Molly Bawn Part 11

For instance:

"Luttrell, my dear fellow, what is the matter with you this evening?

How remiss you are! Why don't you break some walnuts for Molly? I would but I don't wish Let.i.tia to feel slighted."

"No, thank you, John,"--with a touch of asperity from Molly,--"I don't care for walnuts."

"Oh, Molly Bawn! what a tarididdle! Only last night I quite shuddered at the amount of sh.e.l.ls you left upon your plate. 'How can that wretched child play such pranks with her digestion?' thought I, and indeed felt thankful it had not occurred to you to swallow the sh.e.l.ls also."

"Shall I break you some, Miss Ma.s.sereene?" asks Luttrell, very coldly.

"No, thank you," ungraciously.

"Luttrell, did you see that apple-tree in the orchard? I never beheld such a show of fruit in my life. The branches will hardly bear the weight when it comes to perfection. It is very worthy of admiration.

Molly will show it to you to-morrow: won't you, Molly?"

Luttrell, hastily: "I will go round there myself after breakfast and have a look at it."

John: "You will never find it by yourself. Molly will take you; eh, Molly?"

Molly, cruelly: "I fear I shall be busy all the morning; and in the afternoon I intend going with Let.i.tia to spend the day with the Laytons."

Let.i.tia, agreeably surprised: "Oh, will you, dear? That is very good of you. I thought this morning you said nothing would induce you to come with me. I shall be so glad to have you; they are so intensely dull and difficult."

Molly, still more cruelly: "Well, I have been thinking it over, and it seems, do you know, rather rude my not going. Besides, I hear their brother Maxwell (a few more strawberries, if you please, John) is home from India, and--he used to be _so_ good-looking."

John, with much unction: "Oh, has he come at last! I am glad to hear it. (Luttrell, give Molly some strawberries.) You underrate him, I think: he was downright handsome. When Molly Bawn was in short petticoats he used to adore her. I suppose it would be presumptuous to pretend to measure the admiration he will undoubtedly feel for her now.

I have a presentiment that fortune is going to favor you in the end, Molly. He must inherit a considerable property."

"Rich and handsome," says Luttrell, with exemplary composure and a growing conviction that he will soon hate with an undying hatred his whilom friend John Ma.s.sereene. "He must be a favorite of the G.o.ds: let us hope he will not die young."

"He can't," says Let.i.tia, comfortably: "he must be forty if he is a day."

"And a good, sensible age, too," remarks John; whereupon Molly, who is too much akin to him in spirit not to fully understand his manoeuvering, laughs outright.

Then Let.i.tia rises, and the two women move toward the door; and Molly, coming last, pauses a moment on the threshold, while Luttrell holds the door open for her. His heart beats high. Is she going to speak to him, to throw him even one poor word, to gladden him with a smile, however frozen?

Alas! no. Miss Ma.s.sereene, with a little curve of her neck, glances back expressively to where an unkind nail has caught the tail of her long soft gown. That miserable nail--not he--has caused her delay.

Stooping, he extricates the dress. She bows coldly, without raising her eyes to his. A moment later she is free; still another moment, and she is gone; and Luttrell, with a suppressed but naughty word upon his lips, returns to his despondency and John; while Molly, who, though she has never once looked at him, has read correctly his fond hope and final disappointment, allows a covert smile of pleased malevolence to cross her face as she walks into the drawing-room.

Mr. Ma.s.sereene is holding a long and very one-sided argument on the subject of the barbarous Mussulman. As Luttrell evinces no faintest desire to disagree with him in his opinions, the subject wears itself out in due course of time; and John, winding up with an amiable wish that every Turk that ever has seen the light or is likely to see the light may be blown into fine dust, finishes his claret and rises, with a yawn.

"I must leave you for awhile," he says: "so get out your cigars, and don't wait for me. I'll join you later. I have had the writing of a letter on my conscience for a week, and I must write it now or never. I really do believe I have grasped my own meaning at last. Did you notice my unusual taciturnity between the fish and the joint?"

"I can't say I did. I imagined you talking the entire time."

"My dear fellow, of what were you thinking. I sincerely trust you are not going to be ill; but altogether your whole manner this evening---- Well, just at that moment a sudden inspiration seized me, and then and there my letter rose up before me, couched in such eloquent language as astonished even myself. If I don't write it down at once I am a lost man."

"But now you have composed it to your satisfaction, why not leave the writing of it until to-morrow?" expostulates Luttrell, trying to look hearty, as he expresses a hypocritical desire for his society.

"I always remark," says John, "that sleeping on those treacherous flights of fancy has the effect of taking the gilt off them. When I rise in the morning they are hardly up to the mark, and appear by no means so brilliant as they did over-night. Something within warns me if I don't do it now I won't do it at all. There is more claret on the sideboard,--or brandy, if you prefer it," says Mr. Ma.s.sereene, tenderly.

"Thanks,--I want nothing more," replies Luttrell, whose spirits are at zero. As Ma.s.sereene leaves him, he saunters toward the open window and gazes on the sleeping garden. Outside, the heavens are alive with stars that light the world in a cold, sweet way, although as yet the moon has not risen. All is

"Clear, and bright, and deep; Soft as love, and calm as death; Sweet as a summer night without a breath."

Lighting a cigar (by the bye, can any one tell me at what stage of suffering it is a man abandons this unfailing friend as being powerless to soothe?), he walks down the balcony steps, and, still grim and unhappy, makes up his mind to a solitary promenade.

Perhaps he himself is scarcely conscious of the direction he takes, but his footsteps guide him straight over the lawn and down to the very end of it, where a broad stream runs babbling in one corner. It is a veritable love-retreat, hedged in by larches and low-lying evergreens, so as to be completely concealed from view, and a favorite haunt of Molly's,--indeed, such a favorite that now as he enters it he finds himself face to face with her.

An impromptu tableau follows. For a full minute they regard each other unwillingly, too surprised for disdain, and then, with a laudable desire to show how unworthy of consideration either deems the other, they turn slowly away until a shoulder and half a face alone are visible.

Now, Luttrell has the best of it, because he is the happy possessor of the cigar: this gives him something to do, and he smokes on persistently, not to say viciously. Miss Ma.s.sereene, being without occupation beyond what one's thumbs may afford, is conscious of being at a disadvantage, and wishes she had earlier in life cultivated a pa.s.sion for tobacco.

Meanwhile, the noisy brook flows on merrily, chattering as it goes, and reflecting the twinkling stars, with their more sedate brethren, the planets. Deep down in the very heart of the water they lie, quivering, changing, gleaming, while the stream whispers their lullaby and dashes its cool soft sides against the banks. A solitary bird drops down to crave a drink, terrifying the other inhabitants of the rushes by the trembling of its wings; a frog creeps in with a dull splash; to all the stream makes kind response; while on its bosom

"Broad water-lilies lay tremulously, And starry river-buds glimmered by; And round them the soft stream did glide and dance, With a motion of sweet sound and radiance."

A little way above, a miniature cataract adds its tiny roar to the many "breathings of the night;" at Molly's feet lie great bunches of blue forget-me-nots.

Stooping, she gathers a handful to fasten at her breast; a few sprays still remain in her hands idle; she has turned so that her full face is to her companion: he has never stirred.

He is still puffing away in a somewhat indignant fas.h.i.+on at the unoffending cigar, looking taller, more unbending in his evening clothes, helped by the dignity of his wrongs. Miss Ma.s.sereene, having indulged in a long examination of his would-be stern profile, decides on the spot that if there is one thing on earth toward which she bears a rancorous hatred it is an ill-tempered man. What does he mean by standing there without speaking to her? She makes an undying vow that, were he so to stand forever, she would not open her lips to him; and exactly sixty seconds after making that terrible vow she says,--oh, so sweetly!--"Mr. Luttrell!"

He instantly pitches the obnoxious cigar into the water, where it dies away with an angry fizz, and turns to her.

She is standing a few yards distant from him, with her head a little bent and the bunch of forget-me-nots in one hand, moving them slowly, slowly across her lips. There is penitence, coquetry, mischief, a thousand graces in her att.i.tude.

Now, feeling his eyes upon her, she moves the flowers about three inches from her mouth, and, regarding them lovingly, says, "Are not they pretty!" as though her whole soul is wrapt in contemplation of their beauty, and as though no other deeper thought has led her to address him.

"Very. They are like your eyes," replies he, gravely, and with some hesitation, as if the words came reluctantly.

This is a concession, and so she feels it. A compliment to a true woman comes never amiss; and the knowledge that it has been wrung from him against his will, being but a tribute to its truth, adds yet another charm. Without appearing conscious of the fact, she moves a few steps nearer to him, always with her eyes bent upon the flowers, the gra.s.s, anywhere but on him: because you will understand how impossible it is for one person to drink in the full beauty of another if checked by that other's watchfulness. Molly, at all events, understands it thoroughly.

When she is quite close to him, so close that if she stirs her dress must touch him, so close that her flower-like face is dangerously near his arm, she whispers, softly:

"I am sorry."

"Are you?" says Luttrell, stupidly, although his heart is throbbing pa.s.sionately, although every pulse is beating almost to pain. If his life depended upon it, or perhaps because of it, he can frame no more eloquent speech.

"Yes," murmurs Molly, with a thorough comprehension of all he is feeling. "And now we will be friends again, will we not?" Holding out to him a little cool, shy hand.

"Not _friends_," says the young man, in a low, pa.s.sionate tone, clasping her hand eagerly: "it is too cold a word. I _cannot_ be your friend. Your lover, your slave, if you will; only let me feel _near_ to you. Molly,"--abandoning her slender fingers for the far sweeter possession of herself, and folding his arms around her with gentle audacity,--"speak to me. Why are you so silent? Why do you not even look at me? You cannot want me to tell you of the love that is consuming me, because you know of it."

"I don't think you ought to speak to me like this at all," says Molly, severely, drawing herself out of his embrace, not hurriedly or angrily, but surely; "I am almost positive you should not; and--and John might not like it."

"I don't care a farthing what John likes," exclaims Luttrell, rather forcibly, giving wings to his manners, as his wrongs of the evening blossom. "What has he or any one to do with it but you and I alone? The question is, do _you_ like it?"

"I am not at all sure that I do," says Molly, doubtfully, with a little distracting shake of her head. "You are so vehement, and I----"