Frank of Freedom Hill Part 18

"I'll handle this covey for Mr. Swygert," said La.r.s.en to the judges, his voice smooth and plausible, on his face a smile.

And thus it happened that Comet faced his supreme ordeal without the steadying voice of his G.o.d. He only knew that ahead of him were birds, and that behind him a man was coming through the straw, and that behind the man a crowd of people on horseback were watching him. He had become used to that but when, out of the corner of his eye he saw the face of the advancing man, his soul began to tremble.

"Call your dog in, Mr. La.r.s.en," directed the judge. "Make him backstand."

Only a moment was lost while Peerless, a young dog himself, came running in and at a command from La.r.s.en stopped in his tracks behind Comet, and pointed. La.r.s.en's dogs always obeyed, quickly, mechanically.

Without ever gaining their confidence, La.r.s.en had a way of turning them into finished field-trial dogs. They obeyed because they were afraid not to.

According to the rules the man handling the dog has to shoot as the birds rise. This is done in order to test the dog's steadiness when a gun is fired over him. No specification is made as to the size of the shotgun to be used. Usually, however, small-gauge guns are carried. The one in La.r.s.en's hands was a twelve-gauge, and consequently large.

All morning he had been using it over his own dog. n.o.body had paid any attention to it, because he shot smokeless powder. But now, as he advanced, he reached into the left-hand pocket of his hunting coat, where six sh.e.l.ls rattled as he hurried along. Two of these he took out and rammed into the barrels.

As for Comet, still standing rigid, statuesque, he heard, as has been said, the brush of steps through the straw, glimpsed a face, and trembled. But only for a moment. Then he steadied, head high, tail straight out. The birds rose with a whirr--and then was repeated that horror of his youth. Above his ears, ears that would always be tender, broke a great roar. Either because of his excitement, or because of a sudden wave of revenge, or of a determination to make sure of the dog's flight, La.r.s.en had pulled both triggers at once. The combined report shattered through the dog's ear drums, it s.h.i.+vered through his nerves, he sank in agony into the straw.

Then the old impulse to flee was upon him, and he sprang to his feet, and looked about wildly. But from somewhere in that crowd behind him came to his tingling ears a voice--clear, ringing, deep, the voice of a woman--a woman he knew--pleading as his master used to plead, calling on him not to run but to stand.

"Steady," it said. "Steady, Comet!"

It called him to himself, it soothed him, it calmed him, and he turned and looked toward the crowd. With the roar of the shotgun the usual order observed in field trials was broken up. All rules seemed to have been suspended. Ordinarily, no one belonging to "the field" is allowed to speak to a dog. Yet the girl had spoken to him. Ordinarily, the spectators must remain in the rear of the judges. Yet one of the judges had himself wheeled his horse about and was galloping off, and Marian Devant had pushed through the crowd and was riding toward the bewildered dog.

He stood staunch where he was, though in his ears was still a throbbing pain, and though all about him was this growing confusion he could not understand. The man he feared was running across the field yonder, in the direction taken by the judge. He was blowing his whistle as he ran.

Through the crowd, his face terrible to see, his own master was coming.

Both the old man and the girl had dismounted now and were running toward him.

"I heard," old Swygert was saying to her. "I heard it! I might 'a'

known! I might 'a' known!"

"He stood," she panted, "like a rock--oh, the brave, beautiful thing!"

"Where is that----" Swygert suddenly checked himself and looked around.

A man in the crowd (they had all gathered about now) laughed.

"He's gone after his dog," he said. "Peerless has run away!"

VII

THE CRISIS IN 25

He prayeth best who loveth best All things, both great and small; For the dear G.o.d who loveth us He made and loveth all.

Something was wrong with little Tommy Earle. Consequently, something was wrong with the whole Earle plantation. Frank, the Earle dog--a stately Irish setter, rich in the wisdom and devotion of the n.o.bly bred bird dog--Frank had sensed it yesterday afternoon. The boy had not come out of the house until long after dinner. Then he had strolled off forlornly and in silence toward the garage. His frowsy head had been bowed as if he were studying his own little shadow at his feet. His wide blue eyes--they were exactly on a level with the dog's anxiously inquiring ones--had had in them a suggestion of pain and helplessness, of dependence on things bigger than himself.

He had made no outcry; Tommy was something of a stoic. In fact, he had said nothing at all. But that look had gone straight to the dog's heart. Since hunting season was over he had been self-appointed guardian of this boy. The two had come to understand one another as boys and dogs understand. There was no need of words now. Frank understood; something hurt the boy inside.

The young mother had run out, her face anxious, and had taken Tommy in out of the sun. He had not seemed to mind going in, and that would have been enough of itself. Frank had followed them up on the porch; the screen door had slammed in his face. He had strolled off, tail depressed; he had lain down in the shade of the front-walk hedge, his ears p.r.i.c.ked toward the big white house with the columned porch. It had remained ominously silent inside. The boy had not come out again. The long June afternoon had pa.s.sed brooding and vacant, as if it were Sunday and all the people on the plantation had gone to church.

Now another morning was here. But instead of the boy running out to greet it a man in a car was driving up the heavy shaded avenue of oaks that led from the big road. Frank met him as he got out of his car, looked up anxiously into his spectacled face, whiffed the strange-smelling satchel he carried, escorted him gravely up the steps.

Steve Earle, the boy's father, the dog's master, shook hands with the man and led him into the house. Again the screen door banged in the dog's face.

Nose pressed against it, he watched the two men go down the wide cool hall and turn into the bedroom. He heard the spectacled man talking in there, then Steve Earle, then Marian Earle, the boy's mother, but not the boy, p.r.i.c.k his ears as he would. He sat down on his haunches, panting and whining softly to himself. He lay down, head between his paws, agate-brown eyes deep with worry. Still no sound of the boy. He got up and fumbled at the screen door with his paw, fumbled sternly, all concentration on his task.

It was not the first time he had turned the trick. He managed to catch the lower frame with his claw, and, before the door sprang shut, to insert his nose. The rest was easy and he went silently down the hall.

He stopped in the bedroom doorway. The boy was the centre of attention: he was sitting on his mother's lap; the spectacled man, satchel at his feet, was leaning forward toward him; Steve Earle stood above them, looking down.

The dog's ears drooped. Usually where the boy was, there was also noise.

But this room was very quiet. The shades had been partly pulled; in contrast with the brilliant out of doors it looked dim in here, like late afternoon. The mother was smoothing the boy's hair back from his forehead. There was something helpless in the head leaned against the mother's breast and in the dangling, listless feet.

Frank took a tentative step forward. In winter he was welcomed always to the fire, but in summer they said he brought in flies. Now no one seemed to notice him, though he was a big fellow and red. He took another step into the room, his eyes fastened longingly on the boy's flushed face. Suddenly his long tail began to beat an eager tattoo against the bureau. The boy's eyes had looked straight into his.

"F'ank?"

The mother glanced round. "I told Frank he mustn't come into the house, dear."

"Why can't he stay wif me, Mama?"

The voice was complaining, as if Tommy were about to cry, and Tommy seldom cried. Then he seemed to forget, and usually when he wanted anything he kept on till he got it. The dog watched closely while Steve Earle lifted him out of the mother's lap and placed him on the bed. Then he made his way to the foot of the bed and lay down firmly and with an air of quiet finality. He would stay here until this strangeness pa.s.sed away.

But Earle, following the spectacled man out of the room, stopped in the doorway.

"Come on, Frank!"

He raised his eyes beseechingly to his master's face, then dropped his head between his paws, his bushy tail dragging underneath the bed.

"Come on, old man!"

He got slowly to his feet; he looked regretfully at the st.u.r.dy little figure on the bed; he tried to catch the mother's eye--sometimes she interposed in his behalf. A little sullenly he followed the two men out of the house.

"That's my advice, Earle," the spectacled man said as he climbed into his car. "They can take better care of him there. The roads are good--you can drive slowly. I wouldn't put it off; I would go right away."

Earle went into the house and the dog strolled through the back yard, past the cabin of Aunt Cindy the cook to the shaded side of the garage.

Here under the eaves was a ditch the boy had been digging to take off water. He had worked on it all one rainy morning shortly before, a cool, gusty morning, the last gasp of spring before the present first hot spell of summer. Aunt Cindy had discovered him wet to the skin and made a great fuss about it.

Now the shovel was stuck up where the boy had been forced to leave off and the little wagon, partly filled with dirt, stood near by, its idle tongue on the ground. Tail wagging, the dog whiffed the shovel, the ditch, the wagon. Then he lay down beside the wagon, and looked off over the hills and bottoms of the plantation quivering in the morning heat.

At the hum of the car out of the garage he sprang up and followed it to the side of the porch. Earle ran up the steps into the house. When he presently returned Marian and Aunt Cindy were with him and he carried the boy in his arms. He laid him gently on the back seat of the car with his mother. They were going to Greenville, the father said. When they came back he could sit on the front seat like a man. Aunt Cindy handed in the valise; just a glimpse the dog got of the little upturned sandals on the back seat, and Earle had closed the door. The car drove slowly off down the avenue, the sunlight that pierced the foliage flas.h.i.+ng at intervals on its top. The dog looked up into Aunt Cindy's ample black face. She shook her head and went back into the house.

He sat down on his haunches, panting, then swallowing, then panting again. He had never been allowed to follow the car. He watched it turn into the road; the woods hid it from sight. He got to his feet and looked round. A curtain upstairs was waving out in the slight breeze, but from all the windows came no sound. He trotted down the avenue and stopped, nose pointed in the direction in which the car had gone. He galloped to the s.h.i.+ning road. Up the hill beyond the creek bottoms he made out the car, crawling slowly. He p.r.i.c.ked his ears toward it; his eyes grew stern; where were they taking that boy? A moment he stood hesitating, then bounded off after the car.

Miles away he caught up and galloped softly behind, trying to take advantage of the slight shade it offered. His tongue was hanging out, dust was caked in his eyes, the sun baked down on his heavy red coat, the road flew dizzily underneath. He could not stand this pace much longer on such a day--he could not stand it at all if Earle took a notion to drive as he usually drove. When the car slowed up at a hill he ran round it, looking up into his master's face. The car stopped and Earle leaned over the door, his eyes stern.

"Go back home, sir!"

The dog stood his ground, panting like an engine.