The Light of the Star Part 3

IV

The reading of the play took place on the Monday morning following, and was an exceedingly formal and dignified function. The princ.i.p.al players came prepared to be politely interested, while some of the lesser minds were actually curious to taste the quality of the play as a piece of writing.

As there was no greenroom in the Westervelt, the reading took place on the open stage, which was bleak and draughty. The company sat in a funereal semicircle, with the author, the star, and the manager in a short line facing them. All the men retained their overcoats, for the morning was miserably raw, and at Helen's positive command kept their heads covered; and the supernumerary women sat s.h.i.+vering in their jackets. Helen was regal in a splendid cloak of sable, otherwise there was little of the successful actress in her dress. At her suggestion a box-scene was set around them to keep off at least a part of the draught, and under these depressing conditions the reading proceeded.

Dougla.s.s was visibly disheartened by the surroundings, but set manfully to work, and soon controlled the attention of all the players except two, who made it a boast that they had never read a play or listened to one. "I am interested only in me lines, me boy," said one of them.

"And your acting shows it," replied Dougla.s.s, with quiet sarcasm, and proceeded to the second act.

"You read that with greater power here than to me," said Helen. "I wish we could give it the same unity and sweep of expression as we act it."

She addressed the company in her calm, clear voice: "I hope you will all observe carefully Mr. Dougla.s.s's reading. He is giving us most valuable advice in every inflection."

Her att.i.tude towards her company was admirable in its simplicity and reserve. It was plain that she respected their personalities and expected the same high courtesy from them. Some of the men were of the kind who say "My deah" to every woman, and "My deah boy" to the most casual acquaintance--vain, egotistical, wordy, and pompous; but one glance from Helen was sufficient to check an over-familiar hand in mid-air. The boldest of them did not clap her on the shoulder but once.

The reading pa.s.sed to a rather enthusiastic finish, and Dougla.s.s then said: "I have read the play to you carefully, because I believe--_I know_--that an intelligent rendition of your individual parts is impossible without a clear knowledge of the whole drama. My theories of a play and its representation are these: As an author, I see every detail of a scene as if it were a section of life. I know where all my people are at each moment of time, and their positions must be determined by the logic of the picture without any reference to those who wish to hold the centre of the stage. In a certain sense you are only different-colored pigments in my hands, to be laid on to form a unified painting. You must first of all learn to subordinate yourselves to the designs of the author. I know this sounds harsh--seems to reduce you to a very low level of intelligence; but, as a matter of fact, the most highly gifted of our actors to-day are those who are able to do this very thing--to carry in their minds a conception of the unity of a scene, never thrusting their personalities through it or out of it. I mention these points because I intend to a.s.sist in the rehearsals, and I don't want to be misunderstood."

Helen interposed a word: "I need not say that I consider this a very powerful play--with that opinion you all agree, I am sure--but I want to say further that Mr. Dougla.s.s has the right to demand of each of us subordination to the inner design of his work. I am personally very glad always to avail myself of the author's criticism and suggestion. I hope you will all feel the same willingness to carry out Mr. Dougla.s.s's scenes as he has written them. Mr. Saunders, will you please give out the parts and call a rehearsal for to-morrow at ten o'clock sharp?"

At this point all rose. Saunders, a plain little man, highly pleased with his authority, began to bustle about, bellowing boisterously: "Here you are now--everybody come letter-perfect to-morrow. Sharp at ten. No lagging."

The players, accustomed to his sounding a.s.sumption of command, paid no attention other than to clutch their rolls of type-written ma.n.u.script.

Each withdrew into the street with an air of haste.

As Helen received her portion Saunders said: "Here, Miss Merival, is a fat part--must be yours. Jee-rusalem the golden! I'd hate to tackle that role."

Dougla.s.s was ready to collar the a.s.s for his impudent tone, but Helen seemed to consider it no more than the harmless howl of a chair sliding across the floor. She was inured to the old-time "a.s.sistant stage-manager."

Turning to Dougla.s.s, she said, "Do you realize, Mr. Author, that we are now actually begun upon your play?"

"No, I do not. I confess it all seems a make-believe--a joke."

"You'll not think it a joke at the end of the week. It's terribly hard work to put on a big piece like this. If I seem apathetic in my part I beg you not to worry. I must save myself all I can. I never begin to act at rehearsal till I have thought the business all out in my mind. But come, you are to lunch with us in honor of the first rehearsal, and it is late."

"It seems a deplorable thing that you must come every morning to this gloomy and repellent place--"

"Ah! this is a part of our life the public knows nothing of. They all come to it--the divine Sarah, Duse--none are exempt. The glamour of the foot-lights at night does not warm the theatre at eleven of the morning."

"I see it does not," he answered, lightly; but in reality he felt that something sweet and something regal was pa.s.sing out of his conception of her. To see her even seated with these commonplace men and women detracted even from her glory, subjected her to the same laws. It was a relief to get out into the gay street--to her carriage, and to the hotel where the attendants hovered about her as bees about their queen.

She was in high spirits all through the luncheon, and Dougla.s.s was carried out of his dark gravity by her splendid vitality, her humor, and her hopefulness.

"All you need is a hearing," she said. "And you shall have that. Oh, but there is a wilderness of work before us! Can you design the scenes? I like to do that. It's like playing with doll-houses. I'll show you how.

We'll leave the financial side of it to you, Hugh," she said, to her brother. "Come, Mr. Playwright," and they set to work with paste and card-board like a couple of children, and soon had models of all the sets. They seemed childish things indeed, but Helen was mistress of even the mechanical side of the stage, and these paste-pot sketches were of the greatest value to the scene-painter and the carpenter.

V

These three weeks of rehearsal formed the happiest time Dougla.s.s had ever known, for all things conspired to make each day brim with mingled work and wors.h.i.+p. First of all, and above all, he was permitted to meet Helen each day, and for hours each day, without fear of gossip and without seeking for an excuse.

Each morning, a little before ten, he left his room and went directly to the theatre to meet the company and the manager. The star, prompt as a clock, arrived soon after, and Dougla.s.s, beforehand, as a lover, was always there to help her from her carriage and to lead the way through the dark pa.s.sage to the stage, where the pompous little Saunders was forever marshalling his uneasy va.s.sals in joyous exercise of sovereignty.

Helen was happy as a child during these days, and glowing with new ideas of "business" and stage-setting. "We will spare no work and no expense,"

she said, buoyantly, to Mr. Westervelt, her manager. "We have a drama worthy of us. I want every one of Mr. Dougla.s.s's ideas carried out."

The manager did not know, as Dougla.s.s did, that some of the ideas were her own, and so took a melancholy view of every innovation.

"You can't do that," he gloomily repeated. "The public won't stand for new things. They want the old scenes rehashed. The public don't want to think; it wants to laugh. This story is all right for a book, but won't do for a play. I don't see why you quit a good thing for a risk like this. It is foolish and will lose money," he added, as a climax.

"Croak, you old raven--you'll be embarra.s.sed when we fill your money-box," she replied, gayly. "You should have an ideal, Mr.

Westervelt."

"An ideal. What should I do with that?"

Like most men, Dougla.s.s knew nothing about gowns in their const.i.tuent parts, but he had a specially keen eye for the fitting and beautiful in a woman's toilet, and Helen was a constant delight to him because of the distinction of her dresses. They were refined, yet not weakly so--simple, yet always alluring. Under the influence of her optimism (and also because he did not wish to have her apologize for him) he drew on his slender bank-account for funds to provide himself with a carefully tailored suit of clothes and a new hat.

"How well you are looking!" she said, in soft aside, as he met her one morning soon after. "Your hat is very becoming."

"I am made all over new _inside_--so I hastened to typify the change exteriorly. I am rejoiced if you like me in my 'glad rags,'" he replied.

"You are really splendid," she answered, with admiring fervor. "Let us hurry through to-day; I am tired and want a spin in the park."

"That is for you to say," he answered.

"You are never tired," she sighed. "I wish I had your endurance."

"It is the endurance of desperation. I am staking all I have on this venture." Then, in low-toned intensity, he added: "It hurts me to have you forced to go over and over these lines because of the stupidity of a bunch of cheap little people. Why don't you let me read your part?"

"That would not be fair," she answered, quickly--"neither to them nor to you. No, I am an actress, and this is a part of my life. We are none of us exempt from the universal curse."

"Royleston is our curse. Please let me kick him out the stage-door--he is an insufferable a.s.s, and a bad actor besides."

"He is an a.s.s, but he can act. No, it's too late to change him now.

Wait; be patient. He'll pull up and surprise you at the final rehearsal."

At four o'clock they were spinning up Fifth Avenue, which resounded with the hoof-strokes of stately horses, and glittered with the light of varnished leather. The rehearsal was put far behind them. The day was glorious November, and the air sparkling without being chill. A sudden exaltation seized Helen. "It certainly is a beautiful world--don't you think so?" she asked.

"I do now; I didn't two weeks ago," he replied, soberly.

"What has brought the change?"

"You have." He looked at her steadily.