Out of a Labyrinth Part 32

Johnny La Porte was the chosen cavalier of Miss Ewing, and that Arch Brookhouse and Amy Holmes were frequently seen in each other's society.

We are told that the eight young people formed frequent pleasure parties; riding, picnicking, pa.s.sing social evenings together.

"They leave school; their jolly companions.h.i.+p is over. By-and-by, Nellie Ewing disappears; a little later, Mamie Rutger is also missing; after a little time the other two young ladies are caught in the act of escaping from home, by the means of a ladder placed at their chamber window by an unknown man, while a second, it is supposed, awaits their coming with horses and vehicle. This much for the ladies of this octette. Now, upon inquiring after the whereabouts of the gentlemen, we find that upon the night of this last named escapade, Johnny La Porte, with his buggy and horses, was absent from home from sunset until after midnight. That he returned when all the household was asleep, and securing some clean handkerchiefs and a flask of brandy, ostensibly to doctor a sick horse, he again goes, and returns after an absence of two days, accompanied by another member of the octette, Mr. Ed. Dwight."

"That's a point," a.s.sented Carnes.

"Now, we have previously learned," I resume, "that said Dwight is about to abandon his old trade and quit the country. We also remember that Mrs. Ballou shot at, and believes she hit, the man who was a.s.sisting her daughter and guest to escape from the house. Very good. During the time that Johnny La Porte is absent from his home, Mr. Louis Brookhouse is brought home to Trafton, in a covered buggy, by some unknown friend, with a crippled limb!"

"I see; that's a clincher," muttered Carnes.

"This much for three of the gay Lotharios," I continue. "Now for Arch Brookhouse. In Grace Ballou's autograph alb.u.m is a couplet, very neatly printed and signed A. B. It bears date one year back, and one year ago Grace Ballou and Arch Brookhouse were both students at Amora. Not long since I received an interesting letter of warning, and I believe it was written by the same hand that indited the lines beginning 'I drink to the eyes of my schoolmate, Grace.'"

Carnes opened his lips, but I hurried on.

"I have noted one other thing, which, if you like, you may call coincidence of lat.i.tude. The eldest of the Brookhouse brothers is a resident of New Orleans. At about the time of Nellie Ewing's disappearance, Louis Brookhouse went to New Orleans, returning less than two weeks ago. Amy Holmes is vaguely described as being 'somewhere South,' and Ed. Dwight meditates a Southern journey soon."

"It looks like a league," says Carnes, scratching his head, and wrinkling his brows in perplexity. "Are they going to form a colony of some new sort? What's your notion?"

"My notion is that we had better not waste our time trying to guess out a motive. Consider the language of the telegram sent by Fred Brookhouse to his brother, and the reply to it, and then reflect upon the possible meaning of both. The New Orleans brother says:

Hurry up the others, or we are likely to have a balk.

"Arch answers:

Next week L---- will be on hand.

"Hurry up the others! What others? Why are they likely to have a 'balk?' Are the two missing girls _there_, in charge of Fred Brookhouse, and are they becoming restive at the non-appearance of the others? If they had succeeded in escaping, would Grace Ballou and Amy Holmes have gone to New Orleans in company with Louis Brookhouse?"

"By Saint Patrick, I begin to see!" cried Carnes.

"The telegram sent by Arch," I resume, "implies that Louis was already here, or near here. Yet he made his first appearance at his father's house two days later. Is Ed. Dwight going to New Orleans to embrace the 'heel and toe business,' under the patronage of Fred Brookhouse, who, it is said, is connected with a theater? Is Johnny La Porte in hiding at Amora? or has he already 'gone to join the circus?'"

Carnes springs suddenly to his feet.

"By the powers, old man, I see how it looks to you;" he cries, "an'

ye've got the thing by the right end at last. I'll go to New Orleans; only say when. But," here his face lengthens a little, "ye must get Wyman, or some one else, here in my place. I wish we had got that horse rendezvous hunted down."

"As to that," I respond, "give yourself no uneasiness; I believe that I have found the right place, and to-night I mean to confirm my suspicion."

Carnes stares astonished.

"How did you manage it?" he asks, "and when?"

"Two days ago, and by accident. You will be surprised, Carnes. It is a barn."

"It is?"

"A lead-colored barn, finished in brown."

"_What?_"

"It is large, and nearly square," I hasten to say, enjoying his marked amazement. "A large stack of hay is pitched against the rear end, running the length of it. It has a cupola and a flagstaff."

Carnes simply stares.

"I will send for Wyman if I need his help. What I am studying upon now is a sufficient pretext for sending you away suddenly."

"I'll furnish that," Carnes says, with a droll roll of his eye.

"To-morrow I'll get drunk--beastly drunk. You shall inquire after me about the hotel and at Porter's. By-and-by I will come into the office too drunk to be endurable. You must be there to reprimand me. I grow insolent; you discharge me. I go away somewhere and sleep off the effects of my spree. You pay me my wages in the presence of the clerk, and at midnight I board the train _en route_ for the Sunny South. You shall hear from me----"

"By telegraph," I interrupt. "We shall have a new night operator here within the week. I arranged for that when I was in the city, and wrote the old man, yesterday, to send him on at once."

"All right; that's a good move," approved Carnes.

"And now," I said, rising hastily, and consulting my watch, "I must go.

To-night, or perhaps in the 'small hours,' we will talk over matters again, and I will explain myself further. For the present, good-by; I am expected to-night at the Hill; I shall pa.s.s the evening in the society of Miss Manvers."

CHAPTER XXII.

TWO DEPARTURES.

On the ensuing morning, Carnes and I enacted the "quarrel scene," as planned by him the previous night.

A more aggravated case of drunkenness than that presented by Carnes, a little before noon, could not well be imagined. He was a marvel of reeling stupidity, offensive hiccoughs, and maudlin insolence.

Quite a number of people were lounging about the office when Carnes staggered in, thus giving me my cue to commence. Among the rest were Dimber Joe and Blake Simpson. Our scene went off with considerable _eclat_; and, having paid Carnes at the office desk, with a magnificent disregard for expense, I turned to leave the room, looking back over my shoulder, to say with my grandest air:

"If you think yourself sufficiently sober, you may come up-stairs and pack your things. The sooner you, and all that belongs to you, are out of my sight, the better I shall be pleased."

[Ill.u.s.tration: "If you think yourself sufficiently sober, you may come up-stairs and pack your things."--page 262.]

I had been in my room less than half an hour, when I heard Carnes come stumbling noisily through the pa.s.sage.

When he was fairly within the room, he straightened himself suddenly, and uttered a sound midway between a laugh and a chuckle.

"Old man," he said, coming slowly toward me, "I don't think I'll take the down train."

"Why not?"

"Because," winking absurdly, and then staring up at the ceiling while he finished his sentence, "the snakes are beginning to crawl. Blake Simpson has just paid his bill, and ordered his baggage to be sent to the 4:30 train."

"Ah! And you will take the same train?"

"Exactly; I'm curious to see where he is going, and to find out why. We must not remain together long, old man. Do you go down-stairs and tell them that I am sleeping off my booze up here. I shan't be very sober by 4:30, but I'll manage to navigate to the depot."