Out Like a Light Part 11

"What's so funny?" Malone asked.

Lynch laughed some more.

"Oh, come on," Malone said bitterly. "After all, there's no reason to treat an FBI agent like some kind of a--"

"FBI agent?" Lynch said. "Listen, buster, this is the funniest gag I've seen since I came on the Force. Who told you to pull it? Jablonski downstairs? Or one of the boys on the beat? I know those beat patrolmen, always on the lookout for a new joke. But this tops 'em all. This is the--"

"You're a disgrace to the Irish," Malone said tartly.

"A what?" Lynch said. "I'm not Irish."

"You talk like an Irishman," Malone said.

"I know it," Lynch said, and shrugged. "Around some precincts, you sort of pick it up. When all the other cops are ... hey, listen. How'd we get to talking about me?"

"I said you were a disgrace to the Irish," Malone said.

"I was a--what?"

"Disgrace." Malone looked carefully at Lynch. In a fight, he considered, he might get in a lucky punch that would kill Malone. Otherwise, Malone didn't have a thing to worry about except a few months of hospitalization.

Lynch looked as if he were about to get mad, and then he looked down at Malone's wallet again and started to laugh.

"What's so funny?" Malone demanded.

He grabbed the wallet and turned it toward him. At once, of course, he realized what had happened. He had not flipped it open to his badge at all. He'd flipped it open, instead, to a card in the card-case:

KNOW ALL MEN BY THESE PRESENTS THAT Sir Kenneth Malone, Knight, is hereby formally installed with the t.i.tle of KNIGHT OF THE BATH and this card shall signify his right to that t.i.tle and his high and respected position as officer in and of THE QUEENS OWN F.B.I.

In a very small voice, Malone said: "There's been a terrible mistake."

"Mistake?" Lynch said.

Malone flipped the wallet open to his FBI s.h.i.+eld. Lynch gave it a good long examination, peering at it from every angle and holding it up to the light two or three times. He even wet his thumb and rubbed at the badge with it. At last he looked up.

"I guess you are the FBI," he said. "But what was with the gag?"

"It wasn't a gag," Malone said. "It's just--" He thought of the little old lady in Yucca Flats, the little old lady who had been the prime mover in the last case he and Boyd had worked on together. Without the little old lady, the case might never have been solved--she was an authentic telepath, about the best that had ever been found.

But with her, Boyd and Malone had had enough troubles. Besides being a telepath, she was quite thoroughly insane. She had one fixed delusion: she believed she was Queen Elizabeth I.

She was still at Yucca Flats, along with the other telepaths Malone's investigation had turned up. And she still believed, quite calmly, that she was Good Queen Bess. Malone had been knighted by her during the course of the investigation. This new honor had come to him through the mail; apparently she had decided to enn.o.ble some of her friends still further.

Malone made a note mentally to ask Boyd if he'd received one. After all, there couldn't be too many Knights of the Bath. There was no sense in letting _everybody_ in.

Then he realized that he was beginning to believe everything again.

There had been times, when he'd been working with the little old lady, when he had been firmly convinced that he was, in fact, the swaggering, ruthless swordsman, Sir Kenneth Malone. And even now....

"Well?" Lynch said.

"It's too long a story," Malone said. "And besides, it's not what I came here about."

Lynch shrugged again. "O.K.," he said. "Tell it your way."

"First," Malone said, "what's your job?"

"Me? Precinct Lieutenant."

"Of this precinct?"

Lynch stared. "What else?" he said.

"Who knows?" Malone said. He found the black notebook and pa.s.sed it across to Lynch. "I'm on this red Cadillac business, you know," he said by way of introduction.

"I've been hearing about it," Lynch said. He picked up the notebook without opening it and held it like a ticking bomb. "And I mean hearing about it," he said. "We haven't had any trouble at all in this precinct."

"I know," Malone said. "I've read the reports."

"Listen, not a single red Cadillac has been stolen from here, or been reported found here. We run a tight precinct here, and let me tell you--"

"I'm sure you do a fine job," Malone said hastily. "But I want you to look at the notebook." He opened it to the page with Lynch's name on it.

Lynch opened his mouth, closed it and then took the notebook. He stared at the page for a few seconds. "What's this?" he said at last. "Another gag?"

"No gag, lieutenant," Malone said.

"It's your name and mine," Lynch said. "What is that supposed to mean?"

Malone shrugged. "Search me," he said. "The notebook was found only a couple of feet away from another car theft, last night." That was the simplest way he could think of to put it. "So I asked the Commissioner who Peter Lynch was, and he told me it was you."

"And it is," Lynch said, staring at the notebook. He seemed to be expecting it to rise and strike him.

Malone said: "Have you got any idea who'd be writing about you and me?"

Lynch shook his head. "If I had any ideas I'd feel a lot better," he said. He wet his finger and turned the notebook pages carefully. When he saw the list of names on the second page he stopped again, and stared.

This time he whistled under his breath.

Very cautiously, Malone said: "Something?"

"I'll be d.a.m.ned," Lynch said feelingly.

"What's wrong?" Malone said.

The police lieutenant looked up. "I don't know if it's wrong or what,"

he said. "It gives me sort of the w.i.l.l.i.e.s. I know every one of these kids."

Malone took out a pill and swallowed it in a hurry. He felt exactly as if he had been given another concussion, absolutely free and without any obligation. His mouth opened but nothing came out for a long time. At last he managed to say: "_Kids?_"