Our Mr. Wrenn: The Romantic Adventures of a Gentle Man Part 14

Mr. Wrenn drooped out of the corridor. He had planned to see the Tate Gallery, but now he hadn't the courage to face the difficulties of enjoying pictures. He zig-zagged home, mourning: "What's the use. And I'll be hung if I'll try any other offices, either. The icy mitt, that's what they hand you here.

Some day I'll go down to the docks and try to s.h.i.+p there.

Prob'ly. Gee! I feel rotten!"

Out of all this fog of unfriendliness appeared the waitress at the St. Brasten Cocoa House; first, as a human being to whom he could talk, second, as a woman. She was ignorant and vulgar; she misused English cruelly; she wore greasy cotton garments, planted her large feet on the floor with firm clumsiness, and always laughed at the wrong cue in his diffident jests. But she did laugh; she did listen while he stammered his ideas of meat-pies and St. Paul's and aeroplanes and Sh.e.l.ley and fog and tan shoes. In fact, she supposed him to be a gentleman and scholar, not an American.

He went to the cocoa-house daily.

She let him know that he was a man and she a woman, young and kindly, clear-skinned and joyous-eyed. She touched him with warm elbow and plump hip, leaning against his chair as he gave his order. To that he looked forward from meal to meal, though he never ceased harrowing over what he considered a shameful intrigue.

That opinion of his actions did not keep him from tingling one lunch-time when he suddenly understood that she was expecting to be tempted. He tempted her without the slightest delay, muttering, "Let's take a walk this evening?"

She accepted. He was s.h.i.+very and short of breath while he was trying to smile at her during the rest of the meal, and so he remained all afternoon at the Tower of London, though he very well knew that all this history--"kings and gwillotines and stuff"--demanded real Wrenn thrills.

They were to meet on a street-corner at eight. At seven-thirty he was waiting for her. At eight-thirty he indignantly walked away, but he hastily returned, and stood there another half-hour. She did not come.

When he finally fled home he was glad to have escaped the great mystery of life, then distressingly angry at the waitress, and desolate in the desert stillness of his room.

He sat in his cold hygienic uncomfortable room on Tavistock Place trying to keep his attention on the "tick, tick, tick, tick" of his two-dollar watch, but really cowering before the vast shadowy presences that slunk in from the hostile city.

He didn't in the least know what he was afraid of. The actual Englishman whom he pa.s.sed on the streets did not seem to threaten his life, yet his friendly watch and familiar suit-case seemed the only things he could trust in all the menacing world as he sat there, so vividly conscious of his fear and loneliness that he dared not move his cramped legs.

The tension could not last. For a time he was able to laugh at himself, and he made pleasant pictures--Charley Carpenter telling him a story at Drubel's; Morton companionably smoking on the top deck; Lee Theresa flattering him during an evening walk.

Most of all he pictured the brown-eyed sweetheart he was going to meet somewhere, sometime. He thought with soph.o.m.oric shame of his futile affair with the waitress, then forgot her as he seemed almost to touch the comforting hand of the brown-eyed girl.

"Friends, that's what I want. You bet!" That was the work he was going to do--make acquaintances. A girl who would understand him, with whom he could trot about, seeing department-store windows and moving-picture shows.

It was then, probably, hunched up in the dowdy chair of faded upholstery, that he created the two phrases which became his formula for happiness. He desired "somebody to go home to evenings"; still more, "some one to work with and work for."

It seemed to him that he had mapped out his whole life. He sat back, satisfied, and caught the sound of emptiness in his room, emphasized by the stilly tick of his watch.

"Oh--Morton--" he cried.

He leaped up and raised the window. It was raining, but through the slow splash came the night rattle of hostile London. Staring down, he studied the desolate circle of light a street-lamp cast on the wet pavement. A cat gray as dish-water, its fur worn off in spots, lean and horrible, sneaked through the circle of light like the spirit of unhappiness, like London's sneer at solitary Americans in Russell Square rooms.

Mr. Wrenn gulped. Through the light skipped a man and a girl, so little aware of him that they stopped, laughingly, wrestling for an umbrella, then disappeared, and the street was like a forgotten tomb. A hansom swung by, the hoofbeats sharp and cheerless. The rain dripped. Nothing else. Mr. Wrenn slammed down the window.

He smoothed the sides of his suit-case and reckoned the number of miles it had traveled with him. He spun his watch about on the table, and listened to its rapid mocking speech, "Friends, friends; friends, friends."

Sobbing, he began to undress, laying down each garment as though he were going to the scaffold. When the room was dark the great shadowy forms of fear thronged unchecked about his narrow dingy bed.

Once during the night he woke. Some sound was threatening him.

It was London, coming to get him and torture him. The light in his room was dusty, mottled, gray, lifeless. He saw his door, half ajar, and for some moments lay motionless, watching stark and bodiless heads thrust themselves through the opening and withdraw with sinister alertness till he sprang up and opened the door wide.

But he did not even stop to glance down the hall for the crowd of phantoms that had gathered there. Some hidden manful scorn of weakness made him sneer aloud, "Don't be a baby even if you _are_ lonely."

His voice was deeper than usual, and he went to bed to sleep, throwing himself down with a coa.r.s.e wholesome scorn of his nervousness.

He awoke after dawn, and for a moment curled in happy wriggles of satisfaction over a good sleep. Then he remembered that he was in the cold and friendless prison of England, and lay there panting with desire to get away, to get back to America, where he would be safe.

He wanted to leap out of bed, dash for the Liverpool train, and take pa.s.sage for America on the first boat. But perhaps the officials in charge of the emigrants and the steerage (and of course a fellow would go steerage to save money) would want to know his religion and the color of his hair--as bad as trying to s.h.i.+p. They might hold him up for a couple of days. There were quarantines and customs and things, of which he had heard.

Perhaps for two or even three days more he would have to stay in this nauseating prison-land.

This was the morning of August 3, 1910, two weeks after his arrival in London, and twenty-two days after victoriously reaching England, the land of romance.

CHAPTER VII

HE MEETS A TEMPERAMENT

Mr. Wrenn was sulkily breakfasting at Mrs. Cattermole's Tea House, which Mrs. Cattermole kept in a genteel fas.h.i.+on in a bas.e.m.e.nt three doors from his rooming-house on Tavistock Place.

After his night of fear and tragic portents he resented the general flowered-paper-napkin aspect of Mrs. Cattermole's establishment. "Hungh!" he grunted, as he jabbed at the fringed doily under the silly pink-and-white tea-cup on the green-and-white lacquered tray brought him by a fat waitress in a frilly ap.r.o.n which must have been made for a Christmas pantomime fairy who was not fat. "Hurump!" he snorted at the pictures of lambs and radishes and cathedrals and little duckies on Mrs. Cattermole's pink-and-white wall.

He wished it were possible--which, of course, it was not--to go back to the St. Brasten Cocoa House, where he could talk to the honest flat-footed galumping waitress, and cross his feet under his chair. For here he was daintily, yes, daintily, studied by the tea-room habitues--two bouncing and talkative daughters of an American tourist, a slender pale-haired English girl student of a.s.syriology with large top-barred eye-gla.s.ses over her protesting eyes, and a sprinkling of people living along Tavistock Place, who looked as though they wanted to know if your opinions on the National Gallery and abstinence were sound.

His disapproval of the lambiness of Mrs. Cattermole's was turned to a feeling of comrades.h.i.+p with the other patrons as he turned, with the rest, to stare hostilely at a girl just entering. The talk in the room halted, startled.

Mr. Wrenn gasped. With his head solemnly revolving, his eyes followed the young woman about his table to a table opposite.

"A freak! Gee, what red hair!" was his private comment.

A slender girl of twenty-eight or twenty-nine, clad in a one-piece gown of sage-green, its lines unbroken by either belt or collar-brooch, fitting her as though it had been pasted on, and showing the long beautiful sweep of her fragile thighs and long-curving breast. Her collar, of the material of the dress, was so high that it touched her delicate jaw, and it was set off only by a fine silver chain, with a La Valliere of silver and carved Burmese jade. Her red hair, red as a poinsettia, parted and drawn severely back, made a sweep about the fair dead-white skin of her bored sensitive face. Bored blue-gray eyes, with pathetic crescents of faintly violet-hued wrinkles beneath them, and a scarce noticeable web of tinier wrinkles at the side.

Thin long cheeks, a delicate nose, and a straight strong mouth of thin but startlingly red lips.

Such was the new patron of Mrs. Cattermole.

She stared about the tea-room like an officer inspecting raw recruits, sniffed at the stare of the thin girl student, ordered breakfast in a low voice, then languidly considered her toast and marmalade. Once she glanced about the room. Her heavy brows were drawn close for a second, making a deep-cleft wrinkle of ennui over her nose, and two little indentations, like the impressions of a box corner, in her forehead over her brows.

Mr. Wrenn's gaze ran down the line of her bosom again, and he wondered at her hands, which touched the heavy bread-and-b.u.t.ter knife as though it were a fine-point pen. Long hands, colored like ivory; the joint wrinkles etched into her skin; orange cigarette stains on the second finger; the nails--

He stared at them. To himself he commented, "Gee! I never did see such freak finger-nails in my life." Instead of such smoothly rounded nails as Theresa Zapp displayed, the new young lady had nails narrow and sharp-pointed, the ends like little triangles of stiff white writing-paper.

As she breakfasted she scanned Mr. Wrenn for a second. He was too obviously caught staring to be able to drop his eyes. She studied him all out, with almost as much interest as a policeman gives to a pa.s.sing trolley-car, yawned delicately, and forgot him.

Though you should penetrate Greenland or talk anarchism to the daughter of a millionaire grocer, never shall you feel a more devouring chill than enveloped Mr. Wrenn as the new young lady glanced away from him, paid her check, rose slithily from her table, and departed. She rounded his table; not stalking out of its way, as Theresa would have done, but bending from the hips.

Thus was it revealed to Mr. Wrenn that--

He was almost too horrified to put it into words.... He had noticed that there was something kind of funny in regard to her waist; he had had an impression of remarkably smooth waist curves and an unjagged sweep of back. Now he saw that--It was unheard of; not at all like Lee Theresa Zapp or ladies in the Subway. For--the freak girl wasn't wearing corsets!

When she had pa.s.sed him he again studied her back, swiftly and covertly. No, sir. No question about it. It couldn't be denied by any one now that the girl was a freak, for, charitable though Our Mr. Wrenn was, he had to admit that there was no sign of the midback ridge and little rounded k.n.o.bbinesses of corseted respectability. And he had a closer view of the texture of her sage-green crash gown.