Masterpieces of Mystery Part 7

"I didn't. I can show you the receipted bill. All _I_ possess is honestly come by. What could you do with it, even if I gave it you? You couldn't sell it as the Valdez, and you can't get it cut up as you might if it were real."

"If it's only bogus, why are you always in such a flutter about it? I'll do something with it, never fear. Hand over."

"I can't. I haven't got it. I had to raise something on it before I left town."

"Will you swear it's not in that wardrobe? I dare say you will. I mean to see. Give me those keys."

I heard a struggle and a jingle, then the wardrobe door must have been flung open, for a streak of light struck through a crack in the wood of the back. Creeping close and peeping through, I could see an awful sight. Lady Carwitchet in a flannel wrapper, minus hair, teeth, complexion, pointing a skinny forefinger that quivered with rage at her son, who was out of the range of my vision.

"Stop that, and throw those keys down here directly, or I'll rouse the house. Sir Thomas is a magistrate, and will lock you up as soon as look at you." She clutched at the bell rope as she spoke. "I'll swear I'm in danger of my life from you and give you in charge. Yes, and when you're in prison I'll keep you there till you die. I've often thought I'd do it. How about the hotel robberies last summer at Cowes, eh? Mightn't the police be grateful for a hint or two? And how about--"

The keys fell with a crash on the bed, accompanied by some bad language in an apologetic tone, and the door slammed to. I crept trembling to bed.

This new and horrible complication of the situation filled me with dismay. Lord Carwitchet's wolfish glance at my rubies took a new meaning. They were safe enough, I believed--but the sapphire! If he disbelieved his mother, how long would she be able to keep it from his clutches? That she had some plot of her own of which the bishop would eventually be the victim I did not doubt, or why had she not made her bargain with him long ago? But supposing she took fright, lost her head, allowed her son to wrest the jewel from her, or gave consent to its being mutilated, divided! I lay in a cold perspiration till morning.

My terrors haunted me all day. They were with me at breakfast time when Lady Carwitchet, tripping in smiling, made a last attempt to induce me to accompany her and keep her "bad, bad boy" from getting among "those horrid betting men."

They haunted me through the long peaceful day with Leta and the _tete-a-tete_ dinner, but they swarmed around and beset me sorest when, sitting alone over my sitting-room fire, I listened for the return of the drag party. I read my newspaper and brewed myself some hot strong drink, but there comes a time of night when no fire can warm and no drink can cheer. The bishop's despairing face kept me company, and his troubles and the wrongs of the future heir took possession of me. Then the uncanny noises that make all old houses ghostly during the small hours began to make themselves heard. m.u.f.fled footsteps trod the corridor, stopping to listen at every door, door latches gently clicked, boards creaked unreasonably, sounds of stealthy movements came from the locked-up bathroom. The welcome crash of wheels at last, and the sound of the front-door bell. I could hear Lady Carwitchet making her shrill _adieux_ to her friends and her steps in the corridor. She was softly humming a little song as she approached. I heard her unlock her bedroom door before she entered--an odd thing to do. Tom came sleepily stumbling to his room later. I put my head out. "Where is Lord Carwitchet?"

"Haven't you seen him? He left us hours ago. Not come home, eh? Well, he's welcome to stay away. I don't want to see more of him." Tom's brow was dark and his voice surly. "I gave him to understand as much."

Whatever had happened, Tom was evidently too disgusted to explain just then.

I went back to my fire unaccountably relieved, and brewed myself another and a stronger brew. It warmed me this time, but excited me foolishly.

There must be some way out of the difficulty. I felt now as if I could almost see it if I gave my mind to it. Why--suppose--there might be no difficulty after all! The bishop was a nervous old gentleman. He might have been mistaken all through, Bogaerts might have been mistaken, I might--no. I could not have been mistaken--or I thought not. I fidgeted and fumed and argued with myself till I found I should have no peace of mind without a look at the stone in my possession, and I actually went to the safe and took the case out.

The sapphire certainly looked different by lamplight. I sat and stared, and all but overpersuaded my better judgment into giving it a verdict.

Bogaerts's mark--I suddenly remembered it. I took my magnifier and held the pendant to the light. There, scratched upon the stone, was the Greek Beta! There came a tap on my door, and before I could answer, the handle turned softly and Lord Carwitchet stood before me. I whipped the case into my dressing-gown pocket and stared at him. He was not pleasant to look at, especially at that time of night. He had a dishevelled, desperate air, his voice was hoa.r.s.e, his red-rimmed eyes wild.

"I beg your pardon," he began civilly enough. "I saw your light burning, and thought, as we go by the early train to-morrow, you might allow me to consult you now on a little business of my mother's." His eyes roved about the room. Was he trying to find the whereabouts of my safe? "You know a lot about precious stones, don't you?"

"So my friends are kind enough to say. Won't you sit down? I have unluckily little chance of indulging the taste on my own account," was my cautious reply.

"But you've written a book about them, and know them when you see them, don't you? Now my mother has given me something, and would like you to give a guess at its value. Perhaps you can put me in the way of disposing of it?"

"I certainly can do so if it is worth anything. Is that it?" I was in a fever of excitement, for I guessed what was clutched in his palm. He held out to me the Valdez sapphire.

How it shone and sparkled like a great blue star! I made myself a deprecating smile as I took it from him, but how dare I call it false to its face? As well accuse the sun in heaven of being a cheap imitation. I faltered and prevaricated feebly. Where was my moral courage, and where was the good, honest, thumping lie that should have aided me? "I have the best authority for recognizing this as a very good copy of a famous stone in the possession of the Bishop of Northchurch." His scowl grew so black that I saw he believed me, and I went on more cheerily: "This was manufactured by Johannes Bogaerts--I can give you his address, and you can make inquiries yourself--by special permission of the then owner, the late Leone Montanaro."

"Hand it back!" he interrupted (his other remarks were outrageous, but satisfactory to hear); but I waved him off. I couldn't give it up. It fascinated me. I toyed with it, I caressed it. I made it display its different tones of colour. I must see the two stones together. I must see it outs.h.i.+ne its paltry rival. It was a whimsical frenzy that seized me--I can call it by no other name.

"Would you like to see the original? Curiously enough, I have it here.

The bishop has left it in my charge."

The wolfish light flamed up in Carwitchet's eyes as I drew forth the case. He laid the Valdez down on a sheet of paper, and I placed the other, still in its case, beside it. In that moment they looked identical, except for the little loop of sham stones, replaced by a plain gold band in the bishop's jewel. Carwitchet leaned across the table eagerly, the table gave a lurch, the lamp tottered, crashed over, and we were left in semidarkness.

"Don't stir!" Carwitchet shouted. "The paraffin is all over the place!"

He seized my sofa blanket, and flung it over the table while I stood helpless. "There, that's safe now. Have you candles on the chimney-piece? I've got matches."

He looked very white and excited as he lit up. "Might have been an awkward job with all that burning paraffin running about," he said quite pleasantly. "I hope no real harm is done." I was lifting the rug with shaking hands. The two stones lay as I had placed them. No! I nearly dropped it back again. It was the stone in the case that had the loop with the three sham sapphires!

Carwitchet picked the other up hastily. "So you say this is rubbish?" he asked, his eyes sparkling wickedly, and an attempt at mortification in his tone.

"Utter rubbis.h.!.+" I p.r.o.nounced, with truth and decision, snapping up the case and pocketing it. "Lady Carwitchet must have known it."

"Ah, well, it's disappointing, isn't it? Good-by, we shall not meet again."

I shook hands with him most cordially. "Good-by, Lord Carwitchet. _So_ glad to have met you and your mother. It has been a source of the _greatest_ pleasure, I a.s.sure you."

I have never seen the Carwitchets since. The bishop drove over next day in rather better spirits. Miss Panton had refused the chaplain.

"It doesn't matter, my lord," I said to him heartily. "We've all been under some strange misconception. The stone in your possession is the veritable one. I could swear to that anywhere. The sapphire Lady Carwitchet wears is only an excellent imitation, and--I have seen it with my own eyes--is the one bearing Bogaerts's mark, the Greek Beta."

THE OBLONG BOX

EDGAR ALLAN POE

Some years ago I engaged pa.s.sage from Charleston, S. C., to the city of New York, in the fine packet-s.h.i.+p _Independence_, Captain Hardy. We were to sail on the fifteenth of the month (June), weather permitting; and on the fourteenth I went on board to arrange some matters in my stateroom.

I found that we were to have a great many pa.s.sengers, including a more than usual number of ladies. On the list were several of my acquaintances; and among other names I was rejoiced to see that of Mr.

Cornelius Wyatt, a young artist, for whom I entertained feelings of warm friends.h.i.+p. He had been, with me, a fellow-student at C---- University, where we were very much together. He had the ordinary temperament of genius, and was a compound of misanthropy, sensibility, and enthusiasm.

To these qualities he united the warmest and truest heart which ever beat in a human bosom.

I observed that his name was carded upon three staterooms: and upon again referring to the list of pa.s.sengers I found that he had engaged pa.s.sage for himself, wife, and two sisters--his own. The staterooms were sufficiently roomy, and each had two berths, one above the other. These berths, to be sure, were so exceedingly narrow as to be insufficient for more than one person; still, I could not comprehend why there were three staterooms for these four persons. I was, just at that epoch, in one of those moody frames of mind which make a man abnormally inquisitive about trifles: and I confess with shame that I busied myself in a variety of ill-bred and preposterous conjectures about this matter of the supernumerary stateroom. It was no business of mine, to be sure; but with none the less pertinacity did I occupy myself in attempts to resolve the enigma. At last I reached a conclusion which wrought in me great wonder why I had not arrived at it before. "It is a servant, of course," I said; "what a fool I am not sooner to have thought of so obvious a solution!" And then I again repaired to the list, but here I saw distinctly that no servant was to come with the party: although, in fact, it had been the original design to bring one, for the words "and servant" had been first written and then overscored. "Oh, extra baggage, to be sure," I now said to myself; "something he wishes not to be put in the hold, something to be kept under his own eye,--ah, I have it! a painting or so, and this is what he has been bargaining about with Nicolino, the Italian Jew." This idea satisfied me and I dismissed my curiosity for the nonce.

Wyatt's two sisters I knew very well, and most amiable and clever girls they were. His wife he had newly married, and I had never yet seen her.

He had often talked about her in my presence, however, and in his usual style of enthusiasm. He described her as of surpa.s.sing beauty, wit, and accomplishment. I was, therefore, quite anxious to make her acquaintance.

On the day in which I visited the s.h.i.+p (the fourteenth), Wyatt and party were also to visit it, so the Captain informed me, and I waited on board an hour longer than I had designed in hope of being presented to the bride; but then an apology came. "Mrs. W. was a little indisposed, and would decline coming on board until to-morrow at the hour of sailing."

The morrow having arrived, I was going from my hotel to the wharf, when Captain Hardy met me and said that, "owing to circ.u.mstances" (a stupid but convenient phrase), "he rather thought the _Independence_ would not sail for a day or two, and that when all was ready he would send up and let me know." This I thought strange, for there was a stiff southerly breeze; but as "the circ.u.mstances" were not forthcoming, although I pumped for them with much perseverance, I had nothing to do but to return home and digest my impatience at leisure.

I did not receive the expected message from the Captain for nearly a week. It came at length, however, and I immediately went on board. The s.h.i.+p was crowded with pa.s.sengers, and everything was in the bustle attendant upon making sail. Wyatt's party arrived in about ten minutes after myself. There were the two sisters, the bride, and the artist--the latter in one of his customary fits of moody misanthropy. I was too well used to these, however, to pay them any special attention. He did not even introduce me to his wife; this courtesy devolving, perforce, upon his sister Marian, a very sweet and intelligent girl, who in a few hurried words made us acquainted.

Mrs. Wyatt had been closely veiled; and when she raised her veil in acknowledging my bow, I confess that I was very profoundly astonished. I should have been much more so, however, had not long experience advised me not to trust, with too implicit a reliance, the enthusiastic descriptions of my friend the artist, when indulging in comments upon the loveliness of woman. When beauty was the theme, I well knew with what facility he soared into the regions of the purely ideal.

The truth is, I could not help regarding Mrs. Wyatt as a decidedly plain-looking woman. If not positively ugly, she was not, I think, very far from it. She was dressed, however, in exquisite taste, and then I had no doubt that she had captivated my friend's heart by the more enduring graces of the intellect and soul. She said very few words, and pa.s.sed at once into her stateroom with Mr. W.

My old inquisitiveness now returned. There was no servant, that was a settled point. I looked, therefore, for the extra baggage. After some delay a cart arrived at the wharf with an oblong pine box, which was everything that seemed to be expected. Immediately upon its arrival we made sail, and in a short time were safely over the bar and standing out to sea.

The box in question was, as I say, oblong. It was about six feet in length by two and a half in breadth: I observed it attentively and like to be precise. Now, this shape was peculiar; and no sooner had I seen it than I took credit to myself for the accuracy of my guessing. I had reached the conclusion, it will be remembered, that the extra baggage of my friend the artist would prove to be pictures, or at least a picture, for I knew he had been for several weeks in conference with Nicolino; and now here was a box, which, from its shape, could possibly contain nothing in the world but a copy of Leonardo's _Last Supper_; and a copy of this very _Last Supper_, done by Rubini the younger at Florence, I had known for some time to be in the possession of Nicolino. This point, therefore, I considered as sufficiently settled. I chuckled excessively when I thought of my ac.u.men. It was the first time I had ever known Wyatt to keep from me any of his artistical secrets; but here he evidently intended to steal a march upon me and smuggle a fine picture to New York, under my very nose; expecting me to know nothing of the matter. I resolved to quiz him well, now and hereafter.

One thing, however, annoyed me not a little. The box did not go into the extra stateroom. It was deposited in Wyatt's own; and there, too, it remained, occupying very nearly the whole of the floor, no doubt to the exceeding discomfort of the artist and his wife; this the more especially as the tar or paint with which it was lettered in sprawling capitals emitted a strong, disagreeable, and, to my fancy, a peculiarly disgusting odour. On the lid were painted the words: "Mrs. Adelaide Curtis, Albany, New York. Charge of Cornelius Wyatt, Esq. This side up.

To be handled with care."

Now, I was aware that Mrs. Adelaide Curtis of Albany was the artist's wife's mother; but then I looked upon the whole address as a mystification, intended especially for myself. I made up my mind, of course, that the box and contents would never get farther north than the studio of my misanthropic friend in Chambers Street, New York.