The Book Of Curiosities Part 50

it might easily be mistaken for the working yard of a statuary, or the pleasure ground of a tasteless citizen, decked out with Cupids, Mercuries, and Fawns." Both these authors, however, agree in praising the motives and perseverance of Le Noir.

_Oxford_ has the honour of producing the first, and not the least important Museum in England; which was founded in 1679, and the building completed in 1683, at the expense of the university. The students, the public, and the professors, are indebted to Elias Ashmole, Esq. for an invaluable collection of interesting objects presented by him for their use, and immediately placed within it; since which period it has been called the Ashmolean Museum. The structure, in the Corinthian order of architecture, has a magnificent portal; and the variety and value of the articles contained in it, renders a visit to the apartments highly gratifying, particularly as they are increased from time to time, as often as rare objects can be procured.

The _British_ Museum, in London, a repository under the immediate care of government, and itself governed by fifteen trustees, selected from the highest and most honourable offices of the state, promises to exceed every other national inst.i.tution, which is not supported by the spoliation and plunder of others. However inferior it may appear to those splendid collections, which consist of the most exquisite productions of the chisel and the pencil ever accomplished by man, we have the consolation to reflect, that, had it been possible to procure them by purchase, the liberality of the British nation is such, that Italy and many other countries would have long since been drained; but as the case is, each inhabitant of England may exclaim, with his characteristic integrity, as he views the vast collection which he in common with all his countrymen possesses, "These are individually our own by fair purchase or gift!" Sir Robert Cotton may be said to have laid the foundation of the British Museum, by his presenting his excellent collection of ma.n.u.scripts to the public; those, and the offer of Sir Hans Sloane's books, ma.n.u.scripts, and curious articles in antiquity and natural history, for 20,000, suggested the propriety of accepting the latter, and providing a place for the reception of both: from this time government proceeded rapidly in forming the plan, and at length every interior regulation for officers, trustees, &c. being made, Montague House, situated in Russell-street, Bloomsbury, was purchased for 10,250, and fitted for the reception of the articles then possessed, and to be bought at the further expense of 14,484. 6s.

4d.: after which Lord Oxford's ma.n.u.scripts were procured for 10,000, to which the King added others; and since the above period, vast numbers of interesting things have been placed there,--Sir William Hamilton's discoveries, a vast variety of valuable medals, fossils, minerals, ma.n.u.scripts, and printed books, together with several Egyptian antiquities, and the late Mr. Townsley's marbles and bas-reliefs from Italy. The latter were given to the public under the express condition that a proper place should be built for their reception, which has been complied with, and they are now exhibited, with the rest of the Museum, to an admiring people.

Various alterations have taken place in the regulations adopted for the convenience of those who read at the Museum, and the visitors, since 1757, when it was first opened for inspection and study; and it is but justice to say, each was intended well, though till lately it was thought that too many impediments existed in the way of visiting that which was solely intended for the use of the community: at present, however, no such complaint can be made with truth, as any decently dressed persons, presenting themselves at certain hours, are admitted free of every kind of expense. Admission even to the reading room, is attended with no other difficulty than necessarily follows the ascertaining whether the applicant is deserving of the indulgence, or likely to injure the interests of the inst.i.tution; when there, every facility is afforded him by commodious tables, with pens and ink for writing, and a messenger in waiting to bring him any books he may think proper to select from the vast stores of literature submitted in this generous way to his use.

COLOSSUS,--is a statue of vast or gigantic size. The most eminent of this kind was the Colossus of Rhodes, a brazen statue of Apollo, one of the wonders of the world. It was the workmans.h.i.+p of Chares, a disciple of Lysippus, who spent twelve years in making it; and was at length overthrown by an earthquake, B. C. 224, after having stood about sixty-six years. Its height was a hundred and five feet; there were few people who could encompa.s.s its thumb, which is said to have been a fathom in circ.u.mference, and its fingers were larger than most statues. It was hollow, and in its cavities were large stones, employed by the artificer to counterbalance its weight, and render it steady on its pedestal.

[Ill.u.s.tration: COCOA-NUT TREES.--Page 571.]

[Ill.u.s.tration: THE PYRAMIDS OF EGYPT.--Page 544.]

On occasion of the damage which the city of Rhodes sustained by the above-mentioned earthquake, the inhabitants sent amba.s.sadors to all the princes and states of Greek origin, in order to solicit a.s.sistance for repairing it; and they obtained large sums, particularly from the kings of Egypt, Macedon, Syria, Pontus, and Bithynia, which amounted to a sum five times exceeding the damages which they had suffered. But instead of setting up the Colossus again, for which purpose the greatest part of it was given, they pretended that the oracle of Delphos had forbidden it, and converted the money to other uses. Accordingly, the Colossus lay neglected on the ground for the s.p.a.ce of eight hundred and ninety-four years, at the expiration of which period, or about the year of our Lord 653 or 672, Moawyas, the sixth caliph, or emperor of the Saracens, made himself master of Rhodes, and afterwards sold the statue, reduced to fragments, to a Jewish merchant, who loaded nine hundred camels with the metal; so that, allowing eight hundred pounds weight for each load, the bra.s.s of the Colossus, after the diminution which it had sustained by rust, and probably by theft, amounted to seven hundred and twenty thousand pounds weight. The basis that supported it was of a triangular figure: its extremities were sustained by sixty pillars of marble. There was a winding staircase to go up to the top of it; where might be discovered Syria, and the s.h.i.+ps that went to Egypt, in a great looking-gla.s.s that was hung about the neck of the statue.

This enormous statue was not the only one that attracted attention in the city of Rhodes. Pliny reckons one hundred other colossuses, not so large, which rose majestically in its different quarters.

OBELISK,--in architecture, is a truncated, quadrangular, and slender pyramid, raised for the purpose of ornament, and frequently charged either with inscriptions or hieroglyphics. Obelisks appear to be of very great antiquity, and to have been first raised to transmit to posterity precepts of philosophy, which were cut in hieroglyphical characters: afterwards they were used to immortalize the great actions of heroes, and the memory of persons beloved and venerated for having performed eminent services to their country.

The first obelisk mentioned in history was that of Rameses, king of Egypt, in the time of the Trojan war, which was forty cubits high; Phuis, another king of Egypt, raised one of fifty-five cubits; and Ptolemy Philadelphus, another of eighty eight cubits, in memory of Arsinoe. Augustus erected one at Rome, in the Campus Martius, which served to mark the hours on an horizontal dial, drawn on the pavement. They were called by the Egyptian priests, the Fingers of the Sun, because they were made in Egypt to serve also as stiles or gnomons, to mark the hours on the ground. The Arabs still call them Pharaoh's Needles; whence the Italians call them _Aguglia_, and the French _Aiguilles_.

The famous obelisks called the Devil's Arrows, now reduced to three, the fourth having been taken down in the seventeenth century, stand about half a mile from the town of Boroughbridge, to the south-west, in three fields, separated by a lane, nearly two hundred feet asunder, on elevated ground, sloping every way. Mr. Drake urges many arguments for their Roman antiquity, and plainly proves them to be natural, and brought from Plumpton quarries, about five miles off; or from Tekly, sixteen miles off.

The cross in the town, twelve feet high, is of the same kind of stone. The easternmost, or highest, is twenty-two feet and a half high, by four broad, and four and a half in girth; the second, twenty-one and a half by fifty-five and a quarter; the third, sixteen and a half by eighty-four.

Stukeley's measures differ. The flutings are cut in the stone, but not through: the tallest stands alone, and leans to the south. Plot and Stukeley affirm them to be British monuments, originally hewn square. Dr.

Gale supposed that they were Mercuries, which had lost their heads and inscriptions; but in a ma.n.u.script note in his Antoninus, he acknowledges that he was misinformed, and that there was no cavity to receive a bust.

On the north side of Penrith, in the church-yard, are two square obelisks, of a single stone each, eleven or twelve feet high, about twelve inches diameter, and twelve by eight at the sides; the highest about eighteen inches diameter, with something like a transverse piece to each, and mortised into a round base. They are fourteen feet asunder, and between them is a grave, which is inclosed between four semicircular stones, of the unequal lengths of five, six, four and a half, and two feet high, having on the outsides rude carving, and the tops notched. This is called the Giant's Grave, and ascribed to Sir Evan Caesarius, who is said to have been as tall as one of the columns, and capable of stretching his arms from one to the other; to have destroyed robbers and wild boars in Englewood forest; and to have had an hermitage, called Sir Hugh's Parlour.

A little west of these is a stone called the Giant's Thumb, six feet high, fourteen inches at the base, contracted to ten, which is only a rude cross.

We shall conclude this chapter with a description of a REMARKABLE OBELISK, NEAR FORRES, IN SCOTLAND.

About a mile from Forres, on the left-hand side of the road, is a remarkable obelisk, said to be the most stately monument of the Gothic kind in Europe; and supposed to have been erected in memory of the treaty between Malcolm II. and Canute the Great, in 1008. It has been the subject of many able pens; and is thus described by Mr. Cordiner, in a letter to Mr. Pennant: "In the first division, underneath the Gothic ornaments, at the top are nine horses, with their riders, marching forth in order: in the next is a line of warriors on foot, brandis.h.i.+ng their weapons, and appear to be shouting for the battle. The import of the att.i.tudes in the third division is very dubious, their expression indefinite. The figures, which form a square in the middle of the column, are pretty complex, but distinct; four sergeants with their halberts, guarding a company, under which are placed several human heads, which have belonged to the dead bodies piled up at the left of the division: one appears in the character of executioner, severing the head from another body; behind him are three trumpeters sounding their trumpets, and before him two pair of combatants fighting with sword and target. A troop of horse next appear, put to flight by infantry, whose first lines have bows and arrows, and the three following swords and targets. In the lowermost division now visible, the horses seem to be seized by the victorious party, their riders beheaded, and the head of their chief hung in chains, or placed in a frame; the others being thrown together beside the dead bodies, under an arched cover. The greatest part of the other side of the obelisk, occupied by a sumptuous cross, is covered over with a uniform figure, elaborately raised, and interwoven with great mathematical exactness. Under the cross are two august personages, with some attendants, much obliterated, but evidently in an att.i.tude of reconciliation; and if the monument was erected in memory of the peace concluded between Malcolm and Canute, upon the final retreat of the Danes, these large figures may represent the reconciled monarchs. On the edge, below the fretwork, are some rows of figures joined hand in hand, which may also imply the new degree of confidence and security that took place after the feuds were composed, which are characterized on the front of the pillar. But to whatever particular transaction it may allude, it can hardly be imagined, that in so early an age of the arts in Scotland, as it must have been raised, so elaborate a performance would have been undertaken, but in consequence of an event of the most general importance; it is therefore surprising, that no more distinct tradition of it arrived at the aera when letters were known. The height of this monument, called King Sueno's Stone, above the ground, is twenty-three feet, besides twelve or fifteen feet under ground.

Its breadth is three feet ten inches, by one foot three inches in thickness."

CHAP. LVI.

CURIOSITIES RESPECTING TEMPLES, ETC.--(_Concluded._)

_Inverlochy Castle--Magdalen's Hermitage--Curiosities of Friburg--Curiosities of Augsburg--Escurial--Florence Statues--Great Wall of China--Floating Gardens--Curiosity at Palermo._

INVERLOCHY CASTLE,--is an ancient castle near Fort William, in Inverness-s.h.i.+re. It is adorned with large towers, which, by the mode of building, seem to have been the work of the English, in the time of Edward I. who laid large fines on the Scotch Barons, for the purpose of erecting castles. The largest of these is called c.u.mmin's Tower. "The castle, (says the Rev. Thomas Ross, in his Statistical Account of Kilmanivaig) has survived the burgh, and now stands alone in ancient magnificence, after having seen the river Lochy, that formerly filled its ditches, run in another course, and has outlived all history and tradition of its own builder and age. It is a quadrangular building, with round towers at the angles, measuring thirty yards every way within the walls. The towers and ramparts are solidly built of stone and lime, nine feet thick at the bottom, and eight feet above. The towers are not entire, nor are they all equally high. The western is the highest and largest, and does not seem to have been less than fifty feet when entire; the rampart between them, from twenty-five to thirty. Ten or twelve yards without the walls the ditch begins, which surrounded the castle, from thirty to forty feet broad. The whole building covers about one thousand six hundred yards; and within the outside of the ditch are seven thousand square yards, nearly an acre and a half English. The whole building would require from five hundred to six hundred men to defend it. From the name of the western tower, it is probable this castle was occupied by the c.u.mmins in the time of Edward I.

and previous to that period by the Thanes of Lochaber; among others by the noted Bancho, predecessor of the race of Stuart. There is a tradition that this castle was once a royal residence, and that the famous league betwixt Charles the Great of France, and Achaius king of Scots, had been signed there on the part of the Scotch monarch, A. D. 790."

MAGDALEN'S HERMITAGE.--This place is situated about a league from Friburg, in Switzerland, and is described by Mr. Blainville, and also by Mr.

Addison. They both say it is situated among woods and rocks, in the prettiest solitude imaginable. The hermit, (they say,) who was then alive, had worked out of the rock a pretty chapel, with an altar, sacristy, and steeple; also five chambers, a parlour, refectory, kitchen, cellar, and other conveniences. The funnel of his chimney, which pierces from his kitchen to the top of the rock, slanting all the way, is ninety feet high, and cost him so much toil, that he was a whole year about it, and often despaired of finis.h.i.+ng his design. All this must appear the more surprising, when we consider the dimensions of the different parts of this hermitage, the chapel being sixty-three feet in length, thirty-six in breadth, and twenty-two in height. The sacristy, or vestry, is twenty-two feet square, and the height of the steeple seventy feet. The chamber between the chapel and the refectory, is above forty feet long; the refectory itself is twenty-one long; and the cellar is twenty-five feet long, and ten feet deep. But the hall or parlour is particularly admired, being twenty-eight paces in length, twelve in breadth, and twenty feet in height, with four openings for windows, much higher and wider than those of our best houses. At one end of this hall was the hermit's cabinet, with a small collection of books and other curiosities. To add to the pleasantness and convenience of this habitation, he had cut the side of the rock into a flat, and having covered it with good mould, had formed a pretty garden, planted with divers sorts of fruit-trees, herbs, and flowers; and by following the veins of water that dropped from several parts of the rock, he had made himself two or three fountains, which supplied his table, and watered his little garden.

This hermit, whose name was Jean du Pre, began this laborious undertaking at the age of thirty, and said he was twenty-five years in completing it, having had no sort of a.s.sistance from any person whatsoever, except one servant. He intended to have carried on his work still farther, but was drowned in 1708, as he was crossing a neighbouring river in a boat, with some company that came to visit him on St. Anthony's day, the patron of his chapel. His place is supplied by a priest, who subsists by the generosity of strangers that come to see the hermitage, whom he generally entertains with bread and wine, and a nosegay.

CURIOSITIES OF FRIBURG.--Friburg is a large town of Switzerland, seated on the Sanen, in a most singular and picturesque situation. Mr. c.o.x, in his Travels in Switzerland, thus describes it: "It stands partly in a small plain, partly on bold acclivities on a ridge of rugged rocks, half encircled by the river Sanen, and is so entirely concealed by the circ.u.mjacent hills, that the traveller scarcely catches the smallest glimpse, until he bursts upon a view of the whole town from the overhanging eminence. The fortifications, which consist of high stone walls and towers, inclose a circ.u.mference of about four miles; within which s.p.a.ce the eye comprehends a singular mixture of houses, rocks, thickets, and meadows, varying instantly from wild to agreeable, from the bustle of a town to the solitude of the deepest retirement. The Sanen winds in such a serpentine manner, as to form in its course, within the s.p.a.ce of two miles, five obtuse angles, between which the intervening parts of the current are parallel to each other. On all sides the descent to the town is extremely steep; in one place the streets often pa.s.s over the roofs of the houses. Many of the edifices are raised in regular gradation, like the seats of an amphitheatre; and many overhang the edge of a precipice in such a manner, that, on looking down, a weak head would be apt to turn giddy. But the most extraordinary point of view is from the Pont-neuf. On the north-west a part of the town stands boldly on the sides and the piked back of an abrupt ridge; and from east to west, a semicircle of high perpendicular rocks is seen, whose base is washed and undermined by the winding Sanen, and whose tops and sides are thinly scattered with shrubs and underwood. On the highest points of the rocks, and on the very edge of the precipice, appears, half hanging in the air, the gate called Bourguillon: a stranger standing on the bridge would compare it to Laputa, or the Flying Island, in Gulliver's Travels; and would not conceive it to be accessible, but by means of a cord and pulleys. The houses, constructed with a gray sandstone, are neat and well built; and the public edifices, particularly the cathedral, are extremely elegant."

CURIOSITIES OF AUGSBURG.--In the square, near the town-house, is the Fountain of Augustus, which is a marble bason, surrounded with iron bal.u.s.trades finely wrought: at the four corners are four bra.s.s statues as large as life, two of women, and two of men; in the middle of the bason is a pedestal, at the foot which are four sphinxes, squirting water; a little above these, are four infants holding four dolphins in their arms, which pour water out of their mouths; and over these are festoons and pine-apples of bra.s.s; upon the pedestal is the statue of Augustus, as large as life. The fountain most remarkable next to this, is that of Hercules, which is an hexagon bason with several bra.s.s figures, particularly Hercules engaging the hydra.--Another curiosity is the Secret Gate, which was contrived to let in persons safely in time of war: it has so many engines and divisions with gates and keys, and apartments for guards, at some distance from each other, where pa.s.sengers are examined, that it is impossible for the town to be surprised this way; the gates are bolted and unbolted, opened and shut, by unseen operators, so that it looks like enchantment.--The Water Towers are also very curious, of which there are three, seated on a branch of the Lech, which runs through the city in such a torrent, as to drive many mills, which work a number of pumps, that raise the water in large leaden pipes to the top of the towers. One of these sends water to the public fountains; and the rest, to near one thousand houses in the city.

THE ESCURIAL,--is a royal residence of Spain, fifteen miles north-west of Madrid. It is the largest and most superb structure in the kingdom, and one of the finest in Europe. The word is Arabic, meaning "a place full of rocks." It is built in a dry barren spot, surrounded with rugged mountains, insomuch that every thing which grows there is owing to art.

This place was chosen, it is said, for the sake of the stone wherewith the fabric is built, which is got from a mountain just by, and is very durable; and the design of erecting it was to commemorate a victory which Philip II. obtained over the French (by the a.s.sistance of the English forces) at St. Quintin, on St. Lawrence's day, in the year 1557.

The Spanish description of this structure forms a sizeable quarto volume.

Its founder expended upon it six millions of ducats. The apartments are decorated with an astonis.h.i.+ng variety of paintings, sculpture, tapestry, ornaments of gold and silver, marble, jasper, gems, and other curious stones, surpa.s.sing all imagination. This building, besides its palace, contains a church, large and richly ornamented; a mausoleum; cloisters; a convent; a college; and a library, containing about thirty thousand volumes; besides large apartments for all kinds of artists and mechanics, n.o.ble walks, with extensive parks and gardens, beautified with fountains and costly ornaments. The fathers that live in the convent are two hundred, and they have an annual revenue of 12,000.

It was begun by Philip in 1562, five years after the battle, and completed in twenty-two years. It consists of several courts and quadrangles, which all together are disposed in the shape of a gridiron, the instrument of the martyrdom of St. Lawrence; the apartment where the king resides, forming the handle. The building is a long square, of six hundred and forty by five hundred and eighty feet, and the height up to the roof is sixty feet all round, except on the garden side, where the ground is more taken away. At each angle is a square tower, two hundred feet high. The number of windows in the west front is exactly 200; in the east front, 366. The orders are Doric and Ionic. There are three doors in the princ.i.p.al front. Over the grand entrance are the arms of Spain, carved in stone; and a little higher, in a niche, a statue of St. Lawrence in a deacon's habit, with a gilt gridiron in his right hand, and a book in his left. Directly over the door is a ba.s.so-relievo of two enormous gridirons, in stone.

This vast structure, however, with its narrow high towers, small windows, and steep sloping roof, exhibits a very uncouth style of architecture; at the same time that the domes, and the immense extent of its fronts, render it a wonderfully grand object from every point of view.

The church is in the centre, is large, awful, and richly ornamented. The cupola is bold and light. The high altar is composed of rich marbles, agates, and jaspers of great rarity, the produce of this kingdom. Two magnificent _catafalcos_ fill up the side arcades of this sanctuary: on one, the emperor Charles V. his wife, daughter, and two sisters, are represented in bronze, larger than life, kneeling; opposite are the effigies of Philip II. and of his three wives, of the same materials, and in the same devout att.i.tude. Underneath, is the burial-place of the royal family, called the Pantheon: twenty-five steps lead down to this vault, over the door of which is a Latin inscription, denoting, that "this place, sacred to the remains of the Catholic kings, was intended by Charles the emperor, resolved upon by Philip II. begun by Philip III. and completed by Philip IV." The mausoleum is circular, thirty-six feet in diameter, and incrusted with fine marbles in an elegant taste. The bodies of the kings and queens lie in tombs of marble, in niches, one above the other. The plan of these sepulchres is grand, and executed with a princely magnificence; but, as a modern traveller observes, in a style rather too gay, too light, and too delicately fitted up, for the idea we are apt to form of a chapel destined for the reception of the dead. The collection of pictures dispersed about various parts of the church, sacristy, and convent, has been considered as equal, if not superior, to any gallery in Europe, except that of Dresden. Formed out of the spoils of Italy, and the wasted cabinet of that unfortunate monarch, Charles I. of England, it contains some of the most capital works of the greatest painters that have flourished since the revival of the art. In the sacristy is an altar called _La Santa Forma_: this is a kind of tabernacle of gems, marbles, woods, and other precious materials, inlaid in gilt bronze; in which, rather than in the excellence of the workmans.h.i.+p, or taste of the design, consists the merit of this rock of riches. Before it hangs a curtain, on which Coello has represented Charles II. and all his court, in procession, coming to place this _Forma_. This is esteemed one of the most curious collections of portraits in the world; for all the persons are drawn with the greatest strength of colour and truth of expression, and are said to be perfect resemblances, not only of the monarch and grandees, but even of the monks, servants, and guards. The statues, busts, and the medallions of the Escurial, are neither very numerous, nor remarkable for their excellence; but the library contains a most precious collection of ma.n.u.scripts, many fine drawings, and other curiosities.

Notwithstanding the coldness of the exposure, the late king, for the sake of hunting, used to pa.s.s several months of the year at this palace.

FLORENCE STATUES.--In the Duke of Florence's garden at Pratoline, is the statue of Pan; sitting on a stool, with a wreathed pipe in his hand, and that of Syrinx, beckoning him to play on his pipe. Pan, putting away his stool, and standing up, plays on his pipe; this done, he looks on his mistress, as if he expected thanks from her, takes the stool again, and sits down with a sad countenance.--There is also the statue of a Laundress at her work, turning the clothes up and down with her hand and battledore, wherewith she beats them in the water.--There is the statue of Fame, loudly sounding her trumpet; an artificial toad creeping to and fro; a dragon bowing down his head to drink water, and then vomiting it up again; with divers other pieces of art, that administer wonder and light to the beholders.

THE GREAT WALL OF CHINA.--The princ.i.p.al defence of the empire against a foreign enemy is the Great Wall, which separates China from Tartary, extending more than fifteen hundred miles in length, and of such thickness, that six hors.e.m.e.n may easily ride abreast upon it. It is flanked with towers, two bow-shots distant from one another: Walker says, there are forty-five thousand of these towers, (a number rather incredible,) and that the wall extends two thousand miles. It is said, that a third of the able-bodied men in the empire were employed in constructing this wall. The workmen were ordered, under pain of death, to place the materials so closely, that not the least entrance might be afforded for any instrument of iron; and thus the work was constructed with such solidity, that it is still almost entire, though two thousand years have elapsed since it was constructed.

[Ill.u.s.tration: THE GREAT WALL OF CHINA.--Page 579.

Erected to protect the empire from the incursions of the Tartar cavalry.]

This extraordinary work is carried, not only through the low lands and valleys, but over hills and mountains; the height of one of which was computed by F. Verbiest, at one thousand two hundred and thirty-six feet above the level of the spot where he stood. According to F. Martini, it begins at the gulf of Leatong, and reaches to the mountains near the city of Kin, on the Yellow River; between which places it meets with no interruption except to the north of the city of Suen, in Peche-li, where it is interrupted by a ridge of inaccessible mountains, to which it is closely united. It is likewise interrupted by the river Hoang-ho; but for others of an inferior size, arches have been constructed, through which the water pa.s.ses freely. Mr. Bell informs us, that it is carried across rivers, and over the tops of the highest hills, without the least interruption, keeping nearly along that circular range of barren rocks which incloses the country; and, after running about one thousand two hundred miles, ends in impa.s.sable mountains and sandy deserts. The foundation consists of large blocks of stone laid in mortar; but all the rest is of brick. The whole is so strong and well-built, that it scarcely needs any repairs; and in the dry climate in which it stands, may remain in the same condition for many ages. When carried over steep rocks, where no horse can pa.s.s, it is about fifteen or twenty feet high; but when running through a valley, or crossing a river, it is about thirty feet high, with square towers and embrasures at equal distances. The top is flat, and paved with cut stone; and where it rises over a rock or eminence, there is an ascent made by an easy stone stair.

This wall (our author adds) was begun and completely finished in the short s.p.a.ce of five years; and it is reported, that the labourers stood so close for many miles, that they could hand the materials from one to another.

This seems the more probable, as the rugged rocks among which it is built must have prevented all use of carriages; and neither clay for making bricks, nor any kind of cement, are to be found among them.

FLOATING GARDENS.--Abbe Clavigero, in his History of Mexico, says, that when the Mexicans were brought under subjection to the Colhuan and Tapanecan nations, and confined to the miserable little islands on the Lake of Mexico, they had no land to cultivate, until necessity compelled them to form moveable fields and gardens, which floated on the waters of the lake. The method which they adopted to make these, and which they still practise, is extremely simple. They plat and twist together willows and roots of marsh plants, or other materials, which are light, but capable of supporting the earth firmly united. Upon this foundation they lay the light bushes which float on the lake; and over all, the mud and dirt which they draw up from the bottom. Their regular figure is quadrangular; their length and breadth various; but generally they are about eight perches long, and not more than three in breadth, and have less than a foot of elevation above the surface of the water. These were the first fields which the Mexicans had after the foundation of Mexico; there they first cultivated maize, pepper, and other plants. In time, as these fields became numerous from the industry of the people, they cultivated gardens of flowers and odoriferous plants, which they employed in the wors.h.i.+p of their G.o.ds, and for the recreation of their n.o.bles. At present they cultivate flowers, and every sort of garden herbs, upon them.

Every day at sunrise, innumerable vessels loaded with various kinds of flowers and herbs, cultivated in those gardens, arrive by the ca.n.a.ls, at the great market-place of that capital. All plants thrive in them surprisingly; the mud of the lake affords a very fertile soil, and requires no water from the clouds. In the large gardens there is commonly a little tree, and even a little hut, to shelter the cultivator, and defend him from rain or the sun. When the _chinampa_, or owner of a garden, wishes to change his situation, to remove from a disagreeable neighbour, or to come nearer to his own family, he gets into his little vessel, and by his own strength alone, if the garden is small, he tows it after him, and conducts it wherever he pleases. That part of the lake, where these floating gardens are, is a place of high recreation, where the senses receive all possible gratification.