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The Voice of the City Part 19

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"I recognized no such person," said Kerner. "I have seen no one but you at this table. Sit down. Hereafter you shall have no more absinthe drips."

"Wait here," said I, furious; "if you don't care for your own life, I will save it for you."

I hurried out and overtook the man in gray half-way down the block.

He looked as I had seen him in my fancy a thousand times--truculent, gray and awful. He walked with the white oak staff, and but for the street-sprinkler the dust would have been flying under his tread.

I caught him by the sleeve and steered him to a dark angle of a building. I knew he was a myth, and I did not want a cop to see me conversing with vacancy, for I might land in Bellevue minus my silver matchbox and diamond ring.

"Jesse Holmes," said I, facing him with apparent bravery, "I know you. I have heard of you all my life. I know now what a scourge you have been to your country. Instead of killing fools you have been murdering the youth and genius that are necessary to make a people live and grow great. You are a fool yourself, Holmes; you began killing off the brightest and best of our countrymen three generations ago, when the old and obsolete standards of society and honor and orthodoxy were narrow and bigoted. You proved that when you put your murderous mark upon my friend Kerner--the wisest chap I ever knew in my life."

The Fool-Killer looked at me grimly and closely.

"You've a queer jag," said he, curiously. "Oh, yes; I see who you are now. You were sitting with him at the table. Well, if I'm not mistaken, I heard you call him a fool, too."

"I did," said I. "I delight in doing so. It is from envy. By all the standards that you know he is the most egregious and grandiloquent and gorgeous fool in all the world. That's why you want to kill him."

"Would you mind telling me who or what you think I am?" asked the old man.

I laughed boisterously and then stopped suddenly, for I remembered that it would not do to be seen so hilarious in the company of nothing but a brick wall.

"You are Jesse Holmes, the Fool-Killer," I said, solemnly, "and you are going to kill my friend Kerner. I don't know who rang you up, but if you do kill him I'll see that you get pinched for it. That is," I added, despairingly, "if I can get a cop to see you. They have a poor eye for mortals, and I think it would take the whole force to round up a myth murderer."

"Well," said the Fool-Killer, briskly, "I must be going. You had better go home and sleep it off. Good-night."

At this I was moved by a sudden fear for Kerner to a softer and more pleading mood. I leaned against the gray man's sleeve and besought him:

"Good Mr. Fool-Killer, please don't kill little Kerner. Why can't you go back South and kill Congressmen and clay-eaters and let us alone?

Why don't you go up on Fifth Avenue and kill millionaires that keep their money locked up and won't let young fools marry because one of 'em lives on the wrong street? Come and have a drink, Jesse. Will you never get on to your job?"

"Do you know this girl that your friend has made himself a fool about?" asked the Fool-Killer.

"I have the honor," said I, "and that's why I called Kerner a fool.

He is a fool because he has waited so long before marrying her. He is a fool because he has been waiting in the hopes of getting the consent of some absurd two-million-dollar-fool parent or something of the sort."

"Maybe," said the Fool-Killer--"maybe I--I might have looked at it differently. Would you mind going back to the restaurant and bringing your friend Kerner here?"

"Oh, what's the use, Jesse," I yawned. "He can't see you. He didn't know you were talking to him at the table, You are a fict.i.tious character, you know."

"Maybe he can this time. Will you go fetch him?"

"All right," said I, "but I've a suspicion that you're not strictly sober, Jesse. You seem to be wavering and losing your outlines. Don't vanish before I get back."

I went back to Kerner and said:

"There's a man with an invisible homicidal mania waiting to see you outside. I believe he wants to murder you. Come along. You won't see him, so there's nothing to be frightened about."

Kerner looked anxious.

"Why," said he, "I had no idea one absinthe would do that. You'd better stick to Wurzburger. I'll walk home with you."

I led him to Jesse Holmes's.

"Rudolf," said the Fool-Killer, "I'll give in. Bring her up to the house. Give me your hand, boy."

"Good for you, dad," said Kerner, shaking hands with the old man.

"You'll never regret it after you know her."

"So, you did see him when he was talking to you at the table?" I asked Kerner.

"We hadn't spoken to each other in a year," said Kerner. "It's all right now."

I walked away.

"Where are you going?" called Kerner.

"I am going to look for Jesse Holmes," I answered, with dignity and reserve.

XIX

TRANSIENTS IN ARCADIA

There is a hotel on Broadway that has escaped discovery by the summer-resort promoters. It is deep and wide and cool. Its rooms are finished in dark oak of a low temperature. Home-made breezes and deep-green shrubbery give it the delights without the inconveniences of the Adirondacks. One can mount its broad staircases or glide dreamily upward in its aerial elevators, attended by guides in bra.s.s b.u.t.tons, with a serene joy that Alpine climbers have never attained.

There is a chef in its kitchen who will prepare for you brook trout better than the White Mountains ever served, sea food that would turn Old Point Comfort--"by Gad, sah!"--green with envy, and Maine venison that would melt the official heart of a game warden.

A few have found out this oasis in the July desert of Manhattan.

During that month you will see the hotel's reduced array of guests scattered luxuriously about in the cool twilight of its lofty dining-room, gazing at one another across the snowy waste of unoccupied tables, silently congratulatory.

Superfluous, watchful, pneumatically moving waiters hover near, supplying every want before it is expressed. The temperature is perpetual April. The ceiling is painted in water colors to counterfeit a summer sky across which delicate clouds drift and do not vanish as those of nature do to our regret.

The pleasing, distant roar of Broadway is transformed in the imagination of the happy guests to the noise of a waterfall filling the woods with its restful sound. At every strange footstep the guests turn an anxious ear, fearful lest their retreat be discovered and invaded by the restless pleasure-seekers who are forever hounding nature to her deepest lairs.

Thus in the depopulated caravansary the little band of connoisseurs jealously hide themselves during the heated season, enjoying to the uttermost the delights of mountain and seash.o.r.e that art and skill have gathered and served to them.

In this July came to the hotel one whose card that she sent to the clerk for her name to be registered read "Mme. Heloise D'Arcy Beaumont."

Madame Beaumont was a guest such as the Hotel Lotus loved. She possessed the fine air of the elite, tempered and sweetened by a cordial graciousness that made the hotel employees her slaves.

Bell-boys fought for the honor of answering her ring; the clerks, but for the question of owners.h.i.+p, would have deeded to her the hotel and its contents; the other guests regarded her as the final touch of feminine exclusiveness and beauty that rendered the entourage perfect.

This super-excellent guest rarely left the hotel. Her habits were consonant with the customs of the discriminating patrons of the Hotel Lotus. To enjoy that delectable hostelry one must forego the city as though it were leagues away. By night a brief excursion to the nearby roofs is in order; but during the torrid day one remains in the umbrageous fastnesses of the Lotus as a trout hangs poised in the pellucid sanctuaries of his favorite pool.

Though alone in the Hotel Lotus, Madame Beaumont preserved the state of a queen whose loneliness was of position only. She breakfasted at ten, a cool, sweet, leisurely, delicate being who glowed softly in the dimness like a jasmine flower in the dusk.

But at dinner was Madame's glory at its height. She wore a gown as beautiful and immaterial as the mist from an unseen cataract in a mountain gorge. The nomenclature of this gown is beyond the guess of the scribe. Always pale-red roses reposed against its lace-garnished front. It was a gown that the head-waiter viewed with respect and met at the door. You thought of Paris when you saw it, and maybe of mysterious countesses, and certainly of Versailles and rapiers and Mrs. Fiske and rouge-et-noir. There was an untraceable rumor in the Hotel Lotus that Madame was a cosmopolite, and that she was pulling with her slender white hands certain strings between the nations in the favor of Russia. Being a citizeness of the world's smoothest roads it was small wonder that she was quick to recognize in the refined purlieus of the Hotel Lotus the most desirable spot in America for a restful sojourn during the heat of mid-summer.

On the third day of Madame Beaumont's residence in the hotel a young man entered and registered himself as a guest. His clothing--to speak of his points in approved order--was quietly in the mode; his features good and regular; his expression that of a poised and sophisticated man of the world. He informed the clerk that he would remain three or four days, inquired concerning the sailing of European steams.h.i.+ps, and sank into the blissful inanition of the nonpareil hotel with the contented air of a traveller in his favorite inn.

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The Voice of the City Part 19 summary

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