The Voice of the City Part 27

"There's nearly a pint of Manhattan. There's a cl.u.s.ter of carnations in the drinking gla.s.s, but--"

"Oh, pa.s.s the bottle. Save the gla.s.s for company. Thanks! That hits the spot. The same to you. My first drink in three months!

"Yes, Lynn, I quit the stage at the end of last season. I quit it because I was sick of the life. And especially because my heart and soul were sick of men--of the kind of men we stage people have to be up against. You know what the game is to us--it's a fight against 'em all the way down the line from the manager who wants us to try his new motor-car to the bill-posters who want to call us by our front names.

"And the men we have to meet after the show are the worst of all. The stage-door kind, and the manager's friends who take us to supper and show their diamonds and talk about seeing 'Dan' and 'Dave' and 'Charlie' for us. They're beasts, and I hate 'em.

"I tell you, Lynn, it's the girls like us on the stage that ought to be pitied. It's girls from good homes that are honestly ambitious and work hard to rise in the profession, but never do get there. You hear a lot of sympathy sloshed around on chorus girls and their fifteen dollars a week. Piffle! There ain't a sorrow in the chorus that a lobster cannot heal.

"If there's any tears to shed, let 'em fall for the actress that gets a salary of from thirty to forty-five dollars a week for taking a leading part in a b.u.m show. She knows she'll never do any better; but she hangs on for years, hoping for the 'chance' I that never comes.

"And the fool plays we have to work in! Having another girl roll you around the stage by the hind legs in a 'Wheelbarrow Chorus' in a musical comedy is dignified drama compared with the idiotic things I've had to do in the thirty-centers.

"But what I hated most was the men--the men leering and blathering at you across tables, trying to buy you with Wurzburger or Extra Dry, according to their estimate of your price. And the men in the audiences, clapping, yelling, snarling, crowding, writhing, gloating--like a lot of wild beasts, with their eyes fixed on you, ready to eat you up if you come in reach of their claws. Oh, how I hate 'em!

"Well, I'm not telling you much about myself, am I, Lynn?

"I had two hundred dollars saved up, and I cut the stage the first of the summer. I went over on Long Island and found the sweetest little village that ever was, called Soundport, right on the water. I was going to spend the summer there, and study up on elocution, and try to get a cla.s.s in the fall. There was an old widow lady with a cottage near the beach who sometimes rented a room or two just for company, and she took me in. She had another boarder, too--the Reverend Arthur Lyle.

"Yes, he was the head-liner. You're on, Lynn. I'll tell you all of it in a minute. It's only a one-act play.

"The first time he walked on, Lynn, I felt myself going; the first lines he spoke, he had me. He was different from the men in audiences. He was tall and slim, and you never heard him come in the room, but you felt him. He had a face like a picture of a knight--like one of that Round Table bunch--and a voice like a 'cello solo. And his manners!

"Lynn, if you'd take John Drew in his best drawing-room scene and compare the two, you'd have John arrested for disturbing the peace.

"I'll spare you the particulars; but in less than a month Arthur and I were engaged. He preached at a little one-night stand of a Methodist church. There was to be a parsonage the size of a lunch-wagon, and hens and honeysuckles when we were married. Arthur used to preach to me a good deal about Heaven, but he never could get my mind quite off those honeysuckles and hens.

"No; I didn't tell him I'd been on the stage. I hated the business and all that went with it; I'd cut it out forever, and I didn't see any use of stirring things up. I was a good girl, and I didn't have anything to confess, except being an elocutionist, and that was about all the strain my conscience would stand.

"Oh, I tell you, Lynn, I was happy. I sang in the choir and attended the sewing society, and recited that 'Annie Laurie' thing with the whistling stunt in it, 'in a manner bordering upon the professional,'

as the weekly village paper reported it. And Arthur and I went rowing, and walking in the woods, and clamming, and that poky little village seemed to me the best place in the world. I'd have been happy to live there always, too, if--

"But one morning old Mrs. Gurley, the widow lady, got gossipy while I was helping her string beans on the back porch, and began to gush information, as folks who rent out their rooms usually do. Mr. Lyle was her idea of a saint on earth--as he was mine, too. She went over all his virtues and graces, and wound up by telling me that Arthur had had an extremely romantic love-affair, not long before, that had ended unhappily. She didn't seem to be on to the details, but she knew that he had been hit pretty hard. He was paler and thinner, she said, and he had some kind of a remembrance or keepsake of the lady in a little rosewood box that he kept locked in his desk drawer in his study.

"'Several times,' says she, 'I've seen him gloomerin' over that box of evenings, and he always locks it up right away if anybody comes into the room.'

"Well, you can imagine how long it was before I got Arthur by the wrist and led him down stage and hissed in his ear.

"That same afternoon we were lazying around in a boat among the water-lilies at the edge of the bay.

"'Arthur,' says I, 'you never told me you'd had another love-affair.

But Mrs. Gurley did,' I went on, to let him know I knew. I hate to hear a man lie.

"'Before you came,' says he, looking me frankly in the eye, 'there was a previous affection--a strong one. Since you know of it, I will be perfectly candid with you.'

"'I am waiting,' says I.

"'My dear Ida,' says Arthur--of course I went by my real name, while I was in Soundport--'this former affection was a spiritual one, in fact. Although the lady aroused my deepest sentiments, and was, as I thought, my ideal woman, I never met her, and never spoke to her. It was an ideal love. My love for you, while no less ideal, is different. You wouldn't let that come between us.'

"'Was she pretty?' I asked.

"'She was very beautiful,' said Arthur.

"'Did you see her often?' I asked.

"'Something like a dozen times,' says he.

"'Always from a distance?' says I.

"'Always from quite a distance,' says he.

"'And you loved her?' I asked.

"'She seemed my ideal of beauty and grace--and soul,' says Arthur.

"'And this keepsake that you keep under lock and key, and moon over at times, is that a remembrance from her?'

"'A memento,' says Arthur, 'that I have treasured.'

"'Did she send it to you?'

"'It came to me from her,' says he.

"'In a roundabout way?' I asked.

"'Somewhat roundabout,' says he, 'and yet rather direct.'

"'Why didn't you ever meet her?' I asked. 'Were your positions in life so different?'

"'She was far above me,' says Arthur. 'Now, Ida,' he goes on, 'this is all of the past. You're not going to be jealous, are you?'

"'Jealous!' says I. 'Why, man, what are you talking about? It makes me think ten times as much of you as I did before I knew about it.'

"And it did, Lynn--if you can understand it. That ideal love was a new one on me, but it struck me as being the most beautiful and glorious thing I'd ever heard of. Think of a man loving a woman he'd never even spoken to, and being faithful just to what his mind and heart pictured her! Oh, it sounded great to me. The men I'd always known come at you with either diamonds, knock-out-drops or a raise of salary,--and their ideals!--well, we'll say no more.

"Yes, it made me think more of Arthur than I did before. I couldn't be jealous of that far-away divinity that he used to wors.h.i.+p, for I was going to have him myself. And I began to look upon him as a saint on earth, just as old lady Gurley did.

"About four o'clock this afternoon a man came to the house for Arthur to go and see somebody that was sick among his church bunch. Old lady Gurley was taking her afternoon snore on a couch, so that left me pretty much alone.

"In pa.s.sing by Arthur's study I looked in, and saw his bunch of keys hanging in the drawer of his desk, where he'd forgotten 'em. Well, I guess we're all to the Mrs. Bluebeard now and then, ain't we, Lynn? I made up my mind I'd have a look at that memento he kept so secret.

Not that I cared what it was--it was just curiosity.

"While I was opening the drawer I imagined one or two things it might be. I thought it might be a dried rosebud she'd dropped down to him from a balcony, or maybe a picture of her he'd cut out of a magazine, she being so high up in the world.

"I opened the drawer, and there was the rosewood casket about the size of a gent's collar box. I found the little key in the bunch that fitted it, and unlocked it and raised the lid.

"I took one look at that memento, and then I went to my room and packed my trunk. I threw a few things into my grip, gave my hair a flirt or two with a side-comb, put on my hat, and went in and gave the old lady's foot a kick. I'd tried awfully hard to use proper and correct language while I was there for Arthur's sake, and I had the habit down pat, but it left me then.