mlle. Legrand was retained as a useful companion.
Following Pierre, two more visitors appeared, not together; one was an Englishman of fifty, small, meagre, plain in face; the other an American, somewhat younger, a short, ruddy man, dressed like an Englishman. Mrs. Churchill mentioned their names to Dallas: "Mr.
Gordon-Gray." "Mr. Ferguson."
It soon appeared that Mr. Gordon-Gray and Mr. Ferguson were in the habit of looking in every afternoon, at about that hour, for a cup of tea.
Dallas, who hated tea, leaned back in his chair and watched the scene, watched f.a.n.n.y especially, with the amused eyes of a contemporary who remembers a different past. f.a.n.n.y was looking dimpled and young; her tea was excellent, her tea-service elaborate (there was a samovar); her daughter was docile, her future son-in-law a Count and a pearl; in addition, her terrace was an enchanting place for lounging, attached as it was to a pink-faced villa that overlooked the sea.
Nor were there wanting other soft pleasures. "Dear Mrs.
Murray-Churchill, how delicious is this nest of yours!" said the Englishman, with quiet ardor; "I never come here without admiring it."
f.a.n.n.y answered him in a steady voice, though there was a certain flatness in its tone: "Yes, it's very pretty indeed." Her face was red; she knew that Dallas was laughing; she would not look in his direction.
Dallas, however, had taken himself off to the parapet, where he could have his laugh out at ease: to be called Mrs. Murray-Churchill as a matter of course in that way--what joy for f.a.n.n.y!
Eva was listening to the busy Mark Ferguson; he was showing her a little silver statuette which he had unearthed that morning in Naples, "in a dusty out-of-the-way shop, if you will believe it, where there was nothing else but rubbish--literally nothing. From the chasing I am inclined to think it's fifteenth century. But you will need gla.s.ses to see it well; I can lend you a pair of mine."
"I can see it perfectly--thanks," said Eva. "It is very pretty, I suppose."
"Pretty, Miss Churchill? Surely it's a miracle!" Ferguson protested.
Pierre, who was sitting near the mother, glanced across and smiled. Eva did not smile in reply; she was looking vaguely at the blackened silver; but when he came over to see for himself the miracle, then she smiled very pleasantly.
Pierre was evidently deeply in love; he took no pains to conceal it; but during the two hours he spent there he made no effort to lure the young girl into the drawing-room, or even as far as the parapet. He was very well bred. At present he stood beside her and beside Mark Ferguson, and talked about the statuette. "It seems to me old Vienna," he said.
"Signor Bartalama," announced Angelo, Mrs. Churchill's man-servant, appearing at the long window of the drawing-room which served as one of the terrace doors; he held the lace curtains apart eagerly, with the smiling Italian welcome.
f.a.n.n.y had looked up, puzzled. But when her eyes fell upon the figure emerging from the lace she recognized it instantly. "Horace Bartholomew!
Now from what quarter of the heavens do you drop _this_ time?"
"So glad you call it heaven," said the new-comer, as she gave him her hand. "But from heaven indeed this time, Mrs. Churchill--I say so emphatically; from our own great, grand country--with the permission of the present company be it spoken." And he bowed slightly to the Englishman and Pierre, his discriminating glance including even the little French governess, who smiled (though non-comprehendingly) in reply. "May I present to you a compatriot, Mrs. Churchill?" he went on.
"I have taken the liberty of bringing him without waiting for formal permission; he is, in fact, in your drawing-room now. His credentials, however, are small and puny; they consist entirely of the one item--that I like him."
"That will do perfectly," said f.a.n.n.y, smiling.
Bartholomew went back to the window and parted the curtains. "Come," he said. A tall man appeared. "Mrs. Churchill, let me present to you Mr.
David Rod."
Mrs. Churchill was gracious to the stranger; she offered him a chair near hers, which he accepted; a cup of tea, which he declined; and the usual small questions of a first meeting, which only very original minds are bold enough to jump over. The stranger answered the questions promptly; he was evidently not original. He had arrived two days before; this was his first visit to Italy; the Bay of Naples was beautiful; he had not been up Vesuvius; he had not visited Pompeii; he was not afraid of fever; and he had met Horace Bartholomew in Florida the year before.
"I am told they are beginning to go a great deal to Florida," remarked f.a.n.n.y.
"I don't go there; I live there," Rod answered.
"Indeed! in what part?" (She brought forward the only names she knew.) "St. Augustine, perhaps? Or Tallaha.s.see?"
"No; I live on the southern coast; at Punta Palmas?"
"How Spanish that is! Perhaps you have one of those old Spanish plantations?" She had now exhausted all her knowledge of the State save a vague memory of her school geography: "Where are the Everglades?"
"They are in the southern part of Florida. They are shallow lakes filled with trees." But the stranger could hardly live in such a place as that.
"No," answered Rod; "my plantation isn't old and it isn't Spanish; it's a farm, and quite new. I am over here now to get hands for it."
"Hands?"
"Yes, laborers--Italians. They work very well in Florida."
Eva and Mademoiselle Legrand had turned with Pierre to look at the magnificent sunset. "Did you receive the flowers I sent this morning?"
said Pierre, bending his head so that if Eva should glance up when she answered, he should be able to look into her eyes.
"Yes; they were beautiful," said Eva, giving the hoped-for glance.
"Yet they are not in the drawing-room."
"You noticed that?" she said, smiling. "They are in the music-room; Mademoiselle put them there."
"They are the flowers for Mozart, are they not?" said Mademoiselle--"heliotrope and white lilies; and we have been studying Mozart this morning. The drawing-room, as you know, Monsieur le Comte, is always full of roses."
"And how do you come on with Mozart?" asked Pierre.