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The Potiphar Papers Part 6

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"Pray-do what?" answered I. -- "Stop, you wicked man. I say I want a kneeling-chair."

"A kneeling-chair?" I gasped, utterly confused.

"A _prie-dieu_--a _prie-dieu_--to pray in, you know."

My Sennaar friend, who was at table, choked. When he recovered, and we were sipping the "Blue seal," he told me that he thought Mrs. Potiphar in a _prie-dieu_ was rather a more amusing idea than Giddo's Madonna in the dining-room.

"She will insist upon its being carved handsomely in walnut. She will not pray upon pine. It is a romantic, not a religious, whim. She'll want a missal next; vellum or no prayers. This is piety of the 'Lady Alice' school. It belongs to a fine lady aid a fine house precisely as your library does, and it will be precisely as genuine. Mrs. Potiphar in a _prie-dieu_ is like that blue morocco Comus in your library. It is charming to look at, but there's nothing in it. Let her have the _prie-dieu_ by all means, and then begin to build a chapel. No gentleman's house should be without a chapel. You'll have to come to it, Potiphar. You'll have to hear Cream Cheese read morning prayers in a purple chasuble,--_que sais-je_? You'll see religion made a part of the newest fas.h.i.+on in houses, as you already see literature and art, and with just as much reality and reason."

Privately, I am glad the Sennaar minister has gone out of town. It's bad enough to be uncomfortable in your own house without knowing why; but to have a philosopher of the Sennaar school show you why you are so, is cutting it rather too fat. I am gradually getting resigned to my house. I've got one more struggle to go through next week in Mrs.

Potiphar's musical party. The morning soirees are over for the season, and Mrs. P. begins to talk of the watering places. I am getting gradually resigned; but only gradually.

"Oh! dear me, I wonder if this is the "home, sweet home" business the girls used to sing about! Music does certainly alter cases. I can't quite get used to it. Last week I was one morning in the bas.e.m.e.nt breakfast-room, and I heard an extra cried. I ran out of the area door--dear me!--before I thought what I was bout, I emerged bareheaded from under the steps, and ran a little way after the boy. I know it wasn't proper. I am sorry, very sorry. I am afraid Mrs. Croesus saw me; I know Mrs. Gnu told it all about that morning: and Mrs. Settum Downe called directly upon Mrs. Potiphar, to know if it were really true that I had lost my wits, as everybody was saying. I don't know what Mrs. P. answered. I am sorry to have compromised her so. I went immediately and ordered a pray-do of the blackest walnut. My resignation is very gradual. Kurz Pacha says they put on gravestones in Sennaar three Latin words--do you know Latin? if you don't come and borrow some of my books. The words are: _ora pro me!_"

IV. -- FROM THE SUMMER DIARY OF MINERVA TATTLE.

NEWPORT, _August_.

It certainly is not papa's fault that he doesn't understand French; but he ought not to pretend to. It does put one in such uncomfortable situations occasionally. In fact, I think it would be quite as well if we could sometimes "sink the paternal," as Timon Croesus says. I suppose everybody has heard of the awful speech pa made in the parlor at Saratoga. My dearest friend, Tabby Dormouse, told me she had heard of it everywhere, and that it was ten times as absurd each time it was repeated. By the by, Tabby is a dear creature, isn't she? It's so nice to have a spy in the enemy's camp, as it were, and to hear everything that everybody says about you. She is not handsome,--poor, dear Tabby! There's no denying it but she can't help it. I was obliged to tell young Downe so, quite decidedly, for I really think he had an idea she was good-looking. The idea of Tabby Dormouse being handsome! But she is a useful little thing in her way; one of my intimates.

The true story is this.

Ma and I had persuaded pa to take us to Saratoga, for we heard the English party were to be there, and we were anxious they should see _some_ good society at least. It seems such a pity they shouldn't know what handsome dresses we really do have in this country! And I mentioned to some of the most English of our young men, that there might be something to be done at Saratoga. But they shrugged their shoulders, especially Timon Croesus and Gauche Boosey, and said--

"Well, really, the fact is, Miss Tattle, all the Englishmen I have ever met are--in fact--a little sn.o.bbish. However."

That was about what they said. But I thought, considering their fondness of the English model in dress and manner, that they might have been more willing to meet some genuine aristocracy. Yet, perhaps, that handsome Col. Abattew is right in saying with his grand military air,--

"The British aristocracy, madam,--the British aristocracy is vulgar."

Well, we all went up to Saratoga. But the distinguished strangers did not come. I held back that last muslin of mine, the yellow one, embroidered with the Alps, and a distant view of the isles of Greece worked on the flounces, until it was impossible to wait longer. I meant to wear it at dinner the first day they came, with the pearl necklace and the opal studs, and that heavy ruby necklace (it is a low-necked dress). The dining-room at the "United States" is so large that it shows off those dresses finely, and if the waiter doesn't let the soup or the gravy slip, and your neighbor, (who is, like as not, what Tabby Dormouse, with her incapacity to p.r.o.nounce the _r_, calls "some 'aw, 'uff man from the country,") doesn't put the leg of his chair through the dress, and if you don't muss it sitting down--why, I should like to know a prettier place to wear a low-necked muslin, with jewels, than the dining-room of the "United States" at Saratoga.

Kurz Pacha, the Sennaar minister, who was up there, and who is so smitten with Mrs. Potiphar, said that he had known few happier moments in this country than the dining hour at the "United States."

"When the gong sounds," says he, "I am reminded of the martial music of Sennaar. When I seat myself in the midst of such splendor of toilette, and in an apartment so stately and so appropriate for that display, I recall the taste of the Crim Tartars, to whose ruler I had the honor of being first accredited amba.s.sador. When I behold, with astonished eyes, the entrance of that sable society, the measured echo of whose footfalls so properly silences the conversation of all the n.o.bles, I seem to see the regular army of my beloved Sennaar investing a conquered city. This, I cry to myself, with enthusiasm, this is the height of civilization; and I privately hand one of the privates in that grand army, a gold dollar, to bring me a dish of beans. Each green bean, O greener envoy extraordinary, I say to myself, with rapture, should be well worth its weight in gold, when served to such a congress of kings, queens, and hereditary prince royals as are a.s.sembled here. And I find," continues the Pacha, "that I am right.

The guest at this banquet is admitted to the freedom of corn and potatoes, only after negotiations with the sable military. It is quite the perfection of organization. What hints I shall gather for the innocent pleasure-seekers of Sennaar who still fancy that when they bargain for a draught of rose sherbet, they have tacitly agreed for a gla.s.s to drink it from!

"Why, the first day I came," he went on, "I was going to my room, and met the chambermaid coming out. Now, as I had paid a colored gentleman a dollar for my dinner, in addition to the little bill which I settle at the office, I thought it was equally necessary to secure my bed by a slight fee to the G.o.ddess of the chambers. I therefore pulled out my purse, and offered her a bill of a small amount. She turned the color of tomatoes.

"'Sir,' exclaimed she, and with dignity, 'do you mean to insult me?'

"'Good heavens, miss,' cried I, 'quite the contrary,' and thinking it was not enough, I presented another bill of a larger amount.

"'Sir,' said she, half sobbing, 'you are no gentleman; I shall leave the house!'

"I was very much perplexed. I began again:

"'Miss--my dear--I mean madam--how much _must_ I pay you to secure my room?'

"'I don't understand you, sir,' replied the chambermaid, somewhat mollified.

"'Why, my dear girl, if I paid Sambo a dollar for my dinner, I expect to pay Dolly something for my chamber, of course.'

"'Well, sir, you are certainly very kind,--I--with pleasure, I'm sure,' replied she, entirely appeased, taking the money and vanis.h.i.+ng.

"I," said Kurz Pacha, "entered my room and locked the door. But I believe I was a little hasty about giving her the money. The perfection of civilization has not yet mounted the stairs. It is confined to the dining-room. How beautiful is that strain from the _Favorita_, Miss Minerva, tum, tum, ti ti, tum tum, tee tee," and the delightful Sennaar amba.s.sador, seeing Mrs. Potiphar in the parlor, danced humming away.

There are few pleasanter men in society. I should think with his experience he would be hard upon us, but he is not. The air of courts does not seem to have spoiled him.

"My dear madam," he said one evening to Mrs. Potiphar, "if you laugh at anything, your laughing is laughed at next day. Life is short. If you can't see the jewel in the toad's head, still believe in it. Take it for granted. The _Parisienne_ says that the English woman has no _je ne sais quoi_, The English woman says the _Parisienne_ has no _aplomb_. Amen! When you are in Turkey--why gobble. Why should I decline to have a good time at the Queen's drawing-room, because English women have no _je ne sais quoi_, or at the grand opera, because French women lack _aplomb_? Take things smoothly. Life is a merry-go-round. Look at your own grandfather, dear Mrs.

Potiphar,--fine old gentleman, I am told,--rather kept in what the artists call the middle-distance, at present,--a capital shoemaker, who did his work well--Alexander and John Howard did no more:--well here you are, you see, with liveries and a pew in the right church, and altogether a front seat in the universe--merry-go-round, you know; here we go up, up, up; here we go down, down, down, etc. By the bye, pretty strain that from Linda; tum tum, ti, tum tum," and away hopped the Sennaar minister.

Mrs. Potiphar was angry. Who wouldn't have been? To have the old family shoes thrown in one's teeth! But our amba.s.sador is an amba.s.sador. One must have the best society, and she swallowed it as she has swallowed it a hundred times before. She quietly remarked--

"Pity Kurz Pacha drinks so abominably. He quite forgets what he's saying!"

I suppose he does, if Mrs. P. says so; but he seems to know well enough all the time: as he did that evening in the library at Mrs. Potiphar's, when he drew Cerulea Ba.s.s to the book-shelves, and began to dispute about a line in Milton, and then suddenly looking up at the books, said--

"Ah! there's Milton; now we'll see." But when he opened the case, which was foolishly left unlocked, he took down only a bit of wood, bound in blue morocco, which he turned slowly over, so that everybody saw it, and then quietly returned it to the shelf saying only--

"I beg pardon."

Old Pot, as Mrs. P. calls him, happened to be pa.s.sing at the moment, and cried out in his brusque way--

"Oh! I haven't laid in my books yet. Those are only samples--pattern-cards, you know. I don't believe you'll find there a single book that a gentleman's library shouldn't be without. I got old Vellum to do the thing up right, you know. I guess he knows about the books to buy. But I've just laid in some claret that you'll like, and I've got a sample of the Steinberg. Old Corque understands that kind of thing, if anybody does." And the two gentlemen went off to try the wine.

I am astonished that a man of Kurz Pacha's tact should have opened the book-case. People have no right to suppose that the pretty bindings on one's shelves are books. Why, they might as well insist upon trying if the bloom on one's cheek, or the lace on one's dress, or, in fact, one's figure, were real. Such things are addressed to the eye. No gentleman uses his hands in good society. I've no doubt they were originally put into gloves to keep them out of mischief.

I am as bad as dear Mrs. Potiphar about coming to the point of my story. But the truth is, that in such engrossing places as Saratoga and Newport, it is hardly possible to determine which is the pleasantest and most important thing among so many. I am so fond of that old, droll Kurz Pacha, that if I begin to talk about him I forget everything else. He says such nice things about people that n.o.body else would dare to say, and that everybody is so glad to hear. He is invaluable in society. And yet one is never safe. People say he isn't gentlemanly; but when I see the style of man that is called gentlemanly, I am very glad he is not. All the solemn, pompous men who stand about like owls, and never speak, nor laugh, nor move, as if they really had any life or feeling are called "gentlemanly." Whenever Tabby says of a new man--"But then he is so gentlemanly!" I understand at once. It is another case of the well-dressed wooden image. Good heavens! do you suppose Sir Philip Sidney, or the Chevalier Bayard or Charles Fox, were "gentlemanly" in this way?

Confectioners who undertake parties might furnish scores of such gentlemen, with hands and feet of any required size, and warranted to do nothing "ungentlemanly." For my part, I am inclined to think that a gentleman is something positive, not merely negative. And if sometimes my friend the Pacha says a rousing and wholesome truth, it is none the less gentlemanly because it cuts a little. He says it's very amusing to observe how coolly we play this little farce of life,--how placidly people get entangled in a mesh at which they all rail, and how fiercely they frown upon anybody who steps out of the ring. "You tickle me and I'll tickle you; but at all events, you tickle me," is the motto of the crowd.

"_Allons!_" says he, "who cares? lead off to the right and left--down the middle and up again. Smile all round, and bow gracefully to your partner; then carry your heavy heart up chamber, and drown in your own tears. Cheerfully, cheerfully, my dear Miss Minerva.--Saratoga until August, then Newport till the frost, the city afterwards; and so an endless round of happiness."

And he steps off humming _Il segreto per esser felice!_

Well, we were all sitting in the great drawing-room at the "United States." We had been bowling in our morning dresses, and had rushed in to ascertain if the distinguished English party had arrived. They had not. They were in New York, and would not come. That was bad, but we thought of Newport and probable scions of n.o.bility there, and were consoled. But while we were in the midst of the talk, and I was whispering very intimately with that superb and aristocratic Nancy Fungus, who should come in but father, walking towards us with a wearied air, dragging his feet along, but looking very well dressed for him. I smiled sweetly when I saw that he was quite presentable, and had had the good sense to leave that odious white hat in his room, and had b.u.t.toned his waistcoat. The party stopped talking as he approached; and he came up to me.

"Minna, my dear," said he, "I hear everybody is going to Newport.

"Oh! yes, dear father," I replied, and Nancy Fungus smiled. Father looked pleased to see me so intimate with a girl he always calls "so aristocratic and high-bred looking," and he said to her--

"I believe your mother is going, Miss Fungus?"

"Oh! yes, we always go," replied she, "one must have a few weeks at Newport."

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The Potiphar Papers Part 6 summary

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