The Use of a Box of Colours Part 12

34, Marylebone Street, Piccadilly, the end of the Quadrant, Regent Street, London.

=SOLID SKETCH BOOKS.=

With Compressed Leaves, made of thin and thick White, Drab, Yellow, and Grey Drawing Papers, forming a solid packet of thirty or forty leaves, each of which can be easily separated from the others by the introduction of a pen-knife underneath.

=WOVE AND CARTRIDGE DRAWING PAPERS.=

Demy 20 by 15 Medium 22 -- 17 Royal 24 -- 19 Super Royal 27 -- 19 Imperial 30 -- 21 Colombier 34 -- 23 Atlas 34 -- 26 Double Elephant 40 -- 26 Antiquarian 52 -- 31 Extra Antiquarian 56 -- 40

Emperor, the largest size paper, 68 inches by 48 inches. Rough, Extra-thick, Tinted, and Hot pressed Papers, Drawing Cartridge Papers, for Architects, &c., Crayon, Tinted, London and Bristol Boards, English and French Tracing Papers, to 60 in. by 40 in.

=HARDING'S NEW DRAWING PAPER,=

Made pure and perfectly free from any chemical agency that will tend to fade the Colours or alter their Tint. Recommended to those who paint with Body Colours, &c.

=C. SMITH'S MATERIALS FOR SKETCHING IN WATER COLOURS.=

Compressed Paper, in Packets Sketching Books of all kinds Sketching Folios and Portfolios Alb.u.ms and Sc.r.a.p Books Sketching Books, with Boxes attached Sketching Desks for the Neck Parlour's Patent Sketching Instrument and Camera Lucidas and Obscuras Desks, with Colours, &c., for ditto Stands and Tables for ditto Camp and other Seats for Sketching j.a.panned Tin Boxes, with Moist Colours, Cups, Bottles, &c., for Sketching Fixed Sketching Inks and Reed Pens Ditto, in Cases for Travelling, &c.

Drawing and Sketching Boards Liquid Sepia, for Drawing Leather Cases, for Colours, Brushes, &c.

Creta Laevis Crayons, or different Colours that work dry or with water Portable Cases, containing a Seat, Book, Box, &c. for Sketching Artists' Umbrellas, to shade the sun Seat and Table combined, for Sketching India Rubber Water Bottles India Ink of the finest quality, warranted genuine

=C. SMITH'S SUPERIOR NEW DRAWING BOARDS,=

For straining thick or thin Drawing Paper more efficiently, and much more easily, without pasting or cutting; also fitted up with Colours, Brushes, Saucers, &c.

=C. SMITH'S MATERIALS FOR SKETCHING AND PAINTING IN OIL COLOURS.=

Prepared Paper and Millboards, for Sketching from Nature, &c.

Prepared Panels and Cloths, and Tickens on or off frames Tin Boxes for Oil Colours, &c.

Portable ditto for Sketching Oil Colours in Cakes and Bottles (see Wilson's Letter) Tin Oil Cups, and Cups for Was.h.i.+ng Brushes Steel, Ivory, and Horn Palette Knives Mahogany and Satin Wood Palettes Bladder Colours, Powder Colours, and Raw Colours Rack, Folding, and Upright Easels Desk and Table Easels Nut, Poppy, Linseed, and Drying Oils Mastic, Copal, and Spirit Varnishes Turpentine Gold Size, Asphaltum and M'Guelph Gla.s.s, Stone, and Earthen Slabs and Mullers Maul or Rest Sticks Charcoal and Pipe Clay Bladder Colour n.o.bs Oil Box and Easel combined C. Smith's new invented Telescope portable Cane Easels, extremely light, for Sketching Compressed Oil Papers for Sketches

34, Marylebone Street, Piccadilly, the end of the Quadrant, Regent Street, London.

=NEW CAMERA OBSCURAS.=

For Sketching, so contrived, that any person with a slight knowledge of Drawing can use them without difficulty, straining the sight, or previous practice. The images, being reflected on paper, require nothing more than tracing their outlines.

=MISCELLANEOUS MATERIALS.=

Mathematical Instruments Dividers and Compa.s.ses Tee Squares and Triangles Flat, Parallel and Stationer's Rulers Tracers, Erasing and Pen Knives Drawing Pins and Indian Glue Crow Quills and Pens Deal and Mahogany Clamped Boards Boxes of Juvenile Colours, &c.

Conte's Black, White, and Red Chalks Vancouver's Cement for mending China Black Lead Powder, and Crayons for Stumping Best Italian Black, White, and Red Chalks, in Crayons and Pencils Lithographic and French Chalks Cabinet Saucers in Cases Indian Rubber and Sponge Black Lead, in Cakes, for Mezzotinting Indelible Marking Ink, for Linen Ox Gall, in Pots and Liquid Gold and Silver, in Sh.e.l.ls, Saucers, and Leaves Gold, Silver, Copper, and Green Bronzes Ivories for Miniature Painting Gum Water for ditto, &c.

Leather, Paper, and Cork Stamps Improved Holders and Portcrayons Harding's Silver Crayon Holders Oriental Tinting Paper White and Coloured Tissue Paper Sponge Pencils

=C. SMITH'S NEW INVENTED WATER-COLOUR CREAM.=

A M'Guelph, or Medium, for using with Water-Colours, either transparent or semi-opaque, for obtaining opaque ma.s.ses of colour or glazing. Drying slower than water, and not so fluid, enables the touch to be preserved where required without hard ridges.

Soft Swiss and French Crayons Harding's Lithographic Drawing Books Sketches, Tinted Paper, &c.

Fixing Liquid for Chalk Drawings, &c.

Varley's and Hayter's Perspectives Cooper's Studies of Cattle Modelling Tools Leather and Paper Pencil Cases Finest Quality Indian Ink Best Clear Vellum Ink Stones and Saucers Slabs, Tiles, and Palettes in great variety Ivory and other Pencil Racks Gla.s.s Frames for Tracing Graining Combs Photogenic Materials Patterns for Irregular Lines Fixing Liquid for Chalk Drawings, &c.

New Perspective Parallel Rulers Prout's Hints on Light, Shadow, &c.

---- Figures for Landscapes, &c.

Merimee's Oil Painting Cawse's ditto Howard's Sketcher's Manual ---- on Colour Laporte's Studies of Trees

A great variety of Juvenile Lithographic Drawing Books of Landscapes, Animals, and the Human Figure, and other Popular Works on Drawing and Painting.

=SHADE'S DRAWING AND PERSPECTIVE MODELS.=

For the practice of young students in obtaining a knowledge of the first rudiments of Perspective Drawing, Light and Shade, &c. with numerous ill.u.s.trations explanatory of the infinite variety of useful Drawing Studies they are capable of forming together. To be had complete in boxes, price 10_s._ 6_d._ and 1 1_s._

A variety of Miniature Models of Churches, Cottages, Castles, &c. &c.; lent out for the use of early in-door Landscape Students, as a subst.i.tute for Nature.

Wholesale, Retail, and for Exportation.

_October, 1841._

34, Marylebone Street, Piccadilly, the end of the Quadrant, Regent Street, London.

J. D. HARDING'S WORKS,

PUBLISHED BY TILT AND BOGUE.

HARDING'S DRAWING BOOK, 1841. Sketches in Sepia and Chalk, partly original and partly selected. Six Nos. 3s. 6d. each; half morocco, 24s.

SKETCHES AT HOME AND ABROAD, containing more than Sixty Views, tinted in imitation of the Original Drawings. Imperial folio, half-bound morocco, 6. 6s.

*** This splendid work has been entirely drawn on Stone by Mr. HARDING _himself_, and printed under his immediate inspection. The resemblance to the Original Sketches is complete, and each Subject may be considered as a _bona fide_ and first-rate Drawing.

ELEMENTARY ART: THE USE OF THE LEAD-PENCIL ADVOCATED AND EXPLAINED. New Edition. Imperial 4to. cloth, price 2. 2s.

*** The object of this work is to teach the young Student and the Amateur, by the practical use of the simplest (but most valuable) instrument in art--_the Lead-pencil_--how they may study Nature and acquire Art with the certainty of eventual success, and also to furnish them with a.s.sistance to which they may continually refer in the absence of their Master. The work is ill.u.s.trated by Twenty-eight Lithographic Drawings by Mr. HARDING, and he has followed as nearly as possible the course which his experience in actual instruction has suggested to him.

HARDING'S DRAWING BOOK, 1837. Each Number of this Work contains Four Studies, including in the whole a great variety of subjects. The whole are printed on India Paper, price 3s. each Part; or 21s. neatly half-bound.