Out Like a Light Part 16

"I'm sure they--" Malone began.

"But I've been looking for you," Mike went on. "See, I wanted to say something to you. Something real important."

Malone leaned forward expectantly. At last he was going to get some information--perhaps the information that would break the whole case wide open. He said: "Yes?"

"Well--" Mike began, and stopped.

"You don't have to be afraid of me, Mike," Malone said. "Just tell me whatever's on your mind."

"Sure," Mike said. "It's this."

He took a deep breath. Malone clenched his fists. Now it was coming. Now he would hear the all-important fact. He waited.

Mike stuck out his tongue and blew the longest, loudest, bra.s.siest and juiciest Bronx cheer that Malone had ever heard.

Then, almost instantly, the room was empty except for Malone himself.

Mike was gone.

There wasn't any place to hide, and there hadn't been any time to hide in. Malone looked around wildly, but he had no doubts at all.

Mike Fueyo had vanished, utterly and instantaneously. He'd gone out like a light.

VII.

[Ill.u.s.tration]

Thirty seconds pa.s.sed. During that time, Malone did nothing at all. He just sat there, while a confused montage of pictures tumbled through his head. Sometimes he saw double exposures, and sometimes a couple of pictures overlapped, but it didn't seem to make any difference, because none of the pictures meant anything anyhow.

The reason for that was obvious. He was no longer sane. He had cracked up. At a crucial moment, his brain had failed him, and now people would have to come in and cart him away and put him in a straitjacket. It was perfectly obvious to Malone that he was no longer capable of dealing with everyday life. The blow on the head had probably taken final effect, and it had been more serious than the doctor had imagined.

He had always distrusted doctors anyhow.

And now he was suffering from a delayed reaction. He wasn't living in the real world any more. He had gone off to dreamland, where people disappeared when you looked at them. There was no hope for him.

It was a nice theory, and it was even comforting, in a way. There was only one thing wrong with it.

The room around him didn't look dreamlike at all. It was perfectly solid and real, and it looked just the way it had looked before Mike Fueyo had ... well, Malone amended, before whatever had happened had happened. It was a perfectly complete little room, and it had four chairs in it.

Malone was sitting in one of the chairs and all the others were empty.

There was absolutely nothing else in the room.

With some regret, Malone abandoned the theory that he had gone mad. This left him with no ideas at all. Because if he hadn't become insane, then what _had_ happened?

After another second or two, some ideas began to filter through the daze. Perhaps he'd just blacked out for a minute and the kid had gone out the door. That was possible, wasn't it?

Sure it was. And maybe he had just not seen the kid go. His eyes had failed for a second or two. That could certainly happen, after a blow on the head. Malone tried to remember where the sight centers of the brain were. Maybe whoever had hit him had disturbed them, and he'd had a sudden blackout.

Come to think of it, that made pretty good sense. If he had blacked out, then Mike would have seen it as he went groggy, and Mike had just walked out the door. It had to be the door, of course--the windows were out of the question, since there weren't any windows. And six-inch-wide air-conditioner ducts do not provide reasonable s.p.a.ce for an exit, not if you happen to be a human being.

That, Malone told himself, was settled--and a good thing, too. He had begun to worry about it. But now he knew just what had happened, and he felt relieved. He got up from his chair, walked over to the door and opened it.

Lieutenant Lynch nearly fell into the room. He'd obviously had his ear pressed tightly to the door and hadn't expected it to open. The other two cops stood behind him, just about filling the hallway with their broad shoulders.

"Well, well," Malone said.

Lynch recovered his balance and glared at the FBI agent. He said nothing.

"Where is he?" Malone said.

"Where is he?" Lynch repeated, and blinked. "Where's _who_?"

Malone shook his head impatiently. "Fueyo," he said.

Lynch's expression was the same as that on the faces of the other two cops: complete and utter bafflement. Malone stopped and stared. It was suddenly very obvious that the lovely theory he had worked out for Mike's disappearance wasn't true in the least. If Mike Fueyo had come out the door, then these cops would know about it. But they obviously knew nothing at all about it.

Therefore, he hadn't come out through the door.

Malone took a deep breath.

"What are you talking about?" Lynch said. "Isn't the kid in there with you? What's happened?"

There was only one thing to do and, straight-faced, Malone went ahead and did it. "Of course not," he snapped, trying to sound impatient and official. "I released him."

"You _what_?"

"Released him," Malone said. He stepped out into the hall and closed the door of the interrogation room firmly behind him. "I got all the information I needed, so I let him go."

"Thanks," Lynch said bitterly. "After all, I was the one who--"

"You called him in for questioning, didn't you, lieutenant?" Malone said.

"Yes, I did, and I--"

"Well," Malone said, "I questioned him."

There was a little silence. Then Lynch asked, in a strangled voice: "What did he say?"

"Sorry," Malone said at once. "That's cla.s.sified information." He pushed his way into the corridor, trying to look as if he had fifteen other jobs to accomplish within the next hour. Being an FBI agent was going to help a little, but he still had to look good in order to really carry it off.

"But--"

"Thanks for your co-operation, lieutenant," Malone said. "You've all been very helpful." He smiled at them in what he hoped was a superior manner. "So long," he said, and started walking.