Waysiders Part 14

His voice shook in spite of him. The woman turned about sharply.

Martin Cosgrave gave a little start back. It was not Rose Dempsey, but her sister, Sheela. How like Rose she had grown!

"Martin!" she exclaimed, putting out her hand. He gave it a hurried shake and then searched the railway carriage with burning eyes. The people he saw there were all strangers, tired-looking travellers. When he turned from the railway carriage Sheela Dempsey was rus.h.i.+ng with her parcels into a waiting-room. He strode after her. He looked at the girl.

How unlike Rose she was after all! n.o.body--n.o.body--could ever be like Rose Dempsey!

"Where is Rose?" he asked.

Sheela Dempsey looked up into the face of Martin Cosgrave and saw there what she had half-dreaded to see.

"Martin," she said, "Rose is not coming home."

Martin Cosgrave gripped the door of the waiting-room. The train whistled outside and glided from the station. He heard a woman's cheerful voice cry out a conventional "good-bye, good-bye," and through the window he saw the flutter of a dainty handkerchief. A truck was wheeled past the waiting-room. There was the crack of a whip and some cars rattled away over the road. Then there was silence.

Sheela Dempsey walked over to him and laid a hand upon his shoulder.

When she spoke her voice was full of an understanding womanly sympathy.

"Don't be troubling over it, Martin," she said, "Rose is not worth it."

She spoke her sister's name with some bitterness.

Vaguely Martin Cosgrave looked into the girl's eyes. He read there in a dim way what the girl could not say of her sister.

It was all so strange! The waiting-room was so bare, so cold, so grey, so like a sepulchre. What could Sheela Dempsey with all her womanly understanding, with all her quick intuition, know of the things that happened beside her? How could she have ears for the cras.h.i.+ng down of the pillars of the building that Martin Cosgrave had raised up in his soul? How could she have eyes for the wreck of the structure that was to go on through all the generations? What thought had she of the wiping out of a name that would have lived in the nation and continued for all time in the eternities, a tangible thing in Heaven among the Immortals when the stars had all been burned out in the sky?

Martin Cosgrave drove home from the railway station with Sheela Dempsey.

He sat without a word, not really conscious of his surroundings as they covered the miles. The girl reached across the side-car, touching him lightly on the shoulder.

"Look!" she exclaimed.

Martin Cosgrave looked up. The building stood in the moonlight on the crest of the hill. He bade the driver pull up, and then got down from the car.

"Who owns the house?" Sheela Dempsey asked.

"I do. I put it up on the hill for Rose."

There was silence for some time.

"How did you get it built, Martin?" Sheela Dempsey asked, awe in her tone.

"I built it myself," he answered. "I wonder has Rose as good a place?

What sort of a building is she in to-night?"

Martin Cosgrave did not notice the sudden quiver in the girl's body as he put the question. But she made no reply, and the car drove on, leaving Martin Cosgrave standing alone at the gate of the building.

The faint sweep of the drive lay before him. It led his eyes up to the crest of the hill. There it was standing shadowy against the sky, every delicate outline clear to his vision. The beech trees were swaying beside it, reaching out like great shapeless arms in the night, blurred and beckoning and ghostly. A little vein of their music sounded in his ears. How often had he listened to that music and the things it had sung to him! It made him conscious of all the emotion he had felt while he had put up the building on the hill.

The joy of the builder swept over him like a wave. He was within the rising walls again, his hands among the grey-blue shapes, the measured stroke of the mallet swinging for the s.h.i.+fting chisel, the throb of steel going through his arms, the grind of stone was under his hands, the stone dust dry upon his lips, his eyes quick and keen, his arms bared, the s.h.i.+rt at his breast open, his whole body tense, tuned, to the desire of the conscious builder.... Once more he moved about the carpet of splinters, the grateful crunch beneath his feet, his world a world of stubborn things, rejoicing in his power of direction and mastery over it all. And always at the back of his mind and blending itself with the work was the thought of a s.h.i.+p forging through the water at the harvest, a s.h.i.+p with white sails spread to the winds. Had not thought for the building come into his mind when dead things sprang to life in the resurrection of his hopes?

Martin Cosgrave turned away from the gate. He walked down where the shadow of the mearing was faint upon the road. He turned up the boreen closed in by the still hedges. He stumbled over the ruts. He stood at the cabin door and looked up at the sky with soulless eyes. The animation, the inspiration, that had vivified his face since the building had been begun had died. The face no longer expressed the idealist, the visionary. His eyes swept the sky for a purpose. It was the look of the man of the fields, the man who had thought for his crops, who was near to the soil.

He had not looked a final and anxious, a peasant look, at the sky from his cabin-door in the night since he had embarked upon the building. He was conscious of that fact after a little. He wondered if it was a vague stirring in his heart that made him do it, a vague craving for the old companions.h.i.+p of the fields this night of bitterness. They were the fields, the sod, the territory of his forefathers, the inheritance of his blood. Who was he that he should put up a great building on the hill? What if he had risen for a little on his wings above the common flock?

The night air was heavy with the scent of the late dry harvest and all that the late dry harvest meant to the man nurtured on the side of a wet hill. The sheaves of corn were stooked in his neighbour's fields.

Yesterday he had sacrificed the land to the building; to-morrow he would sacrifice the building to the land. Martin Cosgrave knew, the stars seemed to know, that a message, a voice, a command, would come like a wave through the generations of his blood sweeping him back to a common tradition. The cry for service on the land was beginning to stir somewhere. It would come to him in a word, a word sanctified upon the land by the memory of a thousand sacrifices and a thousand struggles, the only word that held magic for his race, the one word--Redemption! He looked up at the building, made a vague motion of his hand that was like an act of renunciation, and laughed a laugh of terrible bitterness.

"Look," he cried, "at the building Martin Cosgrave put up on the hill!"

He moved to the cabin-door, his feet heavy upon the uneven ground as the feet of any of the generations of men who had ever gone that way before.

He pressed the cabin-door with his fist. With a groan it went back shakily over the worn stone threshold, sticking when it was only a little way open. All was quiet, black, damp, terrible as chaos, inside.

Martin Cosgrave hitched forward his left shoulder, went in sideways, and closed the crazy door against the pale world of moonlight outside.