The Beloved Woman Part 16

"Oh, I'm going to wrap the paper round them, and carry them until just before I get to Aunt Annie's. Wouldn't you?"

"Wouldn't I? I like that!" said Miss Slater, settling her eyegla.s.ses on the bridge of her nose with a finger and thumb. Norma had a momentary pang of sympathy; she could never have been made to understand that a happy barnyard duck may look contentedly up from her pool at the peac.o.c.k trailing his plumes on the wall.

"Norma--for the love of Allah!" Chris shouted from downstairs.

Norma gave a panicky laugh, s.n.a.t.c.hed her fan, wrap, and flowers, and fled joyously down to be criticized and praised. On the whole, they were pleased with her: Alice, seizing a chance for an aside to tell her not to worry about the lowness of the gown, that it was absolutely correct she might be very sure, and Mrs. Melrose quite tremulously delighted with her ward. Chris did not say much until a few minutes before they planned to start, when he slipped a thin, flat gold watch from his vest pocket, and asked speculatively:

"Norma, has your Aunt Kate ever seen you in that rig?"

"No!" she answered, quickly. And then, with less sparkle, "No."

"Well, would you like to run in on her a moment?--she'd probably like it tremendously!" said Chris.

"Oh, Chris--I would love it!" Norma exclaimed, soberly, over a disloyal conviction that she would rather not. "But have we time?"

"Tons of time. Annie's dinners are a joke!"

Norma glanced at the women; Mrs. Melrose looked undecided, but Alice said encouragingly:

"I think that would be a sweet thing to do!"

So it was decided: and Norma was bundled up immediately, and called out excitedly laughing good-byes as Chris hurried her to the car.

"You know, it means a lot to your own people, really to see you this way, instead of always reading about it, or hearing about it!" Chris said, in his entirely prosaic, big-brotherly tone, as the car glided smoothly toward the West Sixties.

"I know it!" Norma agreed. "But I don't know how you do!" she added, in shy grat.i.tude.

"Well, I'm nearly twice your age, for one thing," he replied, pleasantly. And as the car stopped unhesitatingly at the familiar door he added: "Now make this very snappy!"

She protested against his getting out, but he accompanied her all the way upstairs, both laughing like conspirators as they pa.s.sed somewhat astonished residents of the apartment house on the way.

Aunt Kate and Wolf, and Rose and Harry, as good fortune would have it, were all gathered under the dining-room lamp, and there was a burst of laughter and welcome for Norma and "Mister Chris." Norma's wrap was tossed aside, and she revolved in all her glory, waving her fan at arm's length, pleasantly conscious of Wolf's utter stupefaction, and conscious, too, a little less pleasantly, that Aunt Kate's maternal eye did not agree with Aunt Annie's in the matter of _decolletage_.

Then she and Chris were on their way again, and the legitimate delights of being young and correctly dressed and dining with the great Mrs. von Behrens, and going to Grand Opera at the Metropolitan, might begin.

Norma had perhaps never in her life been in such wild spirits as she was to-night. It was not happiness, exactly, not the happiness of a serene spirit and a quiet mind, for she was too nervous and too much excited to be really happy. But it was all wonderful.

She was the youngest person at the long dinner table, at which eighteen guests sat in such stately and such separated great carved chairs as almost to dine alone. Everyone was charmingly kind to the little Melrose protegee, who was to be introduced at a formal tea next week. The men were all older than Leslie's group and were neither afraid nor too selfishly wrapped up in their own narrow little circle to be polite.

Norma had known grown young men, college graduates, and the sons of prominent families, who were too entirely conventional to be addressed without an introduction, or to turn to a strange girl's rescue if she spilled a cup of tea. But there was none of that sort of thing here.

To be sure, Annie's men were either married, divorced, or too old to be strictly eligible in the eyes of unsophisticated nineteen, but that did not keep them from serving delightfully as dinner partners. Then Aunt Annie herself was delightful to-night, and joined in the general, if unexpressed, flattery that Norma felt in the actual atmosphere.

"Heavens--do you hear that, Ella?" said Annie, to an intimate and contemporary, when Norma shyly asked if the dress was all as it should be--if the--well, the neck, wasn't just a little----? "Heavens!" said Mrs. von Behrens, roundly, "if I had your shoulders--if I were nineteen again!--you'd see something a good deal more sensational than that!"

This was not the sort of thing one repeated to Aunt Kate. It was, like much of Annie's conversation, so daring as to be a little shocking. But Annie had so much manner, such a pleasant, a.s.sured voice, that somehow Norma never found it censurable in her.

To-night, for the first time, Hendrick von Behrens paid her a little personal attention. Norma had always liked the big, blond, silent man, with his thinning fair hair, and his affection for his sons. It was of his sons that he spoke to her, as he came up to her to-night.

"There are two little boys up in the nursery that don't want to go to sleep until Cousin Norma comes up to say good-night," said Hendrick, smiling indulgently. Norma turned willingly from Chris and two or three other men and women; it was a privilege to be sufficiently at home in this magnificent place to follow her host up to the nursery upstairs, and be gingerly hugged by the little silk-pajamed boys.

Chris watched her go, the big fan and the blue eye and the delightful low voice all busy as she and Hendrick went away, and an odd thought came to him. That was her stepfather upon whom she was turning the battery of those lovely eyes; those little boys who were, he knew, jumping up and down in their little Dutch colonial beds, and calling "Norma--Norma--Norma!" were her half-brothers.

He glanced toward Annie; her beautiful figure wrapped in a sparkling robe that swept about her like a regal mantle, her fair hair scalloped like waves of carved gold, her fingers and throat and hair and ears sparkling with diamonds. Annie had on the famous Murison pearls, too, to-night; she was twisting them in her fingers as her creditable Italian delighted the ears of the Italian amba.s.sador. Her own daughter to-night sat among her guests. Chris liked to think himself above surprise, but the strangeness of the situation was never absent a second from his thoughts. He drifted toward his hostess; he was proud of his own languages, and when Norma came back she came to stand wistfully beside them, wondering if ever--ever--ever--she would be able to do that!

It was all thrilling--exhilarating--wonderful! Norma's heart thumped delightfully as the big motor-cars turned into Broadway and took their place in the slowly moving line. She pressed her radiant face close to the window; snow was fluttering softly down in the darkness, and men were pus.h.i.+ng it from the sidewalks, and shouting in the night. There was the usual fringe of onlookers in front of the opera house, and it required all Norma's self-control to seem quite naturally absorbed in getting herself safely out of the motor-car, and quite unconscious that her pretty ankles, and her pretty head, and the great bunched wrap, were not being generally appraised.

Women were stepping about gingerly in high heels; lights flashed on quivering aigrettes, on the pressed, intense faces of the watchers, and on the gently turning and falling snow, against the dark street. Norma was caught in some man's protecting arm, to push through into the churning crowd in the foyer; she had a glimpse of uniformed ushers and programme boys, of furred shoulders, of bared shoulders, of silk hats, of a sign that said: "Footmen Are Not Allowed in This Lobby."

Then somehow through, criss-crossed currents in the crowd, they reached the mysterious door of the box, and Norma saw for the first time the great, dimly lighted circle of the opera house, the enormous rise of balcony above balcony, the double tiers of boxes, and the rows of seats downstairs, separated by wide aisles, and rapidly filling now with the men and women who were coming down to their places almost on a run.

The orchestra was already seated, and as Norma stood awed and ecstatic in the front of the Von Behrens box, the conductor came in, and was met with a wave of applause, which had no sooner died away than the lights fanned softly and quickly down, there was the click of a baton on wood, and in the instantly ensuing hush the first quivering notes of the opera began.

"Sit down, you web-foot!" Acton Liggett whispered, laughing, and Norma sank stiffly upon her chair, risking, as the curtain had not yet risen, a swift, bewildered smile of apology toward the dim forms that were rustling and settling behind her.

"Oo--oo--ooo!" was all that she could whisper when presently Chris murmured a question in her ear. And when the lights were on again, and the stars taking their calls, he saw that her face was wet, and her lashes were caught together with tears.

"It _is_ wonderful music; the best of Verdi!" he said to Annie; and Annie, agreeing, sent him off with "that baby," to have her dry her eyes. Norma liked his not speaking to her, on her way to the great parlour where women were circling about the long mirrors, but when she rejoined him she was quite herself, laughing, excited, half dancing as he took her back to the box.

She sat down again, her beautiful little head, with its innocent sweep of smooth hair, visible from almost every part of the house, her questions incessant as the blue eyes and the great fan swept to and fro.

Once, when she turned suddenly toward him, in the second entr'acte, she saw a look on Chris's face that gave her an odd second of something like fear, but the house darkened again before she could a.n.a.lyze the emotion, and Norma glued her eyes to the footlights.

What she did not see was a man, not quite at ease at his own first grand opera, not quite comfortable in his own first evening dress, lost--and willingly lost, among the hundreds who had come in just to stand far at the back, behind the seats, edging and elbowing each other, changing feet, and resting against any chair-back or column that offered itself, and sitting down, between acts, on the floor.

Wolf was not restless. He was strong enough to stand like an Indian, and tall enough to look easily over the surrounding heads. More than that, "Ada" did not interest him in itself, and at some of its most brilliant pa.s.sages he was guilty of slipping away to pace the hallways in solitude, or steal to the foyer for a brief cigarette. But when the house was lighted again, he went back into the auditorium, and then his eyes never left the little dark head of the girl who sat forward in one of the lower tier of boxes, waving her big fan, and talking over her bare shoulder to one or another of the persons beside or behind her.

CHAPTER XV

It was long afterward that Norma dated from the night of "Ada" a new feeling in herself toward Chris, and the recognition of a new feeling in Chris toward her. She knew that a special sort of friends.h.i.+p existed between them from that time on.

He had done nothing definite that night; he had never done or said anything that could be held as marking the change. But Norma felt it, and she knew that he did. And somehow, in that atmosphere of fragrant flowers and women as fragrant, of rustling silks and rich furs, of music and darkness, and the old pa.s.sion of the story, it had come to her for the first time that Chris was not only the Chris of Alice's room, Aunt Marianna's son-in-law and Leslie's brother-in-law, but her own Chris, too, a Chris who had his special meaning for her, as well as for the rest.

She liked him, it was natural that she should especially and truly like him. Almost all women did, for he was of the type that comes closest to understanding them, and he had made their favour an especial study.

Chris could never be indifferent to any woman; if he did not actively dislike her, he took pains to please her, and, never actively disliking Norma, he had from the first const.i.tuted himself her guide and friend.

Long before he was conscious that there was a real charm to this little chance member of their group, Norma had capitulated utterly. His sureness, his pleasant suggestions, his positive approval or kindly protests, had done more to make her first months among the Melroses happy than any other one thing. Norma loved him, and was grateful to him, even when he hurt her. In the matter of a note of acceptance, of a little act of thanks, of a gown or hat, his decision was absolute, and she had never known it mistaken.

Besides this, she saw him everywhere welcome, everywhere courted and admired, and everywhere the same Chris--handsome, self-possessed, irreproachably dressed whether for golf or opera, adequate to the claims of wife, mother, family, or the world. She had heard Acton turn to him for help in little difficulties; she knew that Leslie trusted him with all her affairs, and he was as close as any man could be to an intimacy with Hendrick von Behrens. Quietly, almost indifferently, he would settle his round eyegla.s.ses on their black ribbon, narrow his fine, keen eyes and set his firm jaw, and take up their problems one by one, always courteous, always interested, always helpful.

Then Chris had charm, as visible to all the world as to Norma. He had the charm of race, of intelligence and education, the charm of a man who prides himself upon his Italian and French, upon his knowledge of books and pictures, and his capacity for holding his own in any group, on any subject. He was quite frankly a collector, a connoisseur, a dilettante in a hundred different directions, and he had had leisure all his life to develop and perfect his affectations. In all this new world Norma could not perhaps have discovered a man more rich in just what would impress her ignorance, her newness, to the finer aspects of civilization.

For a few weeks after "Ada," as other operas and Annie's tea, and the opening social life of the winter softened the first impression, Norma tried to tell herself that she had imagined a little tendency, on Chris's part, too--well, to impress her with his friendliness. She had seen him flirt with other women, and indeed small love affairs of all sorts were constantly current, not only in Annie's, but in Leslie's group. A certain laxity was in the air, and every month had its separation or divorce, to be flung to the gossips for dissection.

Norma was not especially flattered at first, and rather inclined to resent the a.s.surance with which Chris carried his well-known tendency for philandering into his own family, as it were. But as the full days went by, and she encountered in him, wherever they met, the same grave, kindly attention, the same pleasant mouth and curiously baffling eyes, in spite of herself she began to experience a certain breathless and half-flattered and half-frightened pride in his affection.

He never kissed her again, never tried to arrange even the most casual meeting alone with her, and never let escape even a word of more than brotherly friendliness. But in Leslie's drawing-room at tea time, or at some studio tea or Sunday luncheon in a country house, he always quietly joined her, kept, if possible, within the sound of her voice, and never had any plan that would interfere with possible plans of hers. If she was ready to go, he would drive her, perhaps to discourse impersonally upon the quality of the pictures, or the countryside mantled with snow, upon the way. If she wanted a message telephoned, a telegram sent, even a borrowed book returned, it was "no trouble at all"; Chris would of course attend to it.