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Prince Eugene and His Times.
by L. Muhlbach.
BOOK I.
PRINCE EUGENE, THE LITTLE ABBE
CHAPTER I.
THE COUNTESS OF SOISSONS.
"Is that your last word, madame?" said Louvois, in a tone so emphatic as to be almost threatening.
"My last word," replied the countess, haughtily. "My daughter is too young to marry, and were she older, I would not impose a husband upon her who was not the man of her choice. She shall bestow her hand and heart together."
"Do you mean that it is impossible for your daughter to love my son?" asked Louvois, hastily.
The countess raised her shoulders and smiled superciliously, while from her large black eyes there darted forth a glance that spoke volumes to the mind of the irritated minister.
"It would appear," said she, "that there can be no sympathy between the Mancinis and the Louvois, and that their antipathies are to be perpetuated from generation to generation."
"You would remind me of the similarity which the fate of my son as a wooer bears to that of his father?" asked Louvois. "I do not deny it; the repulse which twenty-one years ago I received from Olympia Mancini, she repeats to-day in the person of her daughter. But it may be that on some other occasion the Mancinis shall be repulsed by the Louvois."
"A threat?" said the countess, angrily.
Now it was the shoulders of the minister that were raised. "I have sowed love and reaped hate," said he, quietly.
The countess laughed. "Ah," said she, "I see that you have remodelled your speech according to the pious formulary of Madame de Maintenon, and that you seek for your troubadours among the prophets."
"Yes--the Scriptural prophets satisfy MY cravings for knowledge,"
replied Louvois, smiling. "Pity that everybody else is not as orthodox as I!"
"What do you mean?" asked the countess, uneasily.
"I mean that it would be better for the Countess de Soissons if she imitated the discretion of Madame de Maintenon, and eschewed a.s.sociation with those unholy prophets who draw their inspiration from the stars."
"Do you think so? And yet the book of the stars is inspired and contains truth, for therein it stands written that our two families will never be united by the bonds of love. What is the use of striving against destiny? Fate has willed our enmity, and we must submit with resignation," said the countess, with an affected drawl.
"You see," added she, pathetically, "how beautifully I fall into your new-fas.h.i.+oned dialect, and how harmoniously my dulcet notes mingle with those of the court chorus."
"I remember the dulcet notes of a poem written years ago, which were wont to edify the court with a strain that would sound inharmonious there to-day. What would De Montespan and De Maintenon say to such discordant lines as these?" And Louvois began to hum the following:
"La belle Olympe n'a point de seconde, Et l'Amour a bien reuni Dedans l'infanta Mancini Par un avantage supreme Tout ce qui force a dire: J'aime!
Et qui l'a fait dire a nos dieux!"
[Footnote: "Les Nieces de Mazarion," par Renee, p. 177.]
"What they would say?" replied the countess; "why, they would listen approvingly to a rhapsody which time has falsified, and imagine that I wince to hear it sung. But they would be in error. I thank you for recalling to my mind the golden vision of the past, wherein a king knelt at my feet, and Louvois lived upon my smiles. She who can look back upon conquests such as these, can afford to despise the contrarieties of the present, while she plumes her victorious wings for future flight, wherein she shall attain indemnification for the trifling vexations of to-day."
"I wish you may realize your joyous antic.i.p.ations," replied Louvois, with a sneer. "But if you will allow me to draw your horoscope, you will confess that I am a wiser seer than your dear friend La Voisin."
For one moment the features of the countess contracted painfully, but she mastered her emotion and was able to reply with a tranquil smile,--"Do so, your excellency, I am all attention."
"I read in the stars that snares encompa.s.s you, Countess de Soissons. You have enemies, numerous, powerful, and crafty. At their head stands the queen, who can never forgive you for having opened one of her letters, and having stolen thence a note addressed to the king, which accused her of secret machinations with Spain. Then there is poor Louise de la Valliere, who for your cruel sarcasms shed such oceans of tears--"
"She is in a convent."
"True, but the scars of your persecutions are upon her heart; and although she may be a Christian, think you that she has ceased to be a woman? Third--among the number of those who hate you is the Marquise de Montespan, to whom the brilliant a.s.semblages at the Hotel de Soissons are a source of mortification, for she can never forget that, on more than one occasion, the king has forgotten his rendezvous with her, to linger at the side of his fascinating hostess. And we must not overlook the pious De Maintenon, who lives in constant terror lest some day or other your presence should recall to the king that golden vision of his youth, whereof Olympia Mancini was the enshrined divinity. For this reason you are more obnoxious to the ex-governess than De Montespan herself. The star of the latter favorite is already on the wane, whereas yours may rise again at the bidding of Memory. These four women have long-meditated your destruction, and many are the thorns with which they have strewed your path in life. But, to compa.s.s your ruin, there was wanting ONE strong arm that could concentrate their scattered missiles, and hurl them in ONE great bomb at your head. Countess de Soissons, that arm is mine--I, Louvois, the trusted minister of the king, the friend of De Maintenon, the mightiest subject in France--I am the man whose arm shall strike on behalf of your enemies, of whom in me behold the chief! You have thrown me your gauntlet, and I raise it. I proclaim myself your foe, and since there must be war between our races, we shall see whether for the future the Mancinis may not be made to suffer through the Louvois! This is my horoscope, and now mark well my last words: La Voisin the soothsayer was arrested last night."
All the self-control which she could gather to meet this sinister disclosure, could not smother the groan which was upheaved from Olympia's sinking heart.
Louvois affected not to hear it. He bowed low and prepared to take his leave. The countess made no effort to detain him; she was too frightened for circ.u.mspection, and she followed his retreating figure with eyes that were all aflame with hate. Nor did their fiery glow abate when, having reached the door, Louvois turned and confronted her.
He surveyed her calmly, but his eye returned hate for hate, and so for a moment they stared at each other, while there pa.s.sed between the two a silent challenge, which both felt was to be fought out to the death.
After a pause Louvois spoke. His mouth dilated with a cruel smile, which, when its mocking light was seen, betokened peril to those who offended him.
"Madame," said he. "not only has La Voisin been arrested, but her private papers have been seized." So saying, he bowed again and disappeared behind the portiere.
CHAPTER II.
THE LABORATORY.
The countess listened to his echoing footsteps until they were no longer audible, nor did she move until she heard the roll of the carriage which bore him away.
Gradually the sound of the receding vehicle melted into distance, and a deep silence ensued. This silence first roused the countess from her lethargy. A tremor convulsed her limbs; her dilated orbs which had been fixed upon the door relaxed, and wandered from the silken hangings of the walls to the gilded furniture around her; from the tables of Florentine marble to the rainbow-tinted chandeliers, whose pendants swayed to and fro in the suns.h.i.+ne. And now they rested dreamily upon a picture which, conspicuous for size and beauty, hung immediately opposite to the sofa whereon she was reclining. It was the full length portrait of a handsome youth. He was not tall, but he was gracefully proportioned. His shoulders were broad; and, rising from the midst of a slender throat, adorned with a fall of lace, appeared his stately head crowned with a wealth of long, brown curls. His face was of a beautiful oval, his complexion clear, his mouth wreathed with happy smiles. The brow was high and arched, and the fine gray eyes beamed with hope and energy. In one hand he held a rose, which he extended to a person not represented in the picture; the other band, half veiled by its overhanging fall of gossamer lace, rested carelessly on the table, while close by lay two rose-buds, which seemed just to have been dropped from the half- open fingers. Over an arm-chair in the background was thrown a mantle of royal ermine, which partially concealed the kingly crown that surmounted its high carved back.
The eyes of the countess were fixed upon this picture with an expression of tender sadness, and slowly, as if yielding to an influence altogether objective, she rose from her seat and advanced toward the portrait, where she remained gazing until her sight was dimmed by tears, while the youth smiled ever, and ever held out the rose.
What golden tribute had his homage brought to her ambition! What ecstasy had it poured into her heart! How truly had she loved that princely boy, who, careless, happy, and fickle, was bestowing upon other women the roses which for her had withered years ago, leaving upon their blighted stems the sharp and cruel thorns of his inconstancy!
Since then, twenty-three years had gone by; she had become a wife and the mother of seven children, but the wound still festered; the old sorrow still sang its mournful dirge within a heart which to-day beat as wildly as ever, and felt a pang as keen as when it first grew jealous, and learned that not she, but Marie, had become the divinity whom Louis wors.h.i.+pped.
Marie, too, had been forsaken, and had stifled the cries of her despairing heart by marriage with another. The fate of both sisters had been the same--a short dream of gratified ambition, followed by long years of humiliation. It seemed that the prosperity and happiness of Cardinal Mazarin's nieces had been coexistent with his life, for when the eyes of their uncle closed in death, the light of their fortunes grew dim and expired.
The portrait of Louis XIV., which was calling up the spectres of so many buried joys, had been painted expressly for Olympia Mancini. It represented his first declaration of love to her, and had been sent as a souvenir of "the brightest hour of his life." He had barely reached his thirty-seventh year, and yet this winsome youth had been transformed into a demure devotee, who, despising the vanities of the world, had turned his heart toward heaven, and spent his life doing penance for the sins of his early manhood!
And this transformation was the work of a woman who had neither beauty, youth, nor birth to recommend her to the favor of a monarch- -a woman who had been the paid governess of the king's b.a.s.t.a.r.ds, and was not even gifted with intellect enough to cover her other deficiencies!
These last thoughts brought a smile to the face of the countess.
Turning suddenly away from the portrait she crossed the room with rapid steps, and placed herself directly in front of a large Venetian mirror which occupied the s.p.a.ce between two windows. It gave back the reflection of an exquisite figure, whose outlines contributed much to the grace with which the folds of a blue satin dress fell in rich profusion around it. The white shoulders were scarcely concealed by a shawl of superb lace, and the arms, still round, were set off by costly bracelets. The raven hair, with not a trace of time's finger to discolor its glossy blackness, fell around her face in curls as delicate as the tendrils of a grape. Her brow was smooth and polished, her eyes aglow with pa.s.sionate longing, and, as her lips curved into a complacent smile, they disclosed two rows of pearly teeth, compact and without a fleck.
Yes, she was not deceived. Olympia de Soissons was a handsome woman, and with so much comeliness, such ready wit, and such unrivalled powers of conversation, she might gird up her loins to do battle with her rivals. Was not Madame de Maintenon her elder by three years? And as for De Montespan, was she not wasting away into an old woman? If they had found it possible to win the heart of this sensual Louis, why not she? This heart had once been all her own, and why should not she, who combined the beauty of one mistress with the shrewdness of the other, dispossess them both, and re-enter into possession of her old domains?