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Paul Kelver Part 57

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"Later on, my dear Kelver," was his reply. "For the present this is doing very well. Going on as we are, we shall soon improve it out of all recognition, while at the same time losing nothing that is essential.

All your ideas are excellent."

By the end of about three weeks we had got together a concoction that, so far as dialogue and characters were concerned, might be said to be our own. There was good work in it, here and there. Under other conditions I might have been proud of much that I had written. As it was, I experienced only the terror of the thief dodging the constable: my cleverness might save me; it afforded me no further satisfaction.

My humour, when I heard the people laughing at it, I remembered I had forged listening in vague fear to every creak upon the stairs, wondering in what form discovery might come upon me. There was one speech, addressed by the hero to the villain: "Yes, I admit it; I do love her.

But there is that which I love better--my self-respect!" Stepping down to the footlights and slapping his chest (which according to stage convention would appear to be a sort of moral jewel-box bursting with a.s.sorted virtues), our juvenile lead--a gentleman who led a somewhat rabbit-like existence, perpetually diving down openings to avoid service of writs, at the instance of his wife, for alimony--would invariably bring down the house upon this sentiment. Every night, listening to the applause, I would shudder, recalling how I had written it with burning cheeks.



There was a character in the piece, a vicious old man, that from the beginning Vane had wanted me to play. I had disliked the part and had refused, choosing instead to act a high-souled countryman, in the portrayal of whose irreproachable emotions I had taken pleasure. Vane now renewed his arguments, and my power of resistance seeming to have departed from me, I accepted the exchange. Certainly the old gentleman's scenes went with more snap, but at a cost of further degradation to myself. Upon an older actor the effect might have been harmless, but the growing tree springs back less surely; I found myself taking pleasure in the coa.r.s.e laughter that rewarded my suggestive leers, calling up all the evil in my nature to help me in the development of fresh "business."

Vane was enthusiastic in his praises, generous with his a.s.sistance.

Under his tuition I succeeded in making the part as unpleasant as we dared. I had genius, so Vane told me; I understood so much of human nature. One proof of the moral deterioration creeping over me was that I was beginning to like Vane.

Looking back at the man as I see him plainly now, a very ordinary scamp, his pretension not even amusing, I find it difficult to present him as he appeared to my boyish eyes. He was well educated and well read. He gave himself the airs of a superior being by freak of fate compelled to abide in a world of inferior creatures. To live among them in comfort it was necessary for him to outwardly conform to their conventions but to respect their reasoning would have been beneath him. To accept their laws as binding on one's own conscience was, using the common expression, to give oneself away, to confess oneself commonplace. Every decent instinct a man might own to was proof in Vane's eyes of his being "suburban," "bourgeois"--everything that was unintellectual. It was the first time I had heard this sort of talk. Vane was one of the pioneers of the movement, which has since become somewhat tiresome. To laugh at it is easy to a man of the world; boys are impressed by it. From him I first heard the now familiar advocacy of pure Hedonism. Pan, enticed from his dark groves, was to sit upon Olympus.

My lower nature rose within me to proclaim the foolish chatterer as a prophet. So life was not as I had been taught--a painful struggle between good and evil. There was no such thing as evil; the senseless epithet was a libel upon Nature. Not through wearisome repression, but rather through joyous expression of the animal lay advancement.

Villains--workers in wrong for aesthetic pleasure of the art--are useful characters in fiction; in real life they do not exist. I am convinced the man believed most of the rubbish he talked. Since the time of which I write he has done some service to the world. I understand he is an excellent husband and father, a considerate master, a delightful host. He intended, I have no doubt, to improve me, to enlarge my understanding, to free me from soul-stifling bondage of convention. Not to credit him with this well-meaning intention would be to a.s.sume him something quite inhuman, to bestow upon him a dignity beyond his deserts. I find it easier to regard him merely as a fool.

Our leading lady was a handsome but coa.r.s.e woman, somewhat over-developed. Starting life as a music-hall singer, she had married a small tradesman in the south of London. Some three or four years previous, her Juno-like charms had turned the head of a youthful novelist--a refined, sensitive man, of whom great things in literature had been expected, and, judging from his earlier work, not unreasonably.

He had run away with her, and eventually married her; the scandal was still fresh. Already she had repented of her bargain. These women regard their infatuated lovers merely as steps in the social ladder, and he had failed to appreciably advance her. Under her demoralising spell his ambition had died in him. He no longer wrote, no longer took interest in anything beyond his own debas.e.m.e.nt. He was with us in the company, playing small parts, and playing them badly; he would have remained with us as bill-poster rather than have been sent away.

Vane planned to bring this woman and myself together. To her he pictured me a young gentleman of means, a coming author, who would soon be earning an income sufficient to keep her in every luxury. To me he hinted that she had fallen in love with me. I was never attracted to her by any feeling stronger than the admiration with which one views a handsome animal. It was my vanity upon which he worked. He envied me; any man would envy me; experience of life was what I needed to complete my genius. The great intellects of this earth must learn all lessons, even at the cost of suffering to themselves and others.

As years before I had laboured to acquire a liking for cigars and whiskey, deeming it an accomplishment necessary to a literary career, so painstakingly I now applied myself to the cultivation of a pretty taste in pa.s.sion. According to the literature, fictional and historical, Vane was kind enough to supply me with, men of note were invariably sad dogs.

That my temperament was not that of the sad dog, that I lacked instinct and inclination for the part, appeared to this young idiot of whom I am writing in the light of a defect. That her languis.h.i.+ng glances irritated rather than maddened me, that the occasional covert pressure of her hot, thick hand left me cold, I felt a reproach to my manhood. I would fall in love with her. Surely my blood was red like other men's. Besides, was I not an artist, and was not profligacy the hall-mark of the artist?

But one grows tired of the confessional. Fate saved me from playing the part Vane had a.s.signed me in this vulgar comedy, dragged me from my entanglement, flung me on my feet again. She was a little brusque in the process; but I do not feel inclined to blame the kind lady for that. The mud was creeping upward fast, and a quick hand must needs be rough.

Our dramatic friend produced his play sooner than we had expected. It crept out that something very like it had been seen in the Provinces.

Argument followed, enquiries were set on foot. "It will blow over," said Vane. But it seemed to be blowing our way.

The salaries, as a rule, were paid by me on Friday night. Vane, in the course of the evening, would bring me the money for me to distribute after the performance. We were playing in the north of Ireland. I had not seen Vane all that day. So soon as I had changed my clothes I left my dressing-room to seek him. The box-office keeper, meeting me, put a note into my hand. It was short and to the point. Vane had pocketed the evening's takings, and had left by the seven-fifty train! He regretted causing inconvenience, but life was replete with small comedies; the wise man attached no seriousness to them. We should probably meet again and enjoy a laugh over our experiences.

Some rumour had got about. I looked up from the letter to find myself surrounded by suspicious faces. With dry lips I told them the truth.

Only they happened not to regard it as the truth. Vane throughout had contrived cleverly to them I was the manager, the sole person responsible. My wearily spoken explanations were to them incomprehensible lies. The quarter of an hour might have been worse for me had I been sufficiently alive to understand or care what they were saying. A dull, listless apathy had come over me. I felt the scene only stupid, ridiculous, tiresome. There was some talk of giving me "a d.a.m.ned good hiding." I doubt whether I should have known till the next morning whether the suggestion had been carried out or not. I gathered that the true history of the play, the reason for the sudden alterations, had been known to them all along. They appeared to have reserved their virtuous indignation till this evening. As explanation of my apparent sleepiness, somebody, whether in kindness to me or not I cannot say, suggested I was drunk. Fortunately, it carried conviction. No further trains left the town that night; I was allowed to depart. A deputation promised to be round at my lodgings early in the morning.

Our leading lady had left the theatre immediately on the fall of the curtain; it was not necessary for her to wait, her husband acting as her business man. On reaching my rooms, I found her sitting by the fire.

It reminded me that our agent in advance having fallen ill, her husband had, at her suggestion, been appointed in his place, and had left us on the Wednesday to make the necessary preparations in the next town on our list. I thought that perhaps she had come round for her money, and the idea amused me.

"Well?" she said, with her one smile. I had been doing my best for some months to regard it as soul-consuming, but without any real success.

"Well," I answered. It bored me, her being there. I wanted to be alone.

"You don't seem overjoyed to see me. What's the matter with you? What's happened?"

I laughed. "Vane's bolted and taken the week's money with him."

"The beast!" she said. "I knew he was that sort. What ever made you take up with him? Will it make much difference to you?"

"It makes a difference all round," I replied. "There's no money to pay any of you. There's nothing to pay your fares back to London."

She had risen. "Here, let me understand this," she said. "Are you the rich mug Vane's been representing you to be, or only his accomplice?"

"The mug and the accomplice both," I answered, "without the rich.

It's his tour. He put my name to it because he didn't want his own to appear--for family reasons. It's his play; he stole it--"

She interrupted me with a whistle. "I thought it looked a bit fishy, all those alterations. But such funny things do happen in this profession!

Stole it, did he?"

"The whole thing in ma.n.u.script. I put my name to it for the same reason--he didn't want his own to appear."

She dropped into her chair and laughed--a good-tempered laugh, loud and long. "Well, I'm d.a.m.ned!" she said. "The first man who has ever taken me in. I should never have signed if I had thought it was his show. I could see the sort he was with half an eye." She jumped up from the chair.

"Here, let me get out of this," she said. "I just looked in to know what time to-morrow; I'd forgotten. You needn't say I came."

Her hand upon the door, laughter seized her again, so that for support she had to lean against the wall.

"Do you know why I really did come?" she said. "You'll guess when you come to think it over, so I may as well tell you. It's a bit of a joke. I came to say 'yes' to what you asked me last night. Have you forgotten?"

I stared at her. Last night! It seemed a long while ago--so very unimportant what I might have said.

She laughed again. "So help me! if you haven't. Well, you asked me to run away with you--that's all, to let our two souls unite. d.a.m.ned lucky I took a day to think it over! Good-night."

"Good-night," I answered, without moving. I was gripping a chair to prevent myself from rus.h.i.+ng at her, pus.h.i.+ng her out of the room, and locking the door. I wanted to be alone.

I heard her turn the handle. "Got a pound or two to carry you over?" It was a woman's voice.

I put my hand into my pocket. "One pound seventeen," I answered, counting it. "It will pay my fare to London--or buy me a dinner and a second-hand revolver. I haven't quite decided yet."

"Oh, you get back and pull yourself together," she said. "You're only a kid. Good-night."

I put a few things into a small bag and walked thirty miles that night into Belfast. Arrived in London, I took a lodging in Deptford, where I was least likely to come in contact with any face I had ever seen before. I maintained myself by giving singing lessons at sixpence the half-hour, evening lessons in French and German (the Lord forgive me!) to ambitious shop-boys at eighteen pence a week, making up tradesmen's books. A few articles of jewellery I had retained enabled me to tide over bad periods. For some four months I existed there, never going outside the neighbourhood. Occasionally, wandering listlessly about the streets, some object, some vista, would strike me by reason of its familiarity. Then I would turn and hasten back into my grave of dim, weltering streets.

Of thoughts, emotions, during these dead days I was unconscious.

Somewhere in my brain they may have been stirring, contending; but myself I lived as in a long, dull dream. I ate, and drank, and woke, and slept, and walked and walked, and lounged by corners; staring by the hour together, seeing nothing.

It has surprised me since to find the scenes I must then have witnessed photographed so clearly on my mind. Tragedies, dramas, farces, played before me in that teeming underworld--the scenes present themselves to me distinct, complete; yet I have no recollection of ever having seen them.

I fell ill. It must have been some time in April, but I kept no count of days. n.o.body came near me, n.o.body knew of me. I occupied a room at the top of a huge block of workmen's dwellings. A woman who kept a second-hand store had lent me for a s.h.i.+lling a week a few articles of furniture. Lying upon my chair-bedstead, I listened to the shrill sounds around me, that through the light and darkness never ceased. A pint of milk, left each morning on the stone landing, kept me alive. I would wait for the man's descending footsteps, then crawl to the door. I hoped I was going to die, regretting my returning strength, the desire for food that drove me out into the streets again.

One night, a week or two after my partial recovery, I had wandered on and on for hour after hour. The breaking dawn recalled me to myself. I was outside the palings of a park. In the faint shadowy light it looked strange and unfamiliar. I was too tired to walk further. I scrambled over the low wooden fencing, and reaching a seat, dropped down and fell asleep.

I was sitting in a sunny avenue; birds were singing joyously, bright flowers were all around me. Norah was beside me, her frank, sweet eyes were looking into mine; they were full of tenderness, mingled with wonder. It was a delightful dream: I felt myself smiling.

Suddenly I started to my feet. Norah's strong hand drew me down again.

I was in the broad walk, Regent's Park, where, I remembered, Norah often walked before breakfast. A park-keeper, the only other human creature within sight, was eyeing me suspiciously. I saw myself--without a looking-gla.s.s--unkempt, ragged. My intention was to run, but Norah was holding me by the arm. Savagely I tried to shake her off. I was weak from my recent illness, and, I suppose, half starved; it angered me to learn she was the stronger of the two. In spite of my efforts, she dragged me back.

Ashamed of my weakness, ashamed of everything about me, I burst into tears; and that of course made me still more ashamed. To add to my discomfort, I had no handkerchief. Holding me with one hand--it was quite sufficient--Norah produced her own, and wiped my eyes. The park-keeper, satisfied, I suppose, that at all events I was not dangerous, with a grin pa.s.sed on.

"Where have you been, and what have you been doing?" asked Norah.

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Paul Kelver Part 57 summary

You're reading Paul Kelver. This manga has been translated by Updating. Author(s): Jerome K. Jerome. Already has 627 views.

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