Out Like a Light Part 46

Malone blinked and jerked his head up from the notebook. "What hap--" he began.

And then he stopped.

He was no longer in his hotel room at the Statler-Hilton. He was standing in the middle of his office at FBI headquarters, Was.h.i.+ngton, D.C.

It had worked!

Malone walked over to the wall switch and turned on the lights in the darkened room. He looked around. He was definitely in his office.

He was a teleport.

He blinked and wondered briefly if he were dreaming. He pinched himself, said: "Ow," and decided that the pain offered no certain proof.

But he didn't feel like part of a dream.

He felt real. So did the office.

Just as he had promised Dorothea, he went to the phone and dialed the Statler-Hilton.

It took a minute for the long-distance circuits to connect him with Manhattan. Then the pretty operator at the hotel was smiling at him from the screen. "Statler-Hilton Hotel," she said. "May we help you?"

"Ring Room 814," Malone said. "I'm probably asleep in it."

"What?" the operator said.

"Never mind," Malone said. "Just ring it."

"Yes, sir." The screen went blank.

The screen stayed blank for a long time.

And then the operator was back. "I'm sorry, sir," she said. "That room doesn't answer."

"You're sure?" Malone said.

"Certainly."

"Try it again," Malone said.

The operator did so. She returned with the same answer.

Malone frowned and hung up. It didn't sound right. Even a dream was supposed to make more sense than this was making. There was something wrong.

He had to get back to the hotel room.

There was only one trouble. He didn't have a picture of the room in his notebook.

Dorothea had said that it was almost impossible to go to a place one hadn't been to before. Mike Fueyo had been able to pick up any red Cadillac in the city because he'd concentrated solely on the symbol of a red Cadillac. But he never knew which Cadillac he'd end up at.

Malone closed his eyes and tried to remember the hotel room. He half-wished he had a photograph of it, but Dorothea had told him that photos wouldn't work. They were too complete; they required no effort of the mind. Only a symbol would do.

Of course, the job could be done without a symbol by somebody who'd had plenty of practice. But Malone had made exactly one jump. Could he do it the second time with nothing to work with except his own recollection and visualization of the room?

He didn't know, but he was certainly going to try. He had to.

Something was wrong; something had happened to Dorothea.

He tried to imagine what it could be, and then realized that such thoughts were only delaying him by distracting his mind from its main job.

He kept his eyes tightly closed and tried to form the picture in his mind. The couch--there. The dresser--over there. The easy-chair, the rug, the walls, the table--wait a minute: he was losing the couch.

There. Now. The table, the desk--all there. In color. And in detail.

Slowly they came, and he held them in place, visualizing his hotel room just as he had visualized his office minutes before. He concentrated.

Harder. Harder. _Harder._ HAR--

"Sir Kenneth!" a voice said. "Will you please stop standing there with your eyes closed and help me with this poor child? She's fainted."

Malone's eyes popped open, but for a minute he wasn't entirely sure he'd opened them. His visualization blended almost perfectly with the reality of the room around him. There was only one jarring difference.

He had certainly never visualized the richly-dressed figure of Queen Elizabeth I standing in the center of the room.

"Now, now," she said. "Thinking like that can only lead to confusion.

Come over here and help me."

Dorothea was on the couch. Between them, they managed to wake her gently, and she sat up and stared around at them and the room. "I'm sorry," she said dazedly. "It's just that I didn't expect you to turn into a little old lady in Elizabethan costume. Just a bit disconcerting." She blinked. "By the way, who is she?"

"This," Malone said with a sense of some foreboding, "is Queen Elizabeth I."

"She's dead," Dorothea said decisively.

"Not really, my dear," the Queen said. "Actually, you see ... well, it's too long to explain now." She gave everybody a bland smile.

"She's nuts, then," Dorothea said. "She is nuts, isn't she? Because if she isn't, I am."

"You're not crazy," Malone told her diplomatically. "But she--" He stopped. How could he explain everything, in front of the Queen herself?

"Don't worry about it," Her Majesty said. "Dorothea is a little confused--but it hardly matters. Perhaps there are other things to do."

"Sure," Malone said uncertainly. "By the way, how did you get here?"

"Now, why do you ask that?" the Queen said. "You've already figured it all out, Sir Kenneth."

"I don't get it," Dorothea put in.

"Simple," Malone said. "She's telepathic. She's been listening in on our sessions for the past four days--she must have been. So now she can teleport, too."