The Complete Writings of Charles Dudley Warner Part 106

Whether he wrote sketches of travel, or whether he wrote fiction, the scene depicted was from the point of view of the essayist rather than from that of the tourist or of the novelist. It is this characteristic which gives to his work in the former field its enduring interest. Again in his novels, it was not so much the story that was in his thoughts as the opportunity the varying scenes afforded for amusing observations upon manners, for comments upon life, sometimes good-natured, sometimes severe, but always entertaining, and above all, for serious study of the social problems which present themselves on every side for examination.

This is distinctly the province of the essayist, and in it Warner always displayed his fullest strength.

We have seen that his first purely humorous publication of this nature was the one which made him known to the general public. It was speedily followed, however, by one of a somewhat graver character, which became at the time and has since remained a special favorite of cultivated readers.

This is the volume ent.i.tled "Backlog Studies." The attractiveness of this work is as much due to the suggestive social and literary discussions with which it abounds as to the delicate and refined humor with which the ideas are expressed. Something of the same characteristics was displayed in the two little volumes of short pieces dealing with social topics, which came out later under the respective t.i.tles of "As We Were Saying,"

and "As We Go." But there was a deeper and more serious side of his nature which found utterance in several of his essays, particularly in some which were given in the form of addresses delivered at various inst.i.tutions of learning. They exhibit the charm which belongs to all his writings; but his feelings were too profoundly interested in the subjects considered to allow him to give more than occasional play to his humor.

Essays contained in such a volume, for instance, as "The Relation of Literature to Life" will not appeal to him whose main object in reading is amus.e.m.e.nt. Into them Warner put his deepest and most earnest convictions. The subject from which the book just mentioned derived its t.i.tle lay near to his heart. No one felt more strongly than he the importance of art of all kinds, but especially of literary art, for the uplifting of a nation. No one saw more distinctly the absolute necessity of its fullest recognition in a moneymaking age and in a money-making land, if the spread of the dry rot of moral deterioration were to be prevented. The ampler horizon it presented, the loftier ideals it set up, the counteracting agency it supplied to the sordidness of motive and act which, left unchecked, was certain to overwhelm the national spirit--all these were enforced by him again and again with clearness and effectiveness. His essays of this kind will never be popular in the sense in which are his other writings. But no thoughtful man will rise up from reading them without having gained a vivid conception of the part which literature plays in the life of even the humblest, and without a deeper conviction of its necessity to any healthy development of the character of a people.

During the early part of his purely literary career a large proportion of Warner's collected writings, which then appeared, were first published in the Atlantic Monthly. But about fourteen years before his death he became closely connected with Harper's Magazine. From May, 1886, to March, 1892, he conducted the Editor's Drawer of that periodical. The month following this last date he succeeded William Dean Howells as the contributor of the Editor's Study. This position he held until July, 1898. The scope of this department was largely expanded after the death of George William Curtis in the summer of 1892, and the consequent discontinuance of the Editor's Easy Chair. Comments upon other topics than those to which his department was originally devoted, especially upon social questions, were made a distinct feature. His editorial connection with the magazine naturally led to his contributing to it numerous articles besides those which were demanded by the requirements of the position he held. Nearly all these, as well as those which appeared in the Atlantic Monthly, are indicated in the bibliographical notes prefixed to the separate works.

There were, however, other literary enterprises in which he was concerned; for the calls upon him were numerous, his own appet.i.te for work was insatiable, and his activity was indefatigable. In 1881 he a.s.sumed the editors.h.i.+p of the American Men of Letters series. This he opened with his own biography of Was.h.i.+ngton Irving, the resemblance between whom and himself has been made the subject of frequent remark.

Later he became the editor-in-chief of the thirty odd volumes which make up the collection ent.i.tled "The World's Best Literature." To this he contributed several articles of his own and carefully allotted and supervised the preparation of a large number of others. The labor he put upon the editing of this collection occupied him a great deal of the time from 1895 to 1898.

But literature, though in it lay his chief interest, was but one of the subjects which employed his many-sided activity. He was constantly called upon for the discharge of civic duties. The confidence felt by his fellow-citizens in his judgment and taste was almost equal to the absolute trust reposed in his integrity. The man who establishes a reputation for the possession of these qualities can never escape from bearing the burdens which a good character always imposes. If any work of art was ordered by the state, Warner was fairly certain to be chosen a member of the commission selected to decide upon the person who was to do it and upon the way it was to be done. By his fellow-townsmen he was made a member of the Park Commission. Such were some of the duties imposed; there were others voluntarily undertaken. During the latter years of his life he became increasingly interested in social questions, some of which partook of a semi-political character. One of the subjects which engaged his attention was the best method to be adopted for elevating the character and conduct of the negro population of the country. He recognized the gravity of the problem with which the nation had to deal and the difficulties attending its solution. One essay on the subject was prepared for the meeting held at Was.h.i.+ngton in May, 1900, of the American Social Science a.s.sociation, of which he was president. He was not able to be there in person. The disease which was ultimately to strike him down had already made its preliminary attack. His address was accordingly read for him. It was a subject of special regret that he could not be present to set forth more fully his views; for the debate, which followed the presentation of his paper, was by no means confined to the meeting, but extended to the press of the whole country. Whether the conclusions he reached were right or wrong, they were in no case adopted hastily nor indeed without the fullest consideration.

But a more special interest of his lay in prison reform. The subject had engaged his attention long before he published anything in connection with it. Later one of the earliest articles he wrote for Harper's Magazine was devoted to it. It was in his thoughts just before his death.

He was a member of the Connecticut commission on prisons, of the National Prison a.s.sociation, and a vice-president of the New York a.s.sociation for Prison Reform. A strong advocate of the doctrine of the indeterminate sentence, he had little patience with many of the judicial outgivings on that subject. To him they seemed opinions inherited, not formed, and in most cases were nothing more than the result of prejudice working upon ignorance. This particular question was one which he purposed to make the subject of his address as president of the Social Science a.s.sociation, at its annual meeting in 1901. He never lived to complete what he had in mind.

During his later years the rigor of the Northern winter had been too severe for Warner's health. He had accordingly found it advisable to spend as much of this season as he could in warmer regions. He visited at various times parts of the South, Mexico, and California. He pa.s.sed the winter of 1892-93 at Florence; but he found the air of the valley of the Arno no perceptible improvement upon that of the valley of the Connecticut. In truth, neither disease nor death entertains a prejudice against any particular locality. This fact he was to learn by personal experience. In the spring of 1899, while at New Orleans, he was stricken by pneumonia which nearly brought him to the grave. He recovered, but it is probable that the strength of his system was permanently impaired, and with it his power of resisting disease. Still his condition was not such as to prevent him from going on with various projects he had been contemplating or from forming new ones. The first distinct warning of the approaching end was the facial paralysis which suddenly attacked him in April, 1900, while on a visit to Norfolk, Va. Yet even from that he seemed to be apparently on the full road to recovery during the following summer.

It was in the second week of October, 1900, that Warner paid me a visit of two or three days. He was purposing to spend the winter in Southern California, coming back to the East in ample time to attend the annual meeting of the Social Science a.s.sociation. His thoughts were even then busy with the subject of the address which, as president, he was to deliver on that occasion. It seemed to me that I had never seen him when his mind was more active or more vigorous. I was not only struck by the clearness of his views--some of which were distinctly novel, at least to me--but by the felicity and effectiveness with which they were put.

Never, too, had I been more impressed with the suavity, the agreeableness, the general charm of his manner. He had determined during the coming winter to learn to ride the wheel, and we then and there planned to take a bicycle trip during the following summer, as we had previously made excursions together on horseback. When we parted, it was with the agreement that we should meet the next spring in Was.h.i.+ngton and fix definitely upon the time and region of our intended ride. It was on a Sat.u.r.day morning that I bade him good-by, apparently in the best of health and spirits. It was on the evening of the following Sat.u.r.day --October 20th--that the condensed, pa.s.sionless, relentless message which the telegraph transmits, informed me that he had died that afternoon.

That very day he had lunched at a friend's, where were gathered several of his special a.s.sociates who had chanced to come together at the same house, and then had gone to the office of the Hartford Courant. There was not the slightest indication apparent of the end that was so near. After the company broke up, he started out to pay a visit to one of the city parks, of which he was a commissioner. On his way thither, feeling a certain faintness, he turned aside into a small house whose occupants he knew, and asked to sit down for a brief rest, and then, as the faintness increased, to lie undisturbed on the lounge for a few minutes. The few minutes pa.s.sed, and with them his life. In the strictest sense of the words, he had fallen asleep. From one point of view it was an ideal way to die. To the individual, death coming so gently, so suddenly, is shorn of all its terrors. It is only those who live to remember and to lament that the suffering comes which has been spared the victim. Even to them, however, is the consolation that though they may have been fully prepared for the coming of the inevitable event, it would have been none the less painful when it actually came.

Warner as a writer we all know. The various and varying opinions entertained about the quality and value of his work do not require notice here. Future times will a.s.sign him his exact position in the roll of American authors, and we need not trouble ourselves to antic.i.p.ate, as we shall certainly not be able to influence, its verdict. But to only a comparatively few of those who knew him as a writer was it given to know him as a man; to still fewer to know him in that familiarity of intimacy which reveals all that is fine or ign.o.ble in a man's personality. Scanty is the number of those who will come out of that severest of ordeals so successfully as he. The same conclusion would be reached, whether we were to consider him in his private relations or in his career as a man of letters. Among the irritable race of authors no one was freer from petty envy or jealousy. During many years of close intercourse, in which he constantly gave utterance to his views both of men and things with absolute unreserve, I recall no disparaging opinion ever expressed of any writer with whom he had been compared either for praise or blame. He had unquestionably definite and decided opinions. He would point out that such or such a work was above or below its author's ordinary level; but there was never any ill-nature in his comment, no depreciation for depreciation's sake. Never in truth was any one more loyal to his friends. If his literary conscience would not permit him to say anything in favor of something which they had done, he usually contented himself with saying nothing. Whatever failing there was on his critical side was due to this somewhat uncritical att.i.tude; for it is from his particular friends that the writer is apt to get the most dispa.s.sionate consideration and sometimes the coldest commendation. It was a part of Warner's generous recognition of others that he was in all sincerity disposed to attribute to those he admired and to whom he was attached an ability of which some of them at least were much inclined to doubt their own possession.

Were I indeed compelled to select any one word which would best give the impression, both social and literary, of Warner's personality, I should be disposed to designate it as urbanity. That seems to indicate best the one trait which most distinguished him either in conversation or writing.

Whatever it was, it was innate, not a.s.sumed. It was the genuine outcome of the kindliness and broad-mindedness of his nature and led him to sympathize with men of all positions in life and of all kinds of ability.

It manifested itself in his att.i.tude towards every one with whom he came in contact. It led him to treat with fullest consideration all who were in the least degree under his direction, and converted in consequence the toil of subordinates into a pleasure. It impelled him to do unsought everything which lay in his power for the success of those in whom he felt interest. Many a young writer will recall his words of encouragement at some period in his own career when the quiet appreciation of one meant more to him than did later the loud applause of many. As it was in public, so it was in private life. The generosity of his spirit, the geniality and high-bred courtesy of his manner, rendered a visit to his home as much a social delight as his wide knowledge of literature and his appreciation of what was best in it made it an intellectual entertainment.

THOMAS R. LOUNSBURY.

THE RELATION OF LITERATURE TO LIFE PRELIMINARY

This paper was prepared and delivered at several of our universities as introductory to a course of five lectures which insisted on the value of literature in common life--some hearers thought with an exaggerated emphasis--and attempted to maintain the thesis that all genuine, enduring literature is the outcome of the time that produces it, is responsive to the general sentiment of its time; that this close relation to human life insures its welcome ever after as a true representation of human nature; and that consequently the most remunerative method of studying a literature is to study the people for whom it was produced. Ill.u.s.trations of this were drawn from the Greek, the French, and the English literatures. This study always throws a flood of light upon the meaning of the text of an old author, the same light that the reader unconsciously has upon contemporary pages dealing with the life with which he is familiar. The reader can test this by taking up his Shakespeare after a thorough investigation of the customs, manners, and popular life of the Elizabethan period. Of course the converse is true that good literature is an open door into the life and mode of thought of the time and place where it originated.

THE RELATION OF LITERATURE TO LIFE

I hade a vision once--you may all have had a like one--of the stream of time flowing through a limitless land. Along its banks sprang up in succession the generations of man. They did not move with the stream-they lived their lives and sank away; and always below them new generations appeared, to play their brief parts in what is called history--the sequence of human actions. The stream flowed on, opening for itself forever a way through the land. I saw that these successive dwellers on the stream were busy in constructing and setting afloat vessels of various size and form and rig--arks, galleys, galleons, sloops, brigs, boats propelled by oars, by sails, by steam. I saw the anxiety with which each builder launched his venture, and watched its performance and progress. The anxiety was to invent and launch something that should float on to the generations to come, and carry the name of the builder and the fame of his generation. It was almost pathetic, these puny efforts, because faith always sprang afresh in the success of each new venture. Many of the vessels could scarcely be said to be launched at all; they sank like lead, close to the sh.o.r.e. Others floated out for a time, and then, struck by a flaw in the wind, heeled over and disappeared. Some, not well put together, broke into fragments in the bufleting of the waves. Others danced on the flood, taking the sun on their sails, and went away with good promise of a long voyage. But only a few floated for any length of time, and still fewer were ever seen by the generation succeeding that which launched them. The sh.o.r.es of the stream were strewn with wrecks; there lay bleaching in the sand the ribs of many a once gallant craft.

Innumerable were the devices of the builders to keep their inventions afloat. Some paid great attention to the form of the hull, others to the kind of cargo and the loading of it, while others--and these seemed the majority--trusted more to some new sort of sail, or new fas.h.i.+on of rudder, or new application of propelling power. And it was wonderful to see what these new ingenuities did for a time, and how each generation was deceived into the belief that its products would sail on forever. But one fate practically came to the most of them. They were too heavy, they were too light, they were built of old material, and they went to the bottom, they went ash.o.r.e, they broke up and floated in fragments. And especially did the crafts built in imitation of something that had floated down from a previous generation come to quick disaster. I saw only here and there a vessel, beaten by weather and blackened by time --so old, perhaps, that the name of the maker was no longer legible; or some fragments of antique wood that had evidently come from far up the stream. When such a vessel appeared there was sure to arise great dispute about it, and from time to time expeditions were organized to ascend the river and discover the place and circ.u.mstances of its origin. Along the banks, at intervals, whole fleets of boats and fragments had gone ash.o.r.e, and were piled up in bays, like the driftwood of a subsided freshet.

Efforts were made to dislodge these from time to time and set them afloat again, newly christened, with fresh paint and sails, as if they stood a better chance of the voyage than any new ones. Indeed, I saw that a large part of the commerce of this river was, in fact, the old hulks and stranded wrecks that each generation had set afloat again. As I saw it in this foolish vision, how pathetic this labor was from generation to generation; so many vessels launched; so few making a voyage even for a lifetime; so many builders confident of immortality; so many lives outlasting this coveted reputation! And still the generations, each with touching hopefulness, busied themselves with this child's play on the banks of the stream; and still the river flowed on, whelming and wrecking the most of that so confidently committed to it, and bearing only here and there, on its swift, wide tide, a s.h.i.+p, a boat, a s.h.i.+ngle.

These hosts of men whom I saw thus occupied since history began were authors; these vessels were books; these heaps of refuse in the bays were great libraries. The allegory admits of any amount of ingenious parallelism. It is nevertheless misleading; it is the illusion of an idle fancy. I have introduced it because it expresses, with some whimsical exaggeration--not much more than that of "The Vision of Mirza"--the popular notion about literature and its relation to human life. In the popular conception, literature is as much a thing apart from life as these boats on the stream of time were from the existence, the struggle, the decay of the generations along the sh.o.r.e. I say in the popular conception, for literature is wholly different from this, not only in its effect upon individual lives, but upon the procession of lives upon this earth; it is not only an integral part of all of them, but, with its sister arts, it is the one unceasing continuity in history. Literature and art are not only the records and monuments made by the successive races of men, not only the local expressions of thought and emotion, but they are, to change the figure, the streams that flow on, enduring, amid the pa.s.sing show of men, reviving, transforming, enn.o.bling the fleeting generations. Without this continuity of thought and emotion, history would present us only a succession of meaningless experiments. The experiments fail, the experiments succeed--at any rate, they end--and what remains for transmission, for the sustenance of succeeding peoples?

Nothing but the thought and emotion evolved and expressed. It is true that every era, each generation, seems to have its peculiar work to do; it is to subdue the intractable earth, to repel or to civilize the barbarians, to settle society in order, to build cities, to ama.s.s wealth in centres, to make deserts bloom, to construct edifices such as were never made before, to bring all men within speaking distance of each other--lucky if they have anything to say when that is accomplished--to extend the information of the few among the many, or to multiply the means of easy and luxurious living. Age after age the world labors for these things with the busy absorption of a colony of ants in its castle of sand. And we must confess that the process, such, for instance, as that now going on here--this onset of many peoples, which is transforming the continent of America--is a spectacle to excite the imagination in the highest degree. If there were any poet capable of putting into an epic the spirit of this achievement, what an epic would be his! Can it be that there is anything of more consequence in life than the great business in hand, which absorbs the vitality and genius of this age? Surely, we say, it is better to go by steam than to go afoot, because we reach our destination sooner--getting there quickly being a supreme object. It is well to force the soil to yield a hundred-fold, to congregate men in ma.s.ses so that all their energies shall be taxed to bring food to themselves, to stimulate industries, drag coal and metal from the bowels of the earth, cover its surface with rails for swift-running carriages, to build ever larger palaces, warehouses, s.h.i.+ps. This gigantic achievement strikes the imagination.

If the world in which you live happens to be the world of books, if your pursuit is to know what has been done and said in the world, to the end that your own conception of the value of life may be enlarged, and that better things may be done and said hereafter, this world and this pursuit a.s.sume supreme importance in your mind. But you can in a moment place yourself in relations--you have not to go far, perhaps only to speak to your next neighbor--where the very existence of your world is scarcely recognized. All that has seemed to you of supreme importance is ignored.

You have entered a world that is called practical, where the things that we have been speaking of are done; you have interest in it and sympathy with it, because your scheme of life embraces the development of ideas into actions; but these men of realities have only the smallest conception of the world that seems to you of the highest importance; and, further, they have no idea that they owe anything to it, that it has ever influenced their lives or can add anything to them. And it may chance that you have, for the moment, a sense of insignificance in the small part you are playing in the drama going forward. Go out of your library, out of the small circle of people who talk of books, who are engaged in research, whose liveliest interest is in the progress of ideas, in the expression of thought and emotion that is in literature; go out of this atmosphere into a region where it does not exist, it may be into a place given up to commerce and exchange, or to manufacturing, or to the development of certain other industries, such as mining, or the pursuit of office--which is sometimes called politics. You will speedily be aware how completely apart from human life literature is held to be, how few people regard it seriously as a necessary element in life, as anything more than an amus.e.m.e.nt or a vexation. I have in mind a mountain district, stripped, scarred, and blackened by the ruthless lumbermen, ravished of its forest wealth; divested of its beauty, which has recently become the field of vast coal-mining operations. Remote from communication, it was yesterday an exhausted, wounded, deserted country. Today audacious railways are entering it, crawling up its mountain slopes, rounding its dizzy precipices, spanning its valleys on iron cobwebs, piercing its hills with tunnels. Drifts are opened in its coal seams, to which iron tracks shoot away from the main line; in the woods is seen the gleam of the engineer's level, is heard the rattle of heavily-laden wagons on the newly-made roads; tents are pitched, uncouth shanties have sprung up, great stables, boarding-houses, stores, workshops; the miner, the blacksmith, the mason, the carpenter have arrived; households have been set up in temporary barracks, children are already there who need a school, women who must have a church and society; the stagnation has given place to excitement, money has flowed in, and everywhere are the hum of industry and the swish of the goad of American life. On this hillside, which in June was covered with oaks, is already in October a town; the stately trees have been felled; streets are laid out and graded and named; there are a hundred dwellings, there are a store, a post-office, an inn; the telegraph has reached it, and the telephone and the electric light; in a few weeks more it will be in size a city, with thousands of people--a town made out of hand by drawing men and women from other towns, civilized men and women, who have voluntarily put themselves in a position where they must be civilized over again.

This is a marvelous exhibition of what energy and capital can do. You acknowledge as much to the creators of it. You remember that not far back in history such a transformation as this could not have been wrought in a hundred years. This is really life, this is doing something in the world, and in the presence of it you can see why the creators of it regard your world, which seemed to you so important, the world whose business is the evolution and expression of thought and emotion, as insignificant. Here is a material addition to the business and wealth of the race, here employment for men who need it, here is industry replacing stagnation, here is the pleasure of overcoming difficulties and conquering obstacles.

Why encounter these difficulties? In order that more coal may be procured to operate more railway trains at higher speed, to supply more factories, to add to the industrial stir of modern life. The men who projected and are pus.h.i.+ng on this enterprise, with an executive ability that would maintain and manoeuvre an army in a campaign, are not, however, consciously philanthropists, moved by the charitable purpose of giving employment to men, or finding satisfaction in making two blades of gra.s.s grow where one grew before. They enjoy no doubt the sense of power in bringing things to pa.s.s, the feeling of leaders.h.i.+p and the consequence derived from its recognition; but they embark in this enterprise in order that they may have the position and the luxury that increased wealth will bring, the object being, in most cases, simply material advantages--sumptuous houses, furnished with all the luxuries which are the signs of wealth, including, of course, libraries and pictures and statuary and curiosities, the most showy equipages and troops of servants; the object being that their wives shall dress magnificently, glitter in diamonds and velvets, and never need to put their feet to the ground; that they may command the best stalls in the church, the best pews in the theatre, the choicest rooms in the inn, and--a consideration that Plato does not mention, because his world was not our world--that they may impress and reduce to obsequious deference the hotel clerk.

This life--for this enterprise and its objects are types of a considerable portion of life--is not without its ideal, its hero, its highest expression, its consummate flower. It is expressed in a word which I use without any sense of its personality, as the French use the word Barnum--for our crude young nation has the distinction of adding a verb to the French language, the verb to barnum--it is expressed in the well-known name Croesus. This is a standard--impossible to be reached perhaps, but a standard. If one may say so, the country is sown with seeds of Croesus, and the crop is forward and promising. The interest to us now in the observation of this phase of modern life is not in the least for purposes of satire or of reform. We are inquiring how wholly this conception of life is divorced from the desire to learn what has been done and said to the end that better things may be done and said hereafter, in order that we may understand the popular conception of the insignificant value of literature in human affairs. But it is not aside from our subject, rather right in its path, to take heed of what the philosophers say of the effect in other respects of the pursuit of wealth.

One cause of the decay of the power of defense in a state, says the Athenian Stranger in Plato's Laws--one cause is the love of wealth, which wholly absorbs men and never for a moment allows them to think of anything but their private possessions; on this the soul of every citizen hangs suspended, and can attend to nothing but his daily gain; mankind are ready to learn any branch of knowledge and to follow any pursuit which tends to this end, and they laugh at any other; that is the reason why a city will not be in earnest about war or any other good and honorable pursuit.

The acc.u.mulation of gold in the treasury of private individuals, says Socrates, in the Republic, is the ruin of democracy. They invent illegal modes of expenditure; and what do they or their wives care about the law?

"And then one, seeing another's display, proposes to rival him, and thus the whole body of citizens acquires a similar character.

"After that they get on in a trade, and the more they think of making a fortune, the less they think of virtue; for when riches and virtue are placed together in the balance, the one always rises as the other falls.

"And in proportion as riches and rich men are honored in the state, virtue and the virtuous are dishonored.

"And what is honored is cultivated, and that which has no honor is neglected.

"And so at last, instead of loving contention and glory, men become lovers of trade and money, and they honor and reverence the rich man and make a ruler of him, and dishonor the poor man.

"They do so."

The object of a reasonable statesman (it is Plato who is really speaking in the Laws) is not that the state should be as great and rich as possible, should possess gold and silver, and have the greatest empire by sea and land.

The citizen must, indeed, be happy and good, and the legislator will seek to make him so; but very rich and very good at the same time he cannot be; not at least in the sense in which many speak of riches. For they describe by the term "rich" the few who have the most valuable possessions, though the owner of them be a rogue. And if this is true, I can never a.s.sent to the doctrine that the rich man will be happy: he must be good as well as rich. And good in a high degree and rich in a high degree at the same time he cannot be. Some one will ask, Why not? And we shall answer, Because acquisitions which come from sources which are just and unjust indifferently are more than double those which come from just sources only; and the sums which are expended neither honorably nor disgracefully are only half as great as those which are expended honorably and on honorable purposes. Thus if one acquires double and spends half, the other, who is in the opposite case and is a good man, cannot possibly be wealthier than he. The first (I am speaking of the saver, and not of the spender) is not always bad; he may indeed in some cases be utterly bad, but as I was saying, a good man he never is. For he who receives money unjustly as well as justly, and spends neither justly nor unjustly, will be a rich man if he be also thrifty. On the other hand, the utterly bad man is generally profligate, and therefore poor; while he who spends on n.o.ble objects, and acquires wealth by just means only, can hardly be remarkable for riches any more than he can be very poor. The argument, then, is right in declaring that the very rich are not good, and if they are not good they are not happy.

And the conclusion of Plato is that we ought not to pursue any occupation to the neglect of that for which riches exist--"I mean," he says, "soul and body, which without gymnastics and without education will never be worth anything; and therefore, as we have said not once but many times, the care of riches should have the last place in our thoughts."

Men cannot be happy unless they are good, and they cannot be good unless the care of the soul occupies the first place in their thoughts. That is the first interest of man; the interest in the body is midway; and last of all, when rightly regarded, is the interest about money.

The majority of mankind reverses this order of interests, and therefore it sets literature to one side as of no practical account in human life.

More than this, it not only drops it out of mind, but it has no conception of its influence and power in the very affairs from which it seems to be excluded. It is my purpose to show not only the close relation of literature to ordinary life, but its eminent position in life, and its saving power in lives which do not suspect its influence or value. Just as it is virtue that saves the state, if it be saved, although the majority do not recognize it and attribute the salvation of the state to energy, and to obedience to the laws of political economy, and to discoveries in science, and to financial contrivances; so it is that in the life of generations of men, considered from an ethical and not from a religious point of view, the most potent and lasting influence for a civilization that is worth anything, a civilization that does not by its own nature work its decay, is that which I call literature. It is time to define what we mean by literature. We may arrive at the meaning by the definition of exclusion. We do not mean all books, but some books; not all that is written and published, but only a small part of it. We do not mean books of law, of theology, of politics, of science, of medicine, and not necessarily books of travel, or adventure, or biography, or fiction even. These may all be ephemeral in their nature. The term belles-lettres does not fully express it, for it is too narrow. In books of law, theology, politics, medicine, science, travel, adventure, biography, philosophy, and fiction there may be pa.s.sages that possess, or the whole contents may possess, that quality which comes within our meaning of literature. It must have in it something of the enduring and the universal. When we use the term art, we do not mean the arts; we are indicating a quality that may be in any of the arts. In art and literature we require not only an expression of the facts in nature and in human life, but of feeling, thought, emotion. There must be an appeal to the universal in the race. It is, for example, impossible for a Christian today to understand what the religious system of the Egyptians of three thousand years ago was to the Egyptian mind, or to grasp the idea conveyed to a Chinaman's thought in the phrase, "the wors.h.i.+p of the principle of heaven"; but the Christian of today comprehends perfectly the letters of an Egyptian scribe in the time of Thotmes III., who described the comical miseries of his campaign with as clear an appeal to universal human nature as Horace used in his 'Iter Brundusium;' and the maxims of Confucius are as comprehensible as the bitter-sweetness of Thomas a Kempis. De Quincey distinguishes between the literature of knowledge and the literature of power. The definition is not exact; but we may say that the one is a statement of what is known, the other is an emanation from the man himself; or that one may add to the sum of human knowledge, and the other addresses itself to a higher want in human nature than the want of knowledge. We select and set aside as literature that which is original, the product of what we call genius. As I have said, the subject of a production does not always determine the desired quality which makes it literature. A biography may contain all the facts in regard to a man and his character, arranged in an orderly and comprehensible manner, and yet not be literature; but it may be so written, like Plutarch's Lives or Defoe's account of Robinson Crusoe, that it is literature, and of imperishable value as a picture of human life, as a satisfaction to the want of the human mind which is higher than the want of knowledge. And this contribution, which I desire to be understood to mean when I speak of literature, is precisely the thing of most value in the lives of the majority of men, whether they are aware of it or not. It may be weighty and profound; it may be light, as light as the fall of a leaf or a bird's song on the sh.o.r.e; it may be the thought of Plato when he discourses of the character necessary in a perfect state, or of Socrates, who, out of the theorem of an absolute beauty, goodness, greatness, and the like, deduces the immortality of the soul; or it may be the lovesong of a Scotch plowman: but it has this one quality of answering to a need in human nature higher than a need for facts, for knowledge, for wealth.

In noticing the remoteness in the popular conception of the relation of literature to life, we must not neglect to take into account what may be called the arrogance of culture, an arrogance that has been emphasized, in these days of reaction from the old att.i.tude of literary obsequiousness, by harsh distinctions and hard words, which are paid back by equally emphasized contempt. The apostles of light regard the rest of mankind as barbarians and Philistines, and the world retorts that these self-const.i.tuted apostles are idle word-mongers, without any sympathy with humanity, critics and jeerers who do nothing to make the conditions of life easier. It is natural that every man should magnify the circle of the world in which he is active and imagine that all outside of it is comparatively unimportant. Everybody who is not a drone has his sufficient world. To the lawyer it is his cases and the body of law, it is the legal relation of men that is of supreme importance; to the merchant and manufacturer all the world consists in buying and selling, in the production and exchange of products; to the physician all the world is diseased and in need of remedies; to the clergyman speculation and the discussion of dogmas and historical theology a.s.sume immense importance; the politician has his world, the artist his also, and the man of books and letters a realm still apart from all others. And to each of these persons what is outside of his world seems of secondary importance; he is absorbed in his own, which seems to him all-embracing.

To the lawyer everybody is or ought to be a litigant; to the grocer the world is that which eats, and pays--with more or less regularity; to the scholar the world is in books and ideas. One realizes how possessed he is with his own little world only when by chance he changes his profession or occupation and looks back upon the law, or politics, or journalism, and sees in its true proportion what it was that once absorbed him and seemed to him so large. When Socrates discusses with Gorgias the value of rhetoric, the use of which, the latter a.s.serts, relates to the greatest and best of human things, Socrates says: I dare say you have heard men singing--at feasts the old drinking-song, in which the singers enumerate the goods of life-first, health; beauty next; thirdly, wealth honestly acquired. The producers of these things--the physician, the trainer, the money-maker--each in turn contends that his art produces the greatest good. Surely, says the physician, health is the greatest good; there is more good in my art, says the trainer, for my business is to make men beautiful and strong in body; and consider, says the money-maker, whether any one can produce a greater good than wealth. But, insists Gorgias, the greatest good of men, of which I am the creator, is that which gives men freedom in their persons, and the power of ruling over others in their several states--that is, the word which persuades the judge in the court, or the senators in the council, or the citizens in the a.s.sembly: if you have the power of uttering this word, you will have the physician your slave, and the trainer your slave, and the moneymaker of whom you talk will be found to gather treasures, not for himself, but for those who are able to speak and persuade the mult.i.tude.

What we call life is divided into occupations and interest, and the horizons of mankind are bounded by them. It happens naturally enough, therefore, that there should be a want of sympathy in regard to these pursuits among men, the politician despising the scholar, and the scholar looking down upon the politician, and the man of affairs, the man of industries, not caring to conceal his contempt for both the others. And still more reasonable does the division appear between all the world which is devoted to material life, and the few who live in and for the expression of thought and emotion. It is a pity that this should be so, for it can be shown that life would not be worth living divorced from the gracious and enn.o.bling influence of literature, and that literature suffers atrophy when it does not concern itself with the facts and feelings of men.

If the poet lives in a world apart from the vulgar, the most lenient apprehension of him is that his is a sort of fool's paradise. One of the most curious features in the relation of literature to life is this, that while poetry, the production of the poet, is as necessary to universal man as the atmosphere, and as acceptable, the poet is regarded with that mingling of compa.s.sion and undervaluation, and perhaps awe, which once attached to the weak-minded and insane, and which is sometimes expressed by the term "inspired idiot." However the poet may have been petted and crowned, however his name may have been diffused among peoples, I doubt not that the popular estimate of him has always been substantially what it is today. And we all know that it is true, true in our individual consciousness, that if a man be known as a poet and nothing else, if his character is sustained by no other achievement than the production of poetry, he suffers in our opinion a loss of respect. And this is only recovered for him after he is dead, and his poetry is left alone to speak for his name. However fond my lord and lady were of the ballad, the place of the minstrel was at the lower end of the hall. If we are pushed to say why this is, why this happens to the poet and not to the producers of anything else that excites the admiration of mankind, we are forced to admit that there is something in the poet to sustain the popular judgment of his in utility. In all the occupations and professions of life there is a sign put up, invisible--but none the less real, and expressing an almost universal feeling--"No poet need apply." And this is not because there are so many poor poets; for there are poor lawyers, poor soldiers, poor statesmen, incompetent business men; but none of the personal disparagement attaches to them that is affixed to the poet. This popular estimate of the poet extends also, possibly in less degree, to all the producers of the literature that does not concern itself with knowledge.

It is not our care to inquire further why this is so, but to repeat that it is strange that it should be so when poetry is, and has been at all times, the universal solace of all peoples who have emerged out of barbarism, the one thing not supernatural and yet akin to the supernatural, that makes the world, in its hard and sordid conditions, tolerable to the race. For poetry is not merely the comfort of the refined and the delight of the educated; it is the alleviator of poverty, the pleasure-ground of the ignorant, the bright spot in the most dreary pilgrimage. We cannot conceive the abject animal condition of our race were poetry abstracted; and we do not wonder that this should be so when we reflect that it supplies a want higher than the need for food, for raiment, or ease of living, and that the mind needs support as much as the body. The majority of mankind live largely in the imagination, the office or use of which is to lift them in spirit out of the bare physical conditions in which the majority exist. There are races, which we may call the poetical races, in which this is strikingly exemplified. It would be difficult to find poverty more complete, physical wants less gratified, the conditions of life more bare than among the Oriental peoples from the Nile to the Ganges and from the Indian Ocean to the steppes of Siberia. But there are perhaps none among the more favored races who live so much in the world of imagination fed by poetry and romance. Watch the throng seated about an Arab or Indian or Persian story-teller and poet, men and women with all the marks of want, hungry, almost naked, without any prospect in life of ever bettering their sordid condition; see their eyes kindle, their breathing suspended, their tense absorption; see their tears, hear their laughter, note their excitement as the magician unfolds to them a realm of the imagination in which they are free for the hour to wander, tasting a keen and deep enjoyment that all the wealth of Croesus cannot purchase for his disciples. Measure, if you can, what poetry is to them, what their lives would be without it. To the millions and millions of men who are in this condition, the bard, the story-teller, the creator of what we are considering as literature, comes with the one thing that can lift them out of poverty, suffering--all the woe of which nature is so heedless.