Seeing Europe with Famous Authors Volume IV Part 9

BY GRANT ALLEN

Flanders owes everything to its water communications. At the junction of the Schelde with the Lys and Lei, there grew up in the very early Middle Ages a trading town, named Gent in Flemish, and Gand in French, but commonly Anglicized as Ghent. It lay on a close network of rivers and ca.n.a.ls, formed partly by these two main streams, and partly by the minor channels of the Lieve and the Moere, which together intersect it into several islands.

Such a tangle of inland waterways, giving access to the sea and to Bruges, Courtrai, and Tournai, as well as less directly to Antwerp and Brussels, ensured the rising town in early times considerable importance. It formed the center of a radiating commerce. Westward, its main relations were with London and English wool ports; eastward with Cologne, Maastricht, the Rhine towns, and Italy.

Ghent was always the capital of East Flanders, as Bruges or Ypres were of the Western province; and after the Counts lost possession of Arras and Artois, it became in the thirteenth century their princ.i.p.al residence and the metropolis of the country....

Early in the fourteenth century, the burghers of Ghent, under their democratic chief, Jacob or Jacques Van Artevelde, attained practical independence. Till 1322, the counts and people of Flanders had been united in their resistance to the claims of France; but with the accession of Count Louis of Nevers, the aspect of affairs changed.

Louis was French by education, sympathies, and interests, and artistocratic by nature; he sought to curtail the liberties of the Flemish towns, and to make himself despotic. The wealthy and populous burgher republics resisted and in 1337 Van Artevelde was appointed Captain of Ghent. Louis fled to France and asked the aid of Philip of Valois.

Thereupon, Van Artevelde made himself the ally of Edward III. of England, then beginning his war with France; but as the Flemings did not like entirely to cast off their allegiance--a thing repugnant to medieval sentiment--Van Artevelde persuaded Edward to put forward his trumped-up claim to the crown of France, and thus induced the towns to transfer their fealty from Philip to his English rival. It was therefore in his character as King of France that Edward came to Flanders. The alliance thus formed between the great producer of raw wool, England, and the great manufacturer of woolen goods, Ghent, proved of immense importance to both parties.

But as Count Louis sided with Philip of Valois, the breach between the democracy of Ghent and its nominal soverign now became impa.s.sable. Van Artevelde held supreme power in Ghent and Flanders for nine years--the golden age of Flemish commerce--and was treated on equal terms by Edward, who stopt at Ghent as his guest for considerable periods. But he was opposed by a portion of the citizens, and his suggestion that the Black Prince, son of Edward III., should be elected Count of Flanders, proved so unpopular with his enemies that he was a.s.sa.s.sinated by one of them, Gerald Denys. The town and states immediately repudiated the murder; and the alliance which Van Artevelde had brought about still continued. It had far-reaching results; the woolen industry was introduced by Edward into the Eastern Counties of England, and Ghent had risen meanwhile to be the chief manufacturing city of Europe.

The quarrel between the democratic weavers and their exiled counts was still carried on by Philip van Artevelde, the son of Jacques, and G.o.dson of Queen Philippa of England, herself a Hainaulter. Under his rule, the town continued to increase in wealth and population. But the general tendency of later medieval Europe toward centralized despotisms as against urban republics was too strong in the end for free Ghent. In 1381, Philip was appointed dictator by the democratic party, in the war against the Count, son of his father's opponent, whom he repelled with great slaughter in a battle near Bruges.

He then made himself Regent of Flanders. But Count Louis obtained the aid of Charles VI. of France, and defeated and killed Philip van Artevelde at the disastrous battle of Roosebeke in 1382. That was practically the end of local freedom in Flanders. Tho the cities continued to revolt against their sovereigns from time to time, they were obliged to submit for the most part to their Count and to the Burgundian princes who inherited from him by marriage.

The subsequent history of Ghent is that of the capital of the Burgundian Dukes, and of the House of Austria. Here the German king, Maximilian, afterward Emperor, married Mary of Burgundy, the heiress of the Netherlands; and here Charles V. was born in the palace of the Counts. It was his princ.i.p.al residence, and he was essentially a Fleming....

The real interest of the Cathedral centers, not in St. Bavon, nor in his picture by Rubens, but in the great polyptych of the Adoration of the Lamb, the masterpiece of Jan van Eyck and his brother Hubert, which forms in a certain sense the point of departure for the native art of the Netherlands....

Stand before the west front at a little distance, to examine the simple but ma.s.sive architecture of the tower and facade. The great portal has been robbed of the statues which once adorned its niches.

Three have been "restored"; they represent, center, the Savior; at the left, the patron, St. Bavon, recognizable by his falcon, his sword as duke, and his book as monk; he wears armor, with a ducal robe and cap above it; at the right, St. John the Baptist, the earlier patron.

Then, walk to the right, round the south side, to observe the external architecture of the nave, aisles and choir. The latter has the characteristic rounded or apsidal termination of Continental Gothic, whereas English Gothic usually has a square end. Enter by the south portal.

The interior, with single aisles and short transepts (Early Gothic) is striking for its simple dignity, its ma.s.sive pillars, and its high arches, tho the undeniably n.o.ble effect of the whole is somewhat marred to English eyes by the unusual appearance of the unadorned brick walls and vaulting. The pulpit, by Delvaux (1745), partly in oak, partly in marble, represents Truth revealing the Christian Faith to astonished Paganism, figured as an old and outworn man. It is a model of all that should be avoided in plastic or religious art.

The screen which separates the choir from the transepts is equally unfortunate. The apsidal end of the Choir, however, with its fine modern stained gla.s.s, forms a very pleasing feature in the general coup d'oeil....

The sixth chapel (of the Vydts family) contains the famous altar piece of the Adoration of the Lamb, by Hubert and Jan van Eyck, to study which is the chief object of a visit to Ghent. See it more than once, and examine it carefully. Ask the sacristan to let you sit before it for some time in quiet or he will hurry you on. You must observe it in close detail. Taking it in its entirety, then, the altar-piece, when opened, is a great mystical poem of the Eucharist and the Sacrifice of the Lamb, with the Christian folk, both Church and World, adoring. The composition contains over 200 figures. Many of them, which I have not here identified, can be detected by a closer inspection, which, however, I will leave to the reader.

Now, ask the sacristan to shut the wings. They are painted on the outer side (all a copy) mainly in grisaille, or in very low tones of color, as is usual in such cases, so as to allow the jewel-like brilliancy of the internal picture to burst upon the observer the moment the altar-piece is opened.

Old Ghent occupied for the most part the island which extends from the Palais de Justice on one side to the Botanical Gardens on the other.

This island, bounded by the Lys, the Schelde, and an ancient ca.n.a.l, includes almost all the princ.i.p.al buildings of the town, such as the Cathedral, St. Nicholas, the Hotel-de-Ville, the Belfry, and St.

Jacques, as well as the chief Places, such as the Marche aux Grains, the Marche aux Herbes, and the Marche du Vendredi. It also extends beyond the Lys to the little island on which is situated the church of St. Michael, and again to the islet formed between the Lieve and the Lys, which contains the chateau of the Counts and the Palace Ste.

Pharailde.

In the later middle ages, however, the town had spread to nearly its existing extreme dimensions, and was probably more populous than at the present moment. But its ancient fortifications have been destroyed and their place has been taken by boulevards and ca.n.a.ls. The line may still be traced on the map, or walked round through a series of s.h.i.+pping suburbs; but it is uninteresting to follow, a great part of its course lying through the more squalid portions of the town.

The only remaining gate is that known as the Rabot (1489), a very interesting and picturesque object situated in a particularly slummy quarter.

Bruges is full of memories of the Burgundian Princes. At Ghent it is the personality of Charles V., the great emperor who c.u.mulated in his own person the sovereignties of Germany, the Low Countries, Spain and Burgundy, that meets us afresh at every turn. He was born here in 1500 and baptized in a font, otherwise uninteresting, which still stands in the north transept of the Cathedral. Ghent was really, for the greater part of his life, his practical capital, and he never ceased to be at heart a Ghenter.

That did not prevent the citizens from unjustly rebelling against him in 1540, after the suppression of which revolt Charles is said to have ascended the cathedral tower, while the executioner was putting to death the ringleaders in the rebellion, in order to choose with his brother Ferdinand the site for the citadel he intended to erect, to overawe the freedom loving city. He chose the Monastery of St. Bavon as its site, and, as we have seen, built there his colossal fortress, now wholly demolished. The palace in which he was born and which he inhabited frequently during life, was known as the Cour du Prince. It stood near the Ancient Grand Beguinage, but only its name now survives in that of a street.

BRUSSELS[A]

[Footnote A: From "The Belgians at Home." Published by Little, Brown & Co.]

BY CLIVE HOLLAND

The great commercial and material prosperity of the place dates from the commencement of the rule of the House of Burgundy. It was then, in the fifteenth century, that the most beautiful of its many fine buildings were erected. The Church of St. Michael and St. Gudule has its great nave and towers dating from this period; the Hotel de Ville, Notre Dame du Sablon, the Na.s.sau Palace, the Palace of the Dukes of Brabant, and many other buildings were commenced then. Manufactures and commerce commenced to flourish, while the liberties of the munic.i.p.ality were extended considerably.

It was undoubtedly under the rule of Charles V. that Brussels reached its zenith of ancient prosperity. Then, with the era of Philip II. of Spain, came a long period of bloodshed, persecution, and misery. The religious disputes and troubles afflicting the Netherlands had their effect upon the life, prosperity, and happiness of the Bruxellois. The whole country was running with blood, and ruin stalked through the land. But during this tragic period of Netherlands' history Brussels saw several glorious events, and did as a city more than one n.o.ble deed. It was in Brussels that the compromise of the n.o.bles took place, after which those who were rebelling against the cruelties of the Inquisition were given the name of "Gueux," which had been bestowed upon them contemptuously by the Comte de Barlaimont.... It was Brussels which led the revolt against the most bloodthirsty of the rulers sent to the Netherlands by Spain, the Duke of Alva, and successfully resisted the imposition of the notorious "twentieth denier" tax which it was sought to impose upon it, a tax which led ultimately to the revolt of the whole of the Belgian provinces.

Certainly this ancient capital of the Province of Brabant, containing nowadays with its suburbs a population of upward of 600,000, which has quadrupled in sixty years, has come to take its place among the most beautiful and charming capital cities of Europe. It is undoubtedly healthy, and there is an engaging air about Brussels which soon impresses itself upon the foreign visitor. Added to all its many attractions of interesting museums--the homes of wonderful and in some cases unrivaled collections of works of art--and of historical a.s.sociations with the past, it possesses the charm of being modern in the best sense and of being a place where one may find much that is finest in art and music. As a home of fas.h.i.+on it bids fair some day to rival Paris herself, and the shops of the Montagne de la Cour, Boulevard Ans.p.a.ch, and contiguous streets are scarcely less luxurious or exclusive than those of the Rue de la Paix or Boulevard des Italiens in the French capital. Brussels is a city of shady boulevards, open s.p.a.ces, and pleasant parks as is Paris; and the beautiful Bois de la Cambre on its outskirts compares very favorably with the world-renowned Bois de Boulogne as regards rural charm and picturesqueness.

One impression that Brussels is almost certain to make upon the visitor is its compactness. Its population, including the outskirts, is nowadays rather over 600,000; but it is almost impossible to realize that nearly one-eleventh of the whole population of Belgium is concentrated in this one city, or, as might be said, in Greater Brussels. Perhaps the real reason of this apparent lack of size is because there are in reality two cities, Brussels interior and Brussels exterior. The one with a population of about 225,000; the latter with one of about 375,000. It is with the former, of course, that the tourist and casual visitor are chiefly concerned.

The outlying suburbs are, however, connected with the city proper by a splendid system of steam, electric, and other trams. In fact, it may be said that Brussels is in a sense surrounded by a group of small towns, which tho forming part of the great city are yet independent, and are governed very much like the various boroughs which make up Greater London, Curhegem, St. Gilles, Ixelles, St. Josse, Ten Noodle, Molenbeek, St. Jean, and Schaerbeek, still further out, are all in a sense separate towns, seldom visited by, and indeed almost unknown to the tourist.

The most fas.h.i.+onable quarters for residences of the wealthy cla.s.ses are the broad and beautiful Avenue Louise and the streets and avenues of the Quartier Leopold. They in a sense correspond to the Avenue du Bois de Boulogne, Avenue des Champs elysees, and Boulevard St. Germain of Paris. There is another feature, too, that modern Brussels has in common with Paris of the immediate past and of to-day. It is being "Haussmannized," and the older and more quaint and interesting portions of the city, as has been and is the case in Paris, are gradually but surely disappearing to make way for the onward march of progress and expansion. Almost on every hand, and especially in the Porte de Namur Quarter, old buildings are constantly falling victims to the house-wrecker, and new, in the shape of handsome mansions and lofty blocks of flats, are arising from their ashes.

The last thirty--even twenty--years have seen many changes. During that period the sluggish little River Senne, which once meandered through the city, and upon whose banks stood many fine and picturesque old houses and buildings of past ages, has been arched over, and the fine Boulevard of the same name, and those of Hainaut and Ans.p.a.ch, have been built above its imprisoned waters. The higher portions of the city are undeniably healthy, and the climate of Brussels is less subject to extreme changes than that of Paris. It is not unbearably cold in winter, and tho hot in summer, is not so, we think, airless as either Paris or London, a fact accounted for by reason of its many open s.p.a.ces, its height above sea-level, and comparative nearness to the North Sea.

Of its fine buildings, none excels the Hotel de Ville, which is certainly one of the most interesting and beautiful buildings of its kind in Belgium. It is well placed on one of the finest medieval squares in Europe, and is surrounded by quaint and historic houses. On this Grande Place many tragedies have from time to time been enacted, and some of the most ferocious acts of the inhuman Alva performed.

In the spring of the terrible year, 1568, no less than twenty-five Flemish n.o.bles were executed here, and in the June of the same year the patriots Lamoral, Count Egmont, Philip de Montmorency, and Count Hoorn were put to death. This atrocious deed is commemorated by a fountain with statues of the heroes, placed in front of the Maison du Roi, from a window of which the Duke of Alva watched his orders carried out.

This most beautiful Hotel de Ville, with its late Gothic facade approaching the Renaissance period, nearly 200 feet in length, was commenced, according to a well-known authority, either in 1401 or 1402, the eastern wing, or left-hand portion as one faces it across the Place, having been the first part to be commenced, the western half of the facade not having been begun until 1444. The later additions formed the quadrangle.

The Cathedral at Brussels is dedicated jointly to Ste. Gudule and St.

Michael. The former is one of the luckiest saints in that respect, as probably but for this dedication, she would have remained among the many rather obscure saints of the early periods of Christianity.

It is to this church that most visitors to Brussels first wend their way after visiting the Grande Place and its delightful Flower Market, which is gay with blossoms on most days of the week all the year round. The natural situation of the church is a fine one, which was made the most of by its architects and builders of long ago. Standing, as it does, on the side of a hill reached from the Grande Place by the fine Rue de la Montagne and short, steep Rue Ste. Gudule, it overlooks the city with its two fine twin western towers dominating the neighboring streets. These towers have appeared to us when viewed up the Rue Ste. Gudule and other streets leading up from the lower town to the church, generally to be veiled by a mystic gray or ambient haze, and to gain much in impressiveness and grandeur from the coup d'oeil one obtains of them framed, as it were, in the end of the rising street.

WATERLOO[A]

[Footnote A: From "Les Miserables." Translated by Lascelles Wraxall.]

BY VICTOR HUGO

The battle of Waterloo is an enigma as obscure for those who gained it as for him who lost it. To Napoleon it is a panic; Blucher sees nothing in it but fire; Wellington does not understand it at all.

Look at the reports; the bulletins are confused; the commentaries are entangled; the latter stammer, the former stutter.

Jomini divides the battle of Waterloo into four moments; m.u.f.fing cuts it into three acts; Charras, altho we do not entirely agree with him in all his appreciations, has alone caught with his haughty eye the characteristic lineaments of this catastrophe of human genius contending with divine chance. All the other historians suffer from a certain bedazzlement in which they grope about. It was a flas.h.i.+ng day, in truth the overthrow of the military monarchy which, to the great stupor of the kings, has dragged down all kingdoms, the downfall of strength and the rout of war....

In this event, which bears the stamp of superhuman necessity, men play but a small part; but if we take Waterloo from Wellington and Blucher, does that deprive England and Germany of anything? No. Neither ill.u.s.trious England nor august Germany is in question in the problem of Waterloo, for, thank heaven! nations are great without the mournful achievements of the sword. Neither Germany, nor England, nor France is held in a scabbard; at this day when Waterloo is only a clash of sabers, Germany has Goethe above Blucher, and England has Byron above Wellington. A mighty dawn of ideas is peculiar to our age; and in this dawn England and Germany have their own magnificent flash. They are majestic because they think; the high level they bring to civilization is intrinsic to them; it comes from themselves, and not from an accident. Any aggrandizement the nineteenth century may have can not boast of Waterloo as its fountainhead; for only barbarous nations grow suddenly after a victory--it is the transient vanity of torrents swollen by a storm. Civilized nations, especially at the present day, are not elevated or debased by the good or evil fortune of a captain, and their specific weight in the human family results from something more than a battle. Their honor, dignity, enlightenment, and genius are not numbers which those gamblers, heroes and conquerors, can stake in the lottery of battles. Very often a battle lost is progress gained, and less of glory, more of liberty. The drummer is silent and reason speaks; it is the game of who loses wins. Let us, then, speak of Waterloo coldly from both sides, and render to chance the things that belong to chance, and to G.o.d what is G.o.d's. What is Waterloo--a victory? No; a prize in the lottery, won by Europe, and paid by France; it was hardly worth while erecting a lion for it.