True Tilda Part 32

"Oh, Arthur Miles, it's just splendid!" she announced, waving a letter in her hand. And with that, noting the boy's att.i.tude, she checked herself and stared suspiciously from him to the artist. "Wot yer doin'

to 'im?" she demanded.

"Painting his portrait."

"Then you didn't ought, an' 'e'd no business to allow it!"

She stepped to the canvas, examined it quickly, anxiously, then with a puzzled frown that seemed to relax in a sigh of relief--

"Well, it don't seem as you've done much 'arm as yet. But all the same, you didn't ought."

"I want to know what's splendid?" the artist inquired, looking from her to the girl in the sun-bonnet, who blushed rosily.

Tilda, for her part, looked at Arthur Miles and to him addressed her answer--

"'Enery's broke it off!"

"Oh!" said the boy. He reflected a moment, and added with a bright smile, "And what about Sam?"

"It's all 'ere"--she held out the letter; "an' we got to take it to 'im.

'Enery says that waitin's a weary business, but 'e leaves it to 'er; on'y 'e's just found out there's insanity on _'is_ side o' the family.

That's a bit 'ard on Sam, o' course; but 'Enery doesn' know about Sam's feelin's. 'E was just tryin' to be tactful."

"You'll pardon my curiosity," put in young Mr. Jessup; "but I don't seem to get the hang of this. So far as I figure it up, you two children jump out of nowhere and find yourselves here for the first time in your lives; and before I can paint one of you--and I'm no snail--the other walks into a public-house, freezes on to an absolute stranger, bustles her through one matrimonial affair and has pretty well fixed her with another. As a student of locomotion"--he turned and stared down upon Tilda--"I'd like you to tell me how you did it."

"Well," she answered, "I felt a bit nervous at startin'. So I walked straight in an' ordered two-penn'orth o' beer--an' then it all came out."

"Was that so?" He perpended this, and went on, "I remember reading somewhere in Ruskin that the more a man can do his job the more he can't say how. It's rough on learners."

But Tilda was not to be drawn into a disputation on Art.

"Come along," she called to the boy.

"You mean to take him from me in this hurry? . . . Well, that breaks another record. I never up to now lost a model before I'd weakened on him: it's not their way."

"That young man," said Tilda as, holding Arthur Miles by the hand, she drew him away and left the pair standing where the level sun slanted through the willows--"that young man," she repeated, turning for a last wave of the hand to the girl in the sunbonnet, "is 'e a bit touched in 'is 'ead, now?"

The dusk gathered as they retraced their way along Avon bank, and by the time they reached the fair meadow the shows were hanging out their lights. The children gave the field a wide berth, and fetching a circuit, reached a grey stone bridge over which the road led into the town.

They crossed it. They were now in Stratford, in a street lit with gas-lamps and lined with bright shop-windows; and Tilda had scarcely proceeded a dozen yards before she turned, aware of something wrong with the boy. In truth, he had never before made acquaintance with a town at night. Lamps and shop-fronts alike bewildered him. He had halted, irresolute. He needed her hand to pilot him.

She gave it, puzzled; for this world so strange to him was the world she knew best. She could not understand what ailed him. But it was characteristic of Tilda that she helped first and asked questions afterwards, if she asked them at all. Usually she found that, given time, they answered themselves. It was well, perhaps, that she asked none now. For how could the boy have explained that he seriously believed these shops and lighted windows to be Eastcheap, Illyria, Verona, and these pa.s.sers-by, brus.h.i.+ng briskly along the pavements, to be Shakespeare's people--the authentic persons of the plays? He halted, gazing, striving to identify this figure and that as it hurried between the lights. Which was Mercutio ruffling to meet a Capulet? Was this the watch pa.s.sing?--Dogberry's watch? That broad-shouldered man--could he be Antonio, Sebastian's friend, lurking by to his seaport lodging?

They were deep in the town, when he halted with a gasp and a start that half withdrew his hand from her clasp. A pale green light shone on his face. It shone out on the roadway from a gigantic illuminated bottle in a chemist's shop; and in the window stood three similar bottles, each with a gas-jet behind it--one yellow, one amethystine violet, one ruby red.

His grip, relaxed for a second, closed on her fingers again. He was drawing her towards the window. They stared through it together, almost pressing their faces to the pane.

Beyond it, within the shop, surrounded by countless spotlessly polished bottles, his features reflected in a flas.h.i.+ng mirror, stood an old man, bending over a mahogany counter, while with delicate fingers he rearranged a line of gallipots in a gla.s.s-covered case.

"Is--is he--"

The boy paused, and Tilda heard him gulp down something in his throat.

"Suppose," he whispered, "if--if it should be G.o.d?"

"Ga'r'n!" said Tilda, pulling herself together.

"You're sure it's only Prospero?" he asked, still in a whisper.

Before she could answer him--but indeed she could have found no answer, never having heard of Prospero--the boy had dragged her forward and thrust open one of the gla.s.s swing-doors. It was he who now showed the courage.

"My lord!"

"Hey?" The old chemist looked up over his spectacles, held for an instant a gallipot suspended between finger and thumb, and set it down with nice judgment. He was extremely bald, and he pushed his spectacles high up on his scalp. Then he smiled benevolently. "What can I do for you, my dears?"

The boy stepped forward bravely, while Tilda--the game for once taken out of her hands--could only admire.

"If you would tell us where the Island is--it is called Holmness--"

Tilda caught her breath. But the old chemist still bent forward, and still with his kindly smile.

"Holmness?--an island?" he repeated in a musing echo. "Let me see--"

"We ain't _sure_ it's an island, sir," put in Tilda, plucking up her courage a little.

"It will be in the Gazetteer, of course," said the old chemist with a happy thought; "and you'll find that in the Free Library."

"Gazetteer"--"Free Library." To Tilda these were strange words--names of wide oceans, perhaps, or of far foreign countries. But the boy caught at the last word: he remembered Prospero's--

"Me, poor man, my library Was dukedom large enough,"

And this made him more confident than ever.

"But why do you want to know?" the old chemist went on. "Is it home lessons?"

"'E," said Tilda, indicating Arthur Miles, "'e wants to find a relation 'e's got there--a kind of uncle--in 'Olmness, w'ich is in the Gazetteer," she repeated, as though the scent lay hidden in a nest of boxes, "'w'ich is in the Free Library."

"If you don't mind waiting a moment, I'll take you there."

The children gasped.

He turned and trotted around the back of his mirrored screen.

They heard him call and announce to someone in the back parlour--but the boy made sure that it was to Miranda in her inner cave--that he was going out for a few minutes; and by and by he reappeared, wearing a dark skull-cap, with an Inverness cape about his shoulders, and carrying in his hand a stout staff. He joined them by lifting--another marvel--a mahogany flap and walking straight through the counter! and so led the way out of the shop and up the street to the right, while the children in delicious terror trotted at his heels.

They came to an open doorway, with a lamp burning above it.

Dark wavering shadows played within, across the threshold; but the old man stepped through these boldly, and pushed open the door of a lighted room. The children followed, and stood for a moment blinking.

The room was lined with books--shelves upon shelves of books; and among their books a dozen men sat reading in total silence. Some held thin, unbound pages of enormous size--Arthur Miles was unacquainted with newspapers--open before them; all were of middle age or over; and none of them showed surprise at the new-comers. The old chemist nodded to one or two, who barely returned his nod and forthwith resumed their studies.