The Light of the Star Part 16

"That is why I should remain, to relieve you, to help you. Or, do you mean you're tired of me?"

"I won't say that; but I must not see you. I must not see any one. If I do this big part right, I must rest. I intend to sleep a good part of the time. I have sent for Henry Olquest, and I intend to put the whole of the stage end of this play in his hands. Our ideals are not concerned in this _Alessandra_, you remember."

His face clouded. "That is true. I wish it were otherwise. But can you get Olquest?"

"Yes; his new play has failed. 'Too good,' Westervelt said."

"Oh, what blasphemy! To think Harry Olquest's plays are rejected, and on such grounds! You are right--as always. I will go."

"Thank you!"

"I am a little frazled, I admit, and a breath of mountain-air will do me good. I will visit my brother Walt in Darien. It's hard to go. My heart begins to ache already with prospective hunger. You have been my world, my one ambition for three months--my incessant care and thought."

"All the more reason why you should forget me and things dramatic for a while. There is nothing so destructive to peace and tranquillity as the stage."

"Don't I know that? When I was a youth in a Western village I became in some way the possessor of two small photographs of Elsie Melville. She was my ideal till I saw her, fifteen years later."

Helen laughed. "Poor Elsie, she took on flesh dreadfully in her later years."

"Nevertheless, those photographs started me on the road to the stage. I used to fancy myself as Macbeth, but I soon got switched into the belief that I could write plays. Now that I have demonstrated that"--his tone was a little bitter again--"I think I would better return to architecture."

She silenced him. "All that we will discuss when you come back reinvigorated from the mountains." She turned to her desk. "I have something here for you. Here is a small check from Westervelt on account. Don't hesitate to take it. He was glad to give it."

"It is the price of my intellectual honesty."

"By no means!" She laughed, but her heart sickened with a sense of the truth of his phrase. "It's only a very small part payment. You can at least know that the bribe they offer is large."

"Yes"--he looked at her meaningly--"the prize was too great for my poor resolution. All they can give will remain _part_ payment. I wonder if you will be compa.s.sionate enough to complete the purchase--"

"_That_, too, is in the future," she answered, still struggling to be gayly rea.s.suring, though she knew, perfectly well, that she was face to face with a most momentous decision and that an insistent, determined lover was about to be restored to confidence and pride. "And now, good-bye." And she gave him her hand in positive dismissal.

He took the hand and pressed it hard, then turned and went away without speaking.

There was a hint of spring in the air the afternoon of his leaving. The wind came from the southwest, brisk and powerful. In the pale, misty blue of the sky a fleet of small, white clouds swam, like s.h.i.+ps with wide and bellying sails, low down in the eastern horizon, and the sight of them somehow made it harder for Dougla.s.s to leave the city of his adoption. He was powerfully minded to turn back, to remain on the ferry-boat and land again on the towering island so heavily freighted with human sorrows, so brilliant with human joys, and only a realization that his presence might trouble and distract Helen kept him to his journey's westward course.

As he looked back at the monstrous hive of men the wonder of Helen's personality came to him. That she alone, and unaided (save by her own inborn genius and her beauty), should have succeeded in becoming distinguished, even regnant, among so many eager and striving souls, overwhelmed him with love and admiration.

He wondered how he could have a.s.sumed even for an instant the tone of a lover, the gesture of a master. "I, a poor, restless, penniless vagabond on the face of the earth--I presumed to complain of her!" he exclaimed, and shuddered with guilty disgust at thought of that night behind the scenes.

In this mood he rode out into the West, which was bleak with winter winds and piled high with snow. He paused but a day with his father, whom he found busy prolonging the lives of the old people with whom the town was filled. It was always a shock to the son, this contrast between the outward peace and well-seeming of his native town and the inner mortality and swift decay. Even in a day's visit he felt the grim destroyer's presence, palpable as the shadow of a cloud.

He hastened on to Darien, that curious mixture of Spanish-Mexican indolence and bustling American enterprise, a town wherein his brother Walt had established himself some years before.

Walter Dougla.s.s was shocked by the change in his brother. "I can't understand how fourteen months in New York can reduce a l.u.s.ty youth to the color of a cabbage and the consistency of a gelatine pudding. I reckon you'd better key yourself down to my pace for a while. Look at me!"

The playwright smiled. "I haven't indulged myself too much. You can't hit a very high pace on twelve dollars a week."

"Oh, I don't know. There are cheap brands of whiskey; and you can breathe the bad air of a theatre every night if you climb high enough. I know you've been too strenuous at some point. Now, what's the meaning of it all?"

"I've been working very hard."

"Shouldn't do it. Look at me. I never work and never worry. I play. I weigh two hundred pounds, eat well, sleep like a doork.n.o.b, make about three thousand dollars a year, and educate my children. I don't want to seem conceited, but my way of life appeals to me as philosophic; yours is too wasteful. Come, now, you're keeping back something. You might as well 'fess up. What _were_ you doing?"

The playwright remained on his guard. "Well, as I wrote you, I had a couple of plays accepted and helped to produce them. There's nothing more wearing than producing a play. The anxiety is killing."

"I believe you. I think the writing of one act would finish me. Yes, I can see that would be exciting business; but what's all this about your engagement to some big actress?"

This brought the blood to the younger man's cheek, but he was studiedly careless in reply. "All newspaper talk. Of course, in rehearsing the play, I saw a great deal of Miss Merival, but--that's all. She is one of the most successful and brilliant women on the stage, while I--well, I am only a 'writing architect,' earning my board by doing a little dramatic criticism now and then. You need not put any other two things together to know how foolish such reports are."

Walt seemed satisfied. "Well, my advice is: slow down to Darien time.

Eat and sleep, and ride a bronco to make you eat more and sleep harder, and in two weeks you'll be like your old-time self."

This advice, so obviously sound, was hard to follow, for each day brought a letter from Helen, studiously brief and very sparing of any terms of affection--frank, good letters, kindly but no more--and young Dougla.s.s was dissatisfied, and said so. He spent a large part of each morning pouring out upon paper the thoughts and feelings surging within him. He told her of the town, of the delicious, crisp climate--like October in the East--of the great snow-peaks to the West, of his rides far out on the plain, of his plans for the coming year.

"I dug an old play out of my trunk to-day" (he wrote, towards the end of the first week). "It's the first one I ever attempted. It is very boyish. I had no problems in my mind then, but it is worth while. I am going to rewrite it and send it on to you, for I can't be idle. I believe you'll like it. It is a love drama pure and simple."

To this she replied: "I am interested in what you say of your first play, but don't work--rest and enjoy your vacation."

A few days later he wrote, in exultation: "I got a grip on the play yesterday and re-wrote two whole acts. I think I've put some of the glory of this land and sky into it--I mean the exultation of health and youth. I am putting you into it, too--I mean the adoration I feel for you, my queen!

"Do you know, all the old wonder of you is coming back to me. When I think of you as the great actress my nerves are shaken. Is it possible that the mysterious Helen Merival is my Helen? I am mad to rush back to you to prove it. Isn't it presumptuous of me to say, 'My Helen'? But at this distance you cannot reprove me. I came across some pictures of you in a magazine to-day, and was thrilled and awed by them. I have not said anything of Helen MacDavitt to my people, but of the good and great actress Helen Merival I speak copiously. They all feel very grateful to you for helping me. Father thinks you at least forty. He could not understand how a woman under thirty could rise to such eminence as you have attained. Walt also takes it for granted you are middle-aged. He knows how long the various 'Maggies' and 'Ethels' and 'Annies' have been in public life. He saw something in a paper about us the other day, but took it as a joke. If this fourth play of mine comes off, and you find it worth producing, I shall be happy. It might counteract the baleful influence of _Alessandra_. I began to wonder how I ever did such a melodrama. Is it as bad as it seems to me now?...

"I daren't ask how _Enid_ is doing. It makes me turn cold to think of the money you are losing. Wouldn't it pay to let the theatre go 'dark'

till the new thing is ready?...

"I am amazed at my temerity with you, serene lady. If I had not been filled with the colossal conceit of the young author, I never would have dared to approach--What I did during those mad weeks (you know the ones I mean) gives me such shame and suffering as I have never known, and my whole life is now ordered to make you forget that side of my character.

I ask myself now, 'What would Helen have me do?' I don't say this humble mood will last. If _Alessandra_ should make a 'barrel of money,' I am capable of soaring to such heights of audacity that you will be startled."

To this she replied: "I am not working at rehearsal more than is necessary. Mr. Olquest is a jewel. He has taken the whole burden of the stage direction off my hands. I lie in bed till noon each morning and go for a drive each pleasant afternoon. Our spring weather is gone. Winter has returned upon us again.... I miss you very much. For all the worry you gave us, we found entertainment in you. Don't trouble about the money we are losing. Westervelt is putting up all the cash for the new production and is angelic of manner--or means to be. I prefer him when in the dumps. He attends every rehearsal and is greatly excited over my part. He now thinks you great, and calls you 'the American Sardou.' ...

I have put all our dismal hours behind me. 'All this, too, shall pa.s.s away.' ... I care not to what audacity you wing your way, if only you come back to us your good, sane, undaunted self once more."

In this letter, as in all her intercourse with him, there was restraint, as though love were being counselled by prudence. And this was, indeed, the case. A foreboding of all that an acknowledgment of a man's domination might mean to her troubled Helen. The question, "How would marriage affect my plans," beset her, though she tried to thrust it away, to retire it to the indefinite future.

Her love grew steadily, feeding upon his letters, which became each day more buoyant and manly, bringing to her again the sense of unbounded ambition and sane power with which his presence had filled her at their first meeting.

"You are not of the city," she wrote. "You belong to the country. Think how near New York came to destroying you. You ought not to come back.

Why don't you settle out there and take up public life?"

His answer was definite: "You need not fear. The city will never again dominate me. I have found myself--through you. With you to inspire me I cannot fail. Public life! Do you mean politics? I am now fit for only one thing--to write. I have found my work. And do you think I could live anywhere without hope of seeing you? My whole life is directed towards you--to be worthy of you, to be justified in asking you to join your life to mine. These are my ambitions, my audacious desires. I love you, and you must know that I cannot be content with your friends.h.i.+p--your affection--which I know I have. I want your love in return. Not now--not while I am a man of words merely. As I now feel _Alessandra_ is a little thing compared with the sacrifice you have made for me. I have stripped away all my foolish egotism, and when I return to see you on the opening night I shall rejoice in your success without a tinge of bitterness. It isn't as if the melodrama were degrading in its appeal. It does not represent my literary ideals, of course, but it is not contemptible, it is merely conventional. My mind _has_ cleared since I came here. I see myself in proper relation to you and to the public. I see now that with the large theatre, with the long 'run' ideals, a play _must_ be very general in its appeal, and with such conditions it is folly for us to quarrel. We must have our own little theatre wherein we can play the subtler phases of American life--the phases we both rejoice in. If _Alessandra_ should pay my debt to you--- you see how my mind comes back to that thought--we will use it to build our own temple of art. As I think of you there, toiling without me, I am wild with desire to return to be doing something. I am ready now to turn my hand to any humble thing--to direct rehearsals, to design costumes, anything, only to be near you. One word from you and I will come."

To this she replied: "No; on the contrary, you must stay a week longer.

We have postponed the production on account of some extra scenic effect which Hugh wishes to perfect. They profess wonder now at your knowledge of scenic effect as well as your eye for costume and stage-setting. Your last letter disturbed me greatly, while it pleased me. I liked its tone of boyish enthusiasm, but your directness of speech scared me. I'm almost afraid to meet you. You men are so literal, so insistent in your demands. A woman doesn't know what she wants--sometimes; she doesn't like to be brought to bay so roundly. You have put so much at stake on _Alessandra_ that I am a-tremble with fear of consequences. If it succeeds you will be insufferably conceited and a.s.sured; if it fails we will never see you again. Truly the life of a star is not all glitter."

This letter threw him into a panic. He hastened to disclaim any wish to disturb her. "If you will forgive me this time I will not offend again.

I did not mean to press for an answer. I distinctly said that at present I have no right to do so. I daren't do so, in fact. I send you, under another cover, the youthful play which I call _The Morning_. Isn't that fanciful enough? It means, of course, that I am now just reaching the point in my life where the man of thirty-odd looks back upon the boy of eighteen with a wistful tenderness, feeling that the mystery of the world has in some sense departed with the morning. Of a certainty this idea is not new, but I took a joy in writing this little idyl, and I would like to see you do 'the wonderful lady I see in my dreams.' Can you find an actor who can do my lad of 'the poetic fancy'?"

She replied to this: "Your play made me cry, for I, too, am leaving the dewy morning behind. I like this play; it is very tender and beautiful, and do you know I believe it would touch more hearts than your gorgeous melodrama. Mr. Howells somewhere beautifully says that when he is most intimate in the disclosures of his own feelings he finds himself most widely responded to--or something like that. I really am eager to do this play. It has increased my wonder of your powers. I really begin to feel that I know only part of you. First _Lillian's Duty_ taught me some of your stern Scotch morality. Then _Enid's Choice_ revealed to me your conception of the integrity of a good woman's soul--that nothing can debase it. _Alessandra_ disclosed your learning and your imaginative power. Now here I feel the poet, the imaginative boy. I will not say this has increased my faith in you--it has added to my knowledge of you.