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The Basket Woman Part 2

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"'Is it you?' cried Tavwots, 'who made the tracks in my trail?'

"'It is I,' said the sun. 'Come now and set me free before the whole earth is afire.' Then Tavwots saw what he had to do, so he drew his knife and ran to cut the bowstring. But the heat was so great that he ran back before he had done it, and was melted down to one half his size. Then the smoke of the burning earth began to curl up against the sky.

"'Come again, Tavwots,' cried the sun. So he ran again and ran back, and the third time he ran he cut the bowstring, and the sun was set free from the snare. But by that time Tavwots was melted down to as small as he is now, and so he remains. Still you may see by the print of his feet as he leaps in the trail how great his stride was when he caught the sun in his snare.

"So it is always," said the Basket Woman, "that which is large grows less, and my people, which were great, have dwindled away."

After that she became quiet, and they went on over the mountain. Because he was beginning to be acquainted with it, the way seemed shorter to Alan than before. They pa.s.sed over the high barren ridges, and he began to look for the camp at Corn Water.

"I see no smoke," said Alan.

"It would bring down their enemies like buzzards on carrion," said the Basket Woman.

"There is no sound of singing nor of laughter," said the boy.

"Who laughs in the time of war?" said she.

"Is there war?" asked Alan.

"Long and bitter," said the Basket Woman. "Let us go softly and come upon them unawares."

So they went, light of foot, among the pines until they saw the wickiups opening eastward to the sun, but many of them stood ruined and awry.

There were only the very old and the children in the camp, and these did not run and play. They stole about like mice in the meadow sod, and if so much as a twig snapped in the forest, they huddled motionless as young quail. The women worked in the growing corn; they dug roots on the hill slope and caught gra.s.shoppers for food. One made a noose of her long black hair plucked out, and snared the bright lizards that ran among the rocks. It seemed to Alan that the Indians looked wishful and thinner than they should; but such food as they found was all put by.

"Why do they do this?" asked the boy.

"That the men who go to war may not go fasting," said the Basket Woman.

"Look, now we shall have news of them."

A young man came noiselessly out of the wood, and it was he who had sung the new song on the night of feasting and dancing. He had eagle feathers in his hair, but they were draggled; there was beadwork on his leggings, but it was torn with thorns; there was paint on his face and his body, but it was smeared over red, and as he came into the camp he broke his bow across his knee.

"It is a token of defeat," said the Basket Woman; "the others will come soon." But some came feebly because of wounds, and it seemed the women looked for some who might never come. They cast up their arms and cried with a terrible wailing sound that rose and shuddered among the pines.

"Be still," said the young man; "would you bring our enemies down upon us with your screeching?" Then the women threw themselves quietly in the dust, and rocked to and fro with sobbing; their stillness was more bitter than their crying.

Suddenly out of the wood came a storm of arrows, a rush of strange, painted braves, and the din of fighting.

"Shut your eyes," said the Basket Woman, "it is not good for you to see." Alan hid his face in the Basket Woman's dress, and heard the noise of fighting rage and die away. When he ventured to look again on the ruined huts and the trampled harvest, there were few left in the camp of Corn Water, and they had enough to do to find food for their poor bodies. They winnowed the creek with basket-work weirs for every finger-long troutling that came down in it, and tore the bark off the pine trees to get at the grubs underneath.

"Why do they not go out and kill deer as before?" asked Alan.

"Their enemies lurk in the wood and drive away the game," said the Basket Woman.

"Why do they not go to another place?"

"Where shall they go, when their foes watch every pa.s.s?" said she.

It seemed to Alan that many days and nights pa.s.sed while they watched by the camp; and the days were all sorrowful, and always, as before, the best meat was set aside for the strongest.

"Why is this so?" asked the boy.

"Because," said the Basket Woman, "those who are strong must stay so to care for the rest. It is the way of my people. You see that the others do not complain." And it was so that the feeble ones tottered silently about the camp or sat still a long time in one place with their heads upon their knees.

"How will it end?" asked Alan.

"They must go away at last," said she, "though the cords of their hearts are fastened here. But there is no seed corn, and the winter is close at hand."

Then there began to be a tang of frost in the air, and the people gathered up their household goods, and, though there was not much of them, they staggered and bent under the burden as they went up out of the once happy valley to another home. The women let down their long hair and smeared ashes upon it; they threw up their lean arms and wailed long and mournfully as they pa.s.sed among the pines. Alan began to tremble with crying, and felt the Basket Woman patting him on the shoulder. Her voice sounded to him like the voice of his mother telling him to go to sleep again, for there was nothing for him to be troubled about. After he grew quieter, the Indian woman lifted him up. "We must be going," she said, "it is not good for us to be here."

Alan wished as they went up over the mountain that she would help him with talk toward forgetting what he had seen, but the long hair fell over her face and she would not talk. He s.h.i.+vered in the basket, and the night felt colder and full of fearsome noises.

"What is that?" he whispered, as a falling star trailed all across the dark.

"It is the coyote people that brought the fire to my people," said the Basket Woman. Alan hoped she would tell him a tale about it, but she would not. They went on down the mountain until they came to the borders of the long-leaved pines. Alan heard the sough of the wind in the needles, and it seemed as if it called.

"What is that?" he whispered.

"It is Hi-no-no, the wind, mourning for his brother, the pine tree," but she would not tell him that tale, either. She went faster and faster, and Alan felt the stir of her shoulders under him. He listened to the wind, and it grew fierce and louder until he heard the house beams creak, for he was awake in his own bed. A strong wind drove gustily across the mesa and laid hold of the corners of the roof.

The next morning the homesteader said that he must go to the campoodie and Alan might go with him. Alan was quite pleased, and said to his mother while she was getting him ready, "Do you know, I think Indians are a great deal better off as they are now."

"Why, yes," said his mother, smiling, "I think so, too."

[Ill.u.s.tration: From photograph by A. A. Forbes A "CAMPOODIE," OR INDIAN VILLAGE]

THE STREAM THAT RAN AWAY

In a short and shallow canon on the front of Oppapago running eastward toward the sun, one may find a clear brown stream called the creek of Pinon Pines. That is not because it is unusual to find pinon trees on Oppapago, but because there are so few of them in the canon of the stream. There are all sorts higher up on the slopes,--long-leaved yellow pines, thimble cones, tamarack, silver fir and Douglas spruce; but here there is only a group of the low-heading, gray nut pines which the earliest inhabitants of that country called pinons.

The canon of Pinon Pines has a pleasant outlook and lies open to the sun, but there is not much other cause for the forest rangers to remember it. At the upper end there is no more room by the stream border than will serve for a cattle trail; willows grow in it, choking the path of the water; there are brown birches here and ropes of white clematis tangled over thickets of brier rose. Low down the ravine broadens out to inclose a meadow the width of a lark's flight, blossomy and wet and good. Here the stream ran once in a maze of soddy banks and watered all the ground, and afterward ran out at the canon's mouth across the mesa in a wash of bone-white boulders as far as it could. That was not very far, for it was a slender stream. It had its source really on the high crests and hollows of Oppapago, in the snow banks that melted and seeped downward through the rocks; but the stream did not know any more of that than you know of what happened to you before you were born, and could give no account of itself except that it crept out from under a great heap of rubble far up in the canon of the Pinon Pines. And because it had no pools in it deep enough for trout, and no trees on its borders but gray nut pines; because, try as it might, it could never get across the mesa to the town, the stream had fully made up its mind to run away.

"Pray what good will that do you?" said the pines. "If you get to the town, they will turn you into an irrigating ditch and set you to watering crops."

"As to that," said the stream, "if I once get started I will not stop at the town." Then it would fret between its banks until the spangled frills of the mimulus were all tattered with its spray. Often at the end of the summer it was worn quite thin and small with running, and not able to do more than reach the meadow.

"But some day," it whispered to the stones, "I shall run quite away."

If the stream had been inclined for it, there was no lack of good company on its own borders. Birds nested in the willows, rabbits came to drink; one summer a bobcat made its lair up the bank opposite the brown birches, and often deer fed in the meadow. Then there was a promise of better things. In the spring of one year two old men came up into the canon of Pinon Pines. They had been miners and partners together for many years, they had grown rich and grown poor, and had seen many hard places and strange times. It was a day when the creek ran clear and the south wind smelled of the earth. Wild bees began to whine among the willows, and the meadow bloomed over with poppy-breasted larks. Then said one of the old men, "Here is good meadow and water enough; let us build a house and grow trees. We are too old to dig in the mines."

"Let us set about it," said the other; for that is the way with two who have been a long time together: what one thinks of, the other is for doing. So they brought their possessions and made a beginning that day, for they felt the spring come on warmly in their blood; they wished to dig in the earth and handle it.

These two men who, in the mining camps where they were known, were called "Shorty" and "Long Tom," and had almost forgotten that they had other names, built a house by the water border and planted trees. Shorty was all for an orchard, but Long Tom preferred vegetables. So they did each what he liked, and were never so happy as when walking in the garden in the cool of the day, touching the growing things as they walked and praising each other's work.

"This will make a good home for our old age," said Long Tom, "and when we die we can be buried here."

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The Basket Woman Part 2 summary

You're reading The Basket Woman. This manga has been translated by Updating. Author(s): Mary Hunter Austin. Already has 621 views.

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