The Woman in White Part 85

"No. I have thought about it too, and thought in vain."

"In all likelihood," I continued, "the same questions have occurred to you, in considering this difficult subject, which have occurred to me.

Ought we to return with her to Limmeridge, now that she is like herself again, and trust to the recognition of her by the people of the village, or by the children at the school? Ought we to appeal to the practical test of her handwriting? Suppose we did so. Suppose the recognition of her obtained, and the ident.i.ty of the handwriting established. Would success in both those cases do more than supply an excellent foundation for a trial in a court of law? Would the recognition and the handwriting prove her ident.i.ty to Mr. Fairlie and take her back to Limmeridge House, against the evidence of her aunt, against the evidence of the medical certificate, against the fact of the funeral and the fact of the inscription on the tomb? No! We could only hope to succeed in throwing a serious doubt on the a.s.sertion of her death, a doubt which nothing short of a legal inquiry can settle.

I will a.s.sume that we possess (what we have certainly not got) money enough to carry this inquiry on through all its stages. I will a.s.sume that Mr. Fairlie's prejudices might be reasoned away--that the false testimony of the Count and his wife, and all the rest of the false testimony, might be confuted--that the recognition could not possibly be ascribed to a mistake between Laura and Anne Catherick, or the handwriting be declared by our enemies to be a clever fraud--all these are a.s.sumptions which, more or less, set plain probabilities at defiance; but let them pa.s.s--and let us ask ourselves what would be the first consequence or the first questions put to Laura herself on the subject of the conspiracy. We know only too well what the consequence would be, for we know that she has never recovered her memory of what happened to her in London. Examine her privately, or examine her publicly, she is utterly incapable of a.s.sisting the a.s.sertion of her own case. If you don't see this, Marian, as plainly as I see it, we will go to Limmeridge and try the experiment to-morrow."

"I DO see it, Walter. Even if we had the means of paying all the law expenses, even if we succeeded in the end, the delays would be unendurable, the perpetual suspense, after what we have suffered already, would be heartbreaking. You are right about the hopelessness of going to Limmeridge. I wish I could feel sure that you are right also in determining to try that last chance with the Count. IS it a chance at all?"

"Beyond a doubt, Yes. It is the chance of recovering the lost date of Laura's journey to London. Without returning to the reasons I gave you some time since, I am still as firmly persuaded as ever that there is a discrepancy between the date of that journey and the date on the certificate of death. There lies the weak point of the whole conspiracy--it crumbles to pieces if we attack it in that way, and the means of attacking it are in possession of the Count. If I succeed in wresting them from him, the object of your life and mine is fulfilled.

If I fail, the wrong that Laura has suffered will, in this world, never be redressed."

"Do you fear failure yourself, Walter?"

"I dare not antic.i.p.ate success, and for that very reason, Marian, I speak openly and plainly as I have spoken now. In my heart and my conscience I can say it, Laura's hopes for the future are at their lowest ebb. I know that her fortune is gone--I know that the last chance of restoring her to her place in the world lies at the mercy of her worst enemy, of a man who is now absolutely una.s.sailable, and who may remain una.s.sailable to the end. With every worldly advantage gone from her, with all prospect of recovering her rank and station more than doubtful, with no clearer future before her than the future which her husband can provide, the poor drawing-master may harmlessly open his heart at last. In the days of her prosperity, Marian, I was only the teacher who guided her hand--I ask for it, in her adversity, as the hand of my wife!"

Marian's eyes met mine affectionately--I could say no more. My heart was full, my lips were trembling. In spite of myself I was in danger of appealing to her pity. I got up to leave the room. She rose at the same moment, laid her hand gently on my shoulder, and stopped me.

"Walter!" she said, "I once parted you both, for your good and for hers. Wait here, my brother!--wait, my dearest, best friend, till Laura comes, and tells you what I have done now!"

For the first time since the farewell morning at Limmeridge she touched my forehead with her lips. A tear dropped on my face as she kissed me.

She turned quickly, pointed to the chair from which I had risen, and left the room.

I sat down alone at the window to wait through the crisis of my life.

My mind in that breathless interval felt like a total blank. I was conscious of nothing but a painful intensity of all familiar perceptions. The sun grew blinding bright, the white sea birds chasing each other far beyond me seemed to be flitting before my face, the mellow murmur of the waves on the beach was like thunder in my ears.

The door opened, and Laura came in alone. So she had entered the breakfast-room at Limmeridge House on the morning when we parted.

Slowly and falteringly, in sorrow and in hesitation, she had once approached me. Now she came with the haste of happiness in her feet, with the light of happiness radiant in her face. Of their own accord those dear arms clasped themselves round me, of their own accord the sweet lips came to meet mine. "My darling!" she whispered, "we may own we love each other now?" Her head nestled with a tender contentedness on my bosom. "Oh," she said innocently, "I am so happy at last!"

Ten days later we were happier still. We were married.

IV

The course of this narrative, steadily flowing on, bears me away from the morning-time of our married life, and carries me forward to the end.

In a fortnight more we three were back in London, and the shadow was stealing over us of the struggle to come.

Marian and I were careful to keep Laura in ignorance of the cause that had hurried us back--the necessity of making sure of the Count. It was now the beginning of May, and his term of occupation at the house in Forest Road expired in June. If he renewed it (and I had reasons, shortly to be mentioned, for antic.i.p.ating that he would), I might be certain of his not escaping me. But if by any chance he disappointed my expectations and left the country, then I had no time to lose in arming myself to meet him as I best might.

In the first fulness of my new happiness, there had been moments when my resolution faltered--moments when I was tempted to be safely content, now that the dearest aspiration of my life was fulfilled in the possession of Laura's love. For the first time I thought faint-heartedly of the greatness of the risk, of the adverse chances arrayed against me, of the fair promise of our new life, and of the peril in which I might place the happiness which we had so hardly earned. Yes! let me own it honestly. For a brief time I wandered, in the sweet guiding of love, far from the purpose to which I had been true under sterner discipline and in darker days. Innocently Laura had tempted me aside from the hard path--innocently she was destined to lead me back again.

At times, dreams of the terrible past still disconnectedly recalled to her, in the mystery of sleep, the events of which her waking memory had lost all trace. One night (barely two weeks after our marriage), when I was watching her at rest, I saw the tears come slowly through her closed eyelids, I heard the faint murmuring words escape her which told me that her spirit was back again on the fatal journey from Blackwater Park. That unconscious appeal, so touching and so awful in the sacredness of her sleep, ran through me like fire. The next day was the day we came back to London--the day when my resolution returned to me with tenfold strength.

The first necessity was to know something of the man. Thus far, the true story of his life was an impenetrable mystery to me.

I began with such scanty sources of information as were at my own disposal. The important narrative written by Mr. Frederick Fairlie (which Marian had obtained by following the directions I had given to her in the winter) proved to be of no service to the special object with which I now looked at it. While reading it I reconsidered the disclosure revealed to me by Mrs. Clements of the series of deceptions which had brought Anne Catherick to London, and which had there devoted her to the interests of the conspiracy. Here, again, the Count had not openly committed himself--here, again, he was, to all practical purpose, out of my reach.

I next returned to Marian's journal at Blackwater Park. At my request she read to me again a pa.s.sage which referred to her past curiosity about the Count, and to the few particulars which she had discovered relating to him.

The pa.s.sage to which I allude occurs in that part of her journal which delineates his character and his personal appearance. She describes him as "not having crossed the frontiers of his native country for years past"--as "anxious to know if any Italian gentlemen were settled in the nearest town to Blackwater Park"--as "receiving letters with all sorts of odd stamps on them, and one with a large official-looking seal on it." She is inclined to consider that his long absence from his native country may be accounted for by a.s.suming that he is a political exile. But she is, on the other hand, unable to reconcile this idea with the reception of the letter from abroad bearing "the large official-looking seal"--letters from the Continent addressed to political exiles being usually the last to court attention from foreign post-offices in that way.

The considerations thus presented to me in the diary, joined to certain surmises of my own that grew out of them, suggested a conclusion which I wondered I had not arrived at before. I now said to myself--what Laura had once said to Marian at Blackwater Park, what Madame Fosco had overheard by listening at the door--the Count is a spy!

Laura had applied the word to him at hazard, in natural anger at his proceedings towards herself. I applied it to him with the deliberate conviction that his vocation in life was the vocation of a spy. On this a.s.sumption, the reason for his extraordinary stay in England so long after the objects of the conspiracy had been gained, became, to my mind, quite intelligible.

The year of which I am now writing was the year of the famous Crystal Palace Exhibition in Hyde Park. Foreigners in unusually large numbers had arrived already, and were still arriving in England. Men were among us by hundreds whom the ceaseless distrustfulness of their governments had followed privately, by means of appointed agents, to our sh.o.r.es. My surmises did not for a moment cla.s.s a man of the Count's abilities and social position with the ordinary rank and file of foreign spies. I suspected him of holding a position of authority, of being entrusted by the government which he secretly served with the organisation and management of agents specially employed in this country, both men and women, and I believed Mrs. Rubelle, who had been so opportunely found to act as nurse at Blackwater Park, to be, in all probability, one of the number.

a.s.suming that this idea of mine had a foundation in truth, the position of the Count might prove to be more a.s.sailable than I had hitherto ventured to hope. To whom could I apply to know something more of the man's history and of the man himself than I knew now?

In this emergency it naturally occurred to my mind that a countryman of his own, on whom I could rely, might be the fittest person to help me.

The first man whom I thought of under these circ.u.mstances was also the only Italian with whom I was intimately acquainted--my quaint little friend, Professor Pesca.

The professor has been so long absent from these pages that he has run some risk of being forgotten altogether.

It is the necessary law of such a story as mine that the persons concerned in it only appear when the course of events takes them up--they come and go, not by favour of my personal partiality, but by right of their direct connection with the circ.u.mstances to be detailed.

For this reason, not Pesca alone, but my mother and sister as well, have been left far in the background of the narrative. My visits to the Hampstead cottage, my mother's belief in the denial of Laura's ident.i.ty which the conspiracy had accomplished, my vain efforts to overcome the prejudice on her part and on my sister's to which, in their jealous affection for me, they both continued to adhere, the painful necessity which that prejudice imposed on me of concealing my marriage from them till they had learnt to do justice to my wife--all these little domestic occurrences have been left unrecorded because they were not essential to the main interest of the story. It is nothing that they added to my anxieties and embittered my disappointments--the steady march of events has inexorably pa.s.sed them by.

For the same reason I have said nothing here of the consolation that I found in Pesca's brotherly affection for me, when I saw him again after the sudden cessation of my residence at Limmeridge House. I have not recorded the fidelity with which my warm-hearted little friend followed me to the place of embarkation when I sailed for Central America, or the noisy transport of joy with which he received me when we next met in London. If I had felt justified in accepting the offers of service which he made to me on my return, he would have appeared again long ere this. But, though I knew that his honour and his courage were to be implicitly relied on, I was not so sure that his discretion was to be trusted, and, for that reason only, I followed the course of all my inquiries alone. It will now be sufficiently understood that Pesca was not separated from all connection with me and my interests, although he has. .h.i.therto been separated from all connection with the progress of this narrative. He was as true and as ready a friend of mine still as ever he had been in his life.

Before I summoned Pesca to my a.s.sistance it was necessary to see for myself what sort of man I had to deal with. Up to this time I had never once set eyes on Count Fosco.

Three days after my return with Laura and Marian to London, I set forth alone for Forest Road, St. John's Wood, between ten and eleven o'clock in the morning. It was a fine day--I had some hours to spare--and I thought it likely, if I waited a little for him, that the Count might be tempted out. I had no great reason to fear the chance of his recognising me in the daytime, for the only occasion when I had been seen by him was the occasion on which he had followed me home at night.

No one appeared at the windows in the front of the house. I walked down a turning which ran past the side of it, and looked over the low garden wall. One of the back windows on the lower floor was thrown up and a net was stretched across the opening. I saw n.o.body, but I heard, in the room, first a shrill whistling and singing of birds, then the deep ringing voice which Marian's description had made familiar to me.

"Come out on my little finger, my pret-pret-pretties!" cried the voice.

"Come out and hop upstairs! One, two, three--and up! Three, two, one--and down! One, two, three--twit-twit-twit-tweet!" The Count was exercising his canaries as he used to exercise them in Marian's time at Blackwater Park.

I waited a little while, and the singing and the whistling ceased.

"Come, kiss me, my pretties!" said the deep voice. There was a responsive twittering and chirping--a low, oily laugh--a silence of a minute or so, and then I heard the opening of the house door. I turned and retraced my steps. The magnificent melody of the Prayer in Rossini's Moses, sung in a sonorous ba.s.s voice, rose grandly through the suburban silence of the place. The front garden gate opened and closed. The Count had come out.

He crossed the road and walked towards the western boundary of the Regent's Park. I kept on my own side of the way, a little behind him, and walked in that direction also.

Marian had prepared me for his high stature, his monstrous corpulence, and his ostentatious mourning garments, but not for the horrible freshness and cheerfulness and vitality of the man. He carried his sixty years as if they had been fewer than forty. He sauntered along, wearing his hat a little on one side, with a light jaunty step, swinging his big stick, humming to himself, looking up from time to time at the houses and gardens on either side of him with superb, smiling patronage. If a stranger had been told that the whole neighbourhood belonged to him, that stranger would not have been surprised to hear it. He never looked back, he paid no apparent attention to me, no apparent attention to any one who pa.s.sed him on his own side of the road, except now and then, when he smiled and smirked, with an easy paternal good humour, at the nursery-maids and the children whom he met. In this way he led me on, till we reached a colony of shops outside the western terraces of the Park.

Here he stopped at a pastrycook's, went in (probably to give an order), and came out again immediately with a tart in his hand. An Italian was grinding an organ before the shop, and a miserable little shrivelled monkey was sitting on the instrument. The Count stopped, bit a piece for himself out of the tart, and gravely handed the rest to the monkey.

"My poor little man!" he said, with grotesque tenderness, "you look hungry. In the sacred name of humanity, I offer you some lunch!" The organ-grinder piteously put in his claim to a penny from the benevolent stranger. The Count shrugged his shoulders contemptuously, and pa.s.sed on.

We reached the streets and the better cla.s.s of shops between the New Road and Oxford Street. The Count stopped again and entered a small optician's shop, with an inscription in the window announcing that repairs were neatly executed inside. He came out again with an opera-gla.s.s in his hand, walked a few paces on, and stopped to look at a bill of the opera placed outside a music-seller's shop. He read the bill attentively, considered a moment, and then hailed an empty cab as it pa.s.sed him. "Opera Box-office," he said to the man, and was driven away.

I crossed the road, and looked at the bill in my turn. The performance announced was Lucrezia Borgia, and it was to take place that evening.

The opera-gla.s.s in the Count's hand, his careful reading of the bill, and his direction to the cabman, all suggested that he proposed making one of the audience. I had the means of getting an admission for myself and a friend to the pit by applying to one of the scene-painters attached to the theatre, with whom I had been well acquainted in past times. There was a chance at least that the Count might be easily visible among the audience to me and to any one with me, and in this case I had the means of ascertaining whether Pesca knew his countryman or not that very night.

This consideration at once decided the disposal of my evening. I procured the tickets, leaving a note at the Professor's lodgings on the way. At a quarter to eight I called to take him with me to the theatre. My little friend was in a state of the highest excitement, with a festive flower in his b.u.t.ton-hole, and the largest opera-gla.s.s I ever saw hugged up under his arm.

"Are you ready?" I asked.