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The Goodness of St. Rocque and Other Stories Part 3

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"And he spends his winters, doubtless, selling fish in the French market," spitefully soliloquised Philip.

The fisherman was looking unutterable things into Annette's eyes, and, it seemed to Philip, taking an unconscionably long time explaining the use of an East Indian stiletto.

"Oh, wouldn't it be delightful!" came from Annette at last.

"What?" asked Philip.

"Why, Monsieur LeConte says he'll take six of us out in his catboat tomorrow for a fis.h.i.+ng-trip on the Gulf."

"Hum," drily.

"And I'll get Natalie and her cousins."

"Yes," still more drily.

Annette chattered on, entirely oblivious of the strainedness of the men's adieux, and still chattered as they drove through the pines.

"I did not know that you were going to take fishermen and marchands into the bosom of your social set when you came here," growled Philip, at last.

"But, Cousin Phil, can't you see he is a gentleman? The fact that he makes no excuses or protestations is a proof."

"You are a fool," was the polite response.

Still, at six o'clock next morning, there was a little crowd of seven upon the pier, laughing and chatting at the little "Virginie" dipping her bows in the water and flapping her sails in the brisk wind.

Natalie's pink bonnet blushed in the early suns.h.i.+ne, and Natalie's mamma, comely and portly, did chaperonage duty. It was not long before the sails gave swell into the breeze and the little boat scurried to the Sound. Past the lighthouse on its gawky iron stalls, she flew, and now rounded the white sands of Cat Island.

"Bravo, the Gulf!" sang a voice on the lookout. The little boat dipped, halted an instant, then rushed fast into the blue Gulf waters.

"We will anchor here," said the host, "have luncheon, and fish."

Philip could not exactly understand why the fisherman should sit so close to Annette and whisper so much into her ears. He chafed at her acting the part of hostess, and was possessed of a murderous desire to throw the pink sun-bonnet and its owner into the sea, when Natalie whispered audibly to one of her cousins that "Mees Annette act nice wit' her lovare."

The sun was banking up flaming pillars of rose and gold in the west when the little "Virginie" rounded Cat Island on her way home, and the quick Southern twilight was fast dying into darkness when she was tied up to the pier and the merry-makers sprang off with baskets of fish.

Annette had distinguished herself by catching one small shark, and had immediately ceased to fish and devoted her attention to her fisherman and his line. Philip had angled fiercely, landing trout, croakers, sheepshead, snappers in bewildering luck. He had broken each hopeless captive's neck savagely, as though they were personal enemies. He did not look happy as they landed, though paeans of praise were being sung in his honour.

As the days pa.s.sed on, "the fisherman of the Pa.s.s" began to dance attendance on Annette. What had seemed a joke became serious. Aunt Nina, urged by Philip, remonstrated, and even the mamma of the pink sunbonnet began to look grave. It was all very well for a city demoiselle to talk with a fisherman and accept favours at his hands, provided that the city demoiselle understood that a vast and bridgeless gulf stretched between her and the fisherman.

But when the demoiselle forgot the gulf and the fisherman refused to recognise it, why, it was time to take matters in hand.

To all of Aunt Nina's remonstrances, Philip's growlings, and the averted glances of her companions, Annette was deaf. "You are narrow-minded," she said laughingly. "I am interested in Monsieur LeConte simply as a study. He is entertaining; he talks well of his travels, and as for refusing to recognise the difference between us, why, he never dreamed of such a thing."

Suddenly a peremptory summons home from Annette's father put an end to the fears of Philip. Annette pouted, but papa must be obeyed. She blamed Philip and Aunt Nina for telling tales, but Aunt Nina was uncommunicative, and Philip too obviously cheerful to derive much satisfaction from.

That night she walked with the fisherman hand in hand on the sands. The wind from the pines bore the scarcely recognisable, subtle freshness of early autumn, and the waters had a hint of dying summer in their sob on the beach.

"You will remember," said the fisherman, "that I have told you nothing about myself."

"Yes," murmured Annette.

"And you will keep your promises to me?"

"Yes."

"Let me hear you repeat them again."

"I promise you that I will not forget you. I promise you that I will never speak of you to anyone until I see you again. I promise that I will then clasp your hand wherever you may be."

"And mademoiselle will not be discouraged, but will continue her studies?"

"Yes."

It was all very romantic, by the waves of the Sound, under a harvest moon, that seemed all sympathy for these two, despite the fact that it was probably looking down upon hundreds of other equally romantic couples. Annette went to bed with glowing cheeks, and a heart whose pulsations would have caused a physician to prescribe unlimited digitalis.

It was still hot in New Orleans when she returned home, and it seemed hard to go immediately to work. But if one is going to be an opera-singer some day and capture the world with one's voice, there is nothing to do but to study, study, sing, practise, even though one's throat be parched, one's head a great ache, and one's heart a nest of discouragement and sadness at what seems the uselessness of it all.

Annette had now a new incentive to work; the fisherman had once praised her voice when she hummed a barcarole on the sands, and he had insisted that there was power in its rich notes. Though the fisherman had showed no cause why he should be accepted as a musical critic, Annette had somehow respected his judgment and been accordingly elated.

It was the night of the opening of the opera. There was the usual crush, the glitter and confusing radiance of the brilliant audience.

Annette, with papa, Aunt Nina, and Philip, was late reaching her box.

The curtain was up, and "La Juive" was pouring forth defiance at her angry persecutors. Annette listened breathlessly. In fancy, she too was ringing her voice out to an applauding house. Her head unconsciously beat time to the music, and one hand half held her cloak from her bare shoulders.

Then Eleazar appeared, and the house rose at the end of his song.

Encores it gave, and bravos and cheers. He bowed calmly, swept his eyes over the tiers until they found Annette, where they rested in a half-smile of recognition.

"Philip," gasped Annette, nervously raising her gla.s.ses, "my fisherman!"

"Yes, an opera-singer is better than a marchand," drawled Philip.

The curtain fell on the first act. The house was won by the new tenor; it called and recalled him before the curtain. Clearly he had sung his way into the hearts of his audience at once.

"Papa, Aunt Nina," said Annette, "you must come behind the scenes with me. I want you to meet him. He is delightful. You must come."

Philip was bending ostentatiously over the girl in the next box. Papa and Aunt Nina consented to be dragged behind the scenes. Annette was well known, for, in hopes of some day being an occupant of one of the dressing-rooms, she had made friends with everyone connected with the opera.

Eleazar received them, still wearing his brown garb and patriarchal beard.

"How you deceived me!" she laughed, when the greetings and introductions were over.

"I came to America early," he smiled back at her, "and thought I'd try a little incognito at the Pa.s.s. I was not well, you see. It has been of great benefit to me."

"I kept my promise," she said in a lower tone.

"Thank you; that also has helped me."

Annette's teacher began to note a wonderful improvement in his pupil's voice. Never did a girl study so hard or practise so faithfully. It was truly wonderful. Now and then Annette would say to papa as if to rea.s.sure herself,--

"And when Monsieur Cherbart says I am ready to go to Paris, I may go, papa?"

And papa would say a "Certainly" that would send her back to the piano with renewed ardour.

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The Goodness of St. Rocque and Other Stories Part 3 summary

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