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Legends Of Ma-ui-a Demi God Of Polynesia, And Of His Mother Hina Part 11

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He went to the hill Hele-a-ka-la, which means "journey of the sun." He thought he would catch the sun and make it move slowly. He went up the hill and waited. When the sun began to rise, Maui made himself long, stretching up toward the sky. Soon the s.h.i.+ning legs of the sun came up the hillside. He saw Maui and began to run swiftly, but Maui reached out and caught one of the legs, saying: "O sun, I will kill you. You are a mischief maker. You make trouble for Hina by going so fast." Then he broke the s.h.i.+ning leg of the sun. The sufferer said, "I will change my way and go slowly--six months slow and six months faster." Thus arose the saying, "Long shall be the daily journey of the sun and he shall give light for all the people's toil." Hina learned that she could pound until she was tired while the farmers could plant and take care of their fields. Thus also this hill received its name Hele-a-ka-la. This is one of the hills of Waianae near the precipice of the hill Puu-o-hulu.

UNITING THE ISLANDS.

Maui suggested to Hina that he had better try to draw the islands together, uniting them in one land. Hina told Maui to go and see Alae-nui-a-Hina, who would tell him what to do. The Alae told him they must go to Ponaha-ke-one (a fis.h.i.+ng place outside of Pearl Harbor) and find Ka-uniho-kahi, "the one toothed," who held the land under the sea.

Maui went back to Hina. She told him to ask his brothers to go fis.h.i.+ng with him. They consented and pushed out into the sea. Soon Maui saw a bailing dish floating by the canoe and picked it up. It was named Hina-a-ke-ka, "Hina who fell off." They paddled to Ponaha-ke-one. When they stopped they saw a beautiful young woman in the boat. Then they anch.o.r.ed and again looked in the boat, but the young woman was gone.

They saw the bailing dish and threw it into the sea.



Maui-mua threw his hook and caught a large fish, which was seen to be a shark as they drew it to the surface. At once they cut the line. So also Maui-hope and Maui-waena. At last Maui threw his hook Manai-i-ka-lani into the sea. It went down, down into the depths. Maui cried, "Hina-a-ke-ka has my hook in her hand. By her it will be made fast."

Hina went down with the hook until she met Ka-uniho-kahi. She asked him to open his mouth, then threw the hook far inside and made it fast. Then she pulled the line so that Maui should know that the fish was caught.

Maui fastened the line to the outrigger of the canoe and asked his brothers to paddle with all diligence, and not look back. Long, long, they paddled and were very tired. Then Maui took a paddle and dipped deep in the sea. The boat moved more swiftly through the sea. The brothers looked back and cried, "There is plenty of land behind us." The charm was broken. The hook came out of "the one toothed," and the raised islands sank back into their place. The native say, "The islands are now united to America. Perhaps Maui has been at work."

MAUI AND PEA-PEA THE EIGHT-EYED.

Maui had been fis.h.i.+ng and had caught a great fish upon which he was feasting. He looked inland and saw his wife, k.u.mu-lama, seized and carried away by Pea-pea-maka-walu, "Pea-pea the eight-eyed." This is a legend derived from the myths of many islands in which Lupe or Rupe (pigeon) changed himself into a bird and flew after his sister Hina who had been carried on the back of a shark to distant islands. Sometimes as a man and sometimes as a bird he prosecuted his search until Hina was found.

[Ill.u.s.tration: The Ie-ie Vine.]

Maui pursued Pea-pea, but could not catch him. He carried Maui's wife over the sea to a far away island. Maui was greatly troubled but his grandmother sent him inland to find an old man who would tell him what to do. Maui went inland and looking down toward Waipahu saw this man Ku-olo-kele. He was hump-backed. Maui threw a large stone and hit the "hill on the back" knocked it off and made the back straight. The old man lifted up the stone and threw it to Waipahu, where it lies to this day. Then he and Maui talked together. He told Maui to go and catch birds and gather ti leaves and fibers of the ie-ie vine, and fill his house. These things Maui secured and brought to him. He told Maui to go home and return after three days.

Ku-olo-kele took the ti leaves and the ie-ie threads and made the body of a great bird which he covered with bird feathers. He fastened all together with the ie-ie. This was done in the first day. The second day he placed food inside and tried his bird and it flew all right.

"Thus," as the Hawaiians say, "the first flying s.h.i.+p was made in the time of Maui." This is a modern version of Rupe changing himself into a bird.

On the third day Maui came and saw the wonderful bird body thoroughly prepared for his journey. Maui went inside. Ku-olo-kele said, "When you reach that land, look for a village. If the people are not there look to the beach. If there are many people, your wife and Pea-pea the eight-eyed will be there. Do not go near, but fly out over the sea. The people will say, 'O, the strange bird;' but Pea-pea will say, 'This is my bird. It is tabu.' You can then come to the people."

Maui pulled the ie-ie ropes fastened to the wings and made them move.

Thus he flew away into the sky. Two days was his journey before he came to that strange island, Moana-liha-i-ka-wao-kele. It was a beautiful land. He flew inland to a village, but there were no people; according to the ancient chant:

"The houses of Lima-loa stand, But there are no people; They are at Mana."

The people were by the sea. Maui flew over them. He saw his wife, but he pa.s.sed on flying out over the sea, skimming like a sea bird down to the water and rising gracefully up to the sky. Pea-pea called out, "This is my bird. It is tabu." Maui heard and came to the beach. He was caught and placed in a tabu box. The servants carried him up to the village and put him in the chief's sleeping house, when Pea-pea and his people returned to their homes.

In the night Pea-pea and Maui's wife lay down to sleep. Maui watched Pea-pea, hoping that he would soon sleep. Then he would kill him. Maui waited. One eye was closed, seven eyes were opened. Then four eyes closed, leaving three. The night was almost past and dawn was near. Then Maui called to Hina with his spirit voice, "O Hina, keep it dark." Hina made the gray dawn dark in the three eyes and two closed in sleep. The last eye was weary, and it also slept. Then Maui went out of the bird body and cut off the head of Pea-pea and put it inside the bird. He broke the roof of the house until a large opening was made. He took his wife, k.u.mu-lama, and flew away to the island of Oahu. The winds blew hard against the flying bird. Rain fell in torrents around it, but those inside had no trouble.

"Thus Maui returned with his wife to his home in Oahu. The story is pau (finished)."

XI.

MAUI SEEKING IMMORTALITY.

Climb up, climb up, To the highest surface of heaven, To all the sides of heaven.

Climb then to thy ancestor, The sacred bird in the sky, To thy ancestor Rehua In the heavens.

--New Zealand kite incantation.

The story of Maui seeking immortality for the human race is one of the finest myths in the world. For pure imagination and pathos it is difficult to find any tale from Grecian or Latin literature to compare with it. In Greek and Roman fables G.o.ds suffered for other G.o.ds, and yet none were surrounded with such absolutely mythical experiences as those through which the demi-G.o.d Maui of the Pacific Ocean pa.s.sed when he entered the gates of death with the hope of winning immortality for mankind. The really remarkable group of legends which cl.u.s.ter around Maui is well concluded by the story of his unselfish and heroic battle with death.

The different islands of the Pacific have their Hades, or abode of dead.

It is, with very few exceptions, down in the interior of the earth.

Sometimes the tunnels left by currents of melted lava are the pa.s.sages into the home of departed spirits. In Samoa there are two circular holes among the rocks at the west end of the island Savaii. These are the entrances to the under-world for chiefs and people. The spirits of those who die on the other islands leap into the sea and swim around the land from island to island until they reach Savaii. Then they plunge down into their heaven or their hades.

The Tongans had a spirit island for the home of the dead. They said that some natives once sailed far away in a canoe and found this island. It was covered with all manner of beautiful fruits, among which rare birds sported. They landed, but the trees were shadows. They grasped but could not hold them. The fruits and the birds were shadows. The men ate, but swallowed nothing substantial. It was shadow-land. They walked through all the delights their eyes looked upon, but found no substance. They returned home, but ever seemed to listen to spirits calling them back to the island. In a short time all the voyagers were dead.

There is no escape from death. The natives of New Zealand say: "Man may have descendants, but the daughters of the night strangle his offspring"; and again: "Men make heroes, but death carries them away."

There are very few legends among the Polynesians concerning the death of Maui. And these are usually fragmentary, except among the Maoris of New Zealand.

The Hawaiian legend of the death of Maui is to the effect that he offended some of the greater G.o.ds living in Waipio valley on the Island of Hawaii. Ka.n.a.loa, one of the four greatest G.o.ds of Hawaii, seized him and dashed him against the rocks. His blood burst from the body and colored the earth red in the upper part of the valley. The Hawaiians in another legend say that Maui was chasing a boy and girl in Honolii gulch, Hawaii. The girl climbed a breadfruit tree. Maui changed himself into an eel and stretched himself along the side of the trunk of the tree. The tree stretched itself upward and Maui failed to reach the girl. A priest came along and struck the eel and killed it, and so Maui died. This is evidently a changed form of the legend of Maui and the long eel. Another Hawaiian fragment approaches very near to the beautiful New Zealand myth. The Hawaiians said that Maui attempted to tear a mountain apart. He wrenched a great hole in the side. Then the elepaio bird sang and the charm was broken. The cleft in the mountain could not be enlarged. If the story could be completed it would not be strange if the death of Maui came with this failure to open the path through the mountain.

The Hervey Islands say that after Maui fished up the islands his hook was thrown into the heavens and became the curved tail of the constellation of stars which we know as "The Scorpion." Then the people became angry with Maui and threw him up into the sky and his body is still thought to be hanging among the stars of the scorpion.

The Samoans, according to Turner, say that Maui went fis.h.i.+ng and tried to catch the land under the seas and pull it to the surface. Finally an island appeared, but the people living on it were angry with Maui and drove him away into the heavens.

As he leaped from the island it separated into two parts. Thus the Samoans account for the origin of two of their islands and also for the pa.s.sing away of Maui from the earth.

The natives of New Zealand have many myths concerning the death of Maui.

Each tribe tells the story with such variations as would be expected when the fact is noted that these tribes have preserved their individuality through many generations. The substance of the myth, however, is the same.

In Maui's last days he longed for the victory over death. His innate love of life led him to face the possibility of escaping and overcoming the relentless enemy of mankind and thus bestow the boon of deathlessness upon his fellow-men. He had been successful over and over again in his contests with both G.o.ds and men. When man was created, he stood erect, but, according to an Hawaiian myth, had jointless arms and limbs. A web of skin connected and fastened tightly the arms to the body and the legs to each other. "Maui was angry at this motionless statue and took him and broke his legs at ankle, knee and hip and then, tearing them and the arms from the body, destroyed the web. Then he broke the arms at the elbow and shoulder. Then man could move from place to place, but he had neither fingers or toes." Here comes the most ancient Polynesian statement of the theory of evolution: "Hunger impelled man to seek his food in the mountains, where his toes were cut out by the brambles in climbing, and his fingers were also formed by the sharp splinters of the bamboo while searching with his arms for food in the ground."

It was not strange that Maui should feel self-confident when considering the struggle for immortality as a gift to be bestowed upon mankind. And yet his father warned him that his time of failure would surely come.

White, who has collected many of the myths and legends of New Zealand, states that after Maui had ill-treated Mahu-ika, his grandmother, the G.o.ddess and guardian of fire in the under-world, his father and mother tried to teach him to do differently. But he refused to listen. Then the father said:

"You heard our instructions, but please yourself and persist for life or death."

Maui replied: "What do I care? Do you think I shall cease? Rather I will persist forever and ever."

Then his father said: "There is one so powerful that no tricks can be of any avail."

Maui asked: "By what shall I be overcome?" The answer was that one of his ancestors, Hine-nui-te-po (Great Hine of the night), the guardian of life, would overcome him.

When Maui fished islands out of the deep seas, it was said that Hine made her home on the outer edge of one of the outermost islands. There the glow of the setting sun lighted the thatch of her house and covered it with glorious colors. There Great Hine herself stood flas.h.i.+ng and sparkling on the edge of the horizon.

Maui, in these last days of his life, looked toward the west and said: "Let us investigate this matter and learn whether life or death shall follow."

The father replied: "There is evil hanging over you. When I chanted the invocation of your childhood, when you were made sacred and guarded by charms, I forgot a part of the ceremony. And for this you are to die."

Then Maui said, "Will this be by Hine-nui-te-po? What is she like?"

The father said that the flas.h.i.+ng eyes they could see in the distance were dark as greenstone, the teeth were as sharp as volcanic gla.s.s, her mouth was large like a fish, and her hair was floating in the air like sea-weed.

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Legends Of Ma-ui-a Demi God Of Polynesia, And Of His Mother Hina Part 11 summary

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