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Half-Hours with Great Story-Tellers Part 5

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When Mr. Chubb, the elder, returned from Europe, he brought with him from Geneva, a miniature musical-box, long and very narrow, and altogether of hardly greater dimensions, say, then a large pocket- knife. The instrument played four cheerful little tunes, for the benefit of the Chubb family, and they enjoyed it. Young Henry Chubb enjoyed it to such an extent that one day, just after the machine had been wound up ready for action he got to sucking the end of it, and in a moment of inadvertence it slipped, and he swallowed it. The only immediate consequence of the accident was that a harmonic stomach-ache was organized upon the interior of Henry Chubb and he experienced a restlessness which he well knew would defy the soothing tendencies of peppermint and make a mockery of paregoric.

And Henry Chubb kept his secret in his own soul and in his stomach, also determined to hide his misery from his father, and to spare the rod to the spoiled child--spoiled, at any rate, as far as his digestive apparatus was concerned.

But that evening, at the supper table, Henry had eaten but one mouthful of bread, when strains of wild, mysterious music were suddenly wafted from under the table. The family immediately made an effort to discover whence the sounds came, although Henry Chubb set there filled with agony and remorse and bread and tunes, and desperately a.s.serted his belief that the music came from the cellar where the hired girl was concealed with a harp. He well knew that Mary Ann was unfamiliar with the harp, but he was frantic with anxiety to hide his guilt. Thus it is that one crime leads to another.

But he could not disguise the truth forever, and that very night, while the family was at prayers, Henry all at once began to hiccup, and the musicbox started off without warning, with "way down on the Swanee River," with variations. Whereupon the paternal Chubb arose from his knees and grasped Henry kindly but firmly by his hair and shook him up, and inquired what he meant by such conduct.

And Henry a.s.serted that he was practicing something for a Sunday-school celebration, which old Chubb intimated was a singularly thin explanation.

Then they tried to get up that music-box, and every time they would seize Henry by the leg and shake him over the sofa-cus.h.i.+on, or would pour some fresh variety of emetic down his throat, the instrument would give some fresh sport, and joyously grind out "Listen to the Mocking Bird," or "Thou'lt Never Cease to love."

At last, they were compelled to permit that musical box to remain within the sepulchral recesses of the epigastrium of young Chubb. To say that the unfortunate victim of the disaster was made miserable by his condition, would be to express in the feeblest manner the state of his mind. The more music there was in his stomach, the wilder and more chaotic became the discord in his soul. As likely as not, it would occur that while he lay asleep in bed in the middle of the night, the works would begin to revolve, and would play "Home, Sweet Home," for two or three hours, unless the peg happened to slip, when the cylinder would switch back again to "way down upon the Swanee River" and would rattle out that tune with variations and fragments of the scales, until Henry's brother would kick him out of bed in wild despair, and sit on him in a vain effort to subdue the serenade, which, how ever, invariably proceeded with fresh vigor when subjected to unusual pressure.

And when Henry Chubb went to church it frequently occurred that, in the very midst of the most solemn portion of the sermon, he would feel a gentle disturbance under the lower b.u.t.ton of his jacket, and presently, when everything was hushed, the undigested engine would give a preliminary buzz, and then reel off "Listen to the Mocking Bird," and "Thou'lt Never Cease to Love," and scales and exercises, until the clergyman would stop and glare at Henry over his spectacles, and whisper to one of the deacons.

Then the s.e.xton would suddenly tack up the aisle and clutch the unhappy Mr. Chubb by the collar, and scud down the aisle again to the accompaniment of "Home Sweet Home," and then incarcerate Henry in the upper portion of the steeple until after church. But the end came at last, and the miserable boy found peace. One day, while he was sitting in school, endeavoring to learn his multiplication table to the tune of "Thou'lt Cease to Love," his gastric juice triumphed. Something or other in the music-box gave way all at once, the springs were unrolled with alarming force, and Henry Chubb, as he felt the fragments of the instruments hurled right and left among his vitals, tumbled over on the floor and expired.

At the _post-mortem_ examination they found several pieces of "Home, Sweet Home" in his liver, while one of his lungs was severely torn by a fragment of "Way down upon the Swanee river."

Particles of "Listen to the Mocking Bird" were removed from his heart and breast-bone, and three bra.s.s pegs of "Thou'lt Never Cease to Love"

were found firmly driven into his fifth rib.

They had no music at the funeral. They lifted the machinery out of him and buried him quietly in the cemetery. Whenever the Chubbs buy musical boxes now, they get them as large as a piano, and chain them to the wall. MAX ADLER.

BOOTS AT THE HOLLY-TREE INN.

Before the days of railways, and in the time of the old Great North Road, I was once snowed up at the Holly-tree Inn. Beguiling the days of my imprisonment there by talking at one time or other with the whole establishment, I one day talked with the Boots, when he lingered in my room.

Where had he been in his time? Boots repeated when I asked him the question. Lord, he had been everywhere! And what had he been? Bless you, he had been everything you could mention a'most.

Seen a good deal? Why, of course he had. I should say so, he could a.s.sure me, if I only knew about a twentieth part of what had come in _his_ way. Why, it would be easier for him, he expected, to tell what he hadn't seen than what he had. Ah! A deal, it would.

What was the most curious thing he had seen? Well! He didn't know. He couldn't momently name what was the curiousest thing he had seen, unless it was a Unicorn,--and he see _him_ once at a Fair. But supposing a young gentleman not eight years old was to run away with a young woman of seven, might I think _that_ a queer start? Certainly? Then that was a start as he himself had had his blessed eyes on, and he had cleaned the shoes they run away in,--and they was so little that he couldn't get his hand into 'em.

Master Harry Walmer's father, you see, he lived at the Elmses, down away by Shooter's Hill there, six or seven mile from Lunnon. He was a gentle man of spirit, and good-looking, and held his head up when he walked, and had what you may call fire about him. He wrote poetry, and he rode, and he ran, and he cricketed, and he danced, and he acted, and he done it all equally beautiful. He was uncommon proud of Master Harry as was his only child; but he didn't spoil him neither. He was a gentleman that had a will of his own. and a eye of his own, and that would be minded. Consequently, though he made quite a companion of the fine bright boy and was delighted to see him so fond of his fairy books, and was never tired of hearing him say, my name is Norval, or hearing him sing his songs about Young May Moons is beaming love, and When he as adores thee has left but the name, and that; still he kept the command over the child, and the child _was_ a child, an it's to be wished more of 'em was!

How did Boots happen to know all this? Why, through being under- gardener. Of course he couldn't be under-gardener, and be always about, in the summer time, near the windows on the lawn, a mowing, and sweeping, and weeding, and pruning, and this and that, without getting acquainted with the ways of the family. Even supposing Master Harry hadn't come to him one morning early, and said, "Cobbs, how should you spell Norah, if you was asked?" and then begun cutting it in print all over the fence.

He couldn't say that he had taken particular notice of children before that: but really it was pretty to see them two mites a going about the place together, deep in love. And the courage of the boy! Bless your soul, he'd have throwed off his little hat, and tucked up his little sleeves, and gone in at a Lion, he would, if they had happened to meet one, and she been frightened of him. One day he stops, along with her, where Boots was hoeing weeds in the gravel, and says, speaking up, "Cobbs," he says, "I like _you_." "Do you, sir? I'm proud to hear it." "Yes, I do, Cobbs. Why do I like you, do you think, Cobbs?" "Don't know, Master Harry, I am sure." "Because Norah likes you, Cobbs."

"Indeed, sir? that's very gratifying." "Gratifying, Cobbs? It's better than millions of the brightest diamonds to be liked by Norah."

"Certainly, sir." "You're going away, ain't you, Cobbs?" "Yes, sir."

"Would you like another situation, Cobbs?" "Well, sir, I shouldn't object, if it was a good 'un." "Then, Cobbs," said he," you shall be our Head Gardener when we are married." And he tucks her in her little sky-blue mantle, under his arm, and walks away.

Boots could a.s.sure me that it was better than a picture, and equal to a play, to see them babies, with their long, bright, curling hair, their sparkling eyes, and their beautiful light tread, a rambling about the garden, deep in love. Boots was of opinion that the birds believed they was birds, and kept up with 'em, singing to please 'em. Sometimes they would creep under the Tulip-tree, and would sit there with their arms round one another's necks, and their soft cheeks touching, a reading about the Prince, and the Dragon, and the good and bad enchanters, and the king's fair daughter. Sometimes he would hear them planning about having a house in a forest, keeping bees and a cow, and living entirely on milk and honey. Once he came upon them by the pond, and heard Master Harry say, "Adorable Norah, kiss me, and say you love me to distraction, or I'll jump in head-foremost." And Boots made no question he would have done it if she hadn't complied. On the whole, Boots said it had a tendency to make him feel as if he was in love himself,--only he didn't exactly know who with.

"Cobbs," said master Harry, one evening, when Cobbs was watering the flowers, "I am going on a visit, this present Midsummer, to my grandmamma's at York."

"Are you indeed, sir? I hope you'll have a pleasant time. I am going into Yorks.h.i.+re, myself, when I leave here."

"Are you going to your grandmamma's, Cobbs?"

"No, sir. I haven't got such a thing."

"Not as a grandmamma, Cobbs?"

"No, sir."

The boy looked on at the watering of the flowers for a little while, and then said, "I shall be very glad indeed to go, Cobbs,--Norah's going."

"You'll be all right then, sir," says Cobbs, "with your beautiful sweetheart by your side."

"Cobbs," returned the boy, flus.h.i.+ng, "I never let anybody joke about it, when I can prevent them."

"It wasn't a joke, sir," says Cobbs, with humility,--"wasn't so meant."

"I am glad of that, Cobbs, because I like you, you know, and you're going to live with us.--Cobbs!"

"Sir."

"What do you think my grandmama gives me when I go down there?"

"I couldn't so much as make a guess, sir."

"A Bank of England five-pound note, Cobbs."

"Whew!" says Cobbs, "that's a spanking sum of money, Master Harry."

"A person could do a good deal with such a sum of money as that,-- couldn't a person, Cobbs?"

"I believe you, sir!"

"Cobbs," said the boy, "I'll tell you a secret. At Norah's house, they have been joking her about me, and pretending to laugh at our being engaged--pretending to make game of it, Cobbs!"

"Such, sir," says Cobbs, "is the depravity of human nature."

The boy, looking exactly like his father, stood for a few minutes with his glowing face towards the sunset, and then departed with, "Good- night, Cobbs. I'm going in."

If I was to ask Boots how it happened that he was a going to leave that place just at that present time, well, he couldn't rightly answer me.

He did suppose he might have stayed there till now if he had been anyways inclined. But, you see, he was younger then, and he wanted change. That's what he wanted,--change. Mr. Walmers, he said to him when he gave him notice of his intentions to leave, "Cobbs," he says, "have you anything to complain of? I make the inquiry because if I find that any of my people really has anything to complain of, I wish to make it right if I can." "No, sir," says Cobbs; "thanking you, sir, I find myself as well situated here as I could hope to be anywheres. The truth is, sir, that I am going to seek my fortune." "O, indeed, Cobbs?"

he says: "I hope you may find it." And Boots could a.s.sure me--which he did, touching his hair with his bootjack as a salute in the way of his present calling--that he hadn't found it yet.

Well, sir! Boots left the Elmses when his time was up, and Master Harry, he went down to the old lady's at York, which old lady would have given that child the teeth out of her head (if she had had any), she was so wrapped up in him. What does that Infant do--but cut away from that old lady's with his Norah, on a expedition to go to Gretna Green and be married!

Sir, Boots was at this identical Holly-Tree Inn (having left it several times to better himself, but always come back through one thing or another), when one summer afternoon, the coach drives up, and out of the coach gets them two children. The Guard says to our Governor, "I don't quite make out these little pa.s.sengers, but the young gentleman's words was, that they was to be brought here." The young gentleman gets out; hands his lady out; gives the Guard something for himself; says to our Governor "We're to stop here to-night, please. Sitting-room and two bed-rooms will be required. Chops and cherry pudding for two!" and tucks her, in her little sky-blue mantle, under his arm, and walks into the house much bolder than Bra.s.s.

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Half-Hours with Great Story-Tellers Part 5 summary

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