Venus on the Half-Shell Part 1

VENUS ON THE HALF-Sh.e.l.l.

BY KILGORE TROUT.

Biographical Sketch

Kilgore Trout was born in 1907 of American parents on the British island of Bermuda. Trout attended grammar school there until his father's job with the Royal Ornithological Society terminated. The family moved to Dayton, Ohio, where Trout graduated from Thomas Jefferson High School in 1924. Thereafter, he wandered around the country, working at menial low-paying jobs and writing science-fiction in his spare time. His only known residences during this period are Hyannis, Ma.s.s., Indianapolis, Ind., and Ilium and Cohoes, N.Y.

He has been married and divorced three times and has one child, Leo, a veteran of Vietnam.

As of 1974, Trout has written one hundred seven-teen novels and two thousand short stories. Yet until recently he was little known. This regrettable situation is due to Trout's extreme reclusivity and his indiffer-ence to the publication of his stories. He was ill-ad-vised in his choice of publishers, the chief one, World Cla.s.sics Library, being a firm specializing in p.o.r.no-graphic novels and magazines. This ensured that his works would be distributed only to stores specializing in this genre. Yet Trout's work, with one exception, contained no explicitly erotic content. Without Trout's permission or knowledge, World Cla.s.sics Li-brary put lurid covers on his novels and used his short stories as fillers in "girlie" magazines.

In the past few years, however, his fiction has come to the attention of some notable critics and writers in both mainstream and science-fiction. It has been praised for its high imagination and Swiftean satire. Professor Pierre Versins, for instance, in his ma.s.sive study, Encyclopedie de I'Utopie, des Voyages Extraordinaires, et de la Science Fiction, Editions l'Age d'Homme, S.A., Lausanne, Switzerland, 1973, says of Trout, "A thesis on the too neglected works of this au-thor would be most welcome."

This is true, but the task of collecting his entire cor-pus of works is formidable. Even the wealthiest and most indefatigable of collectors cannot boast that they have all of Trout's stories. Venus on the Half-Sh.e.l.l is so rare that its only known possessor required pay-ment of several thousand dollars for its purchase by Dell Publis.h.i.+ng Company.

However, as one prominent writer has predicted, Trout's career is on the upswing. Dell is proud to be the first to launch Kilgore Trout into the literary mainstream. That the author is no longer indifferent to his brain-children is shown by his insistence on rewriting Venus on the Half-Sh.e.l.l, updating it some-what, and expanding the character of Chworktap.

-The Editor

CHAPTER 1.

The Legend of the s.p.a.ce Wanderer Go, traveler.

Go anywhere. The universe is a big place, perhaps the biggest. No matter.

Wherever you land, you'll hear of Simon Wagstaff, the s.p.a.ce Wanderer.

Even on planets where he has never appeared, his story is sung in ballads and told in s.p.a.ceport taverns. Legend and folklore have made him a popular figure throughout the ten billion inhabitable planets, and he is the hero of TV series on at least a million, ac-cording to the latest count.

The s.p.a.ce Wanderer is an Earthman who never grows old. He wears Levis and a shabby gray sweater with brown leather elbow patches. On its front is a huge monogram: SW. He has a black patch over his left eye. He always carries an atomic-powered electri-cal banjo. He has three constant companions: a dog, an owl, and a female robot. He's a sociable gentle creature who never refuses an autograph. His only fault, and it's a terrible one, is that he asks questions no one can answer. At least, he did up to a thousand years ago, when he disappeared.

This is the story of his quest and why he is no long-er seen in the known cosmos.

Oh, yes, he also suffers from an old wound in his posterior and thus can't sit down long. Once, he was asked how it felt to be ageless.

He replied, "Immortality is a pain in the a.s.s."

CHAPTER 2.

It Always Rains on Picnics.

Making love on a picnic is nothing new. But this was on top of the head of the Sphinx of Giza.

Simon Wagstaff was not enjoying it one hundred percent. Ants, always present at any outdoor picnic anywhere, were climbing up his legs and b.u.t.tocks. One had even gotten caught where n.o.body but Simon had any business being. It must have thought it had fallen down between the piston and cylinder of an old-fas.h.i.+oned automobile motor.

Simon was persevering, however. After a while, he and his fiancee rolled over and lay panting and staring up at the Egyptian sky.

"That was good, wasn't it?" Ramona Uhuru said.

"It certainly wasn't run of the mill," Simon said. "Come on: We'd better get our clothes on before some tourists come up here."

Simon stood up and put on his black Levis, baggy gray sweats.h.i.+rt, and imitation camel-leather sandals. Ramona slid into her scarlet caftan and opened the picnic basket. This was full of goodies, including a bottle of Ethiopian wine: Carbonated Lion of Judah.

Simon thought about telling her about the ant. But if it was still running-or limping-around, she'd be the first to know it.

Simon was a short stocky man of thirty. He had thick curly chestnut hair, pointed ears, thick brown eyebrows, a long straight thin nose, and big brown eyes that looked ready to leak tears. He had thin lips and thick teeth which somehow became a beautiful combination when he smiled.

Ramona was also short and stocky. But she had big black sheep-dog eyes and a voice as soft as a puppy's tail. Like the tail, it seldom quit wagging. This was all right with Simon. If she was a compulsive talker, she made up for it by not being a compulsive listener. Si-mon was a compulsive questioner but he didn't ask Ramona for answers because he knew she didn't have them. Ramona couldn't be blamed for this. n.o.body else could answer them either.

Ramona, talking about something or other, smoothed out the Navajo blanket made in j.a.pan. Ramona had been made in Memphis (Egypt, not Ten-nessee), though her parents were Balinese and Kenyan.

Simon had been made during his parents' honey-moon in Madagascar. His father was part-Greek, part-Irish Jew, a musical critic who wrote under the name of K.

Kane. Everybody thought, with good rea-son, that the K. stood for Killer. He had married a beautiful Ojibway Indian mezzo-soprano who sang under the name of Minnehaha Langtry. The air-con-ditioning had broken down on their wedding night, and they attributed Simon's shortcomings to the in-clement conditions in which he had been conceived. Simon attributed them to his eight months in a plastic womb. His mother had not wanted to spoil her figure, so he had been removed from her womb and put in a cylinder connected to a machine. Simon had under-stood why his mother had done this. But he could not forgive her for later going on an eating jag and gain-ing sixty pounds. If she was going to become obese anyway, why hadn't she kept him where he belonged?

It was, however, no day for brooding on childhood hurts. The sky was as blue as a baby's veins, and the breeze was air-conditioning the outdoors. To the north, the reconst.i.tuted pyramids of Cheops and Chephren testified that the ancient Egyptians had really known how to put it all together. East, across the Nile, the white towers of Cairo with their TV anten-nas said up-yours to the heavens. But they'd pay that day for their arrogance.

Below him, tourists and visitors from distant plan-ets wandered around among the hot dog, beer, and curio stands. Among them were the giant tripods of Arcturus, sneering at the things that Terrestrials called ancient. Their oldest buildings were one hun-dred thousand years old, built over ruins twice that age. The Earthmen didn't mind this because Arcturans looked so laughable when they sneered, twirling their long genitals as if they were key-chains. It was when an Arcturan praised that Earthmen became of-fended. The Arcturan would lift one of his tripods and spray the praisee with a liquid that smelled like rotten onions.

A lot of Terrestrials had had to smile and take this, especially ministers of state. But these got what was referred to as a P.O. bonus.

Everything usually evens out.

Or so Simon Wagstaff thought on that fine day.

He picked up the guidebook and read it while drink-ing the wine. The guidebook said that the sphinx originated with the Egyptians. They thought of it as a creature that had a man's face and a lion's body. On the other hand, the Greeks, once they found out about the sphinx, made it into a creature with a woman's head and lioness' body. She even had women's b.r.e.a.s.t.s, lovely white pink-tipped cones that must have distracted men when they should have been thinking about the answer to her question. Oedipus had ignored those obstacles to thought, which maybe didn't say much for Oedipus. He was a little strange, married his mother, killed his father. He had an-swered the sphinx's question correctly, but that hadn't kept him out of trouble later.

And what about the sphinx's s.e.x life? She hung around on the road to Thebes, Greece, which was a long way from Thebes, Egypt, and from the male sphinxes. Had she been like the female black widow spider and made love to men before she devoured them?

Simon wasn't particularly randy, but like everybody else he thought a lot about s.e.x.

The Egyptian sphinx had ma.s.siveness and a vast antiquity. The Greek sphinx had cla.s.s. The Egyptian was ponderosity and masculinity. The Greek was beauty and femaleness. Leave it to the Greeks to make something philosophical out of the merely physi-cal of the Egyptians. The Greeks had made their sphinx a woman because she knew The Secret.

But she had found somebody who could answer her questions.

After which she killed herself.

Simon wasn't in much danger of having to commit suicide.

n.o.body ever answered his questions.

The guidebook in his hand said that the sphinx's face was supposed to have Pharaoh Chephren's fea-tures. The guidebook in his back pocket said that the face was that of the G.o.d Harmachis.

It did not matter which had been right. The recon-st.i.tuted sphinx now bore the features of a famous movie star.

The guidebook in his hand also said that the sphinx was 189 feet long and 72 feet high. The one in his pocket said the sphinx was 172 feet long and 66 feet high. Had one of the measuring teams been drunk? Or had the editor been drunk?

Or had the typesetter had financial and marital problems? Or had someone mali-ciously inserted the wrong information just to screw people up?

Ramona said, "You're not listening!"

"Sorry," Simon said. And he was. This was one of those rare moments when Ramona suddenly became aware that she was talking to herself. She was scared. People who talk to themselves are either insane, deep thinkers, lonely, or all three.

She knew she wasn't crazy or a deep thinker, so she must be lonely. And she feared loneliness worse than drowning, which was her pet horror.

Simon was lonely, too, but chiefly because he felt that the universe was being unfair in not giving an-swers to his questions. But now was not the time to think of himself; Ramona needed comforting.

"Listen, Ramona, here's a love song for you."

It was t.i.tled The Anathematic Mathematics of Love. This was one of the poems of "Count" Hippolyt Bruga, nee Julius Ganz, an early 20th-century expres-sionist.

Ben Hecht had once written a biography of him, but the only surviving copy was in the Vatican archives. Though critics considered Bruga only a mi-nor poet, Simon loved him best of all and had com-posed music for many of his works.

First, though, Simon thought he should explain the references and the situation since she didn't read any-thing but True Confessions and best sellers.

"Robert Browning was a great Victorian poet who married the minor poet Elizabeth Barrett," he said.

"I know that," Ramona said. "I'm not as dumb as you think I am. I saw The Barrens of Wimpole Street on TV last year. With Peck Burton and Marilyn Mamri.

It was so sad; her father was a real b.a.s.t.a.r.d. He killed her pet dog just because Elizabeth ran off with Browning. Old Barrett had eyes for his own daughter, would you believe it? Well, she didn't actu-ally run off. She was paralyzed from the waist down, and Peck, I mean Browning, had to push her wheel-chair through the streets of London while her father tried to run them down with a horse and buggy. It was the most exciting chase scene I've ever seen."

"I'll bet," Simon said. "So you know about them. Anyway, Elizabeth wrote a series of love poems to Browning, Sonnets from the Portuguese. He called her his Portuguese because she was so dark."

"How sweet!"

"Yes. Anyway, the most famous sonnet is the one in which she enumerates the varieties of love she has for him. This inspired Bruga's poem, though he didn't set it in sonnet form." Simon sang: "How do I love thee? Let me figure The ways," said Liz. But mental additions Subtracted from Bob Browning's emissions, Dividing the needed vigor to frig her.

Here's what he said to the Portuguese In order to part her deadened knees.

"Accounting's not the thing that counts.

A plus, a minus, you can shove!

Oh woman below and man above!

It's this inspires the mounts and founts!

"To h.e.l.l with Euclid's beauty bare!

Liz, get your a.s.s out of that chair!"

"Those were Bruga's last words," Simon said. "He was beaten to death a minute later by an enraged wino."

"I don't blame him," Ramona murmured.

"Bruga only did his best work when he was paid on the spot for his instant poetry," Simon said. "But in this case he was improvising free. He'd invited this penniless b.u.m up to his Greenwich Village apartment to have a few gallons of muscatel with him and his mistress. And see the thanks he got."

"Everybody's a critic," Ramona said.

Simon winced. She said, "What's the matter?"

He plucked the banjo as if it were a chicken and sang: "Why does critic give me pain?

Father's name was Killer Kane."

Feathers of sadness fluttered about them. Ramona cackled as if she had just laid an egg. It was, however, nervousness, not joy, that she proclaimed. She always got edgy when he slid into a melancholy mood.

"It's such a glorious day," she said. "How can you be sad when the sun is s.h.i.+ning? You're spoiling the picnic."

"Sorry," he said. "My sun is black. But you're right. We're lovers, and lovers should make each other happy. Here's an old Arabian love song: "Love is heavy. My soul is sighing ...

What wing brushes both of us, dearest, In the sick and soundless air?"

It was then that Ramona became aware that his mood came more from the outside than the inside. The breeze had died, and silence as thick and as heavy as the nativity of a mushroom in a diamond mine, or as gas pa.s.sed during a prayer meeting, had fallen everywhere. The sky was clotted with clouds as black as rotten spots on a banana. Yet, only a min-ute before, the horizon had been as unbroken as a fake genealogy.

Simon got to his feet and put his banjo in its case. Ramona busied herself with putting plates and cups in the basket. "You can't depend on anything," she said, close to tears. "It never, just never, rains here in the dry season."

"How'd those clouds get here without a wind?" Si-mon said.

As usual, his question was not answered.

Ramona had just folded up the blanket when the first raindrops fell. The two started across the top of the sphinx's head toward the steps but never got to them. The drops became a solid body of water, as if the whole sky were a big decanter that some giant drunk had accidentally tipped over. They were knocked down, and the basket was torn from Ramona's hands and sent floating over the side of the head. Ramona almost went, too, but Simon grabbed her hand and they crawled to the guard fence at the rim of the head and gripped an upright bar.

Later, Simon could recall almost nothing vividly. It was one long blur of numbed horror, of brutal heav-iness of the rain, cold, teeth chattering, hands aching from squeezing the iron bar, increasing darkness, a sudden influx of people who'd fled the ground below, a vague wondering why they'd crowded onto the top of the sphinx's head, a terrifying realization of why when a sea rolled over him, his panicked rearing up-ward to keep from drowning, his loosing of the bar because the water had risen to his nose, a single muf-fled cry from Ramona, somewhere in the smash and flurry, and then he was swimming with nowhere to go.

The case with the banjo in it floated before him. He grabbed it. It provided some buoyancy, and after he'd shucked all his clothing, he could stay afloat by hang-ing on to it and treading water. Once, a camel swam by him with five men battling to get onto its back. Then it went under, and the last he saw of it was one rolling eye.

Sometime later, he drifted by the tip of the Great Pyramid. Clinging to it was a woman who screamed until the rising water filled her mouth. Simon floated on by, vainly trying to comprehend that somehow so much rain had fallen that the arid land of Egypt was now over 472 feet beneath him.

And then there came the time in the darkness of night and the still almost-solid rain when he prepared to give up his waterlogged ghost and let himself sink. He was too exhausted to fight anymore, it was all over, down the drain for him.

Simon was an atheist, but he prayed to Jahweh, his father's G.o.d, Mary, his grandmother's favorite deity, and Gitche Manitou, his mother's G.o.d. It couldn't hurt.